This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Despised and Rejected was very much ahead of its time in its depiction of homosexual love and desire, in Antoinette's 'crushes' and slow acceptance that she won't be able to be in love with a man, in its honest attitude to the war, and in the radical way it links maleness with belligerence and being gay with the refusal to kill. And it is a book that longs for Britain and Europe to be united. Dennis sees that 'the roads and railways that had been made throughout Europe to connect one country with another had been torn up to form frontiers and sever the connection.' He wishes that 'the barriers of racial hatred and racial envy be swept away; art and civilisation arise once more in place of murder and barbarity.' Despised and Rejected is brave; and it is balanced, generous, sane and civilised.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Vale Of Cedars: & Other Tales Grace Aguilar J. M. Dent, 1902 Inquisition; Jews; Marranos; Spain

Explores medieval French and English romances in their relation to the literary aesthetic of that vanished age as well as to the evolution of narrative. The framework of this investigation is chronological, beginning in the twelfth century with the work of Chrétien de Troyes and following through to the great Arhurian Prose Cycle and its remodelling by Sir Thomas Malory, whose mind and art the author strives constantly to elucidate. As it seeks out the meaning and design of the early masterpieces, the study transcends its chronological framework: major problems of style and technique arise that are of fundamental importance to the contemporary novel as well. Related phenomena in medieval painting, sculpture and manuscript ilumination are drawn upon to illustrate and reinforce the significance of the author's discoveries.

Cette uvre fait partie de la serie TREDITION CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie dans la serie TREDITION CLASSICS des ouvrages anciens de plus de deux millenaires. Ils etaient pour la plupart epuises ou unique-ment disponible chez les bouquinistes. La serie est destinee a preserver la litterature et a promouvoir la culture. Avec sa serie TREDITION CLASSICS, tredition a comme but de mettre a disposition des milliers de classiques de la litterature mondiale dans differentes langues et de les diffuser dans le monde entier.

Beloved NPR commentator and popular author Andrei Codrescu makes a stunning return to historical fiction, detailing the adventurous life and erotic times of the famed illuminist Giacomo Casanova. In his national bestseller The Blood Countess, Andrei Codrescu brought to life the bloodthirsty royal Elizabeth Bathory, who embodied nearly all the contradictions of the seventeenth century. Now he depicts the astonishing life of the legendary Casanova, as the old adventurer relives his life while writing his memoirs in a provincial Bohemian castle at the end of the eighteenth century. Far from being defeated by age, Casanova delights in the maidservants, reacts with intellectual vigor to the unfolding of the French Revolution, and collaborates with Mozart on Don Giovanni. Long considered the rhapsodist of an age of aristocratic mirth, scandal, and innumerable affairs, Casanova was also a first-rate intellect who corresponded and argued with Voltaire and Rousseau. His published work, besides the celebrated History of My Life, includes a multivolume fantasy fiction novel that predates and anticipates Jules Verne; translations of Italian classics into French; and a number of plays that were produced on the great stages of Europe. Casanova's romantic legend overshadowed his literary work, which was, for the most part, not published until 1960. The fate of his writings was nearly as fabulous and intriguing as that of their author. Still, even in abridged, bowdlerized, and fragmentary form, Casanova's memoirs have inspired writers as diverse as Flaubert, Stendhal, Hermann Hesse, and now, Andrei Codrescu. Codrescu's vivid fictional account illuminates the interest we still have in this uncompromising and magical libertine, while it imagines how his life would have continued if Casanova's immortality had extended beyond the literary. In Codrescu's retelling of the Casanova legend, readers are introduced to an age far less inhibited than our own, and far more interesting in its vices. At once a libertine, a defender of women, a reactionary, a revolutionary, a brilliant observer, and a visionary, Casanova was a man ahead of his time both in thought and in action. Finally, in this inventive and absorbing work, Casanova is given due credit for his writings, his philosophies, and, of course, for the amorous magic that has been made known to so many.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Tennessee's Partner; Issue 3 Of Western Classics Bret Harte null P. Elder and Company, 1907 Games; Gambling; General; California; Feature films; Fiction / Short Stories; Film adaptations; Friendship; Gambling; Games / Gambling / General; Man-woman relationships; Performing Arts / Film & Video / General; Western films

Title: Endymion.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Disraeli, Benjamin; 1880. pp. 84. 29 cm. 12623.k.25.

