American Stories brings together 12 extended nonfiction pieces that have appeared over the past seven years in The New Yorker. "If Truman Capote invented the nonfiction novel, as he claimed, and Norman Mailer devised variations on it, Trillin has perfected the nonfiction short story; moreover, his craftsmanship can contend with that of either Capote or Mailer at their best".--Kirkus Reviews.

""Peter David, award-winning writer of comic books, novels, television, films and video games, has boatloads of stories to tell about his 30-year career. Whether it was attending George Takei's wedding, being described as Will Smith's bodyguard, or wandering around on the set of Babylon 5, David has been telling anecdotes of his life for years. Here they are all in one place, along with the story of a career that has taken him from writing Marvel Comics' Incredible Hulk for twelve years to adventures in the Star Trek universe to the New York Times bestseller list."-Provided by publisher"--

A revealing look at the power of speaking out, Writing in an Age of Silence describes Paretski’s coming of age in a time of great possibility, during the civil rights movement, the peace movement, and the women’s movement. Bestselling crime-writer Sarah Paretsky has won critical acclaim for her V.I. Warshawski novels, centered around one of the first and most popular female investigators in contemporary fiction. In this fascinating and personal account, Paretsky describes a life shaped by the desire to act. From the feminist movement—which triggered her aspirations to write and shaped the character of her female detective—to the Patriot Act and the liberties we have lost, Paretsky describes the struggle of one individual to find a voice. A moving call to action, Writing in an Age of Silence chronicles the social changes that have shaped contemporary America, and mirrors a desire for freedom, both personal and political, that many Americans will relate to today.

An Academy Award-nominated screenwriter and a mystery novelist, Roger L. Simon is the only American writer to pull off the amazing trick of being profiled positively in both Mother Jones and National Review in one lifetime. The stunning story of his political odyssey is told in this memoir, where Simon recounts his migration from financier of the Black Panther Breakfast Program to pioneer blogosphere mogul beloved by the right as a 9/11 Democrat. But Simon is beholden to neither right nor left in this tale of Hollywood chic run amuck, as he talks out of school about his adventures with, among many others, Richard Pryor, Warren Beatty, Timothy Leary, Richard Dreyfuss, Woody Allen, and Julian Semyonov, the Soviet Union's version of Robert Ludlum and also a KGB colonel who tempted Simon to join the KGB himself. Among the topics covered along the way: Is there a new blacklist in Hollywood, this one targeting conservatives? Simon's red-carpet tours of the People's Republic of China, Cuba, and the Soviet Union with Hollywood screenwriters and famous mystery novelists. Why Al Gore's documentary on global warming didn't deserve the Oscar on artistic grounds alone; and why the Academy's voting system is so corrupt. And, as they say, there is much, much more besides.

Finalist, 2008 Pulitzer Prize Lincoln Kirstein was a tireless champion of the arts in America. Working behind the scenes to provide artists with money, space, audiences, and, at times, emotional support, he helped found such landmark cultural institutions as the New York City Ballet, the School of American Ballet, New York’s Lincoln Center and Stratford's American Shakespeare Festival. Duberman's biography sheds light on this lamentably neglected cultural figure. Though best known as a benefactor of the arts, Kirstein was also an adept critic, poet and novelist who published some fifteen books in his lifetime. From his undergraduate years at Harvard, where he established the influential literary magazine Hound and Horn , as well as the Harvard Society for Contemporary Art (precursor to the Modern Museum of Art), to his complex and historically significant relationship with George Balanchine, Kirstein's contributions were indespensible to the development of the arts in America. Authoritative and elegant, Duberman's biography utilizes previously unavailable documents, including Kirstein's diaries, to reveal the keen eye, incessant self-doubt, and enormous ambition that drove Kirstein's relentless advocacy. The Worlds of Lincoln Kirstein brings attention to an important, but until-now unappreciated figure whose individual contribution to the arts was one of the greatest of the twentieth century.

"One hot midsummer morning, crime novelist Howard Engel picked up his newspaper from his front step and discovered he could no longer read it. The letters had mysteriously jumbled themselves into something that looked like Cyrillic one moment and Korean the next. While he slept, Engel had experienced a stroke and now suffered from a rare condition called alexia sine agraphia, meaning that while he could still write, he could no longer read"--Jacket flap.

Booker-winning novelist, playwright, essayist, poet and critic, John Berger has excelled in a variety of literary fields. This collection of essays takes a definitive look at his career. Berger's essays were ground breaking, polemic, reflective, and radically original. Spanning more than 40 years of intellectual enquiry and political engagement, these essays are viewed chronologically to provide a kind of vicarious autobiography and a history of time refracted through the prism of art.

In the final days of World War II, a band of Jewish partisans makes its way from Russia to Italy, moving toward the ultimate goal of Palestine. Based on a true story, the novel chronicles their adventures as they wage a personal war of revenge against the Nazis: blowing up trains, rescuing the last victims of concentration camps, scoring victories in the face of unspeakable devastation. Primo Levi captures the landscape and the people of Eastern Europe in vivid detail, depicting as well the terrible bleakness of war-ridden Europe. But finally, what he gives us is a tribute to the strength and ingenuity of the human spirit.

