"A community grows as neighbor helps neighbor in this heartwarming story inspired by the Golden Ladder, a Jewish approach to charity intended to create a fair society"--

"Al Jolson, born Asa Yoelson, immigrated from his shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson's public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers who made a fortune off it; and George Jessel, Jolson's rival and the star of Raphaelson's stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson's use of blackface, common at the time. At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts"--

Marines at War 20 True, Heroic Tales of U.S. Marines in Combat 1942 - 1983 by Eric Hammel 272 pages with Maps ISBN 978-0-935553-40-6 In twenty hard-hitting, action-packed true, heroic stories, Eric Hammel chronicles the making of the modern U.S. Marine Corps from the desperate Guadalcanal landings in 1942 to the tragic bombing of the Marine headquarters in Beirut in 1983. Excerpted from all of Hammel's books on Marine Corps battles and a number of articles he wrote over the years for Leatherneck and other magazines, this collection includes stories of ground combat in the South Pacific, Korea, Vietnam, and Beirut, as well as tales of Marine aviators in action in three wars. Marines at War will prove to be inspiring to Marines, former Marines, friends of the U.S. Marine Corps, and any other reader of military history who wants to know what war looks like from the bottom up. Eric Hammel is well known to military-history readers for the way he blends riveting accounts of men at the bloody spearpoint with the big picture. His blending fact with analysis is the essence of his writing. Several of the chapters in Marines at War are rendered in the actual words of combat Marines.

She Took A Village tears the lid off the secrets of Hillary Rodham Clinton in a probing investigation of America's power-grabbing First Lady. This unauthorized biography reveals a life-time of ruthless determination, skillful manipulation and artful denial unmatched in the long history of American presidential wives. She Took A Village puts it all together in a fast-paced, absorbing story you won't want to miss. With his latest book, Alan Gottlieb lobs another political grenade into the fray over public policy. Long recognized as a leading gun rights advocate and successful direct mail fund raiser for conservative causes, he has emerged as a media mogul through his chairmanship of the Talk America Radio Networks, which boast over 500 affiliate stations from coast to coast. Alan Gottlieb has achieved that most enviable position among writers, the insider status that lets him see the whole picture from the top of the pyramid. You get the advantage of his many years behind the Washington scenes and the crisp, informative, right-to-the-point style that made his earlier books best-sellers.

"This is a work of genuine discovery that uses both the methods and sources of first-rate scholarship. It is a valuable addition to the 'new thinking' about the Middle East, [although] there are many who will refute its contribution without so much as a glance at its first page because it was written by Elmer Berger. The loss is theirs. Who will gain are those, like Berger himself, with an open mind and a willingness to become familiar with new perspectives on an ancient controversy."--From the Foreword by Don Peretz, professor of political science, SUNY-Binghamton At the outset of the 1949 armistice negotiations between Israel and its Arab neighbors, acting UN mediator Ralph Bunche expressed his hope that the talks would "chart the road to a peace for Palestine," an outcome apparently as elusive today as when he spoke those words more than forty years ago. Perhaps the most significant aspect of this meticulously documented analysis of those negotiations is its relevance for today's headlines. Relating the proposals and counterproposals, the conspiracies and power plays to present-day Israeli and Middle East policies, Berger suggests that the basic negotiating strategies of the main players have persisted almost unchanged into the present, a "near rigidity" that has defeated all efforts to achieve peace in the Middle East's central conflict. Berger is a controversial rabbi, an avowed anti-Zionist who proves himself capable of examining highly flammable issues and events with objectivity, insight, and rigorous scholarship. Drawing upon newly released material from official Israeli and U.S. archives, Berger manages to paint both the large picture and the telling detail--the frustrations of the conscientious and highly respected Bunche, the pathetically unprepared Arab negotiators, the well-informed Israeli diplomats, the intrigue of the Israel-Transjordan alliance. The work will serve serious observers of the prolonged conflict over Palestine as a guide to applicable international law and to the attitudes and negotiating policies of the countries involved. Elmer Berger has for twenty-five years been president of American Jewish Alternatives to Zionism, Inc., and has written and edited a number of books on Judaism and Jewish nationalism. At the outset of the 1949 armistice negotiations between Israel and its Arab neighbors, acting UN mediator Ralph Bunche expressed his hope that the talks would "chart the road to a peace for Palestine," an outcome apparently as elusive today as when he spoke those words more than forty years ago. Perhaps the most significant aspect of this meticulously documented analysis of those negotiations is its relevance for today's headlines. Relating the proposals and counterproposals, the conspiracies and power plays to present-day Israeli and Middle East policies, Berger suggests that the basic negotiating strategies of the main players have persisted almost unchanged into the present, a "near rigidity" that has defeated all efforts to achieve peace in the Middle East's central conflict. Berger is a controversial rabbi, an avowed anti-Zionist who proves himself capable of examining highly flammable issues and events with objectivity, insight, and rigorous scholarship. Drawing upon newly released material from official Israeli and U.S. archives, Berger manages to paint both the large picture and the telling detail--the frustrations of the conscientious and highly respected Bunche, the pathetically unprepared Arab negotiators, the well-informed Israeli diplomats, the intrigue of the Israel-Transjordan alliance. The work will serve serious observers of the prolonged conflict over Palestine as a guide to applicable international law and to the attitudes and negotiating policies of the countries involved. Elmer Berger has for twenty-five years been president of American Jewish Alternatives to Zionism, Inc., and has written and edited a number of books on Judaism and Jewish nationalism.

Finalist for the Los Angeles Times Book Prize (Biography) A Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood's most famous figures, whose golden lives were lived at the center of Hollywood's golden age, written by their daughter, an acclaimed writer and producer. Fay Wray was most famous as the woman--the blonde in a diaphanous gown--who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York's skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood's biggest stars--Spencer Tracy, Gary Cooper ( The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon ), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman ( The Unholy Garden ), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim ( The Wedding March ), and Mauritz Stiller ( The Street of Sin ) to Leo McCarey, William Wyler, Gregory La Cava, "Wild Bill" William Wellman, Merian C. Cooper ( The Four Feathers, King Kong ), Josef von Sternberg ( Thunderbolt ), Dorothy Arzner ( Behind the Make-Up ), Frank Capra ( Dirigible ), Michael Curtiz ( Doctor X ), Raoul Walsh ( The Bowery ), and Vincente Minnelli. The book's--and Wray's--counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award-winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as "among the best screenwriters in the business." Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female--breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure. Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments--Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young. Here are Wray's and Riskin's lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.

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