From Simon & Schuster Getting Away with Murder by Raoul Felder and Barbara Victor explore the weapons for the war against domestic violence. In Getting Away with Murder you'll discover the first crucial steps that must be taken to stop the violence now and make suggestions on how we can help change the law or the way things are done to keep it stopped in the future.

Nominated for the National Book Critics Circle Award, this brilliant, insightful, controversial, and courageous book contains the best of Pollitt's pieces, which have galvanized readers of The Nation, The New Yorker and The New York Times, on subjects that range from abortion and breast implants to date-rape, marriage, the media, and violence.

Collects the renowned psychoanalyst's lectures and writings on problematic relations between men and women known as "guerrilla war" that have been in existence for some six thousand years. Reprint.

From uptight Afrikaners to flying Dutchmen, from New York high-fliers to the earthy charmers of Puerto Rico--Xaviera got a taste of them all, first as a freewheeling freelance, and later as the most beautiful, famous, and merry madam of Manhattan. "The Happy Hooker" is the book that launched the high priestess of hookerdom on an unsuspecting world. And although this frank sexual shocker raised eyebrows on first publication, Xaviera didn't tell all! This revised version of her internationally bestselling autobiography reveals what modesty forbade--and really takes the lid off the bedtime habits of an astonishing variety of men--and women--in the sin capitals of the world, detailing Xaviera's penetrating personal insights into men and their morals.

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The Simone Weil Reader [hardcover] Simone Weil,George A. Panichas [Jan 01, 1977] …

At thirty-four, Peggy Orenstein faced a series of dilemmas shared by many women of her generation: She was unsure whether she wanted children, unsure about the impact of motherhood on her career, her relationship, and her sense of self. Why, when women seemed to have so many choices, did she suddenly feel that she had none? After feminist liberation and its subsequent backlash, she realized that women's lives, including her own, were now in a state of flux. In her latest book, Orenstein looks at womanhood and what it means to be a woman at the beginning of this century. After talking to over two hundred women between the ages of twenty-five and forty-five, she has blended their voices into a compelling narrative that allows the reader to "eavesdrop"--to get deep inside the lives and choices of other women--and share their thoughts on ambition and power, the experience of sex and love, the meaning of motherhood, what it means to remain single and childless, and how these things influence the way we assemble the pieces of our lives. In Flux, Orenstein explores the half-changed aspect of today's world and the ways women still struggle to live full lives and to reach a true balance of the personal and professional. With richly textured narrative portraits and extraordinary depth of reporting, this book offers an opportunity to take part in a conversation with women across generations and lines of experience, an exchange that rarely happens these days. For all women who are looking for insight into their lives and the forces that inform them, Flux has the power to inspire discussion and, through illuminating the key conflicts of real women, show how life might be changed. Only Peggy Orenstein, with her narrative gift and unique reportorial skills, could produce such a cutting-edge book, a true blueprint for how women comport themselves as the century turns, a bible for stressed-out women trying to make important decisions.

Examines the role of women as leaders, activists, and members of the labor movement in New York and Chicago during the late nineteenth and early twentieth centuries

The first anthology by Jewish women of color, with the original edition published in 2003, The Flying Camel 2022 edition remains ahead of the curve and includes new material: a cover and introduction featuring celebrity Yemenite-Israeli band A-WA, along with a musical framework for understanding issues addressed throughout the anthology; a preface sharing how the book was birthed into being and how to use it today; original poems by editor Loolwa Khazzoom, matched with the themes of each essay in the book; and a comprehensive study guide for book clubs and university courses. Like the proverbial phoenix rising from the ashes, the seventeen women of The Flying Camel boldly emerge from the wreckage of their ancient civilizations and invite readers on an intimate journey of self-discovery, creativity, and defiance. Drawing from personal and ancestral memories, amidst the pursuit of soul-filled dreams and longings, anthology contributors navigate geopolitical upheaval and cultural homelessness, crisscrossing four continents and stepping back and forth through the spiritual portals of time. Nothing is quite as it seems, we learn, with identity constructs, loyalties, and politics dependent on so many variables that, ultimately, the borders perhaps dissolve into the greater expansiveness of who we are. Alternately raw and fierce, vulnerable and tender, these gripping stories are deeply personal and uniformly honest, providing a secret passageway deep below the narrow scripts and slogans of today's identity politics, and leading straight into the chamber of the heart. Reflecting a diversity of experience and perspective, and drawing from a collective wealth of knowledge, the stories naturally weave through topics including exile, body image, sexuality, class division, religious practice, domestic violence, the Middle East conflict, and other pertinent issues, in ways that are both insightful and refreshing.