A rich and witty classic novel of love, community and home from the award-winning and best-loved Eva Ibbotson. Now reissued with a brand-new cover. Susanna Weber's dress shop stands in the picturesque Madensky Square, a quiet little world of its own, nestled in the heart of glittering pre-war Vienna.As the winter of 1910 unfurls into spring, Susanna starts a journal about life in the Square, about the buildings and their colourful inhabitants. There's Frau Schumacher, with six daughters and a baby on the way, Professor Starsky and his menagerie of sickly reptiles, an aging bookseller, a teenaged Anarchist, and little Sigi - an orphaned child prodigy forced to play the piano all day, every day.And then there's her dear friend Alice, the only person who has noticed the heartbreak that hides beneath Susanna's brisk kindness and brilliant talent.A whip-smart observation of the passions and tragedies behind daily life, Eva Ibbotson's Madensky Square is a classic snapshot of Viennese life before WWI.

Traces the life of the American novelist from her childhood in the newly settled prairies of Nebraska through her years as a journalist, editor, and teacher, and examines the relationship between what she wrote and who she was.

Giorgio Bassani’s six classic books, collected for the first time in English as the epic masterwork they were intended to be. Among the masters of twentieth-century literature, Giorgio Bassani and his Northern Italian hometown of Ferrara “are as inseparable as James Joyce and Dublin or Italo Svevo and Trieste” (from the Introduction). Now published in English for the first time as the unified masterwork Bassani intended, The Novel of Ferrara brings together Bassani’s six classics, fully revised by the author at the end of his life: Within the Walls , The Gold-Rimmed Spectacles , The Garden of the Finzi-Continis , Behind the Door , The Heron , and The Smell of Hay . Set in the northern Italian town of Ferrara before, during, and after the Second World War, these interlocking stories present a fully rounded world of unforgettable characters: the respected doctor whose homosexuality is tolerated until he is humiliatingly exposed by an exploitative youth; a survivor of the Nazi death camps whose neighbors’ celebration of his return gradually turns to ostracism; a young man discovering the ugly, treacherous price that people will pay for a sense of belonging; the Jewish aristocrat whose social position has been erased; the indomitable schoolteacher, Celia Trotti, whose Communist idealism disturbs and challenges a postwar generation. The Novel of Ferrara memorializes not only the Ferrarese people, but the city itself, which assumes a character and a voice deeply inflected by the Jewish community to which the narrator belongs. Suffused with new life by acclaimed translator and poet Jamie McKendrick, this seminal work seals Bassani’s reputation as “a quietly insistent chronicler of our age’s various menaces to liberty” (Jonathan Keates).

A daring novel that shocked the Jazz Age-and still burns with truth today. In Bad Girl, Viña Delmar rips the glittering mask off 1920s romance and exposes the real heartbeat of a generation caught between desire, convention, and survival. In roaring-era New York City, a young woman refuses to play by society's rules. She wants love-but she also wants freedom, respect, and a life that belongs to her alone. When Dorothy, a working-class shop girl with a wild streak, falls for Eddie, a man as stubborn and passionate as she is, their story explodes into a storm of love, pride, independence, and consequence. Beneath the flapper sparkle and jazz-club heat lies a deeply modern struggle: how far can a woman go to live life on her own terms before the world calls her a bad girl? First published in 1928, Bad Girl became an instant bestseller and scandal, earning Delmar both fame and controversy. Banned in some cities and celebrated in others, it was later adapted into an Oscar-winning Hollywood film-one of the first movies to portray love and marriage with raw honesty and emotional depth. Rediscovered today, this lost feminist classic captures the power and vulnerability of women carving out identity in a rapidly changing world. Bad Girl speaks directly to fans of F. Scott Fitzgerald, Dorothy Parker, Anita Loos, and Edna Ferber-readers who crave authentic emotion, smart social commentary, and unforgettable storytelling.

May 4th, 1970. A week earlier President Nixon has ordered American ground forces into Cambodia to pursue the Vietcong. By the end of the day four students will be shot dead by the National Guards in the grounds of Kent State University. On the other side of the Atlantic, it's a brilliant sunny morning after an April of heavy rain, and at the "Concept House" therapeutic community he has set up in the London suburb of Willesden, maverick psychiatrist Dr Zack Busner has been tricked into joining a decidedly ill advised LSD trip with several of its disturbed residents. Five years later, sitting in a nearby cinema watching Steven Spielberg's Jaws , Busner realizes the true nature of the events that transpired on that dread-soaked day, when a survivor of the worst disaster in the US Navy's history - the sinking of the USS Indianapolis - came face-to-face with the British Royal Air Force observer on the Enola Gay's mission to bomb Hiroshima. Set a year before the action of his Booker-shortlisted Umbrella , Will Self's new novel Shark continues its exploration of the complex relationship between human psychopathology and human technological progress.

