Twenty-five years younger than Rand, the author recounts her mentorship, her enmity, and their love affair.

Michael Winner, the legendary film director, writer, and food critic, is a colorful figure who has led a remarkable life. He has a reputation for being outspoken, and, true to form, in his autobiography he tells it like it is with sharp and insightful observations. Winner gained his first taste of fame at age 14, when he met the stars for a showbusiness column in 20 London local papers. At Cambridge he edited the student newspaper and became a local celebrity. Winner recounts his early life with relish and provides fascinating accounts of his experiences directing some of the world's most famous actors and actresses, including Charles Bronson, Sophia Loren, Joan Collins, Orson Welles, Marlon Brando, and Anthony Hopkins. Many of them became close friends. As a food critic, Michael Winner is famous for shooting from the hip, and love him or hate him, he is constantly in the public eye.

An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the stage and encountered the realities of her new world: the battles she was forced to fight as a woman, an immigrant worker, and a Jew with family left behind in Hitler’s deadly path. The story begins in 1914: Mary, the girl who will become Lillian Faderman’s mother, just seventeen and swept up with vague ambitions to be a dancer, travels alone to America, where her half-sister in Brooklyn takes her in. She finds a job in the garment industry and a shop friend who teaches her the thrills of dance halls and the cheap amusements open to working-class girls. This dazzling life leaves Mary distracted and her half-sister and brother-in-law scandalized that she has become a “good-time gal.” They kick her out of their home, an event with consequences Mary will regret for the rest of her life. Eighteen years later, still barely scraping by as a garment worker and unmarried at thirty-five, Mary falls madly in love and has a torrid romance with a man who will never marry her, but who will father Lillian Faderman before he disappears from their lives. America is in the midst of the Depression, Hitler is coming to power in Europe, and New York’s garment workers are just beginning to unionize. Mary makes tentative steps to join, despite her lover’s angry opposition. As National Socialism engulfs Europe, Mary realizes she must find a way to get her family out of Latvia, and she spends frenetic months chasing vague promises and false rumors of hope. Pregnant again, after having submitted to two wrenching back-room abortions, and still unmarried, Mary faces both single motherhood and the devastating possibility of losing her entire Eastern European family. Drawing on family stories and documents, as well as her own tireless research, Lillian Faderman has reconstructed an engrossing and essential chapter in the history of women, of workers, of Jews, and of the Holocaust as immigrants experienced it from American shores.

A story spanning two world wars and several generations in a German family. In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to Helene's childhood with her sister Martha in rural Germany, which came to an abrupt end with the outbreak of the First World War. Their father is sent to the eastern front, and their Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. As we follow Helene into adulthood, we watch riveted as the costs of survival and ill-fated love turn her into a woman capable of the unforgivable.

And so you've reached that time in life when you're starting to pick investments over adventure, clean over scenic, comfortable over intense; when, even though in your heart of hearts you're only seventeen, the rest of you is (how did it happen?) forty. The wise and witty lady of It's Hard to Be Hip Over Thirty is here to get you through those forty-ish years with poems that reflect our common shared experience. So let her help you take a look at that decade of sagging kneecaps and college reunions and fantasies of love in the afternoon; at Maoist kids, cholesterol counts, adult-education courses and other atrocities - which somehow just don't hurt so much when you laugh. A marvelous book filled with insight and warmth, How Did I Get to Be 40 ... & Other Atrocities is Judith Viorst at her best.

Jerome Charyn's three-part memoir of his boyhood in the Bronx has all the imagery and color of an enchanting and entertaining novel -- someone has said that it captures the author's world so accurately that it can't possibly be true. Bronx Boy , like The Dark Lady of Belorusse and The Black Swan , both selected by The New York Times as Notable Books of the Year, is a tour de force of memory and imagination. In this third and final installment, the higher truths of a masterly writer's art render moot the question of exactly where the real world ends and Charyn's imagined world begins. Still known as "Baby" although a younger brother has come along, young Charyn makes pocket money delivering eggs, belongs to a group of 12-year-old wannabe gangsters that meet in a soda shop run by an ex-con, and spends afternoons telling stories to the adoring wife of a wealthy Russian émigré. He becomes famous for his black-and-tans -- a concoction of coffee ice cream, seltzer, milk, chocolate sauce, crushed pecans -- and "a touch of bitterness that may have been the Bronx." So famous, indeed, that he walks away the winner of an annual black-and-tan contest sponsored by the real-life top gangster called "The Little Man" -- Meyer Lansky. In Charyn's hands, the often ridiculed Bronx is a magic place, as full of odd and wonderful characters as a three-ring circus. And at the center of it all, young "Baby," not as lucky in love as he would like to be, drinking it all in, putting his own extraordinary take on it. Charyn looks back at this with his singular vision, and records it all for us with the skill of the fine writer he is. This is a delightful and often moving story of a childhood that could only have been lived in New York in the fifties, a New York experience that could only have taken place in the Bronx of those days, a growing-up saga that could only have been captured by this singular author.

