The first anthology by Jewish women of color, with the original edition published in 2003, The Flying Camel 2022 edition remains ahead of the curve and includes new material: a cover and introduction featuring celebrity Yemenite-Israeli band A-WA, along with a musical framework for understanding issues addressed throughout the anthology; a preface sharing how the book was birthed into being and how to use it today; original poems by editor Loolwa Khazzoom, matched with the themes of each essay in the book; and a comprehensive study guide for book clubs and university courses. Like the proverbial phoenix rising from the ashes, the seventeen women of The Flying Camel boldly emerge from the wreckage of their ancient civilizations and invite readers on an intimate journey of self-discovery, creativity, and defiance. Drawing from personal and ancestral memories, amidst the pursuit of soul-filled dreams and longings, anthology contributors navigate geopolitical upheaval and cultural homelessness, crisscrossing four continents and stepping back and forth through the spiritual portals of time. Nothing is quite as it seems, we learn, with identity constructs, loyalties, and politics dependent on so many variables that, ultimately, the borders perhaps dissolve into the greater expansiveness of who we are. Alternately raw and fierce, vulnerable and tender, these gripping stories are deeply personal and uniformly honest, providing a secret passageway deep below the narrow scripts and slogans of today's identity politics, and leading straight into the chamber of the heart. Reflecting a diversity of experience and perspective, and drawing from a collective wealth of knowledge, the stories naturally weave through topics including exile, body image, sexuality, class division, religious practice, domestic violence, the Middle East conflict, and other pertinent issues, in ways that are both insightful and refreshing.

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What is marriage? Can a relationship dedicated to equality, friendship, and mutual education flower in an atmosphere of romance? What are the paths between loving another and knowing another? Stanley Cavell identified a genre of classic American films that engaged these questions in his study of comedies of remarriage, Pursuits of Happiness . With Contesting Tears , Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies. Cavell provides close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman , Gaslight , Now Voyager , and Stella Dallas . The women in these melodramas, like the women in the comedies, demand equality, shared education, and transfiguration, exemplifying for Cavell a moral perfectionism he identifies as Emersonian. But unlike the comedies, which portray a quest for a shared existence of expressiveness and joy, the melodramas trace instead the woman's recognition that in this quest she is isolated. Part of the melodrama concerns the various ways the men in the films (and the audiences of the films) interpret and desire to force the woman's consequent inaccessibility. "Film is an interest of mine," Stanley Cavell has written, "or say a love, not separate from my interest in, or love of, philosophy." In Contesting Tears Cavell once again brilliantly unites his two loves, using detailed and perceptive musings on melodrama to reflect on philosophical problems of skepticism, psychoanalysis, and perfectionism. As he shows, the fascination and intelligence of such great stars as Ingrid Bergman, Bette Davis, and Barbara Stanwyck illuminate, as they are illuminated by, the topics and events of these beloved and enduring films.

Porn is more mainstream than ever witness recent bestsellers by Jenna Jameson, Traci Lords, The Vivid Girls, and Pamela Anderson. Continuing this fine tradition is The Big Book of Porn a friendly, funny celebration of adult movies. Chapters include: - Know Your Classics: The 25 most important adult films. - Great Moments in Porn History: From the first stag movie to the invention of the VCR. - The Pantheon of Porn: These mini-bios of mega-stars like Seka and Ron Jeremy are filled with surprising trivia. - It's a Porn World, After All: Adult movies from Canada, Japan, even Afghanistan. - Make Your Own Porno: All you need is a video camera, a willing partner, and these simple pointers ("Tell a story," "Start with a bang," "Parody a real film title"). Best of all, The Big Book of Porn is illustrated with classic posters, stills, and production shots from the smutty '70s to the present day. Provocative, authoritative, and laugh-out-loud funny, The Big Book of Porn is a proud celebration of history's most scandalous art form.

