American cancer specialist Dr. Alex Cousins is on a covert mission to the USSR. His task: to save the life of Soviet Politburo Chief Viktor Moiseyevich Dimitrov. But the tenuous alliance between the two crumbles one night. Alex stumbles upon Dimitrov's sinister plans for a nuclear strike on China. The Russians dispatch Alex on a six-thousand-mile journey aboard the infamous Trans-Siberian Express - thus ensuring he won't get home in time to warn the US of the imminent attack.As the train lumbers east across snow-cloaked mountains, watchful eyes rest on the American doctor. Surrounding him are people beaten and broken by life, each drawn to this emperor of trains in search of a brighter future. But most curious is Anna Petrovna Valentinova, the hauntingly beautiful history professor.The Trans-Siberian Express roars onward through a cavern of hopes and memories. A train attendant yearns for love, a persecuted Jewish couple runs to a new home, and a passionate romance transcending political barriers unfolds under KGB surveillance.

The Bear Boy is a story specific to time and place, and about the dislocation of time and place too. It is set in 1935 at the only moment in history when the idea of socialism flickered to life in the United States, when Jewish intellectuals were fleeing out of the country where they were once respected writers and professors, and when a great many people were equal to each other in that the most had little material wealth. The oversize Mitwisser clan are German refugees who survive at the whim of their vagabond benefactor, James Albair. James is heir to the fortune amassed by his father, the author of a wildly popular series of children's books called The Bear Boy. Wayward, feckless and with money to burn, James has taken up the eccentric Mitwissers - scholarly patriach, invalid wife, and five scrappy children - as his latest caprice. Into this chaotic household comes Rose Meadows, orphaned at the age of eighteen. Rose quickly becomes indispensable as assistant to Professor Mitwisser in his research on an arcane sect and then, inevitably, as general nursemaid, nanny and companion to the entire family. Her sole inheritance is a book: the first title in the Bear Boy series. When the actual Bear Boy appears on the Mitwisser doorstep, Rose must resist the pull of his reckless orbit as she pursues her own desires. The Bear Boy evokes Depression-era New York from the perspective of perpetual outsiders. Brought together by coincidence and fate, the hard times they inherit still hold glimmers of past wonders and future dreams.

The novel centres on a colourful group of refugee Tibetans. One of the group's members, the charismatic (and slightly dubious) Rabbi Chod, recognises himself as the reincarnation of Moses, and various friends as reincarnations of key Biblical figures. Despite condemnation from both the mainstream Jewish and Tibetan communities, he declares his followers the true 'lost tribe of Israel', and defiantly opens up a synagogue in a pet shop. a family where suppression and dysfunction are common currency. Both of his parents are Tibetan Jews, followers of Rabbi Chod. His father owns a cafe called 'Hush Hush', so called because within the cafe, all forms of noise are forbidden. Any customer who speaks is instantly banned and a Polaroid photo of them is pinned to a cork board in case they should dare to return. way not into the future, but the past. He falls asleep each night only to wake up the day before. In this way, as he grows up his parents get younger. By the end of the book his parents are children - too young to manage by themselves - and the adult Monlam has to look after them. In this way he witnesses his own family history, quite literally living backwards into their lives.

