The memoir of a woman who leaves her faith and her marriage and sets out to navigate the terrifying, liberating terrain of a newly mapless world Born and raised in a tight-knit Orthodox Jewish family, Tova Mirvis committed herself to observing the rules and rituals prescribed by this way of life. After all, to observe was to be accepted and to be accepted was to be loved. She married a man from within the fold and quickly began a family. But over the years, her doubts became noisier than her faith, and at age forty she could no longer breathe in what had become a suffocating existence. Even though it would mean the loss of her friends, her community, and possibly even her family, Tova decides to leave her husband and her faith. After years of trying to silence the voice inside her that said she did not agree, did not fit in, did not believe, she strikes out on her own to discover what she does believe and who she really is. This will mean forging a new way of life not just for herself, but for her children, who are struggling with what the divorce and her new status as "not Orthodox" mean for them. This is a memoir about what it means to decide to heed your inner compass at long last. To free the part of yourself that has been suppressed, even if it means walking away from the only life you've ever known. Honest and courageous, Tova takes us through her first year outside her marriage and community as she learns to silence her fears and seek adventure on her own path to happiness.

Driving down the Long Island Expressway in November of 1992, Sol Wachtler was New York's Chief Judge and heir apparent to the New York Governorship. Suddenly, three van loads of FBI agents swerved in front of him--bringing his car and his legal career to a halt. Wachtler's subsequent arrest, conviction and incarceration for harassing his longtime lover precipitated a media feeding frenzy, revealing to the world his struggles with romantic obsession, manic-depression and drug abuse. In this, his prison diary, Wachtler reveals the stark reality behind his vertiginous fall from the heights of the legal establishment to the underbelly of the criminal justice system. Sentenced to a medium security prison in Butner, North Carolina, Wachtler is stabbed by an unseen assailant, berated by prison guards, and repeatedly placed in solitary confinement with no explanation. Moreover, as a prisoner he confronts first hand the inequities of a system that his judicial rulings helped to construct and befriends the type of people he once sentenced to prison. With unflinching honesty, Wachtler draws upon his unique experience of living life on both sides of the bench to paint a chilling portrait of prison life interwoven with a no-holds-barred analysis of the shortcomings of the American legal justice system.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). "Rembrandt's Eyes," about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt'spaintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. "Rembrandt's Eyes" shows us "why" Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever beenwritten, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the "New York Times Book Review, Time," the "New York Times, The Independent on Sunday," and "Nature," respectively. "From the Hardcover edition."

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day; nonfiction titles, including the bestseller Necessary Losses; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. Whatever became of Alexander after that famously bad day? And did you know that Judith Viorst is his mother? And what happens to her passion for household neatness and orderliness, her deep devotion to schedules, her compulsive yearning to offer helpful advice when Alexander— now grown up, married, and the father of three—moves his family into his parents’ house? What happens is controlled, and sometimes not so controlled, chaos, as lives and routines are turned upside down and the house is overrun with scattered toys, pacifiers, baby bottles, sippy cups, pink-sequined flip-flops, jigsaw puzzles, and fishy crackers. With her characteristic sparkle and wit, Viorst relates her efforts to (graciously) share space, to become (if only a little bit) more flexible, to (sort of) keep her opinions to herself, and even to eventually figure out how to unlock the safety locks of the baby's (expletives deleted) bouncy seat. She describes how she and her husband, while sometimes longing for the former peace and tranquility of unravished rooms and quiet dinners for two unaccompanied by cries of “Oh, yuck!” survived and relished the extended visit of the Alexander Five. She also opens our eyes to the joys of multigenerational family living and to the unexpected opportunities to grow that life presents—even under the most unlikely circumstances. Several generations of readers surely will relate to this funny and loving book, enhanced throughout by Laura Gibson’s delightful two-color drawings.

