The Future of International Law is a classic international law text by Lassa Oppenheim. He who would portray the future of international law must first of all be exact in his attitude towards its past and present. International law as the law of the international community of states, such as is the present-day conception of it, is of comparatively modern origin.

Australia's favourite popular scientist returns with a new book of scintillating science. His latest book is packed with fun facts and breakthrough science to thrill, amuse and entertain. Dazzling and daring, the inimitable Dr Karl has all the answers to the questions you never thought to ask! Prepare to discover the truth about Green Tea; why crime pays (but not very well); how you can out-run a deer; the world of Big Data; why Space is the Hostile Frontier; and just what takes the title of the world's most expensive book

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.

The final installment of John Zorn's major series of new music theory, with Oren Ambarchi, Peter Blegvad, Annea Lockwood, Henry Threadgill and many more Initiated in 1997 and now in its tenth and final installment, John Zorn's acclaimed Arcana series is a major source of new music theory and practice in the 21st century. Illuminating directly via the personal vision and experience of the practitioners themselves, who experience music not from a cool, safe distance, but from the white-hot center of the creative crucible itself, Arcana elucidates through essays, manifestos, scores, interviews, notebooks and critical papers. Over 25 years the ten volumes of Arcana have presented the writings of over 300 of the most extraordinary musical thinkers of our time, who address composing, performing, improvising, touring, collaborating, living and thinking about music from diverse, refreshing and often surprising perspectives. Technical, philosophical, political, artistic and mystical in nature, these writings provide direct connections to the creative processes and hidden stratagems of musicians from the worlds of classical, rock, jazz, film soundtrack, improvised music and more. Contributors include : Susan Alcorn, Oren Ambarchi, Ran Blake, Peter Blegvad, Tyondai Braxton, Patricia Brennan, John Butcher, Ben Coniguliaro, Amir Elsaffar, Kenny Grohowski, Tom Guralnick, Mark Helias, David Hertzberg, Stefan Jackiw, Dan Kaufman, Derek Keller, Richard Kessler, Pauline Kim, Ulrich Krieger, Hannah Lash, Dan Lippel, Annea Lockwood, Dave Lombardo, Charlie Looker, Thomas Morgan, Stephen O'Malley, Laura Ortman, Alex Paxton, Alexandria Smith, Conrad Tao, Pat Thomas, Henry Threadgill, Anna Webber, Fay Victor, Christian Wolff and Miguel Zenon.

This collection of essays, reviews, diary entries and letters from the late renowned writer includes his thoughts on Salman Rushdie, being spanked by Margaret Thatcher in The House of Lords, and taking his son to the Oscars.

"Full of what you might call conversation starters: tricky propositions about morality... politics, privilege, runaway nationalist fantasies, collective guilt, and art as a force for change (or not)...It's a treat to hear him speak his curious mind."--O Magazine In these beautiful essays, Wallace Shawn takes us on a revelatory journey in which the personal and political become one. Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the "unobtrusives," the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan's cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings. He grasps contradictions, even when unpleasant, and challenges us to look, as he does, at our own behavior in a more honest light. He also finds the pathos in the political and personal challenges of everyday life. With a sharp wit, remarkable attention to detail, and the same acumen as a writer of prose as he is a playwright, Shawn invites us to look at the world with new eyes, the better to understand--and change it. Praise for Wallace Shawn and Essays: "Lovely, hilarious and seriously thought provoking, I enjoyed it tremendously."--Toni Morrison "Wallace Shawn writes in a style that is deceptively simple, profoundly thoughtful, fiercely honest. His vocabulary is pungent, his wit delightful, his ideas provocative."--Howard Zinn, author, A People's History of the United States "Wally Shawn's essays are both powerful and riveting. How rare to encounter someone willing to question the assumptions of class and the disparity of wealth that grows wider every year in this country. To have such a gentle and incisive soul willing to say what others may be afraid to is considerably refreshing."--Michael Moore, film-maker Shawn's language, his unmistakable, original voice, felicitous, is unadorned, elegant, immediate, true. He's also a brilliant interviewer, as everyone who's seen My Dinner With Andre (which is just about everyone) knows. And, of course, he's very funny."--Tony Kushner, playwright, Angels in America "Wallace Shawn is a bracing antidote to the op-ed dreariness of political and artistic journalism in the West. He takes you back to the days when intellectuals had the wit and concentration to formulate great questions - and to make the reader want to answer them."--David Hare, playwright Wallace Shawn Wallace Shawn is an Obie Award-winning playwright and a noted stage and screen actor (Star Trek, Gossip Girl, The Princess Bride, Toy Story). His plays The Designated Mourner and Marie and Bruce have recently been produced as films. He is co-author of the movie My Dinner with Andre and author of the plays The Fever, The Designated Mourner, Aunt Dan and Lemon, and Grasses of a Thousand Colours.