Twenty-four stories of Israeli and Jewish life, chosen from the more than one hundred Haim Watzman has written over the last nine years in his "Necessary Stories" column in the The Jerusalem Report. Bookended by a flashback to his first weekend in Israel forty years ago and a storytelling encounter on a recent flight back home from the US, these stories--funny, meditative, and sad, set in immigrant camps, the army, and the author's own neighborhood in south Jerusalem--uniquely capture what it is like, in our age, to be an Israeli and a Jew. Praise for Haim Watzman: "His stories detail the lives of ordinary Israelis, often touching on current events ... The dialogue, though written in English, has the distinct feeling of Hebrew speech -- that unmistakable combination of impatience and warmth." --Naomi Zeveloff, Forward "Watzman knows that every encounter, no matter how fleeting--a conversation in a cemetery with a long-dead Talmudic sage; Felix Mendelssohn's great aunt scolding the young prodigy; four Jews on a plane discussing the Bible, the Zohar and Wuthering Heights--is a matter of life and death. Necessary Stories is a quietly beautiful work, haunting in places, gently funny in others, written by a graceful, thoughtful, eloquent man who understands that life itself is not enough. One must live to tell the tale." --From the Introduction by Joseph Skibell "Author Haim Watzman is a master of the tiny moment, the exact point in time that leaves an impression on the future ... If you enjoy short stories, 'Necessary Stories' is a fine collection, filled with hints and hidden meanings. It's a perfect choice for a Jewish book club whose members can discuss these stories for hours." --Rivkah Lambert Adler, Jerusalem Post, June 14, 2017 "Watzman writes with immediacy, attentiveness and empathy, whether he's describing a pregnant feral cat he names Hagar, who makes her home in the dumpster of his Jerusalem building, or the best friend of the bride at a wedding, or his late son, who was killed in a tragic accident while serving in the IDF. Watzman ... has a good ear for dialogue. The stories, layered with meaning, speak to his wide-ranging interests." --Sandee Brawarsky, The Jewish Week/Times of Israel "All but one of these stories are relatively short ... Yet anyone who sits down with this collection will come away with a sense of something much larger--a multifaceted impression of what it's like to make a life in a place where the prosaic mixes with the fantastic; history, politics, and philosophy are around every corner, and each encounter with a stranger holds the potential to show you the world from a fresh angle." --Janice Weizman, The Jerusalem Report

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

340 pages.

Modiano's debut novel is a sardonic, often grotesque satire of France during the Nazi occupation. We are immediately plunged into the hallucinatory imagination of Raphael Schlemilovitch, a young Jewish man, torn between self-aggrandisement and self-loathing, who may be the heir to a Venezuelan fortune, may have lived during the Nazi Occupation, may have rubbed shoulders with the most notorious collaborators and anti-Semites of the time, may even have been the lover of Eva Braun...or he may have been none of these things. But at the centre of this vortex is 'La Place de l'Etoile' - the Place of the Star - which is both the geographical and moral centre of Paris, and that place next the heart where French Jews were compelled to wear the yellow star, the symbol of their persecution.

In 1931 Worcester, Massachusetts, Joey Singer, the teenaged son of Jewish immigrants, suffers with his family through the early part of the Great Depression, trying to finish high school, working a milk delivery route, marching on Washington, and eventually even becoming a hobo, all the while trying to figure out how to go to college and realize his dream of becoming a writer. Includes author's note about the Depression.

The immense service that Langer's careful, thoughtful, immensely intelligent and restrained study renders is that the esthetics of atrocity cease to be an exclusive domain of the victims. Many of his writers are not Jewish and several were not imprisoned or interned, and yet all of them have been driven by the death-camp universe. The atrocity of that time and the atrocities that have succeeded Auschwitz represent a continuity that may almost be called a new tradition, one in which the phantasmagoric and horrific is real and the gentle and generous a prodigy to be remarked with amazement. " The Holocaust and the Literary Imagination is a pioneering work of criticism for it impels us, readers and writers alike, to inquire after the basic paradox: how can literature delight and transfix or warn and modify a humanity from whom nothing is hidden, nothing prohibited, for whom nothing is shocking or unreal." -Arthur A. Cohen, New York Times Book Review "A stimulating, perceptive study of the literature of the Holocaust.... Langer's examination of possible stylistic approaches to the subject, from the delicate whimsy of Aichinger to the graphic bestiality of Kosinski's The Painted Bird is in each case detailed and subtle." - The New Republic

First published in 1997, Inventing Memory is about four generations of remarkable women from a Jewish-American family-their triumphs, tragedies, scandals, and love affairs-as related by Sara Solomon, the youngest of these women. While trying to chronicle their history, the story becomes essentially hers, as she comes to understand the nature of memory, the way all of us both invent and assimilate our ancestors. In learning about the women in her family, Sara discovers how to create her own future.