First published in the US in 1959 by Bernard Geis Associates, New York. The "Me" in the title is a comparatively unknown Marx named Julius (1895-1977), who, under the nom de plume of Groucho, enjoyed a sensational career on Broadway and in Hollywood with such comedy classics as Animal Crackers, Monkey Business, Horse Feathers, Duck Soup, A Night at the Opera, and A Day at the Races. His solo career included work as a film actor, television game show emcee, and author of The Groucho Letters, Memoirs of a Mangy Lover, and his classic autobiography, Groucho and Me. With impeccable timing, outrageous humor, irreverent wit, and a superb sense of the ridiculous, Groucho tells the saga of the Marx Brothers: the poverty of their childhood in New York's Upper East Side; the crooked world of small-time vaudeville (where they learned to carry blackjacks); how a pretzel magnate and the graceless dancer of his dreams led to the Marx Brothers' first Broadway hit, I'll Say She Is!, how the stock market crash in 1929 proved a godsend for Groucho (even though he lost nearly a quarter of a million dollars); the adventures of the Marx Brothers in Hollywood, the making of their hilarious films, and Groucho's triumphant television series, You Bet Your Life!. Here is the life and lunatic times of the great eccentric genius, Groucho, a.k.a. Julius Henry Marx. "The book is never less than readable and its glimpses of American show business at its least glamorous are simple, true and sometimes rather touching."-Times Literary Supplement "My advice is to ration yourself to a chapter a night-it's that delectable."-Chicago Sunday Tribune

The letters Kafka addressed to the woman to whom he was twice engaged make up a collection of some of the most startling "love letters" of our time. They form a revealing record of five crucial years in his life and of his relationship to the one woman who decisively influenced his writing. These letters will take their place alongside Kafka's major novels and stories.

NOW AN ACCLAIMED DOCUMENTARY, Winter Journey Set amid the growing tyranny of Germany's Third Reich, here is the riveting and emotional tale of Günther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances--and found themselves falling in love in a country bent on destroying them. In the spring of 1933, as the full weight of Germany's National Socialism was brought to bear against Germany's Jews, more than 8,000 Jewish musicians, actors, and other artists found themselves expelled from their positions with German orchestras, opera companies, and theater groups, and Jews were forbidden even to attend "Aryan" theaters. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created under the auspices of Joseph Goebbels's Ministry of Public Enlightenment and Propaganda. Providing for Jewish artists to perform for Jewish audiences, the Kulturbund, which included an orchestra, an opera company, and an acting troupe, became an unlikely haven for Jewish artists and offered much-needed spiritual enrichment for a besieged people--while at the same time providing the Nazis with a powerful propaganda tool for showing the rest of the world how well Jews were ostensibly being treated under the Third Reich. It was during this period that twenty-two-year-old flutist Günther Goldschmidt was expelled from music school because of his Jewish roots. While preparing to flee the ever-tightening grip of Nazi Germany for Sweden, Günther was invited to fill in for an ailing flutist with the Frankfurt Kulturbund Orchestra. It was there, during rehearsals, that he met the dazzling nineteen-year-old violist Rosemarie Gumpert--a woman who would change the course of his life. Despite their strong attraction, Günther eventually embarked for the safety of Sweden as planned, only to risk his life six months later returning to the woman he could not forget--and to the perilous country where hatred and brutality had begun to flourish. Here is Günther and Rosemarie's story, a deeply moving tale of love and the remarkable resilience of the human spirit in the face of terror and persecution. Beautifully and simply told by their son, National Public Radio commentator Martin Goldsmith, The Inextinguishable Symphony takes us from the cafés of Frankfurt, where Rosemarie and Günther fell in love, to the concert halls that offered solace and hope for the beleaguered Jews, to the United States, where the two made a new life for themselves that would nevertheless remain shadowed by the fate of their families. Along with the fate of Günther and Rosemarie's families, this rare memoir also illuminates the Kulturbund and the lives of other fascinating figures associated with it, including Kubu director Kurt Singer--a man so committed to the organization that he objected to his artists' plans for flight, fearing that his productions would suffer. The Kubu, which included some of the most prominent artists of the day and young performers who would gain international fame after the war, became the sole source of culture and entertainment for Germany's Jews. A poignant testament to the enduring vitality of music and love even in the harshest times, The Inextinguishable Symphony gives us a compelling look at an important piece of Holocaust history that has heretofore gone largely untold.

