Returning to print for the first time since the 1980s, Metamorphoses of Science Fiction is the origin point for decades of literary and theoretical criticism of science fiction and related genres. Darko Suvin's paradigm-setting definition of SF as "the literature of cognitive estrangement" established a robust theory of the genre that continues to spark fierce debate, as well as inspiring myriad intellectual descendants and disciples. Suvin's centuries-spanning history of the genre links SF to a long tradition of Utopian and satirical literatures crying out for a better world than this one, showing how SF and the imagination of Utopia are now forever intertwined. In addition to the 1979 text of the book, this edition contains three additional essays from Suvin that update, expand and reconsider the terms of his original intervention, as well as a new introduction and preface that situate the book in the context of the decades of SF studies that have followed in its wake.

"Reconstructing the Talmud [...] introduces the modern Talmud student to the techniques developed over the last century for uncovering how this literature developed. Opening with an extended introduction outlining the methods employed by scholars to engage in such analysis, Reconstructing the Talmud proceeds with nine examples concretely demonstrating how such methods are applied to actual passages from the Bavli. Sorting out the layers of the Bavli, understanding each layer within its cultural and historical context, and comparing it with earlier sources, reveals a dynamic world of change, debate, halakhic diversity and development far richer and more nuanced than that which is evident in the static and fixed text of the printed edition. Reconstructing the Talmud introduces the reader to the world of academic Talmudic research and opens new venues of exploration and understanding of one of the world's great literary treasures"--

The Horizontal Society is an exposition of rabbinic thought as exemplified by Maimonides. The thought streams of Greece, Rome, and Christendom serve as a contrast. This work is in the Hebrew rhetorical tradition of melisa. The main text in five sections--The God of Israel, The Books of Israel, The Governance of Israel, The Memory of Israel, and The Folly of Israel-focuses on these core matters. It includes numerous references to orient the reader. The mode is similar to the author's previous work, such as Golden Doves with Silver Dots: Semiotics and Textuality in Rabbinic Tradition , interacting with the latest thought from today's academy. This book illustrates the horizontal organization of the Jewish people. Other social organization is based on hierarchy. Two principles made this difference possible for Israel. First, the Hebrew Scriptures alone propose that every human being is created in the image of God. This necessitates the absolute equality of every human being. Second, the Sinai covenant establishes the Law as the supreme authority. Whereas in other societies, might is the source of authority, in Judaism authority is limited by the Law. These principles were summarized by the last Prophet of Israel: "Has not one God created us? Why do we deal treacherously..., profaning the covenant of our fathers?" (Mal 2:10). There is a subdivided bibliography of forty pages, including both Jewish and "Western" sources. The scholarly apparatus includes indices of terms, names, and subjects. There are also seventy appendices of interest to rabbinic readership.

"Over the course of ten years, poet and critic David Biespiel published a brief, dazzling essay on poetry every month in what became the longest-running newspaper column on poetry in the United States. Collected here for the first time, these enormously popular essays, many of which have been revised and expanded, offer a fresh and refreshing approach to the reading and writing of poetry. With passion, wit, and common sense, they articulate a profound and entertaining statement about the mysteries of poetry and about poetry's essential role in our civic and cultural lives. A Long High Whistle discusses the work of nearly a hundred poets from ancient times to the present, in English and in translation--among them Catullus, Ovid, John Keats, Walt Whitman, Emily Dickinson, W. B. Yeats, Osip Mandelstam, Robert Hayden, Muriel Rukeyser, Pablo Neruda, Elizabeth Bishop, Seamus Heaney, Tomas Tranströmer, Inger Christensen, Natasha Trethewey, and many others. This collection will provide anyone, from the beginning poet to the mature writer to the lover of literature, with insights into what inspires poets, how poems are written and read, and how poetry situates itself in American life."--

In this fluent and penetrating study of the Book of Ruth, Yael Ziegler provides a masterful primer on how to read biblical narratives with sensitivity and depth, using recent methodological breakthroughs in the study of Tanakh. Beyond providing an eye-opening reading of a familiar biblical book, the author creatively demonstrates that midrashic readings can reveal deep strata of textual meaning, and combines these insights with classical and contemporary scholarship to uncover the religious messages of this beautifully crafted story. In Ruth: From Alienation and Monarchy, modern techniques of literary analysis and rabbinic homilies merge to yield common insights into themes such as leadership, redemption, identity, and social morality. The Book of Ruth, with its focus on the exemplary behavior of Ruth and Boaz, stands at the crossroads between society's downward trajectory during the era of the Judges and its ascent during the era of the monarchy. It teaches the timeless lesson of how two individuals can act in accordance with their own conscience and, through small acts of kindness and humanity, change the course of history and restore hope and unity to a nation.--Back cover.