An inventive literary account of Cixous's remarkable journey to her mother's birthplace Winner, French Voices Award for Excellence in Publication and Translation For about eighty years, the Jonas family of Osnabrück were part of a small but vibrant Jewish community in this mid-size city of Lower Saxony. After the war, Osnabrück counted not a single Jew. Most had been deported and murdered in the camps, others emigrated if they could and if they managed to overcome their own inertia. It is this inertia and failure to escape that Hélène Cixous seeks to account for in Osnabrück Station to Jerusalem. Vicious anti-Semitism hounded all of Osnabrück's Jews long before the Nazis' rise to power in 1933. So why did people wait to leave when the threat was so patent, so in-their-face? Drawn from the stories told to Cixous by her mother, Ève, and grandmother, Rosalie (Rosi), this literary work reimagines fragments of Ève's and Rosi's stories, including the death of Ève's uncle, Onkel André. Piecing together the story of Andreas Jonas from what she was told and from what she envisages, Cixous recounts the tragedy of the one she calls the King Lear of Osnabrück, who followed his daughter to Jerusalem only to be sent away by her and to return to Osnabrück in time to be deported to a death camp. Cixous wanders the streets of the city she had heard about all her life in her mother's and grandmother's stories, digs into its archives, meets city officials, all the while wondering if she should have come. These hesitations and reflections in the present, often voiced in dialogues staged with her own son or daughter, are woven with scenes from her childhood in Algeria and the half-remembered, half-invented stories of the Jonas family, making Osnabrück Station to Jerusalem one of the author's most intensely engaging books. This work received the French Voices Award for excellence in publication and translation. French Voices is a program created and funded by the French Embassy in the United States and FACE (French American Cultural Exchange).

The Book of Memories, originally published in Spanish in 1994, is a humorous yet moving exploration of a Jewish family's history, as seen through the eyes of three generations of women. The story begins with Grandfather Gedalia leaving Poland with forged papers to escape the army and sailing to Argentina, the "other America." Sometimes charming, sometimes stingy, this patriarchal figure, a peddler and sometime moneylender, heads a clan that includes, among others, the feisty and foul-mouthed Aunt Judith, and Uncle Silvester, a seducer of young girls who has such high principles that he turns himself in after missing the Argentine police raid on his socialist printing press.

Now in paperback and "brimming with wondrous surprises . . . There's magic in The Pinch " ( The Boston Globe ) Steve Stern's prodigious imagination finds a wondrous home in the Pinch, a once-thriving Jewish community in Memphis. The Pinch revolves around a single enchanted day containing years, during which the antics of a group of Jewish mystics threaten to ravage the life of general store proprietor Pinchas Pin with miracles, and his nephew Muni's ardor for an alluring tightrope walker collides with his passion for chronicling the wonders of North Main Street. Their stories, gleaned by a hapless bookseller from a fabulist history book, transform the fate of the neighborhood. Now in paperback, The Pinch is a sparkling reminder that Steve Stern is one of our most talented and inimitable storytellers. "[A] big, rangy, saturated, antic new novel, a Pynchonian tragicomedy . . . Stern, an ebullient maestro of words and mayhem, wonder and conscience, orchestrates a cacophonous, whirling, gritty, tender, time-warping saga that encompasses a cavalcade of horror, stubborn love, cosmic slapstick, burlesque humor, and a scattering of miracles." -- Booklist (starred review) "Weird and wonderful . . . [ The Pinch is] a backdrop to Stern's poignant and antic drama, a playground on which his exuberant, larger-than-life characters can run wild . . . The Pinch is composed of . . . perfectly calibrated moments, all of which pulse with a dynamic inventiveness." -- Star Tribune (Minneapolis)

Glasgow 1915. Set against the background of rent strikes, anti-war sentiment and a revolution brewing in Russia, a young Jewish woman from the Gorbals gains her first taste for protest and female solidarity. But it is her own rape that galvanises her even further as she capmaigns to introduce birth control to the women of the city.

"A breathtaking journey across Iran where war and superstition, jealousy and betrayal, and passion and loyalty rage behind the impenetrable walls of mansions and the crumbling houses of the Jewish Quarter. Against the tumultuous background of World War II, Dr. Yaran will find himself caught in the thrall of the anti-Semitic Governor General, the most powerful man in the country. Dr. Yaran falls in love with the Governor General's defiant wife, Velvet, upending not only the life of the doctor's beloved daughter, but the entire community. In his quest to save everything and everyone he loves, Dr. Yaran will navigate the intersections of magic, science, lust, and treachery. His sole ally is the Governor General's servant, an exotic eunuch, who will do anything to aid his mistress in her dangerous quest to attain forbidden love." --

"A mix of autobiography and lucid invention, this highly personal work offers a deeply affecting exploration of the meaning of identity and pedigree. With his signature blend of candor, mystery, and bewitching elusiveness, Patrick Modiano weaves together a series of interlocking stories from his family history: his parents' courtship in occupied Paris; a sinister hunting trip with his father; a chance friendship with the deposed King Farouk; a wistful affair with the daughter of a nightclub singer; and the author's life as a new parent. Filled with a coterie of dubious characters - Nazi informants, collaborationist refugees, and black-market hustlers - Modiano's riveting vignettes capture the drama that consumed Paris during World War II and its aftermath. Written in tones ranging from tender nostalgia to the blunt cruelty of youth, this is a personal and revealing book that brings the enduring significance of a complicated past to life."--Publisher.

In this autobiographical novel, the author moves among the dead poets of Stalin's Russia with the poet Marina Tsvetaeva, mingling with the ghosts of writers such as Anna Akhmatova, Boris Pasternak, Osip Mandelstam and Joseph Brodsky. The author, herself of Russian descent, reconstructs the lives and fates of Russian, often Jewish, writers during the long age of Soviet terror, re-establishing them at the heart of the European tradition.

To the Land of the Cattails evokes the uncanny atmosphere of Europe on the brink of the Holocaust with the same dreamlike realism that made The Age of Wonders a modern classic. In the summer of 1938, a Jewish woman living in Austria, suddenly gripped by a longing for her native land, departs with her adolescent son for the interior of Eastern Europe. As she proceeds, the landscape turns increasingly ominous and her son progressively more loutish. Just short of their goal, the young man falls into a drunken stupor. When he finally rouses himself and rushes to join his mother he is told she has been shipped off on a mysterious train to an unspecified destination. To the Land of Cattails is a haunting parable of the human spirit and an unforgettable account of the destiny of modern European Jewry.

"Home Influence" from Grace Aguilar. Novelist and writer on Jewish history and religion (1816-1847).

Nathan, a blind Jewish scribe, tells the story of the coming of the Messiah in the person of one Simon Stern—from his birth on the Lower East Side, through his career as a millionaire dealer in real estate, to his building of a refuge for the Jewish remnant of World War II. "A majestic work of fiction that should stand world literature's test of time, to be read and reread. A masterpiece."— Commonweal "This book ensnares one of the most extraordinarily daring ideas to inhabit an American novel in a number of years. For one thing, it is that risky devising, dreamed of only by the Thomas Manns of the world, a serious and vastly conceived fiction bled out of the theological imagination. For another, it is clearly an 'American' novel—altogether American, despite its Jewish particularity: it is not so much about the history of the Jews as it is about the idea of the New World as haven. . . . In its teeming particularity every vein of this book runs with a brilliance of Jewish insight and erudition to be found in no other novelist. Arthur Cohen is the first writer of any American generation to compose a profoundly Jewish fiction on a profoundly Western theme."—Cynthia Ozick, New York Times Book Review "This stately, ambitious amalgam of Jewish myth, history, theology, and speculations on the Jewish soul is like an enormous Judaic archeological ruin—often hard for the uninitiated to interpret, but impressive. . . . Intelligent, inventive, fascinating."— New Yorker