Concise and elegant, this is a book about the Jewish religion - not about the Jewish culture or Zionism, but about those beliefs, ideals, and practices that make up the historic Jewish faith. Including both the modernist and the traditionalist view in his exploration, Rabbi Steinberg discusses the Torah, what Judaism says about God and the relationship, and what exists in the Kingdom of God. He also talks about the laws that define Judaism, the practices and rituals that sustain it, and the synagogue and the rabbinate that support it. For all students of Judaism - be they practicing Jews, uncommitted Jews, or curious non-Jews - Rabbi Steinberg offers a brilliant chance to understand what the Jewish faith is, why it has elicited such intense devotion, and why it remains such a mighty force in the lives of its believers and, beyond them, the world.

Emphasizes the radical difference between how Jews and Christians perceived themselves and each other in medieval Europe, focusing on the Franco-German region. The Jews considered themselves the true heirs to God's promises to Abraham. Christians insisted that because Jews had rejected the Messiah, God had rejected them, and therefore they were eternally damned. Jews were acceptable only if they were economically useful to the powerful, and as exemplars of what it meant to be not-Christian. That role, in good times and bad, shaped the Jewish experience and molded the Jewish consciousness. Inter alia, quotes Christian documents to indicate a prevalence of antisemitic Christian myths, stereotypes, and fantasies about Jews. The inequality of Christian-Jewish relations is described in terms of dependence, exploitation, terror, forced conversions, massacres, expulsions, etc., along with blood libels and Host desecration accusations, among others. Popes, lower clergymen, emperors, kings, nobles, and the lower classes were all involved, at different times and places, in persecuting Jews. Ashkenazi culture is shown as having developed in reaction to (and sometimes influenced by) Christian culture.

The Book of Blessings is an extraordinary and deeply poetic re-creation of Jewish prayer that offers new blessings, poems, and meditations for Sabbath, holiday, and everyday observance. Steeped in dialogue with rabbinic tradition, it is for those who seek a more contemporary, egalitarian approach to traditional liturgy. " Falk] manages to create extraordinarily beautiful prayers--in Hebrew and English--that are both radically new and deeply resonant with Jewish tradition." --Judith Plaskow, The Women's Review of Books "Marcia Falk's work in Hebrew blessings is as beautiful as it is innovative; and it is innovative in the sweetest, most nourishing sense, sat urated in love for the language itself (its overtones and melodies as well as its deep structure), its history, its people. Even those who do not hear the traditional liturgies as exclusionary will respond to the meticulously flowering poet's passion of Marcia Falk's wholly original contribution." --Cynthia Ozick "A truly magisterial and exciting collection of brakhot . . . that invites us to re-encounter not only the blessing, but the Source of blessing. . . . Falk rekindles the flame of Jewish ardor and devotion." --Hadassah " Falk's] prayers are re-creations of traditional prayers, her versions striking in the beauty and power of their language, in English and Hebrew: this is a poet's siddur, full of profound meaning." --Sandee Brawarsky, Jewish Week

"'A covenantal vision of life, with mitzvah (divine commandment) as the central organizing principle in the relationship between Jews and God, liberates the intellect and the moral will. I seek to show that a tradition mediated by the Sinai covenant can encourage the development of a human being who is not afraid to assume responsibility for the ongoing drama of Jewish history. Passive resignation is seen not to be an essential trait of one whose relationship to God is mediated by the hearing of mitzvot ." --from the Introduction This interpretation of Jewish teaching will appeal to all people seeking to understand the relationship between the idea of divine demand and the human response, between religious tradition and modernity. Hartman shows that a life lived in Jewish tradition need not be passive, insulated, or self-effacing, but can be lived in the modern pluralistic world with passion, tolerance, and spontaneity. The Judaic tradition is often seen as being more concerned with uncritical obedience to law than with individual freedom and responsibility. In A Living Covenant, Hartman challenges this approach by revealing a Judaism grounded in a covenant--a relational framework--informed by the metaphor of marital love rather than that of parent-child dependency. This view of life places the individual firmly within community. Hartman shows that the Judaic tradition need not be understood in terms of human passivity and resignation, but rather as a vehicle by which human individuality and freedom can be expressed within a relational matrix.

An overview of the history of antisemitism throughout the ages, with emphasis on the modern period. Ch. 3 (pp. 39-70) deals with ancient and medieval anti-Judaism, and the rest of the book describes antisemitism from the Enlightenment to the present day. The 19th century saw the development of racialism and theories of a Jewish conspiracy. The dramatic rise of antisemitism after World War I ended with the Holocaust. Afterwards antisemitism appeared in the guise of anti-Zionism, Holocaust denial, neo-fascism and other forms. Subsequently, antisemitism was adopted by the Left and by the Muslim world. Nowadays the radical Left, radical Right, and radical Muslim antisemitisms are undistinguishable and form all kinds of alliances with one another. It is difficult to differentiate between anti-Zionism and antisemitism. At present, antisemitism, by whatever name, is still much more than a mere historical memory.

Over the course of one day, traces the loss of the author's Zionist faith against a backdrop of Jewish history, recounting how his growing disaffection with the modern state of Israel was shaped by the mythologies and realities of the Jewish homeland.

