'Nobody knows more about everyday life in Victorian Britain than Judith Flanders' - Douglas Robert-Fairhurst, author of Metamorphosis and The Turning Point In Rites of Passage , acclaimed historian Judith Flanders deconstructs the intricate, fascinating, and occasionally - to modern eyes - bizarre customs that grew up around death and mourning in Victorian Britain. Through stories from the sickbed to the deathbed, from the correct way to grieve and to give comfort to those grieving to funerals and burials and the reaction of those left behind, Flanders illuminates how living in nineteenth-century Britain was, in so many ways, dictated by dying. This is an engrossing, deeply researched and, at times, chilling social history of a period plagued by infant death, poverty, disease, and unprecedented change. In elegant, often witty prose, Flanders brings the Victorian way of death vividly to life.

Isaias Hellman, a Jewish immigrant, arrived in California in 1859 with little money in his pocket and his brother Herman by his side. By the time he died, he had effectively transformed Los Angeles into the modern metropolis we see today. In Frances Dinkelspeil's groundbreaking history, the early days of California are seen through the life of a man who started out as a simple store owner only to become California's premier money man of the late 19th and early 20th centuries. Growing up as a young immigrant, Hellman quickly learned the use to which capital could be put, founding Los Angeles's Farmers and Merchants Bank, that city's first successful bank, and transforming Wells Fargo into one of the West's biggest financial institutions. He invested money with Henry Huntington to build trolley lines, lent Edward Doheny the funds that led him to discover California's huge oil reserves, and assisted Harrison Gray Otis in acquiring full ownership of the Los Angeles Times. Hellman led the building of Los Angeles's first synagogue, the Wilshire Boulevard Temple, helped start the University of Southern California, and served as Regent of the University of California. His influence, however, was not limited to Los Angeles. He controlled the California wine industry for almost 20 years, and after San Francisco's devastating 1906 earthquake and fire, calmed the financial markets there in order to help that great city rise from the ashes. With all of these accomplishments, Isaias Hellman almost single-handedly brought California into modernity --

"This is the first systematic study of the Lithuanian yeshivas that flourished from 1802 to 1914 in their social and cultural context; their legacy still dominates orthodox Jewish society. The main focus is the yeshiva of Volozhin, which in its independence of the local community was the model for everything that followed, but chapters are also devoted to the yeshivas of Slobodka and Telz, and to the kollel system." --

"Gay begins with a compelling analysis of the separate love stories of two young men, one English and one German, and proceeds from there to a wide-ranging inquiry into what love meant to the Victorians, both as an ideal and as a reality."--Jacket.

"We have always believed that Queen Victoria defined the mores of the nineteenth century. Yet Peter Gay, one of our most eminent cultural historians, asserts in this radical work that it is the sexually emboldened Viennese playwright Arthur Schnitzler (1862-1931), the most influential Austrian writer of his time, who provides a better symbol for the age." "In a set of nine closely linked chapters, each focusing on major topics of bourgeois life, Gay synthesizes three decades of far-ranging research, presenting a lucid reinterpretation of the nineteenth-century middle class - its passions, politics, religion, and anxieties - that we can only think we know well. Extending his examination back to 1815, at the close of the age of Napoleon, Gay chronicles a hundred-year period that witnessed not only the emergence of the middle class but also the birth of a culture that remains vital today. Throughout Schnitzler's Century, he does justice to the complexity of the era, showing that there was superstition as well as science, cruelty as well as humanity, anxiety as well as Eros. But digging deep into bourgeois life all the way from Philadelphia to Moscow, London to Rome, he has recognized a general Victorian style through the Western world, however colored each country was by characteristic local habits." "Schnitzler's Century is not revision for its own sake, but for the sake of the truth about the past. With the daring Viennese playwright Arthur Schnitzler as his companion, Gay provides startling perspectives on once-familiar subjects. Schnitzler's Century provides astonishing insights into an age that made us largely what we are today."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In December 1894, Captain Alfred Dreyfus, a brilliant French artillery officer and a Jew of Alsatian descent, was court-martialed for selling secrets to the German military attaché in Paris based on perjured testimony and trumped-up evidence. The sentence was military degradation and life imprisonment on Devil's Island, a hellhole off the coast of French Guiana. Five years later, the case was overturned, and eventually Dreyfus was completely exonerated. Meanwhile, the Dreyfus Affair tore France apart, pitting Dreyfusards - committed to restoring freedom and honor to an innocent man convicted of a crime committed by another - against nationalists, anti-Semites, and militarists who preferred having an innocent man rot to exposing the crimes committed by ministers of war and the army's top brass in order to secure Dreyfus's conviction.

An account of Ulysses S. Grant's hotly contested Civil War decision to expel Jewish citizens from the territory under his command evaluates the reverberations of his decision on his career, the nascent Jewish-American community, and the nation's political process.

