What might you have done if you had been caught up in the Holocaust? In My Lai? In Rwanda? Confronted with acts of violence and evil on scales grand and small, we ask ourselves, baffled, how such horrors can happen?how human beings seemingly like ourselves can commit such atrocities. The answer, I. W. Charny suggests in this important new work, may be found in each one of us, in the different and distinct ways in which we organize our minds. An internationally recognized scholar of the psychology of violence, Charny defines two paradigms of mental organization, the democratic and the fascist, and shows how these systems can determine behavior in intimate relationships, social situations, and events of global significance. With its novel conception of mental health and illness, this book develops new directions for diagnosis and treatment of emotional disorders that are played out in everyday acts of violence against ourselves and others. Fascism and Democracy in the Human Mind also offers much-needed insight into the sources and workings of terrorism and genocide. A sane, radical statement about the guiding principles underlying acts of violence and evil, this book sounds a passionate call for the democratic way of thinking, which recognizes complexity, embraces responsibility, and affirms life.

This lofty volume analyzes a circular cultural relationship: not only how trauma is reflected in cultural processes and products, but also how trauma itself acts as a critical shaper of literature, the visual and performing arts, architecture, and religion and mythmaking. The political power of trauma is seen through US, Israeli, and Japanese art forms as they reflect varied roles of perpetrator, victim, and witness. Traumatic complexities are traced from spirituality to movement, philosophy to trauma theory. And essays on authors such as Kafka, Plath, and Cormac McCarthy examine how narrative can blur the boundaries of personal and collective experience. Among the topics covered: Television: a traumatic culture. From Hiroshima to Fukushima: comics and animation as subversive agents of memory in Japan. The death of the witness in the era of testimony: Primo Levi and Georges Perec. Sigmund Freud’s Moses and Monotheism and the possibility of writing a traumatic history of religion. Placing collective trauma within its social context: the case of the 9/11 attacks. Killing the killer: rampage and gun rights as a syndrome. This volume appeals to multiple readerships including researchers and clinicians, sociologists, anthropologists, historians, and media researchers.

Social psychologist Elliot Aronson reflects on his life and career, discussing his childhood, family, theories, experiments, blindness, and other topics.

This fascinating book makes an important contribution to the history of the social sciences. It tells the largely hidden story of how social psychology became an international social science, vividly documenting the micro-politics of a virtually forgotten committee, the Committee on Transnational Social Psychology, whose work took place against the back-drop of some of the most momentous events of the twentieth century. Overcoming intellectual, institutional and political obstacles, including the Soviet invasion of Czechoslovakia, and the military coups in Chile or Argentine, the committee struggled to bring social psychology to global recognition, not as part of a programme of intellectual imperialism, but motivated by a mixture of intellectual philanthropy and self-interest. Few authors could tell this unique story. Serge Moscovici is undoubtedly the best-placed insider to do so, together with Ivana Markova providing a lucid, erudite and carefully documented account of the work of this remarkable group. This book will be an essential resource for any scholar interested in the history of social psychology, as well as upper-level students studying the history of the social sciences.

So you've got these fond hopes for blissful love, professional glory, fame, and fortune. But in the back of your mind there's that nagging fear. The man of your dreams will laugh in your face. Your hated office rival will come up with some whizbang marketing idea and get promoted, while you'll be asked to "help out with the phones." Steven Spielberg will buy the rights to your screenplay, spend $40 million producing it, and the critics will savage the film, mercilessly singling out your work for especially contemptuous, poisonous derision. But hey, everybody fails sometime. It's inevitable. So don't fear failure. Embrace it. In Complete And Utter Failure, Neil Steinberg joyfully explores the many fascinating facets of failure, from pointless failure (a brief history of several very dumb attempts to climb Mount Everest) to product failure (Reddi-Bacon, smokeless cigarettes, and Baby Jesus dolls) to institutionalized failure (the horrifying Dickensian spectacle of the National Spelling Bee, in which 8,999,999 children out of 9,000,000 fail in an excruciatingly public and humiliating fashion). This delightful book is filled with surprising and useless arcana--who really invented the telephone, what turned on Isaac Newton--guaranteed to help you annoy people at cocktail parties. Along the way Steinberg meditates on his own myriad miscues and disappointments, beginning with his failure to perform a magic trick in front of the neighborhood kids at age four (he blames Captain Kangaroo). Complete And Utter Failure is a wonderfully literate, witty book that issues a ringing message for our times: If at first you don't succeed, have a scotch and forget about it.

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