A hilarious and candid essay collection about living a normal life in Hollywood, where life is anything but normal, from mom, actress, and #1 New York Times bestselling author Tori Spelling. With her signature wit and unique Hollywood insight, Tori Spelling explores the adventures—and misadventures—of raising a family in Tinseltown. From balancing parenthood with tabloid pressures and from becoming a mini mogul to her evolving relationship with her mom, Tori takes us behind the glitz and glamor of being a modern-day celebrity. Featuring her whip-smart voice that fans know and love, she effortlessly illustrates that when you’re Tori Spelling, every day is uncharted territory.

Prince Grigory Potemkin was Catherine the Great's lover and secret husband. An outstandingly gifted political counselor, he won the Crimea, founded the Black Sea Fleet, and made Russia a Near Eastern power. Volatile, handsome, and always astonishing, his magnificence enchanted and scandalized Europe.With all new research, Sebag Montefiore brings to life Potemkin's blazing love for Catherine, lays to rest the smear of the "Potemkin Villages", and restores him to his place as a colossus of the 18th century. Copyright © Libri GmbH. All rights reserved.

The riveting memoir of Rikki Klieman--an enormously successful defence attorney and television personality--as she discovers the possibilities of love in middle age with Los Angeles' new police commissioner, Bill Bratton. Thirty-five-year-old Rikki was named one of America's top five female trial attorneys by Time magazine for her work in criminal defence, one of the toughest branches of law for a woman to enter. She defended clients ranging from accused drug smugglers to media moguls to well-meaning Christian Scientists Ginger and David Twitchell, whose beliefs were put on trial after the death of their child. She waged a war of nerves with Boston police and the FBI during negotiations for the return of fugitive sixties radical Katherine Ann Power. As Rikki moved from success to success, however, the frenetic lifestyle of a defence attorney began to damage her health and happiness. She suffered from exhaustion, chronic back pain, and two failed marriages, but considered these afflictions to be part of "the price of the prize." After several decades as a practicing attorney, she joined Court TV, where she gained national prominence covering the O.J. Simpson trial and she went on to host Court TV's daily show Both Sides. Now, at midlife, this warrior with a woman's heart has finally achieved, in her loving marriage to LAPD chief Bill Bratton, the balance many seek but few find. Her dramatic story proves that fairy tales can come true and that great love and great success can go hand in hand.

Our captain and leader has not left us, today, tomorrow, this year, next … Our endeavors will reflect our love and admiration for him.” —Honorary plaque to Munson in Yankee Stadium Thurman Munson is remembered by fans as the fiercely competitive, tough, and—most of all—inspiring Yankee captain and champion from the wild Bronx Zoo years. He is also remembered for his tragic death, at age thirty-two, when the private plane he was piloting crashed in Canton, Ohio, on August 2, 1979. Munson is the intimate biography of a complex and larger-than-life legend. Written by former Yankees public relations director Marty Appel, who worked closely with Thurman throughout his career, Munson captures the little-known details of the young man from Canton and his meteoric rise to stardom in baseball’s most storied franchise. Appel examines the tumultuous childhood that led Thurman to work feverishly to escape Canton—and also the marriage and cultural roots that continually drew him back. Appel also opens a fascinating door on the famed Yankees of the 1970s, recounting moments and stories that have never been told before. From the clubhouse and the dugout to the front office and the owner’s box, this thoughtful baseball biography delves into the affectionately gruff captain’s relationships with friends, fans, and teammates such as Lou Piniella, Bobby Murcer, Graig Nettles, and Reggie Jackson, as well as his colorful dealings with manager Billy Martin and his surprisingly close bond with owner George Steinbrenner. Munson paints a revealing portrait of a private Yankee superstar, as well as a nostalgic and revelatory look at the culture—and amazing highs and lows—of the 1970s New York Yankees teams. More than a biography, Munson is the definitive account of a champion who has not been forgotten and of the era he helped define—written with the intimate detail available only to a true insider. www.doubleday.com