Jacob Neusner, a noted scholar and prolific author on Jewish literature, history, and religion, believes that Jews and Christians do well to seek in their encounter with the teachings of the living God, the wisdom, imagination, and insight of the ages. "In this book," he writes in the Preface, "I want to contribute some modest measure of my own faith, Judaism, as that faith may add to the faith of our Christian neighbors, for all of us now dwell together in the new catacomb, the darkness of disdain for our common faith in one God, creator of heaven and earth, judge of all humankind. This is a book of religious faith."

How well integrated were Jews in the Mediterranean society controlled by ancient Rome? The Torah's laws seem to constitute a rejection of the reciprocity-based social dependency and emphasis on honor that were customary in the ancient Mediterranean world. But were Jews really a people apart, and outside of this broadly shared culture? Were the Jews a Mediterranean Society? argues that Jewish social relations in antiquity were animated by a core tension between biblical solidarity and exchange-based social values such as patronage, vassalage, formal friendship, and debt slavery. Seth Schwartz's examinations of the Wisdom of Ben Sira, the writings of Josephus, and the Palestinian Talmud reveal that Jews were more deeply implicated in Roman and Mediterranean bonds of reciprocity and honor than is commonly assumed. Schwartz demonstrates how Ben Sira juxtaposes exhortations to biblical piety with hard-headed and seemingly contradictory advice about coping with the dangers of social relations with non-Jews; how Josephus describes Jews as essentially countercultural; yet how the Talmudic rabbis assume Jews have completely internalized Roman norms at the same time as the rabbis seek to arouse resistance to those norms, even if it is only symbolic. Were the Jews a Mediterranean Society? is the first comprehensive exploration of Jewish social integration in the Roman world, one that poses challenging new questions about the very nature of Mediterranean culture.

This book discusses the interaction between history, rabbinic literature and feminist studies. Recent approaches to rabbinic literature have overturned the traditional view of these writings and new literary methods were suggested, mostly denying them all historical value. But rabbinic literature constitutes the main source for the lives of Jews in Palestine and Babylonia during the late Roman period, and thus should not be totally rejected. This study suggests a new post-literary approach, i.e. it discusses the residue of the texts after these have been analyzed and dissected by literary critics. But mainly this is a book about women's history, adopting many assumptions of feminist criticism about the androcentric nature of all ancient texts, and approaches them with due suspicion. The Rabbis treated women differently from the way they treated men. This resulted in the former's marginalization and manipulation by the texts. On the other hand, however, it created an ironic situation whereby principles useful for the recovery of historical information on women, are useless when applied to men. This study describes such principles and demonstrates them with the help of many examples.

The only English-language translation of the Tosefta ("supplement"), which contains explanations and discussion not included in the Mishnah and is organized according to the same six divisions. Materials in the Tosefta are attributed to rabbinic authorities in the first and second centuries C.E., the same ones cited in the Mishnah, and as such the Tosefta is crucial to the study of formative rabbinic Judaism and early Christianity. This two-volume edition, by renowned rabbinic scholar Jacob Neusner, contains the complete text of the original six-volume set. The following features enhance the usefulness of this new the text is continuously paginated, with a new preface, a single general index, and a full index of biblical and talmudic references.