Aus dem Buch: "Sie hatten ohnehin ein wenig Aufsehen erregt. Man ist zwar in Paris an sehr vieles, das andernorts Zusammenrottungen verursachen würde, schlechtweg gewöhnt; ein höchst nachlässig gekleidetes Paar aber fällt in einem erstklassigen Mode-Restaurant auch in Paris auf. Ihre Gesichter, die in diesem Milieu sofort sozusagen dominierten, und das sichere Auftreten Fecs hatten den Maître d'Hôtel jedoch schnell entwaffnet; die Lebhaftigkeit ihrer Unterhaltung, welche durchaus gegen die Lokalusancen verstieß, besonders das überaus kräftige Mienenspiel Bichettes hatten dann aber neuerdings unliebsame Aufmerksamkeit hervorgerufen." Walter Serner (1889-1942) war ein Essayist, Schriftsteller und Dadaist.

"[...] "I hardly ever go to the theatre nowadays," I said. He looked at me reproachfully. "Some day you will find yourself, quite unexpectedly, facing a crisis in which your ignorance of the duty on formaldehyde will cost you dear, and then you will have cause to regret your indifference toward the progress of the modern drama. However, the third act of 'Ad Valorem' is laid in the reception room of a Tenderloin resort." "What?" I said. "It was bound to be," he replied. "Freed from all Puritanical [...]."

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1984 First Edition Basil Blackwell, GB. Hardcover with dj. F/Near F. DJ has slightest of edgewear at top, nearly imperceptible. No marks. Lovely book. Private collection.

“Cynthia†is a poignant novel by Leonard Merrick, showcasing his talent for crafting compelling narratives and memorable characters. Set against the backdrop of early 20th-century London, the story follows the intertwined lives of individuals navigating love, loss, and societal expectations. Merrick's elegant prose and keen observations create a rich tapestry of human experience, inviting readers to reflect on the complexities of relationships and the enduring power of the human spirit. This edition of “Cynthia†offers readers a chance to rediscover a classic work of British literature, celebrated for its insightful portrayal of human emotions and its timeless themes. Leonard Merrick's ability to capture the nuances of human interaction makes “Cynthia†a rewarding read for those who appreciate finely crafted literary fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. Zangwill was initially educated in Plymouth and Bristol. At age 9 he was enrolled in the Jews' Free School in Spitalfields in east London. Zangwill excelled here. He began to teach part-time at the school and eventually full time. Whilst teaching he also studied with the University of London and by 1884 had earned his BA with triple honours in philosophy, history, and the sciences. His writing earned him the sobriquet "the Dickens of the Ghetto" primarily based on his much lauded novel 'Children of the Ghetto: A Study of a Peculiar People' in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter. As a writer he was keen to reflect on his political and social outlooks. His simulation of Yiddish sentence structure in English aroused great interest. His mystery work, 'The Big Bow Mystery' (1892) was the first locked room mystery novel. Zangwill was also involved with narrowly focused Jewish issues as an assimilationist, an early Zionist, and later a territorialist. In the early 1890s he had joined the Lovers of Zion movement in England. In 1897 he joined Theodor Herzl (considered the father of modern political Zionism) in founding the World Zionist Organization. Zangwill quit the established philosophy of Zionism when his plan for a homeland in Uganda was rejected and founded his own organisation; the Jewish Territorialist Organization. Its stated goal was to create a Jewish homeland in whatever territory in the world could be found for them. Amongst the challenges in his life he found time to write poetry. He had translated a medieval Jewish poet in 1903 and his volume 'Blind Children' in 1908 shows his promise in this new endeavour. 'The Melting Pot' in 1909 made Zangwill's name as an admired playwright. When the play opened in Washington D.C., former President Theodore Roosevelt leaned over the edge of his box and shouted, "That's a great play, Mr. Zangwill, that's a great play." Israel Zangwill died on 1st August 1926 in Midhurst, West Sussex.