Southern slaveholders proudly pronounced themselves orthodox Christians, who accepted responsibility for the welfare of the people who worked for them. They proclaimed that their slaves enjoyed a better and more secure life than any laboring class in the world. Now, did it not follow that the lives of laborers of all races across the world would be immeasurably improved by their enslavement? In the Old South but in no other slave society a doctrine emerged among leading clergymen, politicians, and intellectuals -- "Slavery in the Abstract," which declared enslavement the best possible condition for all labor regardless of race. They joined the Socialists, whom they studied, in believing that the free-labor system, wracked by worsening class warfare, was collapsing. A vital question: to what extent did the people of the several social classes of the South accept so extreme a doctrine? That question lies at the heart of this book.--Publisher.

“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times , “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” – The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” – The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” – Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” – Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle

This work presents an overview and critical evaluation of the different religious sub-groups within the contemporary Jewish community. It argues that what is now required is an alternative vision of Judaism based on an acceptance of the plurality which currently exists within modern Jewry.

In 1862 Nevada Territory, after finding his foster parents murdered and scalped, twelve-year-old Pinky Pinkerton, son of a railroad detective and a Sioux Indian, inherits a valuable deed and must hide from dangerous Whittlin Walt and his gang of desperados.

A comprehensive, integral account of European life, society, politics, arts, science, philosophy, economics, manners, and morals of the epoch.

"A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates - through virtuoso readings of works by Henry James, J.L. Austin, Judith Butler, the psychologist Silvan Tomkins and others - emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring."--Publisher's description

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

A panoramic new history of modern Britain, as told through the story of one extraordinary family, and one groundbreaking company. In the early 1800s, Lehmann Gluckstein and his family escaped the pogroms of Eastern Europe and made their way to Whitechapel in London's East End. There, starting with nothing, they worked tirelessly to pull themselves out of poverty, creating a small tobacco factory that grew to become the largest catering company in the world: J. Lyons. For over a century, Lyons was on every high street, in every home, in every coffee and teacup. It was an ascent from rags to riches in the face of many obstacles: poverty, hatred and anti-Semitism stood between this poor immigrant family and the British Dream. Legacy charts the rise and fall of one of the most influential dynasties in British history through the lives of five astonishing generations. Both sweeping and intimate, it is a story of sacrifice and selflessness, betrayal and personal tragedy, and Empire and its cost. It is also an illuminating new exploration of Britain and its place in the world, from the bestselling author of Hanns and Rudolf and The House by the Lake.

“Impressive…A scrupulously researched work enlarging our understanding of an integral aspect of slave culture.”–-The Washington Post Book World What was it like to be a slave on a plantation of the antebellum South? How did the fiction of the happy slave and myth of the plantation “family” evolve? How did slaves create a performance style that unified them, while simultaneously entertaining and mocking the master? The answers to these questions may be found in the groundbreaking study of the corn-shucking ceremonies of the prewar South, where white masters played host to local slaves and watched their “guests” perform exuberant displays of singing and dancing. Drawing on the detailed written and oral histories of masters, slaves, and Northern commentators, distinguished folklorist Roger Abrahams peels through layers of racism and nostalgia surrounding this celebration to uncover its true significance in the lives and imagination of both blacks and whites – and in the evolution of an enduring African-American culture.

Reissued in a new trade paperback format and design, "This richly researched, sensitively edited, annotated volume portrays indelibly, in their own words, the lives of American black women before, during, and immediately after the Civil War. . . ". Following a successful run in New York, an acclaimed stage adaptation of this work is touring nationally in 1997. Photos.

Chinese (mainland and Taiwan), European, Japanese, Canadian, and North American scholars address a subject of increasing interest in modern Chinese and world history: the emergence of a modern citizenry. While much attention has focused to date on the rise of the modern Chinese nation, little or none has been directed at the important concomitant element of a politically active "citizenry" and what that might mean in a Chinese context. After a detailed introduction by the editors on this theme in Western and East Asian theory and practice, each essay examines a thinker or group of thinkers from the crucial transition period in modern China, 1890-1920, and assesses their views on how China might forge a modern society with a participatory political citizenry.

This new volume in the Best American History Essays series brings together classic writing from top American historians on one of our greatest presidents. Ranging from incisive assessments of his political leadership, to explorations of his enigmatic character, to reflections on the mythos that has become inseparable from the man, each of these contributions expands our understanding of Abraham Lincoln and shows why he has been such an object of enduring fascination. Contributions include:* James McPherson on Lincoln the military strategist* Richard Hofstadter on the Lincoln legend* Edmund Wilson on his contribution to American letters* John Hope Franklin on the Emancipation Proclamation* James Horton on Lincoln and race* David M. Potter on the secession* Richard Current on Lincoln's political genius* Mark Neely on Lincoln and civil liberties