The Essays In This Volume Seek To Introduce A Higher Level Of Theoretical Analysis By A Close Reading Of Situations In Which Women Are Given Or Denied Authority In Ritual And Interpretive Contexts. This Approach Encompasses Not Only How Women Are Represented, But Also Studies How They Are Depicted As Negotiating Or Resisting Certain Kinds Of Authority In Specific Colonial And Post-Colonial Situations.

In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn't satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today. Trying to break open the family myths, rationalizations, and self-deceptions, A Mother's Tale is about family members who love each other but who can't seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her--using logic, of all things--that he really does love her, but is only partially successful, of course. A Mother's Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

What do women want? is a book of inspiration, humor, and provocation - an intimate conversation between the reader and Erica Jong. In these personal statements Jong addresses many of the questions that concern women and men today: Are women better off today than they were twenty-five years ago? What was Princess Diana's importance to women? Has Hillary Clinton prepared us for a woman president? Why do powerful women evoke ambivalence? Why do mothers continue to be blamed for working outside the home? How does the mother-daughter dialectic influence cycles of feminism and backlash? What is the relationship of pornography to the creative spirit? Who is the perfect man? What constitutes sex appeal?

"A rich collection that I will use in teaching graduates and undergraduates about the weave of ethnography, narrative, the women's movement, and feminism. Crafted by an impressive range of scholars, the essays are empirically rich and theoretically cogent. But most important, they engage the complexities of multicultural, feminist, and multinational ethnographies and the stories that matter to politics, scholarship, and lives. With an ear for the tones of race and gender, this book answers the political, generic, and theoretical challenge of Writing Culture with layered essays that rewrite an important range of cultural conversations."—Donna Haraway, author of Professor , History of Consciousness Board, UCSC "Since the advent of the 'post-modern' in ethnography, we have been much in need of a marvelous volume such as this, placing 'woman' at the center of the debate. Women Writing Culture will prove as stimulating for our time as its great predecessor, Women, Culture and Society was for the 1970s."—Jose E. Limon, University of Texas "A groundbreaking book—provocative, illuminating, imaginative—and it is a pleasure to read. A trenchant yet always generous feminist critique of the masculinist bias in the theoretical canon of anthropological texts, it expansively and imaginatively maps the future directions of a feminist anthropology. In moving and courageous acts of reconstruction, the writers in this volume boldly cross disciplinary and generic lines, reading fiction as anthropology, writing theater as ethnography, getting personal, radically reconceiving the relationship of self and other and, thereby, the field itself. Feminist scholars of all disciplines will find here enabling textual and conceptual strategies as well as memorable voices and powerful stories."—Marianne Hirsch, Dartmouth College, author of The Mother-Daughter Plot

Three decades after the remarkable resurgence of feminism, gender issues have become ubiquitous in public debate. For some, feminism is the favorite scapegoat for multiple social ills; for others, the greatest success story of the closing century. The Janus face of feminism in the media reflects the competing images of women´s lives today. Feminists themselves hold sharply opposing views on the success or failures of three decades of women´s activism. Why Feminism? looks at the shifts in feminist thinking from the brash emergence of Women´s Liberation at the close of the 1960s to the diverse and discordant feminisms of recent decades. Exploring feminism´s troubled relations with psychology and psychoanalysis, the rise of new evolutionary theory, the impact of queer theorizing on gender categories, controversies over memory and trauma, and increasing anxieties about men and masculinity, Why Feminism? illustrates the continuing provocation and significance of feminist inquiry, laying out potentialities and pitfalls for the century ahead.

