The daughter of Oliver Golden, an African American expatriate and agrarian activist of the early 1900's, and Bertha Bialek, youngest daughter of Polish American emigres of Jewish descent, Lily Golden has a special place in history. In this account of her experience, Golden provides a connection between the contemporary and historical relationships of America to Russia. Golden offers a distinctly different and refreshing point of view of the lives and experiences of Russia in her often alluring and romantic, sometimes bitterly painful, yet always vivid and intimate details of her life as a dark-skinned Russian surviving in and struggling against turbulent changes. She brings her tale of a sometimes charmed sometimes challenged existence full circle in her descriptions of her ultimate contact with distant relatives in the United States. Lily Golden allows the reader access into her lifelong revelation that family and community ties are boundless by time and geography.--page 4 of cover.

As Cosmopolitan 's professional agony aunt for the last forty years, Irma Kurtz has had to deal with the most intimate problems of successive generations of readers, while having to keep up with the changing mores and attitudes in British and American society. In these memoirs, she looks back on the seismic transformations that have taken place over the last four decades, as well as her own hectic and often difficult life as a single mother from America living in London. Warm, funny, and perceptive, brimming with wisdom and insight, My Life in Agony is a meditation on the subjects that tend to concern and confuse us the most--from mother-daughter relationships to eating disorders, office politics, and those perennial areas of interest: love and sex.

"Recollections of one of the grand masters of science fiction, on his storied career as a celebrated author and on his relationships with other luminaries in the field. This memoir is filled with all the humor and irreverence Harry Harrison's readers have come to expect from the New York Times bestselling author of the uproarious Stainless Steel Rat series. This also includes black and white photos spanning his sixty-year career"--

This book presents a new and comprehensive biography of one of the most prominent artists of the twentieth century in dialogue with the events and ideologies of his time. It encompasses the 98 years of Chagall's life (1887-1985) in Russia, France, the US, as well as Germany and Israel, his deep roots in folk culture, his personal relationships and loves, his involvement with the art of the Russian Revolution, with Surrealism, Communism, Zionism, Yiddish literature and the state of Israel. The book exposes the complex relationships between Chagall's three cultural identities: Jewish-Russian-French. Indeed, it is a biography of the turbulent times of the twentieth century and the transformations of a Jew in it, his meteoric rise from the "ghetto" of the Russian Pale of Settlement to the centers of modern culture. -- Back cover.

"First-hand accounts of indigenous people's encounters with colonialism are rare. A daily diary that extends over fifty years is unparalleled. Based on a transcription of Arthur Wellington Clah's diaries, this book offers a riveting account of a Tsimshian elder who moved in both colonial and Aboriginal worlds. From his birth in 1831 to his death in 1916, Clah witnessed profound change: the arrival of traders, missionaries, and miners, and the establishment of industrial fisheries, wage labour, and reserves. His many voyages physical, cultural, and spiritual provide an unprecedented Aboriginal perspective on colonial relationships on the Pacific Northwest Coast."--Pub. desc.

When Cosmo Landesman's American parents decided to move their young family to London in the swinging sixties, it was not to pursue a quieter life on this side of the pond. Quite the reverse: it was out of unbridled, unashamed lust for fame and fortune. But things did not go according to plan, and as a child Cosmo found himself charged with raising his starstruck parents and trying to cope with the publicity stunt of their 'open marriage'. Over the years he wrote press releases, blurbs and proposals for their plays, film treatments, novels, book ideas and demo tapes. He found himself playing the roll of creative midwife, personal manager, publicist, psychoanalyst and apologist. Not any more. In this hilarious memoir he finally lays bare his extraordinary childhood and the twists and turns of his parents' bizarre desire for the spotlight - and how they were always doomed to failure.

The gripping inside story of the complex and ambitious Chancellor of the Exchequer's time in power. Gordon Brown's arrival at the Treasury in May 1997 was greeted by a stampede--officials of every rank spontaneously rushed to the door to cheer the new incumbent, excited about the change. As Master of the New Era, Brown created a matrix of relationships across every Whitehall department, and extended his influence to every aspect of government activity. He has been behind the most important budgetary decisions of the past decade: the commitment to Private Finance Initiative, which would affect infrastructure from the London Underground to the NHS to state schools; the management of the Inland Revenue; the increase in taxes; and the demise of Britain's pension funds. Seven years after his arrival at the most powerful department at Whitehall, Brown is now a contender to be the next leader of the Labour Party, but despite extensive newspaper coverage of his activities, his personal agenda has not yet been investigated and described. In this gripping biography of the Chancellor, Tom Bower--author of the best-selling Broken Dreams--documents the rise to power of a driven and complex politician, exposing conflicts within the government and exploring how the repercussions of Brown's ambitions will affect the country for decades to come.