According to historical teaching, a Jewish man should give thanks each day for ''not having been made a gentile, a woman, nor a slave.'' Yoel Kahn's innovative study of a controversial Jewish liturgical passage traces the history of this prayer from its extra-Jewish origins across two thousand years of history, demonstrating how different generations and communities understood the significance of these words in light of their own circumstances. Marking the boundary between ''us'' and ''them,'' marginalized and persecuted groups affirmed their own identity and sense of purpose. After the medieval Church seized and burned books it considered offensive, new, coded formulations emerged as forms of spiritual resistance. Owners voluntarily carefully expurgated their books to save them from being destroyed, creating new language and meanings while seeking to preserve the structure and message of the received tradition. Renaissance Jewish women ignored rabbis' objections and assertively declared their gratitude at being ''made a woman and not a man.'' Illustrations from medieval and renaissance Hebrew manuscripts demonstrate creative literary responses to censorship and show that official texts and interpretations do not fully represent the historical record. As Jewish emancipation began in the 19th century, modernizing Jews again had to balance fealty to historical practice with their own and others' understanding of their place in the world. Seeking to be recognized as modern and European, early modern Jews rewrote the liturgy to fit modern sensibilities and identified themselves with the Christian West against the historical pagan and the uncivilized infidel. In recent decades, a reassertion of ethnic and cultural identity has again raised questions of how the Jewish religious community should define itself. Through the lens of a liturgical text in continuous use for over two thousand years, Kahn offers new insights into an evolving religious identity and recurring questions of how to honor both historical teaching and contemporary sensibility.

Is the Bible actually a love story between a deity and a people? And what does this love story have to do with the modern world? In With All Thine Heart distinguished cultural critic Ilan Stavans speaks to freelance writer Mordecai Drache about love in the Bible. Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective tissue that binds this work. Addressing a wide range of topics, from biblical archaeology and fundamentalism to Hollywood movies, lexicography, and the act of praying, With All Thine Heart suggests that the Hebrew Bible is a novel worth decoding patiently, such as one does with classics like Don Quixote de la Mancha, In Search of Lost Time, and Anna Karenina. Similar to the protagonists in these tales, biblical characters, although not shaped with the artistic nuance of modern literature, allow for astonishing insight. This exploration of love through the pages of the Bible--organized chronologically from Genesis to Exodus and followed by insightful meditations on the Song of Songs and the Book of Job--is a delightful intellectual and spiritual treat . . . Shema Ysrael!

Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.

The book describes in detail the ritual purity system of the Hebrew Bible, and its development into the system of the rabbis. Certain human conditions require purification before contact is made with holy foods or areas. Recent scholarly theories (Milgrom, Neusner, Douglas) are discussed, and new theories are proposed for the origin of the Red Cow and Scapegoat rites. It is argued that the impurities concerned all derive from the human cycle of generation, birth and death, from which the Sanctuary is to be guarded; not because it needs protection from demonic powers (as in other ancient purity systems), but because of the reverence due to the divine presence. While the priestly code of holiness displays traces of earlier conceptions, its ritual has lost urgent salvific force, and has become a protocol for the Temple and a dedicatory code for a priestly people; the sources distinguish it from universal morality.

Genesis 1–11 is a text that may well have received more attention than any other in the history of literature. Nevertheless, what do we know about the personal names that occur in these chapters and whose influence has permeated all of Western literature? Hess provides a thorough investigation of the ancient Near Eastern background of these names and discusses how each played a key role in adding significance to the stories and genealogies in which they are found. By studying both the linguistic contexts in the surrounding cultures and the wordplay in the biblical texts, the author provides the first comprehensive study of the importance of these names and traces the implications of his results for the antiquity and power of the familiar stories in which they appear.

Nicholas Horsfall was one of the most recognizable and influential Latinists of his generation. His main legacy is his work on Virgil and the five erudite commentaries on the Aeneid, but he was also a prolific writer of papers, both Virgilian and non-Virgilian. A number of Horsfall's papers, including the important 'Camilla', are translated in this volume for the first time.0Stretching from 1971 to 2015, the papers are drawn from his entire output demonstrating his unparalleled ability to connect Roman poetry with history, antiquarianism, and Realien. While showcasing his unique analysis of Virgil, it also highlights Horsfall's work as both a Latinist and a Romanist, illuminating the coherence in his approach. This volume includes many Virgilian papers that have become classics-on Aeneas the colonist, and on the Aeneas-legend, for example. This does not detract from the value of the non-Virgilian papers, many of which-on the collegium poetarum, and on discussions of reading and libraries at Rome, for example-have become standard treatments of their subjects. Throughout all these works there is an astonishing degree of connection, with glimpses in many papers of his other research interests.0'Nicholas Horsfall needs to be approached through his short papers, typically fresh, innovative and stimulating, and he has been so productive that nobody can claim to have had a full view of his scholarship. When it comes to placing a literary text in the frames offered by material culture, documents, landscapes, history, and by religious, legal, military and antiquarian studies, he was unrivalled.' Professor Alessandro Barchiesi, Professor of Classics, New York University.