Including the True Story of the Remarkable Love Affair between Joy Davidman and C. S. Lewis There has probably never been a less likely couple: she, an American divorcee and the mother of two young boys; he, an Oxford don and confirmed bachelor who inhabited an eccentric household with his brother, a retired Royal Army major. Yet the relationship of C. S. Lewis and Joy Davidman, portrayed in this moving autobiography by her son Douglas Gresham, was destined to become of the most deeply moving love stories of our time.

A superb introduction to modern Japanese fiction as well as a memoir of his own love affair with Japanese literature and culture, this volume consists of chapters on five modern Japanese novelists whom Donald Keene knew personally: Yasunari Kawabata, Yukio Mishima, Jun'ichiro Tanizaki, Ryotaro Shiba, and Kobo Abe. Each chapter opens with a vignette describing Keene's personal encounters with these famous men, blending his autobiographical observations with literary and cultural analysis.

Is he a hero or a traitor? Based on astonishing true events set in the darkest days of World War II in Budapest, this is an enthralling story of heroism, vengeance, passion, and betrayal. It is also the story of three women linked by a secret that threatens to destroy their lives. For readers of The Tattooist of Auschwitz, All That I Am and Schindler's Ark (List). An act of heroism, the taint of collaboration, a doomed love affair, and an Australian woman who travels across the world to discover the truth... It is 1944 in Budapest and the Germans have invaded. Jewish journalist Miklos Nagy risks his life and confronts the dreaded Adolf Eichmann in an attempt to save thousands of Hungarian Jews from the death camps. But no one could have foreseen the consequences... It is 2005 in Sydney, and Annika Barnett sets out on a journey that takes her to Budapest and Tel Aviv to discover the truth about the mysterious man who rescued her grandmother in 1944. By the time her odyssey is over, history has been turned on its head, past and present collide, and the secret that has poisoned the lives of three generations is finally revealed in a shocking climax that holds the key to their redemption. PRAISE: 'Guaranteed to hook you with its powerful and emotive journey back into a turbulent history, The Collaborator is a superb and compelling novel that comes highly recommended' - Canberra Weekly

Radclyffe Hall was born in 1884 in Bournemouth in a house of horrors called 'Sunny Lawn'. It was an unhappy childhood, until her father's death when Radclyffe inherited £200,000. She was 18. She leased a London house, dressed in chappish clothes, called herself Peter then John & wrote her first collection of verse. She was a political reactionary, a reformed Catholic, obsessive about work, hunted with 3 packs, got her pipes from Dunhill's, wore brocade smoking jackets & had her hair cropped. She thought real women were born to be wives & disliked doing any business with them. Her 1st love was Mabel Batten, known as Ladye, who reputedly had an affair with Edward VII. Radclyffe Hall is now most famous for THE WELL OF LONELINESS, written in 1928. A novel about 'congenital inverts' - lesbian love - the book was suppressed both here & the US & caused Radclyffe to be put on trial under the Obscene Publications Act. Brilliantly written, this biography is a fresh and irreverent insight into the lives of one of the most alluring and eccentric women of this century.

Kathy Acker: Rich girl, street punk, scholar, stripper, victim, media-whore ... and cultural icon. The late Kathy Acker's legend and writings are wrapped in mythologies, many of them created by her. Twenty years after her untimely death aged just 50, Acker's legend has faded, but her writing has become clearer. A few years ago, the writer Chris Kraus, author of I Love Dick, found that her own experiences were becoming more and more like Kathy's. She began writing about Acker 'through the distance, but with this incredible frisson of feeling that often I could write "I" instead of "she."' This is 'literary friction': The first fully authorised biography of the avant-garde writer Kathy Acker, by the woman who arrived on the scene straight after her, who shared some of her boyfriends and friends, and her artistic ambitions Using exhaustive archival research and ongoing conversations with mutual colleagues and friends, Kraus traces the woman behind the notorious novels, and places her at the centre of a kaleidoscopic artistic world.

