Rainbow Jews looks at the intersection of gay and Jewish identity in American and Israeli film and theater from the 1960s to the present. Through a close reading of the texts of numerous American and Israeli plays and films, Friedman evaluates some of the key conventions that have been employed to construct, critique, and reflect the connection between Jewishness and gay identity in the United States and Israel. Friedman also explores ways in which gay-Jewish playwrights and filmmakers have progressed the reevaluation of sexual norms within Judaism over the past three decades, inspiring and integrating Jewish members of the GLBT community into the overall Jewish historical narrative.

In what may be the most controversial book on Zionism and Israel published in the last twenty years, Yoram Hazony graphically portrays the cultural and political revolt against Israel's status as the Jewish state. Examining ideological trends in academia, literature, media, law, the armed forces, and the foreign policy establishment, Hazony contends that Israelis are preparing themselves for the final break with the Jewish past and the Jewish future. In a dramatic new reading of Israeli history, Hazony uncovers the story of how Martin Buber, Gershom Scholem, Hannah Arendt, and other German-Jewish intellectuals bitterly fought against the establishment of Israel, and later used the Hebrew University as a base for deposing David Ben-Gurion and discrediting Labor Zionism. The Jewish State is a must-read for anyone concerned with Israel's present and future.

"One of the great statesmen of our century, Shimon Peres, winner of the 1994 Nobel Peace Prize, has shaped the history of Israel and the future of the Middle East. In the seventies, as Israel's minister of defense, he engineered the legendary Entebbe raid against PLO terrorists; in the eighties, as prime minister, he saved the Israeli economy from near collapse; and as foreign minister, Shimon Peres is now a key negotiator in the peace accords that he helped bring about. In Battling for Peace, he tells, for the first time, the story of his amazing career. As we follow Peres from his ancestral home in Poland to Israel, from the youth village of Ben-Shemen to Kibbutz Alumot, from youth movement leader to prime minister, we are introduced both to a man and to a nation. A thoughtful, disciplined, and immensely resourceful young man, Peres was singled out by Israel's great leader David Ben-Gurion, who appointed him, while still in his twenties, director general of the Ministry of Defense. From this point on, Peres's life was inseparable from his country's history. Peres writes of his bitter quarrels with Golda Meir and Yitzhak Rabin, and of his great admiration for Ben-Gurion, Moshe Dayan, and Francois Mitterrand. He discusses the origins of Israel's nuclear program, and tells how he led the way toward the Oslo agreement, describing his secret talks with King Hussein in London ten years ago, and revealing how a chance for peace was thwarted by self-serving politicians and timid American diplomacy"--OCLC

"A detailed history and analysis of Arab-Israeli relations and the conflict between two peoples claiming the same land, exploring through firsthand experience how these relations have been shaped over the years and assessing the prospects for a peaceful future"--Provided by publisher.

Discusses the geography, history, economy, government, religion, people, foreign relations, and communities of Israel.

In Painted in Words internationally renowned artist Samuel Bak sets aside his brushes to narrate the stories of his life--as a child in Nazi-occupied Vilna, as a youth in European refugee camps, and as a maturing artist in Israel, France, Italy, Switzerland, and the United States. Lovingly, he evokes his departed parents, grandparents, aunts, and uncles, along with their households and employees, to create a vital gallery of dramatic, lyrical, epic, and sometimes absurd heroes. With gentle humour, the child prodigy of the faraway past and the accomplished artist of today engage in a spirited dialogue from which emerges a self-portrait of "The Artist as a Young--and middle-aged and ageing--Survivor." The brilliance, vision, and virtuosity that Bak brings to his painting are equally in evidence in his writing. This deeply touching work is a worthy addition to Holocaust literature and art history.Samuel Bak, born in Vilna in 1933, had the first exhibition of his drawings at the age of nine in the Vilna ghetto. Escaping after its destruction, he emigrated to Israel, where he studied at the Bezalel Art School in Jerusalem. In an artistic career of over forty years he has had numerous exhibitions in museums and galleries throughout Israel, Europe, and the United States. Since 1993 he has lived in the Boston area with his wife, Jose.Bak's other publications include Landscapes of Jewish Experience; Chess as Metaphor in the Art of Samuel Bak; The Game Continues: Chess in the Art of Samuel Bak; and The Past Continues."At my first sight of a painting by Samuel Bak, I had the keen sense that he was telling me stories with his brush. Now that at long last he has written this book, I find it no wonder that he has painted with his pen. . . . Among the tens and hundreds of books I have read about the pre-Shoah and post-Shoah period . . Bak's book is unique. Despite being suffused with a sense of loss, horror, degradation, and death, it is ultimately a sanguine, funny book, full of the love of life, rocking with an almost cathartic joy. At times I found myself bursting out laughing . . . a marvellous ode, a colourful hymn to the forces of life, love, creation, and the joys of the senses." --From the Foreword by Amos Oz