Over the past twenty years debates about pornography have raged within feminism and beyond. Throughout the 1970s feminists increasingly addressed the problem of men's sexual violence against women, and many women reduced the politics of men's power over women to questions about sexuality. By the 1980s these questions had become more and more focused on the issue of pornography--now a metaphor for the menace of male power. Collapsing feminist politics into sexuality and sexuality into pornography has not only caused some of the deepest splits between feminists, but made it harder to think clearly about either sexuality or pornography--indeed, about feminist politics more generally. This provocative collection, by well-known feminists on both sides of the Atlantic, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography. The authors open up the debate by looking at such topics as the improbable alliance between the right and pro-censorship feminists, the displacement of heterosexual desire and its discontents onto pornography, Andrea Dworkin's novel Mercy, psychoanalytic reflections on fantasy, censorship in relation to AIDS work, the new lesbian and bisexual pornography, the controversy over Robert Mapplethorpe's supposed racism in his photos of black nudes, Mae West as sexual icon and her brushes with the law, and the female nude in "high" art. In addition to the editors, the contributors are Elizabeth Cowie, Harriett Gilbert, Robin Gorna, Marybeth Hamilton, Loretta Loach, Anne McClintock, Kobena Mercer, Jane Mills, Mandy Merck, Lynda Nead, Gillian Rodgerson, Carol Smart, Carole S. Vance, Linda Williams, and Elizabeth Wilson.

Originally published in 1995, this book confronts the contentious political issues on all sides of the population debate, including immigration, demographic competition, gender ratios, reproductive research and children's rights.

Israeli women do not enjoy the equality, status, and power often attributed to them by the media and popular culture. Despite significant achievements and progress, as a whole they continue to earn less than their male counterparts, are less visible and influential in the political arena, do not share equal responsibilities or privileges in the military, have unequal rights and freedoms in family life and law, and are less influential in shaping the nation's self image and cultural orientation. Bringing together classic essays by leading scholars of Israeli culture, this reader exposes the hidden causes of ongoing discrimination and links the restrictions that Israeli women experience to deeply entrenched structures, including colonial legacies, religious traditions, capitalism, nationalism, and ongoing political conflict. In contrast, the essays also explore how women act creatively to affect social change and shape public discourse in less ostensible ways. Providing balanced perspectives from the social sciences and the humanities, this comprehensive reader reflects both an emerging consensus and exciting diversity in the field. It is the definitive text for courses in Israeli women's studies.

Often referred to as the leader of inspiration in Appalachian studies, Helen Matthews Lewis linked scholarship with activism and encouraged deeper analysis of the region. Lewis shaped the field of Appalachian studies by emphasizing community participation and challenging traditional perceptions of the region and its people. Helen Matthews Lewis: Living Social Justice in Appalachia , a collection of Lewis's writings and memories that document her life and work, begins in 1943 with her job on the yearbook staff at Georgia State College for Women with Mary Flannery O'Connor. Editors Patricia D. Beaver and Judith Jennings highlight the achievements of Lewis's extensive career, examining her role as a teacher and activist at Clinch Valley College (now University of Virginia at Wise) and East Tennessee State University in the 1960s, as well as her work with Appalshop and the Highland Center. Helen Matthews Lewis connects Lewis's works to wider social movements by examining the history of progressive activism in Appalachia. The book provides unique insight into the development of regional studies and the life of a dynamic revolutionary, delivering a captivating and personal narrative of one woman's mission of activism and social justice.