• Winner of the 1987 William Carlos Williams Award presented by the Poetry Society of America With The Imaginary Lover , Alicia Suskin Ostriker takes her place among the most striking and original poets whose work is informed by feminist consciousness. Her characterization of the best poetry by women, in the New York Times Book Review , aptly describes this book: “intimate rather than remote, passionate rather than distant, defying divisions between emotion and intellect, private and public, life and art, writer and reader.” To read her poems is to “discover not only more of what it means to be a woman but more of what it means to be human.”

Twenty sensational erotic stories that are sinfully good from Xcite Books, winners of the ETO Best Erotic Book Brand 2010, 2011, 2012 and 2013. Featuring stories by some of the best writers in the erotic field including Kay Jaybee, Angela Meadows, Elizabeth Cage and Penelope Friday. Indulge yourself in this sensational collection and discover the pleasure of Ultimate Sins. French Connection by Cathy King Escaping to France in the wake of a failed marriage, Mandy attempts to put the past behind her and indulge in a change of scenery. Bad memories fade as the delights of her holiday destination reveal themselves. With British men off of the menu, she is determined to sample the local fare. A chance encounter following an early evening trip to the beach allows Mandy to experience some of the local delicacies. But, with her appetite whetted all she can crave for is more. Eat Me by Elizabeth Cage Tired after a hard day at work all Joanne wants is to go home, relax and indulge her sweet tooth. A chance encounter at the bus station results in a journey home by quite a different route. Her unforeseen diversion is not without its delights. As the evening unfolds she discovers an appetite that needs to be satiated, and is soon treated to a gourmet feast from a menu of the very risqué kind. Vichysoisse by Astrid L. Gathering ingredients to make a soup at the local supermarket, Sophia encounters the highly charged and seductive Samantha, and is immediately enchanted. Intoxicated by her presence she invites Samantha for a culinary lesson in the preparation of Vichysoisse. As the cooking begins, intimacy, passion and anticipation quickly swirl into a heady infusion that consumes the both of them. Unlike the cold soup that brings them together, their relationship soon progresses from a light simmer to boiling desire. Bamboobzled by Landon Dixon When gorgeous celluloid dame, Brinn Stones saunters'' into his office, hard-nosed PI Jim Brubaker is offered a case he simply cannot refuse. Charged with the task of unearthing a seedy blackmailing scam, Brubaker is forced to trawl the seedy underbelly of the City of Angels. As the case reveals itself, he soon discovers that Tinsel Town is not quite as it seems. It''s a dog-eat-dog world, where just about anything goes. Pretty Young Things by Cathryn Cooper It''s the Roaring Twenties, a decade of decadence, prosperity and wild-abandon. In need of fresh excitement, Carew accepts the challenge of a car race to the nearby abbey ruins. With the brazen Suzanne at his side, he leads the rowdy crowd out into the dark night. Once at the ruins, Suzanne embarks upon a ribald display that soon drives those in attendance into a wanton frenzy. Unmoved, Carew leaves the gathering to wander the ruins, chancing upon a mysterious woman and an erotic encounter of his own. Purposeful Liaison by Shermaine Williams When work calls her husband back from their romantic island holiday, Charlotte is left to enjoy what''s left on her own, rather that reigniting the lost passion of her marriage. Her sudden abandonment soon registers on the radar of Matthew, a well-toned holiday-maker looking for company during his stay. His persistent attention soon wears down Charlotte''s resolve, and a late-night invitation for a drink releases more passion than she can possibly control. Alice and the Red Queen by Jean Roberta When a young student takes on the job of gardener for an erstwhile tennis star, gardening is not the only activity to leave her hot and breathless. The Red Queen soon sets her sights on the nubile employee and enters into a game where domination is the ultimate prize. As the game begins, the temperature starts to rise as the former tennis queen samples the many new delights that await her in the intimacy of her well-maintained grounds. Serial Satisfaction by Cathryn Cooper Michael can''t wait to indulge in his affair with his best friend''s wife. In the seclusion of a lay-by Crystal waits for her lover, but has demands of her own in mind. As Michael revels in her sensuous affection, Crystal takes him to the brink only to stop. A girl needs commitment and that''s exactly what she wants. Crystal wants Michael for herself, not to be shared with his wife. As Michael ponders his next move, he soon learns an important lesson, that Hell hath no fury as a woman scorned. Shared Experience by Lynn Lake The saying goes two''s company and three''s a crowd, but is that always the case? David is desperate for Amy to join him in realising his yearning for a threesome. Reluctant at first, Amy eventually succumbs to his wish and arranges for the arrival of the additional party: the voluptuous Cassandra. With her appetite whetted, Amy soon becomes a willing participant in David''s lustful scenario. However, her involvement is always going to be on her own terms, whatever they may be. Sweet Dreams by Jade Taylor Horny, frustrated and eager to get her toy boy home to the bedroom, Ellie must first lure Greg away from the nightclub. However, the easy distractions of youth interfere with her intentions, despite her most determined and seductive efforts. However, fate works in mysterious ways, and an after hours invitation to Greg''s friend Adam''s home provides her with a golden opportunity. Employing the power of her sensual allure, she teases them both only to enjoy a return that doubles her delight. The Florist by Eva Hore Melissa is determined to have her way with John the hunky Florist. With a plan in mind, she arrives late one evening to pursue her intention. As Melissa embarks on her seductive task, events take a very sudden and unexpected twist. Melissa soon finds herself at the centre of a wanton scenario that takes her on a wild, new experience of pleasure and pain. Behind closed doors at the florists will never be the same again. A Lesson For Victoria by Angela Meadows Dispatched by her Father, Victoria arrives at a school for young ladies nestled high the Tyrol. It soon becomes clear, that she has been sent to be educated as a lady. Under the expert guidance of Madams Thackeray and Hulot Victoria is to be prepared for presentation as a desirable Wife for high society gentleman. As the first evening session in the curriculum unfolds, it''s soon apparent to Victoria that her two-year attendance will be extremely hands on. Story Telling by Jim Baker Reality and imagination become entwined in a series of carnal encounters. A lecturer stumbles upon some raunchy extra-curricular activity in the University lecture hall, whilst a Librarian offers a personal and energetic critique of an author''s work. Yet it''s the mind behind these tales that feeds eagerly from its muse. As the plots are energetically worked out, the Authors fantasies are the only limitation. Beautiful Sin by Penelope Friday Two friends met again after a period of prolonged absence and cordially acknowledge each other. The reality is that both Catherine and Elizabeth share a passion that the world must never know. Against a backdrop of strict moral codes, their true feelings would see them incarcerated and separated forever; their lust for each other deemed a sin. Yet when the lights go out and others settle for the night, both women can meet secretly once more to share in their beautiful sin. The Spying Game by Roz MacLeod It''s the height of the Cold War and the nation is on its guard against the spectre of foreign espionage. When Sandi, a top agent in the Secret Service is called before Control, she is presented with a mission to uncover a possible double agent. Determined to safeguard the Nation''s secrets and using the cover of an erotic dancer, Sandi embarks on her wild and raunchy assignment, using every vice at her disposal to catch her target. The Librarian by Eva Hore A young woman returns early to her shared apartment, to find her scantily clad room mate preparing for a mysterious night-out. Where does a Librarian go after a day in the stacks? Imagination runs riot as an increasingly lecherous scenario unfolds in the young woman''s mind. Her room mate''s daytime mousy demeanour, tight bun and glasses are soon discarded, to reveal a wanton dominatrix hell bent on tasting the delights of her desires. Wreck-Her by Lynn Lake A business woman is unexpectedly delayed as her company car breaks-down, deep in the sun-parched Manitoba prairie. With no cell phone signal and the soaring heat of the surroundings rising, desperation rapidly begins to set in. Help soon arrives in the form of a tow truck that stops to offer assistance. After thoroughly appraising the situation, the truck driver is soon ready to dispense a unique form of roadside assistance that ultimately proves much to the woman''s delight. Mixed Blessings by Phoebe Grafton Two friends are in need of temporary relief from their respective husbands. With one husband too demanding and the other too languid, both wives decide that a weekend exchange is the best tonic. A plan is hatched, and after a night out together is put into effect, as door keys are exchanged for each others home and husband. The weekend that follows indulges each in the marital secrets of the other and in doing so sheds light over the question: is the grass always greener on the other side? Blindspot by Elspeth Potter Becca is both excited and intrigued when Dante brings a new toy to their swingers'' event. But what fascinates her more is how he wants to use it. Very soon, she is joined by Marcus who assists both Dante and herself in experiencing a new, exciting and heightened pleasure. As they plunge into their shared lascivious adventure, all inhibitions fall away leading t

Beyond the Pale -- winner of the Lambda Literary Award -- tells the stories of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists.

"Anna Akhmatova began writing in the years before World War I, a time when, according to Akhmatova herself, "to think of a woman as a poet was absurd." Her genius would rise above categorization, but this biography makes clear how heavily she paid for the political and personal passions that informed it. A fierce poise, forged by Anna's lonely childhood, carried her through her father's resistance to her writing - which prompted her to change her name from Gorenko to Akhmatova, a name taken from a Tartar ancestor - and her flawed but passionate love affairs. We see Akhmatova's work banned from 1925 until 1940, and banned again following World War II, when the Union of Soviet Writers labeled her "half nun, half harlot." We see her steadfast resistance to Stalin during her hopeful but unsuccessful attempt to win her son's release from prison. We see her abiding loyalty to such friends as Mandelstam, Shostakovich and Pasternak as they faced Stalinist oppression.

"A darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan In January of 2022, Bruce Eric Kaplan found himself confused and upset by the state of the world and the state of his life as a television writer in Los Angeles. He started a journal to keep from going mad. That journal is now They Went Another Way. The book's through line traces his trying to get a television project set up in the increasingly Byzantine world of Hollywood. But as he details the project's ups and downs, Kaplan finds himself not only ruminating on show business, but also on today's political and social issues, on old movies and TV shows and music, on his family, on his friends, on his past, on his failing heating system, and on all the dead birds that kept showing up in his backyard. This hilarious and surprisingly moving book is about life-about art, about love, about alienation, about connection, about ugliness and beauty, about disappointment and wonder and hope. In short, it is about everything. And if it's not, it almost is"--

***SHORTLISTED FOR THE COSTA NOVEL AWARD*** 'Wickedly funny, deeply touching . . . I confess this was the first of Rachman's novels I'd read but I was so swept away by it that I raced out to buy the other three' PATRICK GALE 'Relentlessly entertaining' Daily Mail Rome, 1955 The artists are gathering together for a photograph. In one of Rome's historic villas, a party glitters with socialites and patrons. Bear Bavinsky, creator of vast, masculine, meaty canvases, is their god. He is at the centre of the picture. His wife, Natalie, edges out of the shot. From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, while Natalie faces her own wars with the art world. Trying to live up to his father's name - one of the twentieth century's fiercest and most controversial painters - Pinch never quite succeeds. Yet by the end of a career of twists and compromises, he enacts an unexpected rebellion that will leave forever his mark upon the Bear Bavinsky legacy. What makes an artist? In The Italian Teacher , Tom Rachman displays a nuanced understanding of art and its demons. Moreover, in Pinch he achieves a portrait of vulnerability and frustrated talent that - with his signature humour and humanity - challenges the very idea of greatness.

For Jewish grandmothers everywhere, with love and respect for their courage and dignity, their humor, their tsouris and their noches, their bitterness, and most of all, for their stubborn insistence on survival.

"Jerry Saltz, current senior art critic for "New York Magazine" and former senior art editor at "The Village Voice" for almost ten years, as well as a two-time finalist for the Pulitzer Prize in Criticism, popular teacher, and coast-to-coast lecturer surveys the good, the bad, and the very bad in contemporary art. Saltz doesn't only address art objects in these essays, he considers the art world as an ever-mutating organism. He signals out mismanaged museums, out-of-control auction houses, misguided artists, the gossip pages of Artforum, and the tent-city casinos known as Art Fairs. Saltz has an unsparing eye, a deep love of the art world, respect for artists, self-deprecating humor, sweet skepticism, and one of the easiest writing styles of any critic working today. Tracking the most recent all-out orgy of art and money, Saltz considers what this did to art and asks, now that the money is gone, how might art and the art world put their house in order? Don't miss the twists and turns as he sorts out the answers. If books had credos, the one affixed to "Seeing Out Louder" would be: Art First. All Else Follows." --Book Jacket.

James Salter's exalted place in American letters is based largely on the intense admiration of other writers, but his work resonates far beyond the realm of fellow craftsmen, addressing themes--youth, war, erotic love, marriage, life abroad, friendship--that speak to us all. Following the publication of his first novel, Salter left behind a military career of great promise to write full-time and--through decades of searching, exacting work--became one of American literature's master stylists. Only months before he died, at the age of eighty-nine, he agreed to serve as the first Kapnick Writer-in-Residence at the University of Virginia, where he composed and delivered the three lectures presented in this book and introduced by his friend and fellow novelist, National Book Award-winning author John Casey. Salter speaks to us here with an easy intimacy, sharing his unceasing enchantment with the books that made up his reading life, including works by Balzac, Flaubert, Babel (whose prose is "like a handful of radium"), Dreiser, Celine, Faulkner. These talks provide an invaluable opportunity to see the way in which a great writer reads. They also offer a candid look at the writing life--the rejection letters, not one but two negative reviews in the New York Times for the same book, writing in the morning or at night and worrying about money during the long afternoons. Salter raises the question, Why does one write? For wealth? For admiration, or a sense of "importance"? Confronting a blank sheet that always offers too many choices, practicing a vocation that often demands one write instead of live, the answer for Salter was creating a style that captured experience, in a world where anything not written down fades away. -- Amazon.com.