My Nine Lives is a powerful and stirring memoir of one of the greatest pianists of the postwar era—an inspiring tale of courage, compassion, and triumph over outstanding odds. At the peak of his career, celebrated pianist Leon Fleisher suddenly lost the use of two fingers on his right hand. Miraculously, at the age of sixty-six, he was diagnosed with focal dystonia, and learned to manage it through a combination of physical therapy and experimental Botox injections. In 2003 Fleisher returned to Carnegie Hall to give his first two-handed performance in over three decades and brought down the house. With his coauthor, celebrated music critic Anne Midgette, Fleisher reveals here for the first time the depression that threatened to engulf him as his condition worsened, and the sheer love of music that rescued him from complete self-destruction.

Some musicians want to challenge an audience, force-feeding fans something that's new, different, and ostensibly "good for" them. Others take the more trad route, serving up the sonic equivalent of comfort food, tunes that lend themselves to almost instant sing-alongs (or at least Bic-flick-alongs). Lenny Kravitz has always unabashedly slotted himself into the latter category, and his righteous channeling of the spirit of '76 (1976, that is) has seldom been more effective than on this outing, which reconciles his strutting rocker side and his sweet soul singer side with panache. Kravitz's crooning has brought him many a chart hit, and this set doesn't skimp on hits-in-the-making -- although even make-out moaners like "A Million Miles Away" and "Believe in Me" are injected with a certain street savvy this time around. He's at his best when leaning into crunchy, riff-laden rockers, like "Dig In" and the Bad Company-meets-Zeppelin lust-fest "If I Could Fall in Love," and when slipping just a touch of bad-boy attitude into the mix, as on the chunky "Bank Robber Man." As is his wont, Kravitz also toys with post-hippie spirituality, but he's a bit less heavy-handed this time, making songs like "God Save Us All"--Which features a smile-inducing vocoder solo straight out of Peter Frampton's book of tricks -- seem less preachy than merely commiserating. While some might be tempted to grab Lenny Kravitz by the feather boa and let him know we've entered a new millennium, there's something reassuring about having a key to the way-back machine at the ready, and Lenny fires up the engine in no time flat.

Eddie on his ex-wives: Debbie Reynolds : Debbie's whole life has been an act...When I left her for Elizabeth Taylor, she should have won an Academy Award for her portrayal of the wronged woman. [p. 83] Elizabeth Taylor : If I had known that first night we spent together how our love was going to help destroy my career and, for a time, my life, if I had known how much pain my love for Elizabeth was going to bring me, I still wouldn't have hesitated. [p. 144] Connie Stevens : I always wondered how she could work so hard, how she could accomplish to much. Then I took a couple of [her] pills... [p. 269] Read the explosive memoir everyone's talking about!

Celebrated for her indelible, Oscar-caliber performances in some of the most memorable films of the 1980s and 1990s, Debra Winger, in Undiscovered , her first book, demonstrates that her creative range extends from screen to page. Here is an intimate glimpse of an artist marvelously wide-ranging in her gifts. In fact, as this beguiling book reveals, Winger is that rare star who dared to resist the all-consuming industry that is Hollywood becoming her entire reason for being. "I love the work," she states, "and don't much care for the business." Yet she cares deeply for the people who have inspired her. We meet them (most famously, James Bridges, Bernardo Bertolucci; most dearly, her mother, husband, and sons) here, as Winger passionately makes her case for forging a life beyond acting -- and shows how she has done just that. Winger's screen performances have long been celebrated for their breathtaking emotional range, a quality that shines through in these pages. "When I was little," she writes, "someone told me that when you age, you turn into the person you were all your life." In this intriguing mix of reminiscence, poetry, storytelling, and insightful observation, a portrait of a life well-lived is strikingly rendered.

