A deep dive into the emergence and success of independent filmmaking in America A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers ( Fargo ), Quentin Tarentino ( Pulp Fiction ), and Billy Bob Thornton ( Sling Blade ), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me , Stranger Than Paradise , Blood Simple , Blue Velvet , Desperately Seeking Susan , Slacker , Poison , Reservoir Dogs , Gas Food Lodging , Menace II Society , Clerks , In the Company of Men , Chasing Amy , The Apostle , The Opposite of Sex , and Happiness . Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."

NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “ The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation . But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and the media world that is their orbit. He writes about a legendary crime reporter in Miami, a swashbuckling New York Times reporter, and an erudite film critic in Dallas who once a week transformed himself from an appreciator of the French nouvelle vague into a crude connoisseur of movies like Mother Riley Meets the Vampire . There are pieces on the House of Lords aspirations of a North American press baron, the paucity of gossip columns in Russia, the embroilment of a weekly newspaper in a missing person case, and the founding of a publication called Beautiful Spot: A Magazine of Parking . Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an unparalleled portrait of one of our fundamental American institutions from a master journalist.

"Andrea Dworkin's 1981 critique of pornography is an important and urgent document about how the culture consumes and manipulates images of women"--

In this book, the noted sociologist confronts the decline of the public realm and the profound contradictions of freedom in present-day society. How can most of us consider ourselves free and yet believe equally firmly that there is little we can change--singly, severally, or all together--in the ways the affairs of the world are being run? Why has the growth of individual freedom coincided with the growth of collective impotence, insofar as there is no easy and obvious way to translate private worries into public issues and, conversely, to pinpoint public issues in private troubles? What, under these circumstances, can bring us together? Occasionally, our impulses toward sociality are released in short-lived explosions, sometimes in carnivals of compassion and charity, sometimes by outbursts of beefed-up aggression against a freshly discovered enemy. The trouble with these occasions is that they run out of steam quickly, and when we return to our daily business the shared world, brightly illuminated for a moment, seems if anything darker than before. The chance of changing this condition hangs on the agora --the space neither private nor public, but more exactly private and public at the same time. In this space, private problems meet in a meaningful way--not just to draw narcissistic pleasures or in search of some therapy through public display, but to seek collective levers powerful enough to lift individuals from their private miseries and create "public good," a "just society," or "shared values." The trouble is that little is left today of the old-style private/public spaces. In this book, the author both explores these problems and sketches the outlines of a solution for them. We cannot, he argues, overcome our collective impotence without resorting to politics and using the vehicle of political agency. In the latter part of the book, the author focuses on three orientation points for a reconstruction of politics: the republican model of the state and of citizenship, basic income as a universal entitlement, and an attempt to re-enable the institutions of autonomous society by catching up with the extraterritorial powers wielding control in an age of globalization.

A "skillful and literate" ( New York Times Book Review ) biography of the persecuted genius who helped create the modern computer. To solve one of the great mathematical problems of his day, Alan Turing proposed an imaginary computer. Then, attempting to break a Nazi code during World War II, he successfully designed and built one, thus ensuring the Allied victory. Turing became a champion of artificial intelligence, but his work was cut short. As an openly gay man at a time when homosexuality was illegal in England, he was convicted and forced to undergo a humiliating "treatment" that may have led to his suicide. With a novelist's sensitivity, David Leavitt portrays Turing in all his humanity?his eccentricities, his brilliance, his fatal candor?and elegantly explains his work and its implications.

This volume is a collection of the most important essays written by Franz Boas on the science of anthropology. "Franz Boas is the father of American anthropology and one of the founders of the field of modern anthropology. The book, Race, Language, and Culture , is a collection of some of his most important essays."—David Schneider, University of Chicago "An exceptional book. Exceptional because it brings into one volume sixty-two papers written by the most influential figure in American anthropology. . . . Exceptional in that it exhibits the wide range of interests and scientific exactness which made it possible for one man to exert such a profound influence on the growing science of anthropology. . . . This is a volume every student of anthropology will wish to possess; it will also have a wide distribution among other students of the social sciences, and all interested in the problems of race."—Fay-Cooper Cole, American Anthropologist

Presents parents with advice on the handling of everyday difficulties and serious crises which arise in the parent-teenager relationship