Internationally honored for brilliant achievements throughout his career, author of Cybernetics, ExProdigy, and the essay God and Golem, Inc., which won the National Book Award in 1964, Norbert Wiener was no ordinary mathematician. With the ability to understand how things worked or might work at a very deep level, he linked his own mathematics to engineering and provided basic ideas for the design of all sorts of inventions, from radar to communications networks to computers to artificial limbs. Wiener had an abiding concern about the ethics guiding applications of theories he and other scientists developed. Years after he died, the manuscript for this book was discovered among his papers. The world of science has changed greatly since Wiener's day, and much of the change has been in the direction he warned against. Now published for the first time, this book can be read as a salutary corrective from the past and a chance to rethink the components of an environment that encourages inventiveness.Wiener provides an engagingly written insider's understanding of the history of discovery and invention, emphasizing the historical circumstances that foster innovations and allow their application. His message is that truly original ideas cannot be produced on an assembly line, and that their consequences are often felt only at distant times and places. The intellectual and technological environment has to be right before the idea can blossom. The best course for society is to encourage the best minds to pursue the most interesting topics, and to reward them for the insights they produce. Wiener's comments on the problem of secrecy and the importance of the "free-lance" scientist are particularly pertinent today. Steve Heims provides a brief history of Wiener's literary output and reviews his contributions to the field of invention and discovery. In addition, Heims suggests significant ways in which Wiener's ideas still apply to dilemmas facing the scientific and engineering communities of the 1990s.

From Jon Sopel, bestselling author and presenter of hit podcast The News Agents , comes an incisive examination of post-Brexit Britain and what it means for our future. 'I like and trust Jon Sopel and you should too' JOE LYCETT 'A thrilling, nerve-wracking book. You couldn't make the last ten years up; thanks to Jon Sopel, you don't have to' PETER FRANKOPAN 'A hugely entertaining and quite traumatic rollercoaster' ARMANDO IANNUCCI 'Acute and unflinching - Sopel deploys his foreign correspondent skills on home shores as well as far ones, and brings together the story of a tumultuous few years on both sides of the Atlantic' MISHAL HUSAIN Returning to the UK in some ways has been disconcerting - or maybe discombobulating would be a better word. It is, after all, my home; it is where I grew up, a country I love and am proud of. But either it' s changed, or I have. Maybe both. It just feels like a strange land. After eight years of political reporting in the US, Jon Sopel returned home to the UK to find a very different place than the one he left. In his first book since launching the global hit podcast The News Agents , Jon explores what has happened to the country he once knew. Either Britain has changed dramatically, or he has. Perhaps it' s both. As a second Trump administration begins, and a new chapter of American history exerts its influence over our own isle, Strangeland paints an unforgettable portrait of a country gone through the looking glass.

"A pathbreaking book on an important subject which, surprisingly, has been paid little attention by social scientists. Zerubavel writes with both learning and lucidity. His book is a pleasure to read." -Peter Berger "Others have written about the structuring of time, but few so insightfully and compellingly as Zerubavel." -Neil J. Smelser "This is a jewel of a book, one of the most important contributions to cultural sociology in recent years. Professor Zerubavel's easy blend of history, religion, science, politics, and social values makes this a study a delightful voyage of unexpected discovery and new awareness. It hink the title has misled some people into thinking this is a book on music or something of the sort. All the more reason to rejoice at this reissue in paperback." -David S. Landes "Hidden Rhythms is an exciting study of a subject that has net yet gained the attention it deserves among sociologists and other social scientists . . . Zerubavel's book has the distinctive merit to discuss earlier approaches to the study of schedules and calendars and to add a series of extremely shrewd observations and calendars to add a series of extremely shrewd observations of his own on the sociology of time. His work seems indispensable for all those social scientists who have become conscious of the central position of the temporal dimension in the life of people and their society." -Lewis A. Coser "Eviatar Zerubavel's Hidden Rhythms is an original and highly imaginative analysis of the role time schedule plays in social life. Continuing the distinctive focus on social time Zerubavel develops in Patterns of Time in Hospital life, he provides in Hidden Rhythms more penetrating and profound analysis of the subtle and diverse significance of time in organizing our social relationships and lives. A joy to read." -Peter M. Blau

Communist opposition to Zionism has a long history which pre-dates both the Russian Revolution and the Balfour Declaration of November 1917. Yet the Communist and Marxist critique of Zionism has always had a curious inconsistency, since it is not applied to all nationalist solutions of social problems. Thus Soviet and Chinese Communists regard their Marxist-Leninist ideology as perfectly compatible with Russian or Chinese nationalism, and the same is true of the 'people's democracies' in Eastern Europe or Asia where nationalism has been a predominant force. Similarly, Arab and Palestinian nationalism have been considered 'progressive' despite their very thin socialist content. Only in the case of Zionism, which historically has been a reaction to the failure of European and Islamic societies to resolve the Jewish question on democratic lines, has a major national movement been judged a priori 'reactionary', illegitimate and ultimately condemned to extinction. Anti-Zionism has become the great bazaar in which Soviet and Chinese Communists, Arab and Third World Marxists, Trotskyists, anarchists and Castroists together with feudal sheikhs, conservative Islamic rulers, and oil companies in the West (plus fascist fringe-groups) can find common ground in their antagonism to the Jewish State. Contemporary anti-Zionism is not merely the anti-Semitism of the left - Israel has even become the alibi for reviving the hoary Nazi myth of 'World Jewry' seeking to control and manipulate the fate of humanity. The essays in this book will give the reader a better understanding of the causes and possible consequences of this sinister trend. Mostly written between the Six-Day War of 1967 and the October War of 1973, they remain timely and important for the light they shed on a development whose implications are only now becoming fully apparent. They analyse the complex and changing factors which have influenced the position of the Communist parties and New Left movements towards the Middle East conflict, the significance of the 'anti-Zionist' campaigns in Russia and Eastern Europe, the dissentions and contradictions in western Communist parties, the relations of Soviet, Chinese and East German Communists to the Arab world, and the attitude of the post-Auschwitz New Left to Israel and the Jewish problem. All these disparate elements must be taken into account if one is to understand Communist and Marxist standpoints towards Israel and the Middle East conflict. Subject categories: Anti-Zionism; Communism; Israel; Politics