The interviews in this collection cover Walter Mosley's career and reveal an overarching theme: a belief in the transformative power of reading and writing. Since the 1990 publication of his first novel, Devil in a Blue Dress , Mosley (b. 1952) has published over thirty books in a tremendous range of genres and modes: crime and detective fiction, science fiction, literary novels of ideas, character studies, political and social nonfiction, erotica, and memoir. Best known for his Easy Rawlins detective series and Socrates Fortlow series of crime novels, Mosley has created a body of work that as a whole chronicles and examines twentieth-century African American experience. Conversations with Walter Mosley covers the breadth of Mosley's career and reveals a craftsman and wryly witty conversationalist. Conscious of his forebears as well as literary techniques, he discusses favorites and influences including Camus, Shakespeare, and Dickens as well as writers in popular genres--especially speculative fiction and the hard-boiled noir detective tradition. He also discusses how his work modifies the crime tradition to engage it with black experience.

"Like a García Márquez novel that has suddenly, horrifyingly, come to real life" ( New York Newsday ), Fear in Chile is an extraordinary collection of firstperson accounts of life under dictatorship. In the 1980s, shortly after Chile emerged from one of the century's most notorious reigns of terror, Chilean journalist Patricia Politzer interviewed figures including a revolutionary activist, a military leader loyal to General Augusto Pinochet, a bank clerk concerned with the status quo, the mother of one of the "disappeared," as well as a dozen other men and women from every political position and social stratum of Chilean life. The result is a broad, vivid, yet nonideological view of modern life under military rule, about which Ariel Dorfman writes, "I can think of no better introduction to my country." With the October 1998 arrest of General Pinochet in Great Britain and renewed world awareness of the horrendous crimes committed during his regime, Fear in Chile , updated with a new afterword by the author that considers the recent attempts to prosecute Pinochet for human-rights violations, offers a vivid portrait of Chile's Pinochet era.

A New York Times Book Review Editors' Choice and a Paris Review Staff Pick A January Pick by Salon , Town and Country, Southern Living, and LA Magazine New Orleans, 1918. The birth of jazz, the Spanish flu, an ax murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge—and the Crescent City gets the rich, dark, sweeping novel it so deserves. From one of the most inventive writers of his generation, King Zeno is a historical crime novel and a searching inquiry into man’s dreams of immortality. New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an ax-wielding maniac with a peculiar taste in music. The ax murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness. In New Orleans, a city built on swamp, nothing stays buried long.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

"Jerzy Kosinski was a great enigma of post-World War II literature. When he exploded onto the American literary scene in 1965 with his best-selling novel The Painted Bird, he was revered as a Holocaust survivor and refugee from the world hidden behind the Soviet Iron Curtain. He won major literary awards, befriended actor Peter Sellers (who appeared in the screen adaptation of his novel Being There), and was a guest on talk shows and at the Oscars. But soon the facade began to crack, and behind the public persona emerged a ruthless social climber, sexual libertine, and pathological liar who may have plagiarized his greatest works. Jerome Charyn lends his unmistakable style to this most American story of personal disintegration, told through the voices of multiple narrators--a homicidal actor, a dominatrix, and Joseph Stalin's daughter--who each provide insights into the shifting facets of Kosinski's personality. The story unfolds like a Russian nesting doll, eventually revealing the lost child beneath layers of trauma, while touching on the nature of authenticity, the atrocities of WWII, the allure of sadomasochism, and the fickleness of celebrity."-- Page [4] of cover.

Jerome Charyn's three-part memoir of his boyhood in the Bronx has all the imagery and color of an enchanting and entertaining novel -- someone has said that it captures the author's world so accurately that it can't possibly be true. Bronx Boy , like The Dark Lady of Belorusse and The Black Swan , both selected by The New York Times as Notable Books of the Year, is a tour de force of memory and imagination. In this third and final installment, the higher truths of a masterly writer's art render moot the question of exactly where the real world ends and Charyn's imagined world begins. Still known as "Baby" although a younger brother has come along, young Charyn makes pocket money delivering eggs, belongs to a group of 12-year-old wannabe gangsters that meet in a soda shop run by an ex-con, and spends afternoons telling stories to the adoring wife of a wealthy Russian émigré. He becomes famous for his black-and-tans -- a concoction of coffee ice cream, seltzer, milk, chocolate sauce, crushed pecans -- and "a touch of bitterness that may have been the Bronx." So famous, indeed, that he walks away the winner of an annual black-and-tan contest sponsored by the real-life top gangster called "The Little Man" -- Meyer Lansky. In Charyn's hands, the often ridiculed Bronx is a magic place, as full of odd and wonderful characters as a three-ring circus. And at the center of it all, young "Baby," not as lucky in love as he would like to be, drinking it all in, putting his own extraordinary take on it. Charyn looks back at this with his singular vision, and records it all for us with the skill of the fine writer he is. This is a delightful and often moving story of a childhood that could only have been lived in New York in the fifties, a New York experience that could only have taken place in the Bronx of those days, a growing-up saga that could only have been captured by this singular author.