The life and politics of an American Jewish activist who preached radical and violent means to Jewish survival Meir Kahane came of age amid the radical politics of the counterculture, becoming a militant voice of protest against Jewish liberalism. Kahane founded the Jewish Defense League in 1968, declaring that Jews must protect themselves by any means necessary. He immigrated to Israel in 1971, where he founded KACH, an ultranationalist and racist political party. He would die by assassination in 1990. Shaul Magid provides an in-depth look at this controversial figure, showing how the postwar American experience shaped his life and political thought. Magid sheds new light on Kahane’s radical political views, his critique of liberalism, and his use of the “grammar of race” as a tool to promote Jewish pride. He discusses Kahane’s theory of violence as a mechanism to assure Jewish safety, and traces how his Zionism evolved from a fervent support of Israel to a belief that the Zionist project had failed. Magid examines how tradition and classical Jewish texts profoundly influenced Kahane’s thought later in life, and argues that Kahane’s enduring legacy lies not in his Israeli career but in the challenge he posed to the liberalism and assimilatory project of the postwar American Jewish establishment. This incisive book shows how Kahane was a quintessentially American figure, one who adopted the radicalism of the militant Left as a tenet of Jewish survival.

A Psychological Interpretation of Mythology. Translated from the German by Drs. F. Robbins and Smith Ely Jelliffe; Nervous and Mental Disease Monograph Series No. 18.

"An unprecedented and historic new book, The First Homosexuals traces the evolution of the homosexual identity through an archive of hundreds of artworks in a wide variety of media. Organized geographically, each chapter highlights a different part of the world and includes an insightful essay by an expert in the art and sexuality of that region. Ranging from well-known masterpieces to works by unknown artists and pieces rarely considered in the context of sexuality, The First Homosexuals offers a stunning and illuminating look at the first self-consciously queer art"--

本书精选了从古希腊到今天的科学文章, 这些文章全都出自伟大科学家和著名学者之手, 给出了一个生动鲜活的"解".让读者了解"什么是科学."

Reveals how Michael Milken sold $200 billion of junk bonds, turned corporate America upside down, killed dozens of S&Ls, cost the taxpayers billions, and gave America a push towards the longest recession in history. 50,000 first printing. National ad/promo. Tour.

Analyzes the attitudes of five male writers towards women and human sexuality, discusses virginity and the connection between sexuality and political power, and looks at laws governing sexual behavior

"Modern academia is increasingly competitive yet the writing style of social scientists is routinely poor and continues to deteriorate. Are social science postgraduates being taught to write poorly? What conditions adversely affect the way they write? And which linguistic features contribute towards this bad writing? Michael Billig's witty and entertaining book analyses these questions in a quest to pinpoint exactly what is going wrong with the way social scientists write. Using examples from diverse fields such as linguistics, sociology and experimental social psychology, Billig shows how technical terminology is regularly less precise than simpler language. He demonstrates that there are linguistic problems with the noun-based terminology that social scientists habitually use--'reification' or 'nominalization' rather than the corresponding verbs 'reify' or 'nominalize'. According to Billig, social scientists not only use their terminology to exaggerate and to conceal, but also to promote themselves and their work."--Page 4 of cover.

"Modern academia is increasingly competitive yet the writing style of social scientists is routinely poor and continues to deteriorate. Are social science postgraduates being taught to write poorly? What conditions adversely affect the way they write? And which linguistic features contribute towards this bad writing? Michael Billig's witty and entertaining book analyses these questions in a quest to pinpoint exactly what is going wrong with the way social scientists write. Using examples from diverse fields such as linguistics, sociology and experimental social psychology, Billig shows how technical terminology is regularly less precise than simpler language. He demonstrates that there are linguistic problems with the noun-based terminology that social scientists habitually use--'reification' or 'nominalization' rather than the corresponding verbs 'reify' or 'nominalize'. According to Billig, social scientists not only use their terminology to exaggerate and to conceal, but also to promote themselves and their work."--Page 4 of cover.

The contributions of Afro-Americans to United States history since its beginnings are delineated through contemporary documents and firsthand accounts

The story of a journalist's life in the midst of important world events

2024 Reprint of the 1956 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. The trickster myth, which is the basis of this scientific study, is one of the most imaginative narratives known to man. It concerns the exploits of a grotesque individual whose main physical features are enormous digestive and sexual organs and who unites in himself some of the traits of a god, an animal, and a human being. Primarily his activities, over which he has no conscious control, represent attempts to dupe others, yet actually always recoil upon himself. He is cruel, obscene and possessed of a voracious appetite which he is never permitted to satisfy. Creator and destroyer, affirmer and negator at one and the same time, his activities finally result in the transformation of himself into a being approximating to that of man. The figure of Trickster is of tremendous historical and psychological importance for an understanding of ourselves. As Dr Jung suggests in his Foreword, Trickster is the symbol of the unconscious and undifferentiated in man. That is why he is represented as being everything to every man-god, animal, human being, hero, buffoon, he who antedates all values, good and evil.