A brilliantly provocative history and analysis of Britain since World War II, identifying ten days that have influenced ten key aspects of our society

"Jews experienced antisemitism the moment they landed on what would become the United States. When they first arrived in New Amsterdam in 1654, Peter Stuyvesant tried but failed to deport them. As historian Pamela S. Nadell tells in Antisemitism, an American Tradition, this was only antisemitism's beginning on our shores, as negative European stereotypes about Jews rooted into American soil. Compared with the Old World, with its expulsions, Inquisitions, ghettos, and Holocaust, America's Jews have a different history -- but one where antisemitism, even if it has had fewer dramatic eruptions, is deeply embedded. Jews in America faced restrictions on holding office and getting financial credit. Universities set quotas to limit the number of Jews attending and businesses refused to hire them. Jews endured verbal and physical attacks, and their synagogues and cemeteries, continuing to this day, were vandalized and desecrated. Antisemitism, an American Tradition investigates the depths of this fraught history and its recent manifestations: white nationalists chanting "Jews will not replace us" in Charlottesville, Virginia, and a gunman murdering eleven worshipers of Pittsburgh's Tree of Life synagogue building. Nadell also shows Jews responding to prejudice and hate. America's Jews created advocacy organizations. They turned to the courts to safeguard their constitutional rights. They made common cause with allies to confront all types of hate. They even used their fists when needed. At a time when prejudice, discrimination, and hate against Jews is flaring across the country, Antisemitism, an American Tradition argues that we must understand the past. This momentous work reveals how antisemitism -- and resistance to that hatred -- endures, representing not a rupture from America's history, but a centuries-old legacy." -- Book jacket.

The Black Diaspora tells the enthralling story of African-descended people outside Africa, spanning more than five centuries and a dozen countries of settlement, from Britain, Canada, and the United States to Haiti, Guyana, and Brazil. Ronald Segal's account begins in Africa itself, with the cultures and societies flourishing there before the arrival of the Atlantic slave trade, which transported over ten million people to the Americas, after killing at least as many in their procurement and passage. He examines the extent of the profits made through the trade by merchants, manufacturers, investors, and planters, along with the racist ideology that developed as whites strove to rationalize an enormous economic dependence. Segal describes the various ways in which the system of slavery developed and provides the most comprehensive account to date of the resistance by the slaves themselves, from escape and arson to guerrilla warfare and revolution. When emancipation finally came, the former slaves were left in the fetters of poverty and discrimination. Segal details the course of the struggle against colonial rule and the racial oppressions of self-styled democracies. In recounting his own travels through the Diaspora, he shows the continuing plight of peoples confined by the consequences of the past and the prejudices of the present: racked by violence, as in Jamaica and the ghettos of America; denied the right to assert their sense of identity, as in Cuba; acknowledged only to be repudiated, as in Brazil. Yet this is also, Segal reveals, a Diaspora of wondrous achievement. It has immeasurably enriched world culture in music, language and literature, painting, sculpture and architecture; has done much to make sports a form of art; and has invested Western culture with the ecological reverence derived from its African source. Segal argues that the black Diaspora has a unique destiny, infused by the love of freedom that is its creative impulse.

This book provides the first dedicated study of the Evian Conference of July 1938, an international initiative called by U.S. President Franklin D. Roosevelt. While on the surface the conference appeared as an attempt to alleviate the distress faced by Jews being forced out of Germany and Austria, in reality it only served to demonstrate that the nations of the world were not willing to accept Jews as refugees. Since the Holocaust, a generally-held assumption has been that the Evian Conference represented a lost opportunity to save Germany’s Jews, and that the conference failed to rescue the Jews of Europe. In this study, Paul Bartrop argues that in fact it did not fail when measured against the original reasons for which it was called. Exposing many of the myths surrounding the meeting, this work addresses a glaring lacuna in the literature of the Holocaust, and places the so-called 'failure' of the Evian Conference into its proper context.