As a young man Meron Benvenisti often accompanied his father, a distinguished geographer, when the elder Benvenisti traveled through the Holy Land charting a Hebrew map that would rename Palestinian sites and villages with names linked to Israel's ancestral homeland. These experiences in Benvenisti's youth are central to this book, and the story that he tells helps explain how during this century an Arab landscape, physical and human, was transformed into an Israeli, Jewish state. Benvenisti first discusses the process by which new Hebrew nomenclature replaced the Arabic names of more than 9,000 natural features, villages, and ruins in Eretz Israel/Palestine (his name for the Holy Land, thereby defining it as a land of Jews and Arabs). He then explains how the Arab landscape has been transformed through war, destruction, and expulsion into a flourishing Jewish homeland accommodating millions of immigrants. The resulting encounters between two peoples who claim the same land have raised great moral and political dilemmas, which Benvenisti presents with candor and impartiality. Benvenisti points out that five hundred years after the Moors left Spain there are sufficient landmarks remaining to preserve the outlines of Muslim Spain. Even with sustained modern development, the ancient scale is still visible. Yet a Palestinian returning to his ancestral landscape after only fifty years would have difficulty identifying his home. Furthermore, Benvenisti says, the transformation of Arab cultural assets into Jewish holy sites has engendered a struggle over the "signposts of memory" essential to both peoples. Sacred Landscape raises troublesome questions that most writers on the Middle East avoid. The now-buried Palestinian landscape remains a symbol and a battle standard for Palestinians and Israelis. But it is Benvenisti's continuing belief that Eretz Israel/Palestine has enough historical and physical space for the people of both nations and that it can one day be a shared homeland.

Modern-day Israel, and the Jewish community, are strongly influenced by the memory and horrors of Hitler and the Holocaust. Burg argues that the Jewish nation has been traumatized and has lost the ability to trust itself, its neighbors or the world around it. He shows that this is one of the causes for the growing nationalism and violence that are plaguing Israeli society and reverberating through Jewish communities worldwide. Burg uses his own family history--his parents were Holocaust survivors--to inform his innovative views on what the Jewish people need to do to move on and eventually live in peace with their Arab neighbors and feel comfortable in the world at large. Thought-provoking, compelling, and original, this book is bound to spark a heated debate around the world.

"Since its foundation in 1948, Israel has drawn on Zionism, the movement behind its creation, to provide a sense of self and political direction. In this groundbreaking new work, Ilan Pappe looks at the continued role of Zionist ideology. The Idea of Israel considers the way Zionism operates outside of the government and military in areas such as the country’s education system, media, and cinema, and the uses that are made of the Holocaust in supporting the state’s ideological structure.

Ethnic bias against Middle Eastern Jews within Israel has far-reaching implications for the whole region. Middle Eastern Jews from Egypt, Morocco, Iraq, Yemen, and other Arab or Muslim lands—"Mizrahis"—make up nearly half of Israel's population. Yet European or "Ashkenazi" Jews have historically disparaged them for looking like Arabs, speaking Arabic, and bringing with them what was viewed as a "backward" Middle Eastern culture. Journalist Rachel Shabi, who was born in Israel to Iraqi Jews and grew up in England, returned to investigate the subtle discrimination and tense relations that still exist between Mizrahi and Ashkenazi Jews in Israel. She combines historical research, her own family's story, and the heartfelt oral history of several other Mizrahis to make We Look Like the Enemy a stunning, unforgettable book.

"A probing look at one of the most incendiary subjects of our time--the relationship between the United States and Israel. There has been more than half a century of raging conflict between Jews and Arabs--a violent, costly struggle that has had catastrophic repercussions in a critical region of the world. In Genesis, John B. Judis argues that, while Israelis and Palestinians must shoulder much of the blame, the United States has been the principal power outside the region since the end of World War II and as such must account for its repeated failed efforts to resolve this enduring strife. The fatal flaw in American policy, Judis shows, can be traced back to the Truman years. What happened between 1945 and 1949 sealed the fate of the Middle East for the remainder of the century. As a result, understanding that period holds the key to explaining almost everything that follows--right down to George W. Bush's unsuccessful and ill-conceived effort to win peace through holding elections among the Palestinians, and Barack Obama's failed attempt to bring both parties to the negotiating table. A provocative narrative history animated by a strong analytical and moral perspective, and peopled by colorful and outsized personalities, Genesis offers a fresh look at these critical postwar years, arguing that if we can understand how this stalemate originated, we will be better positioned to help end it"--