"I had to do something to escape Hitler's clutches," writes Esti Freud. Yet she waits with her then-16-year-old daughter, Sophie in Paris, until German canons can be heard in the distance, before deciding to escape by bicycle across France as Sophie keeps looking back to see whether German tanks will overtake them. Both women survive by sheer miracle and, in their own ways, come to feel a need to keep a personal record of those tumultuous times. In a memoir written at age 79, Esti Freud, daughter-in-law of Sigmund Freud and wife of his oldest son Martin, looks back on her life that began before the 20th century, was lived on three continents, and stretched through two world wars and the Holocaust. Twenty years after her mother's death, daughter Sophie turned to Esti's memoir as a scaffold for this book, expanding it through family letters and archival material. Out of these documents the author has created a fascinating, many-voiced mosaic--the story of a famous family and of a century seen through the eyes of many characters. Indomitable Esti was not an easy person to love. While she establishes herself professionally three times, in three different languages, her troubled family relationships leave her lonely, often deeply unhappy. Sophie confides that Esti died without son or daughter at her side. This work gives an insider's, in-law view of the family Freud, its foundations, and flaws. The relationship between Esti, daughter of a wealthy Vienna attorney and her husband Martin Freud is foreshadowed by the young lovers' fathers. At first meeting Esti, Sigmund told his son the glamorous woman was "too beautiful" for the clan, meaning her splendor belied a lifestyle not conducive to the frugal Freud ways. And Esti's father, on hearing of her love for Martin, expressed regret she was involved with a man who was "not a financially favorable linkage," and that his family was not respectable since patriarch Sigmund was "just another psychiatrist, and one who writes pornography books at that." Thus begins the ill-fated relationship that would rock two families and a generation of children to come. Sophie weaves into the text letters she inherited, including letters from Martin while he was a prisoner of war, and excerpts from her own diary, kept as an adolescent. The resulting mosaic will fascinate--and perhaps disturb--readers interested in Freud and psychoanalysis, as well as those intrigued by relationships and family.

"In 1966, at the ripe age of 22, Richard Goldstein approached The Village Voice with a novel idea. "I want to be a rock critic," he said. "What's that?" the editor replied. It was a logical question, since rock criticism didn't yet exist. In the weekly column he would produce for the Voice, Goldstein became the first person to write regularly in a major publication about the music that changed our lives. He believed deeply in the power of rock, and, long before it was acceptable, he championed the idea that this music was a serious art form. From his unique position in journalism, he saw the full arc of events that shaped culture and politics in the 1960s--and participated in them, too. He toured with Janis Joplin, spent a day at the Grateful Dead house in San Francisco, and dropped acid with Brian Wilson and the Beach Boys. He was present for Martin Luther King's "I Have a Dream" speech, the student uprising at Columbia, and the riots at the 1968 Democratic Convention. He was challenged to a boxing match by Norman Mailer, and took Susan Sontag to her first disco. Goldstein developed close relationships with several rock legends--Janis Joplin and Jim Morrison, to name two--and their early deaths came as a wrenching shock, fueling his disillusionment as he watched the music he loved rapidly evolve from a communal rite to a vast industry--and the sense of hope for radical social upheaval fade away. Another Little Piece of My Heart is the intimate memoir of the writer as a young man with profound ambition. It is also a sweeping personal account of a decade that no one else could provide--a deeply moving, unparalleled document of rock and revolution in America"--

Benny Hill`s saucy smirks at underdressed women are relished the world over. Yet the comedian cut an unlikely figure of global admiration: unmarried and emotionally enfeebled in his few relationships, he was a deeply private individual uninterested in the trappings of success, a frugal man content to live in his humble childhood home flooded, freezing and burgled while his building society account bulged with millions of pounds he didn`t use and hadn`t wanted to earn. Funny, Peculiar is the first objective and full account of Benny Hill`s life and work. Tenaciously researched and yet sensitively reported, it charts the highs, lows and many paradoxes of a man whose professional strengths-observation, impression and mime-bought him unimagined success, and whose weakness, especially an inability to change, fashioned his ultimate downfall. - First in-depth biography since Benny`s death in April 1992. - A return to favour with audiences who are jaded with `alternative comedy`. - Existing biographies are unreliable, lightweight and out of date. - Benny has been screened in 109 countries, and enjoyed for over 50 years

Is Faith Darwin Asbury really Grace Paley? Or is it coincidental that the personal history, politics, and relationships of the fictional Asbury seem to mirror those of the well-known author? And do other characters in Paley's stories represent individuals she has known, in scenes and entire episodes she has experienced? A writer who translates her life into art not only saves her own life, according to Paley, but offers others the revelation of its meaning. That idea is at the core of Judith Arcana's biographical reading of this strongly autobiographical writer. Grace Paley's Life Stories interweaves details about Paley with critical discussions of her works, examining her as a woman, mother, activist, and Jew. Arcana visited and interviewed Paley at her homes in Vermont and New York over a period of several years. She also interviewed Paley's family, friends, and colleagues. Such extensive research is unmatched in Paley scholarship; Arcana's focus on the political crucible of Paley's consciousness is rare in contemporary literary criticism.