"A rich collection that I will use in teaching graduates and undergraduates about the weave of ethnography, narrative, the women's movement, and feminism. Crafted by an impressive range of scholars, the essays are empirically rich and theoretically cogent. But most important, they engage the complexities of multicultural, feminist, and multinational ethnographies and the stories that matter to politics, scholarship, and lives. With an ear for the tones of race and gender, this book answers the political, generic, and theoretical challenge of Writing Culture with layered essays that rewrite an important range of cultural conversations."—Donna Haraway, author of Professor , History of Consciousness Board, UCSC "Since the advent of the 'post-modern' in ethnography, we have been much in need of a marvelous volume such as this, placing 'woman' at the center of the debate. Women Writing Culture will prove as stimulating for our time as its great predecessor, Women, Culture and Society was for the 1970s."—Jose E. Limon, University of Texas "A groundbreaking book—provocative, illuminating, imaginative—and it is a pleasure to read. A trenchant yet always generous feminist critique of the masculinist bias in the theoretical canon of anthropological texts, it expansively and imaginatively maps the future directions of a feminist anthropology. In moving and courageous acts of reconstruction, the writers in this volume boldly cross disciplinary and generic lines, reading fiction as anthropology, writing theater as ethnography, getting personal, radically reconceiving the relationship of self and other and, thereby, the field itself. Feminist scholars of all disciplines will find here enabling textual and conceptual strategies as well as memorable voices and powerful stories."—Marianne Hirsch, Dartmouth College, author of The Mother-Daughter Plot

In this book, Barney explores her family tree, chronicles her friendships and associations through reprinted correspondence and recreated conversations, and evokes the golden age of her salon in gallery of literary portraits.

Los Angeles's history is a story of conflicting visions. Most historians, journalists, and filmmakers have focused on L.A. as a bastion of corporate greed, business boosterism, political corruption, cheap labor, exploited immigrants, and unregulated sprawl. The Next Los Angeles tells a different story: that of the reformers and radicals who have struggled for alternative visions of social and economic justice. The authors chronicle efforts of progressive social movements that worked throughout the twentieth century to create a more livable, just, and democratic Los Angeles. These movements—what the authors call Progressive L.A.—have produced a new kind of labor movement, community-oriented environmentalism, and multi-ethnic coalition politics. This book shows how reformers have fought to transform a city characterized by huge economic disparities, concrete-encased rivers, and an endless landscape of subdivisions, freeways, and malls into a progressive model for regions around the country. The Next Los Angeles includes a decade-by-decade historical snapshot of the city's progressive social movements and an in-depth exploration of key trends that are remaking L.A. at the beginning of the twenty-first century. It examines L.A.'s changing political landscape, including grassroots initiatives to construct a new agenda for social transformation. At once a history, a policy analysis, and a road map for a progressive future, this book provides an exciting portrayal of a city on the cutting edge of many of the social, economic, and environmental changes sweeping across America.

All religious groups have codes to guide the lives of adherents, but the Druze, Dr. Ruth tells us, are especially interesting. She has observed the Druze's special art of adjustment in all walks of life, whether religious or secular, and for all people, young and old. Their key is an ancient custom called a-takiyya. During times of communal stress, the Druze refrain from accentuating their religious identity, thus reducing the possibilities of conflict with neighboring groups and allowing them to concentrate on internal community building. According to Druze custom, they predate the Hebrew people in the area surrounding Palestine--particularly in Syria, Lebanon, and Israel. Thus, like many "native" peoples, they do not feel bound by the customs and religions brought into the area by later settlers. This, of course, has led to a long history of strife with their neighbors. Consequently, the Druze people have had to build an inner strength of individuals and community in order to survive as an identifiable ethnic group. Through stories, personal encounters, and historical context, Dr. Ruth Westheimer describes with great warmth the roots of that strength, how the story of the Druze has played out over the millennia, how they influence today's situation in the Middle East, and what Westerners can learn from them and their way of life.

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With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. The interaction of Jews with the visual arts takes place, as Cohen says, in a vast gallery of prints, portraits, books, synagogue architecture, ceremonial art, modern Jewish painting and sculpture, political broadsides, monuments, medals, and memorabilia. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers.