"Flames from the Earth is an autobiographical novel by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust, depicting the complex web of relationships in and around the Łódź Ghetto"--

From stories of biblical patriarchs and matriarchs and their children, through the Gospel’s Holy Family of Jesus, Mary, and Joseph, and to modern Jewish families in fiction, film, and everyday life, the family has been considered key to transmitting Jewish identity. Current discussions about the Jewish family’s supposed traditional character and its alleged contemporary crisis tend to assume that the dynamics of Jewish family life have remained constant from the days of Abraham and Sarah to those of Tevye and Golde in Fiddler on the Roof and on to Philip Roth’s Portnoy’s Complaint . Jonathan Boyarin explores a wide range of scholarship in Jewish studies to argue instead that Jewish family forms and ideologies have varied greatly throughout the times and places where Jewish families have found themselves. He considers a range of family configurations from biblical times to the twenty-first century, including strictly Orthodox communities and new forms of family, including same-sex parents. The book shows the vast canvas of history and culture as well as the social pressures and strategies that have helped shape Jewish families, and suggests productive ways to think about possible futures for Jewish family forms.

A fictionalized account of the travels of Benjamin, a Jewish man from Tudela, Spain, who, in 1159, set out on a fourteen-year-long journey that took him to Italy, Greece, Palestine, Persia, China, Egypt, and Sicily.

"German, Jew, Muslim, Gay offers an astonishing perspective on the history of modern Germany through the vantage point of a man with multiple identities who devoted his life to religious utopias, fought for homosexual rights, wrote gay fiction, converted from Judaism to Islam (one of the few of any faith to do so), and considered himself part of a spiritual elite that held the key to Germany's salvation. Born in Posen in 1880, the son of a Jewish industrialist, Hugo Marcus converted to Islam and chose the name Hamid; he became the most important convert in Germany while retaining his membership in the Jewish community. He was renamed Israel by the Nazis and sent to the Sachsenhausen concentration camp in 1938, where he was in the unique position of Muslim witness to the Holocaust. The imam of his mosque gained his release and he escaped to Switzerland, where he wrote gay fiction under the pen name Hans Alienus. He died in Basel in 1966. The book challenges deeply ingrained perceptions of Muslim-Jewish relations during World War II and illuminates their interconnected histories in modern Europe. It also tells the unknown story of Marcus' orientalized Islam that, in echoing Goethe's, revitalized an essential strand of Germany's spiritual heritage"--

At the turn of the twenty-first century, in spite of growing globalization there remains in the world a split between the West and the rest. The manner in which this split has been imagined and represented in Western civilization has been the subject of intense cross-disciplinary scrutiny, much of it under the rubric of “orientalism.” This debate, sparked by the 1978 publication of Edward Said’s Orientalism identifies the “Orient” as the Islamic world and to a lesser extent Hindu India. “Orientalism” signifies the way the West imagined this terrain. Going beyond Said’s framework, in their introduction to the volume, Kalmar and Penslar argue that orientalism is based on the Christian West’s attempts to understand and manage its relations with both of its monotheistic Others—Muslims and Jews. According to the editors, Jews have almost always been present whenever occidentals talked about or imagined the East; and the Western image of the Muslim Orient has been formed and continues to be formed in inextricable conjunction with Western perceptions of the Jewish people. Bringing together essays by an array of international scholars in a wide range of disciplines, Orientalism and the Jews demonstrates that, since the Middle Ages, Jews have been seen in the Western world as both occidental and oriental. Jews formed the model for medieval depictions of Muslim warriors. Representations of biblical Jews in early modern Europe provided essential sustenance for Western fictions about the Muslim world. And many of the Western protagonists of imperialism “discovered” real or imaginary Jews wherever their expeditions took them. Today orientalist attitudes by Israelis target not only Arabs but also the mizrahi (“oriental”) Israelis with roots in the Arab world as Others.

This is a new release of the original 1954 edition.

When a young peasant in sixteenth-century Prague is caught stealing, the lord of the manor sentences him to service in the Jewish ghetto, where he discovers unexpected kindness.

As armed battle rages in the Warsaw ghetto during the week preceding Easter of 1943, Jan Malecki, a Polish architect and cold, indecisive leftist, reluctantly takes in his Jewish old flame, Irena Lilien. Irena was a wealthy, bewitching beauty, but is now an embittered homeless fugitive with forged Aryan papers. Jan's pious and pregnant wife, Anna, is kind if condescending to Irena, and Jan's brother identifies with the Jewish insurgents. But Irena is informed on by the neighbor's acidly anti-Semitic wife.

When the beautiful Jessica Pruitt arrives in Venice to star in a film based on The Merchant of Venice, she is preoccupied: she has recently lost custody of her daughter, and as an older actress she is increasingly aware of the difficulty of landing leading roles. One day, as she wanders through an old Jewish ghetto, Jessica is magically transported to sixteenth-century Venice where she finds herself the heroine of "Will" Shakespeare's play. Immediately attracted to the younger playwright, Jessica enters into an intensely passionate love affair that defies time and place. Reading group guide included.

"The year is 1895, Jaffa. Salah Rajani, a troubled Muslim boy living in a dilapidated mansion surrounded by orange groves, suffers from peculiar visions about a disaster which is set to befall his people. His life is changed by the arrival of a handsome young man, a dynamic Jewish settler, new to the city, by the name of Isaac Luminsky. Luminsky covets both the fertile lands of the Rajani estate and Salah's beautiful mother Afifa, and his friendship with the boy is destined to lead to violence and tragedy." "This rich and colourful novel is made up of the two opposing journals of Hilu's intriguing and extraordinary protagonists as they negotiate love, honour and betrayal in the changing world of nineteenth-century Palestine." --Book Jacket.

A reading of African American and Jewish American writers from Henry Roth and Ralph Ellison to Philip Roth and David Bradley. Reading the work of such writers alongside and through one another, Newton's book offers an original way of juxtaposing two major traditions in modern American literature, and rethinking the sometimes vexed relationship between two constituencies ordinarily confined to sociopolitical or media commentary alone. Newton combines Emmanuel Levinas's ethical philosophy and Walter Benjamin's theory of allegory in shaping an innovative kind of ethical-political criticism. Through artful, dialogical readings of Saul Bellow and Chester Himes, David Mamet and Anna Deavere Smith, and others, Newton seeks to represent American Blacks and Jews outside the distorting mirror of 'Black-Jewish Relations', and restrictive literary histories alike. A final chapter addresses the Black/Jewish dimension of the O. J. Simpson trial.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

'This is an impressive work of deconstruction with many crucial new insights. . . . [It is] written in an accessible way, despite the very complicated issues with which Rose deals: such as the cultural and ideological sources of the Zionist narrative.' Illan Pappe, Professor of Middle East History, University of Haifa, Israel 'In a highly charged environment, Jewish authors played an immense role in elevating the debate about Zionism and the birth of the Israeli State. . . . John Rose's book is a welcome addition that will defy the pro-Israeli inquisition that seeks, through intimidation, to silence legitimate criticism.' Afif Safieh, Palestinian General Delegate to the UK This is a controversial book. It is a critical account of the historical, political and cultural roots of Zionism. John Rose shows how this powerful political force is based in mythology; ancient, medieval and modern. Many of these stories, as with other mythologies, have no basis in fact. However, because Zionism is a living political force, these myths have been used to justify very real and political ends -- namely, the expulsion and continuing persecution of the Palestinians. Chapter-by-chapter, John Rose scrutinises the roots of the myths of Zionism. Mobilising recent scholarship, he separates fact from fiction presenting a detailed analysis of their origins and development. This includes a challenge to Zionism's biblical claims using very recent and very startling Israeli archaeological conclusions. He provides a detailed exploration of Judaism's links to the Middle East. He shows clearly that Zionism makes many false claims on Jewish religion and history. He questions its rationale as a response to European anti-Semitism, and shows that, if there is ever to be peace and reconciliation in the land of Palestine, this intellectual dishonesty must be addressed.

God bless you, England, on this glorious Year of Our Lord, 1145. Things are definitely not right in Nottingham. Rebecca, daughter of a Jewish money-lender, has a sense for it. A mad monk schemes to resurrect the Christ from body parts. A bone harpist murders creatures of legend for a price. A fae creature binds its wings and embraces a new God and his son. And don't even mention the Hood. The Man in Green. The Prince of Thieves. The tick-tock taker of the ten-toll tax. What hope have the series of sheriffs sent to hold the peace? It's the forest, you see. Sherwood. Ice Age ancient, impenetrable, hiding a dark and secret heart. But hearts, no matter how black, no matter how hidden, are not immune to change. The old world is dying... and a terrifying new one is waiting to take its place. Rebecca senses an opportunity. But how far is she willing to go, and what price - because there is always a price - will she have to pay? The Hood is Lavie Tidhar's narcotic reweirding of an ancient English myth, a tale stitched together from legends lost to time, a tale told and retold, reworked and renewed for each passing century. A tale, reader, for today. 'A wild, inventive tapestry of myth and magic, with a wry sense of humor. Tidhar's writing is wonderfully vibrant' Silvia Moreno-Garcia, bestselling author of Mexican Gothic

"Josephus" by Norman Bentwich is a biography that provides a comprehensive and insightful account of the life and works of Flavius Josephus, a Jewish historian and scholar from the first century AD. Bentwich delves into Josephus' early years, his experiences during the Jewish-Roman War, and his subsequent collaboration with the Roman Empire. The book explores Josephus' significant contributions to Jewish historiography, particularly his works "The Jewish War" and "Jewish Antiquities," which document the events and culture of ancient Judea. Bentwich analyzes Josephus' writings in the context of his political circumstances, shedding light on his motivations and the challenges he faced as a Jewish leader collaborating with the Romans. Through meticulous research and engaging storytelling, Bentwich paints a vivid picture of Josephus' life, offering readers valuable insights into the political, social, and religious dynamics of ancient Judea. The biography also explores Josephus' controversial reputation among Jews and Christians, his impact on historiography, and his enduring influence on the understanding of Jewish history.

The storm of controversy over Helen Demidenko and her novel, 'The Hand that Signed the Paper,' raised huge cultural and political questions. Robert Manne, the influential historian and commentator, was a key participant in that debate. In 'The Culture of Forgetting, Manne tells the fascinating story of Demidenko's triumphal march into the honors list of Australian literature, the furious argument she provoked, and her astonishing unmasking as Helen Darville, the daughter of English immigrants. In his pursuit of the truth, Manne is driven by one inescapable question: what is the relationship between 'The Hand that Signed the Paper' and the greatest tragedy of twentieth-century Europe, the Holocaust? 'The Culture of Forgetting' is a powerful and moving book about fiction and free speech, a deeply personal response to the Demidenko puzzle, and a brilliant account of the history at the heat of the affair.

The year is 1031. Karimah, a charming, headstrong Jewish nineteen-year-old has followed her heart on an adventure that will take her far from home. The story is revealed in her letters to the family she left behind in Egypt, their letters to her, and their correspondence with others as they seek to make sense of the disorder that Karimah has brought to their lives. Details of everday life from a millennium ago are now familiar to scholars through the discovery of the Cairo Geniza, a synagogue storeroom full of several centuries' worth of religious manuscripts, receipts, and business correspondence. The author creates an impassioned portrayal of a time when Jews and Muslims lived together in reasonable harmony.

The rise and fall of the Jews is compressed into the enigmatic character of Ebenezer Schneerson, who has somehow become the final repository of all Jewish culture following the ravages of World War II.

The agendas of three European men with dubious political histories converge in the aftermath of an 1989 death linked to the fates of myriad Hungarians, Jews, Germans and Gypsies across the treacherous years of the mid-twentieth century.