Allen Ginsberg (1926-1997) kept a journal his entire life, beginning at the age of eleven. In these first journals the most important and formative years of the poet's storied life are captured, his inner thoughts detailed in what the San Francisco Chronicle calls a “vivid first-person account...Ginsberg's unmistakable voice coming into its own for the first time.” Ginsberg's journals-so candid he insisted they be published only after his death-document his complex, fascinating relationships with such figures of Beat lore as Jack Kerouac and William S. Burroughs, and reveal a growing self-awareness about himself, his sexuality, and his identity as a poet. Illustrated with never-before-seen photos and bolstered by an appendix of his earliest poems, The Book of Martyrdom and Artifice is a major literary event.

Born in a displaced persons' camp two years after the end of the Holocaust, Michael Gawenda spent his childhood and teenage years in a left-wing non-Zionist Jewish youth group in Melbourne. This shaped the sort of Jew he became - a secular Jew who loved the Yiddish language and Yiddish culture. Gawenda went on to become a public figure during his 40 years as a journalist, including his role as editor-in-chief of The Age - the only Jewish editor-in-chief in the newspaper's history. Throughout this time, and since, he became dismayed and pained by the growing hostility of the left to Israel and to Jews like him who were not prepared to declare themselves as anti-Zionists. This has also forced him to examine his own Jewish identity and his relationships with his Jewish friends, and to forensically examine the basis of the critiques of Israel. At a time of rising anti-Semitism and anti-Zionism, My Life as a Jew is a controversial book. It is also a vital book. It should be read by activists for Israel and Zionism, as well as for the Palestinians. It should be read by readers of all political stripes. It should be read by journalists, as it is in part about journalism and its failings. And it should also be read by people interested in the remarkable life and career of its author, Michael Gawenda.

A compelling account of the development of a great artist, and a portrait of the tragic character of an entire era The uncompromising achievement of Elias Canetti has been matched by few writers this century. Canetti worked brilliantly in many forms, but the three volumes that comprise his autobiography are where his genius is perhaps most evident. The first volume, "The Tongue Set Free," presents the events, personalities, and intellectual forces that fed Canetti's early creative development. "The Torch in My Ear" explores his admiration for the first great mentor of his adulthood, Karl Krauss, and also describes his first marriage. The final volume, "The Play of the Eyes," is set in Vienna between 1931 and 1937, with the European catastrophe imminent; here he vividly portrays relationships with Hermann Broch and Robert Musil, among others.

Traces the life of the Czech author and looks at his relationships with influential writers and intellectuals of the period

A fresh account of the medieval mystic, traveling pilgrim, and pioneering memoirist Margery Kempe. This is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography.

The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian , an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years. A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible. Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.

John Byner is a man of many voices and characters, from impersonating the slow, rolling gait and speech of John Wayne, to lending his voice to The Ant and the Aardvark cartoons. His dead-on impersonations, as well as his unique talents as a character actor, have put him on the small screen in peoples' homes, the big screen in theaters, and no screen on Broadway. Growing up in a big family on Long Island, John discovered his uncanny ability to mimic voices as a child when he returned home from a Bing Crosby movie and repeated Bing's performance for his family in their living room. He discovered his talent made him the focus of everyone's attention, and allowed him to make friends wherever he went, from elementary school to the U.S. Navy. John started his career in nightclubs in New York, but soon found himself getting national acclaim on The Ed Sullivan Show. With that he was on his way. This memoir is the best and funniest moments of his life, career, and relationships with some of the biggest names in entertainment, both on and off the screen.

The Worst It Can Be is a Disaster is the autobiography of Braham Murray, founding director of the Royal Exchange Manchester which in 2006 celebrated its thirtieth anniversary. With a foreword by Sir Tom Courtenay. Born into a Jewish family, Braham Murray struggled against his parents' expectations that he should follow them into the world of commerce; instead he became at twenty-two the youngest artistic director in the country when he took over Century Theatre, a theatre company based in Manchester. Detailing his relationships and the theatrical successes and flops along the way, the narrative takes us through his early years with Century Theatre, with the 69 Theatre Company, and the birth of the Royal Exchange Manchester in the heart of Manchester in 1976. Twenty years later, the theatre rose from the ashes of the IRA bomb brilliantly opening a new production on time just ten days after the bomb had destroyed the city centre. The role and influence of the author's Jewish heritage and of his key collaborators - including Caspar Wrede and Michael Elliott - are explored in this illuminating and inspiring account of one of English theatre's great directors. 'Braham's passion is sometimes overwhelming, sometimes annoying but completely inspirational. It's his passion that the Royal Exchange has thrived on, and this book is full of his passion for the theatre.' Robert Lindsay