Creative nonfiction is the literary equivalent of jazz: it's a rich mix of flavors, ideas, voices, and techniques--some newly invented, and others as old as writing itself. This collection of 20 gripping, beautifully-written nonfiction narratives is as diverse as the genre Creative Nonfiction magazine has helped popularize. Contributions by Phillip Lopate, Brenda Miller, Carolyn Forche, Toi Derricotte, Lauren Slater and others draw inspiration from everything from healthcare to history, and from monarch butterflies to motherhood. Their stories shed light on how we live.

This collection of essays by Alexander Gerschenkron, who has been called “the doyen of economic history in the United States,” is a companion volume to the author’s highly acclaimed Economic Backwardness in Historical Perspective. The essays range over a wide variety of subjects, but the major theme, as in Gerschenkron’s previous book, is the conditions of industrial development, particularly in regard to nineteenth-century Europe. The book is divided into three parts. In Part I, Methodology, the essays are: “On the Concept of Continuity in History,” “Some Methodological Problems in Economic History,” and “Reflections on Ideology as a Methodological and Historical Problem.” Part II, Problems in Economic History, deals with “The Typology of Industrial Development as a Tool of Analysis,” “The Industrial Development of Italy: A Debate with Rosario Romeo,” “The Modernization of Entrepreneurship,” “Russia: Agrarian Policies and Industrialization, 1861–1914,” and “City Economies Then and Now.” In Part III, The Political Framework, the essays are: “Reflections on the Economic Aspects of Revolution,” “The Changeability of a Dictatorship,” and “The Stability of Dictatorships.” A series of appendices presents reviews and review articles by Gerschenkron.

Explores the structural and political relations of the Atlantic trade in the 18th century

It was July 23, 1892, and Alexander Berkman was planning to die. He just had some business to attend to first. Dressed in a new suit and a black derby hat, Berkman burst into the Pittsburg office of Henry Clay Frick, the notoriously anti-union manager of the Carnegie Steel Company. From his pocket, Berkman produced a pistol. This pocket-sized book collects the shorter works of one of the world's most influential anarchists.

This discussion of a range of interesting scientific phenomena deals with topics such as chaos theory, fingerprints, vampires, Damascus steel, and antibiotics. Discusses associated technology, and also the history behind various scientific discoveries. The author is the Julius Sumner Miller Fellow at the University of Sydney. He has appeared on popular TV and radio science shows, and published widely on various aspects of science.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"This is an insider's view, and Raskin offers readers insights into a hidden California. The impact of his book is to return culture to agriculture in a state dominated by agribusiness."--Gerald Haslam, author of The Great Central Valley: California's Heartland "Jonah Raskin has lived and taught in this area for well over thirty years and has the credibility to write about the evolution of farming here. His book is a magical mixture of journalism and memoir. I loved his interviews with local farmers and growers. He explores the questions that we all are asking about our relationship to food and what it means to eat locally, who grows it, and will they be able to continue to do so."--Ianthe Brautigan, author of You Can't Catch Death: A Daughter's Memoir "'Think global, buy local' takes on new meaning in this intriguing synthesis of memoir and reportage on the slow and local food movements."--Peter Laufer, author of Wetback Nation and The Dangerous World of Butterflies "Anyone wanting to know what it's like to live in the paradise that is Sonoma County must read Field Days . Jonah Raskin brings this blessed region and its communities of environmental champions vividly to life."--Jeff Cox, author of The Organic Cook's Bible and The Organic Food Shopper's Guide "In Jonah Raskin's wonderfully observant ramble through Sonoma County's farms, orchards, and vineyards, it becomes abundantly clear that American farming has not been killed off by agribusiness, or the Department of Agriculture's call to 'get big or get out'. With Raskin we meet a rich community of amazing people who have stayed on the land, or gone back to it, sharing a new kind of ecologically informed consciousness about our intimate connections to the land and the people who work it. Anybody who reads this book, wherever they live, will gain a new appreciation of this new generation of farmers. Thanks to them, we're learning to eat well--a basic necessity in the hard times ahead."--Ernest Callenbach, author of Ecotopia "In Field Days , Jonah Raskin becomes the George Plimpton of organic farming. Instead of getting out on the playing field to measure his stuff against pro athletes, he toils long days beside farm workers. Soulful and always curious, Raskin traces the tradition of responsible farming practices in Northern California, and explores the meaning of living locally."--Bart Schneider, author of The Man in the Blizzard

"A Hall of Fame writer at the top of his game." -- The Beacon Journal The best sports writing of Hall-of-Fame sportswriter Hal Lebovitz, longtime dean of Cleveland sports journalists. Several generations of sports fans grew up reading Hal Lebovitz on the sports pages. Hal covered just about every major sports event over 60 years, reporting on each with honest, straightforward words and firm opinions--and most likely a scoop on the competition. He wrote about the greats--Jim Brown, Bob Feller, Ted Williams, Woody Hayes ... and the great moments--the Indians' 1948 playoff game, the Browns' 1964 championship season, Rocky Colavito's four consecutive home runs. His writing was featured 17 times in the annual Best Sports Stories and selected for numerous other anthologies. He won countless writing awards and been inducted into 12 halls of fame--including the National Baseball Hall of Fame. Always, Hal has written for the fans. And for as long as anyone can remember, fans have been reading Hal for his particular take on events. His constant, steady presence in the local sports pages for so many decades has made Hal Lebovitz a legitimate icon in Cleveland sports--a guy who, with his typewriter, has been as remarkable and consistent and rare as a .400 hitter.

The author draws comparisons and parallels between culture today and past historical events of the 20th century.

In this collection, Joseph Epstein departs from his consistently penetrating essays on writers and writing to indulge his fondness for the world of sport in all its forms. From saving Joe DiMaggio’s reputation from a second-rate biographer to marveling at the skills of a Michael Jordan—“a fine rousing spectacle, watching this magnificent athlete who turned his sport into art”—Epstein even recounts a dreary night as a guest in a skybox for a Chicago Bulls game.

Anchor Books proudly launches an annual essay series. Acclaimed essayist Phillip Lopate has selected the most surprising, important, and exquisite pieces published during the last twelve months. Bringing together materials from both periodicals and books, The Anchor Essay Annual 1997 also includes essays never before published, as well as translations from abroad. The result is as rich and unique as it is cosmopolitan. In her brilliantly frank "Revelation", Mary Gaitskill recounts the religious epiphany that changed her life. Hilton Als explores the "Negressity" of his soul in "My Pin-Up". In his dazzling "The Laying Off of Desire", Jean Baudrillard sets forth a flamboyant dissection of human sexuality. Hubert Butler ruminates on the stunted life of his handicapped grandchild in "Little K." We relive the glories and disappointments of the Borscht Belt in Vivian Gornick's evocative group portrait, "The Catskills Remembered". And we ride a rollercoaster of cultural insight in Daniel Harris's "A Psychosexual History of the Homosexual Body". A a whole, this superb collection is a heady cocktail indeed. All of this exciting new work is placed in context with an illuminating introduction from Phillip Lopate, "the house authority on the genre and its greatest practitioner" ( Washington Times ). With generous selections from over twenty-five writers from around the world, The Anchor Essay Annual 1997 is the first in what is sure to become a series widely anticipated and highly acclaimed, every October, for years to come.

"This book asks fundamental questions about the uses of history. That it does so from a rootedness in Jewish history, an unassimilated location, is one part of its strength. But history alone doesn't confer this strength; the poet's continuing labor with Jewish meaning does. The other part, of course, is the integrity of its poetics. A Klepfisz poem lives amid complex tensions, even when its texture may appear transparent. There is a voice, sometimes voices, in these poems which can often best be heard by reading aloud. Her sense of phrase, of line, of the shift of tone, is almost flawless. But perfection is not what Irena Klepfisz is after. It is the tension between so many forces: Language, speechlessness, memory, politics, irony, compassion, hunger for what is lost, hunger for a justice still to be made, that makes this poetry crucial to the new unfoldings of history that we begin, in 1990, to imagine." -- from the introduction by Adrienne Rich

"In this capstone book, fairy tale expert Jack Zipes has assembled what he describes as his last theoretical and critical study of fairy tales. His purpose is to create a coherent collection that pays tribute to a group of writers that he views as "survivors with a mission" whose tales inspire readers to this day. The book begins with a substantial introduction in which Zipes discusses the history of his interest in fairy tales and the motivation for his scholarship in the field. In a world filled with conflict, he writes, "fairy tales can be used for enlightenment by all of us or abused by small groups of powerful people who seek domination." The main text includes thirteen essays on notable authors of fairy tales-Édouard Laboulaye, Kurt Schwitters, Béla Bálazs, Christian Bärmann, Charles Godfrey Leland, Mariette Lydis, Ernst Bloch, Paul Vaillant-Couturier, Hermynia zur Mühlen, Lisa Teztner, Felix Salten, Emery Kelen, and Gianni Rodari-many of whom lived through revolutions and world wars or were otherwise compelled to confront political oppression during their lives. Zipes considers their cultural significance and their contributions to fairy tale literature, arguing that each deserves greater attention and appreciation. Some of the chapters have been adapted from previously published introductions Zipes wrote for the Oddly Modern Fairy Tales series, which he edits, and others are adapted from scholarly volumes that Zipes has published over his long career as a self-identified "scholarly scavenger" of largely forgotten tales. Together, they create a portrait of the political stakes that have animated Zipes's lifelong fascination with the fairy tale, and explain why readers and writers alike continue to return to this narrative form"--