In Fatwa: Hunted in America, Pamela Geller tells her own story of how she became one of the world's foremost activists for the freedom of speech, individual rights, and equality of rights for all. Pamela Geller recounts her unlikely journey from New York City career girl to indomitably fearless human rights activist, reviled by the enemies of freedom the world over. "I assumed my freedom," she writes. "Never for one moment did I think that it could be taken from me. But all that changed on one day." That day was September 11, 2001 -- when on a beautiful, bright blue sunny morning, the global jihad struck in America with terrifying and murderous force. The United States of America and the free world as a whole would never be the same again. Neither would Pamela Geller. In this book, Geller tells the whole extraordinary story of how she began chronicling her take on news events at her groundbreaking website Atlas Shrugs, then moved into activism, at first on behalf of Muslim girls who were being brutalized and victimized at home for not following the misogynistic rules of Islamic law, and then to stand against the advance of jihad and sharia on numerous fronts, above all for the freedom of speech, which is increasingly embattled in this age of jihad. It's all here: Geller recounts the battle to defeat the sinister Ground Zero mosque project; the ISIS attack at Geller's Mohammed Art Exhibit and Cartoon Contest in Garland, Texas; the fatwa issued to her and plot to behead her; and much more, including the relentless vilification from a mainstream media hell-bent on defaming and destroying everyone who stands for freedom against jihad terror and sharia oppression.Pamela Geller writes: "Any lover of freedom would have been tarred the same way I was, and many have been. I am but a proxy in this terrible, long war. What has happened to me is what happens, in small and large ways, to every American who stands for freedom." At last, in Fatwa: Hunted In America, she tells her story.

A deeply personal memoir about one woman's journey to finding her voice and rewriting her story by the creator and host of the award-winning podcast Moms Don't Have Time to Read Books (tm). Zibby Owens has become a well-known personality in the publishing world. Her infectious energy, tasteful authenticity, and smart, steadfast support of authors started in childhood, a precedent set by the profound effect books and libraries had on her own family. But after losing her closest friend on 9/11 and later becoming utterly stressed out and overwhelmed by motherhood, Zibby was forgetting what made her her . She turned to books and writing for help. Just when things seemed particularly bleak, Zibby unexpectedly fell in love with a tennis pro turned movie producer who showed her the path to happiness: away from type-A perfectionism and toward letting things unfold organically. What unfolded was a meaningful career, a great love, and finally, her voice, now heard by millions of listeners. An honest and moving story about relationships, love, food issues, the writing life, and finding one's true calling, Bookends will inspire and uplift.

The career of astronomer from a woman astronomer's point of view.

Hailed as one of the best books of 1998 by the Los Angeles Times , this group of twelve short stories was written over the past twenty years. From the steamy streets of New Delhi to New York's tony Upper East Side, Jhabvala's characters grapple with the universal quandaries of the human experience–jealousy, passion, temptation, and deception–truths of life and love that follow no matter where we wander.

From award-winning actress Illeana Douglas comes a memoir about learning to survive in Hollywood while staying true to her quirky vision of the world. In 1969 Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words, "That's what it's all about man" to heart, they abandoned their comfortable upper middle class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a testament to the power of art and the tenacity of passion. It is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the moment she was discovered by Martin Scorsese for her blood-curdling scream and cast in her first film, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award winning writer, director and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking. Writing from the perspective of the ultimate show business fan, Douglas packs each page with hilarious anecdotes, bizarre coincidences, and fateful meetings that seem, well, right out of a plot of a movie. I Blame Dennis Hopper is the story of one woman's experience in show business, but it is also a genuine reminder of why we all love the movies: for the glitz, the glamor, the sweat, passion, humor, and escape they offer us all.