"In July 1950, Avi Shlaim, only five, and his family were forced into exile, fleeing from their beloved Iraq into the new state of Israel. Now the rump of a once flourishing community of over 150,000, dating back 2,600 years, has dwindled to single figures. For many, this tells the story of the timeless clash of the Arab and Jewish civilisations, the heroic mission of Zionism to rescue Eastern Jews from their backwards nations, and unceasing persecution as the fate and history of Jewish people. Avi Shlaim tears up this script. His mother had many Muslim friends in Baghdad, but no Zionist ones. The Iraqi Jewish community, once celebrated for its ancient heritage and rich culture, was sprayed with DDT upon arrival in Israel. As anti-Semitism gathered pace in Iraq, the Zionist underground may have inflamed it - deliberately. This memoir celebrates the disappearing heritage of Arab-Jews - caught in the crossfire of secular ideologies."--Amazon.

THE HARVEST is the great, definitive novel of the creation of the Jewish state and the triumphant efforts of the Jewish people to survive and become a nation. In 1972, the Los Angeles Times called Meyer Levin "the most significant American Jewish writer of his time." Norman Mailer referred to him as "one of the best American writers working in the realistic tradition." In addition, Ernest Hemingway called Levin's book CITIZENS "a fine American novel -- one of the best I ever read." Is it any wonder then that the work of Meyer Levin is considered to be among the finest and most important of any twentieth century writer? In the historical novels THE SETTLERS (1972) and THE HARVEST (1978), Levin wove an epic tale of pioneering life in the early Palestine settlements. The works were the culmination of decades of research, and reviewers hailed the duo as the author's masterwork, a Jewish WAR AND PEACE.

A documented, comprehensive history of all three of Israel's intelligence services, from their origins in the 1930s, up to the present.

In this retelling of the biblical story, King Solomon commissions Ethan the Scribe to write the official history of King David. In return for the finest cooking in the land and the wages of a minor prophet, Ethan must write a proper record, full of glory and battles, statecraft and honor--a tribute to David and, of course, to Solomon, his heir. But as Ethan explores the story, he finds another life hidden behind the iron curtain dividing past from present: the story of a David who seduced, lied, bragged, and plundered his way to power. Ethan wonders: which life should be reported in the King David Report? Written by one of Germany's most acclaimed dissident authors, The King David Report is both an analysis of the writer's obligations to truth, and an astute satire on the workings of history and politics in a totalitarian state.

"Shlomo Sand was born in 1946, in a displaced person's camp in Austria, to a Jewish mother and non-Jewish father; the family later migrated to Palestine. As a young man, Sand came to question his Jewish identity, even that of a "secular Jew." With this meditative and thoughtful mixture of essay and personal recollection, he articulates the problems at the center of modern Jewish identity. How I Stopped Being a Jew discusses the negative effects of the Israeli exploitation of the "chosen people" myth and its "holocaust industry." Sand criticizes the fact that, in the current context, what "Jewish" means is, above all, not being Arab and reflects on the possibility of a secular, non-exclusive Israeli identity, beyond the legends of Zionism"--

A commander in the Israeli Army from its inception in 1948, and a politician whose tenure bridged numerous governments, as both a general and a politician Ariel Sharon championed the construction of Israeli settlements in the West Bank and Gaza. But in his later years, as prime minister, he took a dramatic turn, and became the driving force behind Israel’s unilateral disengagement. In this first truly comprehensive biography, David Landau, the former editor-in-chief of Haaretz, paints a vivid picture of the most dramatic and imposing Israeli political and military leader of the last forty years—and takes a penetrating look at how Sharon transformed his country like no one else.

There is no single history of the development of the Israeli-Palestinian conflict. The Israeli historical narrative speaks of Zionism as the Jewish national movement, of building a refuge from persecution, and of national regeneration. The Palestinian narrative speaks of invasion, expulsion, and oppression. Its no wonder peace remains elusive. This volume attempts to present both histories with parallel narratives of key points in the 19th and 20th centuries to 1948. The histories are presented by fourteen Israeli and Palestinian experts, joined by other historians, journalists, and activists, who then discuss the differences and similarities between their accounts. By creating an appreciation, understanding, and respect for the “other,” the first steps can be made to foster a shared history of a shared land. The reader has the opportunity to witness first hand a respectful confrontation between the competing versions of the Israeli-Palestinian conflict.

Presents a history of the Israeli Defense Force from 1905 to the present