A concise survey of the history of the Jewish people, from earliest exile to the creation of the State of Israel and the present day. Focusing particularly on the modern period, this book provides an introduction to contemporary Jewish beliefs and practices and looks at the ways in which Judaism has adapted, and continues to adapt, to the challenges of the modern world.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"What is the future of the Jewish people? In Arguments for the Sake of Heaven, first published in 1991, Rabbi Lord Jonathan Sacks explores the contemporary issues that influence Judaism and the controversies that affect its destiny. If the Jewish world is to be mended, Rabbi Sacks contends, Jews must move beyond sectional thinking and recognize alternatives within Judaism. The tradition of argument requires respect for positions with which one doesn't agree; rabbinic texts imply more than one legitimate stance. It is in this spirit of healing that Jewish unity will be achieved, and 'to see this is already to have begun the transition from Torah as the faith of some Jews to Torah as the constitution of the whole Jewish people."-- Provided by publisher.

Jeffrey L. Rubenstein continues his grand exploration of the ancient rabbinic tradition of the Talmudic sages, offering deep and complex analysis of eight stories from the Babylonian Talmud to reconstruct the cultural and religious world of the Babylonian rabbinic academy. Rubenstein combines a close textual and literary examination of each story with a careful comparison to earlier versions from other rabbinic compilations. This unique approach provides insight not only into the meaning and content of the current forms of the stories but also into how redactors reworked those earlier versions to address contemporary moral and religious issues. Rubenstein's analysis uncovers the literary methods used to compose the Talmud and sheds light on the cultural and theological perspectives of the Stammaim — the anonymous editor-redactors of the Babylonian Talmud. Rubenstein also uses these stories as a window into understanding more broadly the culture of the late Babylonian rabbinic academy, a hierarchically organized and competitive institution where sages studied the Torah. Several of the stories Rubenstein studies here describe the dynamics of life in the academy: master-disciple relationships, collegiality and rivalry, and the struggle for leadership positions. Others elucidate the worldview of the Stammaim, including their perspectives on astrology, theodicy, and revelation.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this sparkling debut, a young critic offers an original, passionate, and erudite account of what it means to feel Jewish--even when you're not. Self-hatred. Guilt. Resentment. Paranoia. Hysteria. Overbearing Mother-Love. In this witty, insightful, and poignant book, Devorah Baum delves into fiction, film, memoir, and psychoanalysis to present a dazzlingly original exploration of a series of feelings famously associated with modern Jews. Reflecting on why Jews have so often been depicted, both by others and by themselves, as prone to "negative" feelings, she queries how negative these feelings really are. And as the pace of globalization leaves countless people feeling more marginalized, uprooted, and existentially threatened, she argues that such "Jewish" feelings are becoming increasingly common to us all. Ranging from Franz Kafka to Philip Roth, Sarah Bernhardt to Woody Allen, Anne Frank to Nathan Englander, Feeling Jewish bridges the usual fault lines between left and right, insider and outsider, Jew and Gentile, and even Semite and anti-Semite, to offer an indispensable guide for our divisive times.

Rabbi Abraham Isaac Kook (1865-1935) was the first Ashkenazic chief rabbi of mandatory Palestine. Admired for the incredible diversity of his talents and interests-talmudist, halakhist, kabbalist, mystic, theologian, moralist, poet, and communal leader--Rav Kook's world outlook extolled breadth and derided narrow specialization. More than any other Orthodox thinker in modern times, he addressed, squarely and boldly, the confrontation between Judaism and the modern world. Kook serves as a natural model to those Jews who seek a religious understanding of and response to the culture and politics of the modern age. These essays, most published here for the first time, offer a range of analyses and interpretations covering, in an accessible, systematic, and comprehensive fashion the major areas of Rav Kook's thought. Among the issues discussed are: his relationship to the Jewish mystical, philosophical, and halakhic traditions; poetry and spirituality; harmonism and pluralism; tolerance and its limits; Zionism, messianism, and politics; and Rav Kook today.

This work presents an overview and critical evaluation of the different religious sub-groups within the contemporary Jewish community. It argues that what is now required is an alternative vision of Judaism based on an acceptance of the plurality which currently exists within modern Jewry.

Kabbalah: An Introduction to Jewish Mysticism is a clear, accessible "primer" and introduction to the major teachings of the Jewish mystics, to various dominant forms of Jewish mystical experiences, as well as to many of the significant texts that constitute classical Jewish mystical literature, and to their authors. Rather than provide an historical approach, this introduction to Jewish mysticism delineates five "models" of Jewish mystical theology and experience: Normal Mysticism, Mystical Intimacy, Addressing God's Needs, Drawing Down Divine Grace, and Prophetic Kabbalah. Sherwin not only presents primary texts in translation, but also offers an explanation of each selection and provides a bibliography for further study.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

This newly revised all-encompassing textbook is a guide to the history, beliefs and practice of Judaism. Beginning with the ancient Near Eastern background, it covers early Israelite history, the emergence of classical rabbinic literature and the rise of medieval Judaism in Islamic and Christian lands. It also includes the early modern period and the development of Jewry in the nineteenth and twentieth centuries. Extracts from primary sources are used throughout to enliven the narrative and provide concrete examples of the rich variety of Jewish civilization.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.