"Chosen Peoples", from Israel Zangwill. Israel Zangwil, british humorist and writer (1864-1926).

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

The most accurate and poetic translation of the world's greatest epic, which is now a film by Academy Award winner Christopher Nolan! “This may be the best translation of The Odyssey yet."—Edith Hall, The Telegraph A magnificent feat of translation, hailed by classicists and poets alike as a “momentous achievement”: “thrilling,” “rich and rhythmical,” “superb,” “mesmerizing,” “searingly faithful—yet absolutely original.” With this edition of Homer’s Odyssey, the celebrated author, critic, and classicist Daniel Mendelsohn brings the great epic to vividly poetic new life. Widely known for his essays on classical literature and culture in The New Yorker and many other publications, Mendelsohn gives us a line-for-line rendering of The Odyssey that is both engrossing as poetry and true to its source. Rejecting the streamlining and modernizing approach of many recent translations, he artfully reproduces the epic’s formal qualities—meter, enjambment, alliteration, assonance—and in so doing restores to Homer’s masterwork its archaic grandeur. Mendelsohn’s expansive six-beat line, far closer to the original than that of other recent translations, allows him to capture each of Homer’s dense verses without sacrificing the amplitude and shadings of the original. The result is the richest, most ample, most precise, and most musical Odyssey in English, conveying the beauty of its poetry, the excitement of its hero’s adventures, and the profundity of its insights. Supported by an extensive introduction and the fullest notes and commentary currently available, Daniel Mendelsohn’s Odyssey is poised to become the authoritative version of this magnificent and enduringly influential masterpiece.

Sybil, a novel by Benjamin Disraeli, is a powerful representation of the social and political issues of 19th-century England. Through a narrative of love, class struggle, and national identity, Disraeli provides a compelling account of the challenges of the day. The story follows Sybil, a passionate young woman, as she navigates the complexities of English society and the struggles of the working class. Disraeli's writing is richly detailed and poignantly captures the social and political issues of the era, providing a unique insight into the past. With its vivid characters and thought-provoking themes, Sybil is an essential read for those interested in 19th-century England and its people. Benjamin Disraeli (1804-1881) was an English politician, statesman, and author who served as the Prime Minister of the United Kingdom twice over his long and distinguished career. Disraeli is also remembered for his prolific literary career and renowned works of fiction, which often featured themes of ambition, power, and social climbing. Disraeli was born in London on December 21, 1804, to Isaac D'Israeli and Maria Basevi. He was educated at a variety of schools and universities, including Higham Hall and Trinity College, Oxford. In 1826, he left Oxford without a degree and embarked on a career in law. Despite his legal career, Disraeli was an avid reader and writer of fiction, and his first novel, Vivian Gray, was published in 1826. The book was well-received, and Disraeli continued to write political and social satire throughout his life. In 1837, Disraeli was elected to the House of Commons, where he aligned himself with the Conservative Party. In 1841, Disraeli's second novel, Coningsby, was published and was an instant success. This was followed by Sybil in 1845, and Tancred in 1847. His novels focused on social and political issues, such as the power of the aristocracy, the role of the Church, and the struggle between tradition and modernity. Throughout his political career, Disraeli continued to write and publish fiction, including Lothair in 1870, Endymion in 1880, and a collection of his works, The Works of Benjamin Disraeli, in 1883. His literary works have been praised for their insight into British society and class structure, and his novels remain popular to this day. Disraeli's legacy as both a politician and an author lives on in the United Kingdom, and his works continue to inspire readers and writers alike. His novels will remain a testament to his incredible talents and singular vision.

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