Do Old Testament poetry and narrative, wisdom-writing and prophecy work on us in the same way as do nonbiblical literary texts? Competent readers over the centuries have arrived at conflicting answers to this question. Some (from Longinus on) have maintained that biblical books offer examples of supreme literary art; others have passionately rejected this approach, insisting that beauty and pleasure are not the Bible's business. Poetry with a Purpose argues that, paradoxically, both views are right. Biblical poetics is marked by an unusual tension between aesthetic and nonaesthetic (even anti-aesthetic) modes of discourse. To understand this dialectic is to understand something quite fundamental about biblical texts and, more particularly, about the nature of the contract that governs their reading. The text summons the reader to respond to a familiar form but at the same instant undermines that response, deconstructs that form. The book of Ester, for example, displays the conventions of the Persian epic tradition, but its style is subtly challenged by the text itself. Similarly, the book of Job might seem to conform to the classical concept of tragedy but ultimately presents a uniquely biblical version of the form. While the prophets use the language of myth, they will often explode or "demythologize" their own language, affirming purposed at variance with the world of myth. Harold Fisch applies his remarkably fruitful thesis to a number of biblical texts and modes, among them biblical pastoral, the Song of Songs, Psalms, Hosea, and Ecclesiastes. Equally at home in biblical studies and in general literature and theory, the author has produced a highly original work of unusual range and scholarship.

The good news (euangelion) of the crucified and risen Messiah was proclaimed first to Jews in Jerusalem, and then to Jews throughout the land of Israel. In Jerusalem Crucified, Jerusalem Risen, Mark Kinzer argues that this initial audience and geographical setting of the euangelion is integral to the eschatological content of the message itself. While the good news is universal in concern and cosmic in scope, it never loses its particular connection to the Jewish people, the city of Jerusalem, and the land of Israel. The crucified Messiah participates in the future exilic suffering of his people, and by his resurrection offers a pledge of Jerusalem's coming redemption. Basing his argument on a reading of the Acts of the Apostles and the Gospel of Luke, Kinzer proposes that the biblical message requires its interpreters to reflect theologically on the events of post-biblical history. In this context he considers the early emergence of Rabbinic Judaism and the much later phenomenon of Zionism, offering a theological perspective on these historical developments that is biblically-rooted, attentive to both Jewish and Christian tradition, and minimalist in the theological constraints it imposes on the just resolution of political conflict in the Middle East.

Israel Knohl offers a new perspective on the history and theology of the Priestly source of the Pentateuch. By means of an analysis of specific texts--for example, those that deal with the Sabbath and the Festivals--Knohl demonstrates the existence of two separate Priestly sources, loosely speaking, the two sources that we have referred to as P and the Holiness Code. The "Holiness School" is shown to have been active subsequent to the school that produced the Priestly Torah and, in fact, to have been responsible for the great enterprise of editing the Torah. Knohl examines the conceptions of divinity and ritual reflected in Priestly thought and legislation in ancient Israel and the changes revealed in these conceptions over time. The priesthood appears as an elite group that was closeted within the walls of the "Sanctuary of Silence," drawn toward the hidden, noble divinity ensconced within its shrine. The later stratum of Priestly writings expresses a desire to transcend the limits of the temple and go out into the broad avenues of the nation, even at the price of surrendering the loftiness of earlier faith and practice. The conclusion describes the changes that occurred in the priests' world view as an attempt to come to terms with the socioreligious crisis that had brought about a disjunction between ritual and ethics. In response to this crisis, the priests developed a wider conception of holiness, one that integrates ethics and ritual in one sphere. This is a reprint of the 1995 Fortress Press edition.