This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Beyond the Cold War represents the first-ever attempt by media scholars and journalists to dissect the Cold War by examining mutual media images in the United States and the former Soviet Union. The result of a bilateral conference in Moscow in 1989, this volume offers an original journalistic assessment of the Cold War and its aftermath as a communications phenomenon. Discussions include the past and present state of Cold War rhetoric, the portrayal of Russians and Americans on television in the two countries, and images of self and other as portrayed by the two media.

All the world’s religions are experiencing rapid change due to a confluence of social and economic global forces. Factors such as the pervasive intrusion of globalizing political and economic developments, polarized and morally equivalent presentations seen in the media, and the sense of surety demanded in and promised by a culture dominated by science are some of the factors that have placed extreme pressure on all religious traditions. This has stimulated unprecedented responses by religious groups, ranging from fundamentalism to the syncretistic search for meaning. As religion takes on new forms, the balance between individual and community is disrupted and reconfigured. Religions often lose the capacity to recall their ultimate purpose or lead their adherents toward it. This is the situation we call “the crisis of the holy.” It is a confluence of threats, challenges, and opportunities for all religions. This volume explores the contours of pressures, changes, and transformations and reflects on how all our religions are changing. By identifying commonalities across religions as they respond to these pressures, The Crisis of the Holy recommends ways religious traditions might cope with these changes and how they might join forces in doing so. Contributors: Vincent J. Cornell, Alon Goshen-Gottstein, Sidney H. Griffith, Maria Reis Habito, B. Barry Levy, Deepak Sarma, Michael von Brück

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Oracle of the electronic age, Marshall McLuhan believed artists could wake us and offer new windows into the world. This diverse collection brings together twenty-nine poets, writers, and artists who channel McLuhan as both medium and muse. Like McLuhan's work, this volume will delight, divert, provoke, incite and inspire readers to channel McLuhan in their own imagination and creative endeavors. Featuring work from: Lillian Allen, Michelle Rae Anderson, Mary Ann Allison, Marleen Barr, David Bateman, Arthur Asa Berger, bill bissett, Tony Burgess, Jerry Harp, Adeena Karasick, William Marshe, John G. McDaid, Jill McGinn, Elizabeth McLuhan, Peter C. Montgomery, Dean Motter, Alexandra Oliver, John Oughton, Si Philbrook, B.W. Powe, Robert Priest, Stephen Roxborough, Lance Strate, Steve Szewczok, Andrea Thompson, Toshio Ushiroguchi-Pigott, John Watts, Dale Winslow, Tom Wolfe

This is the first book to explore the effect of genetic research on the Lemba Judaising community of Southern Africa and the phenomenon of Israelite identity. The science of genetics as relayed by the media is perceived by laymen as being irreproachably objective 'hard science': its disinterested 'scientific' findings appear immensely impressive and may therefore act as a powerful catalyst for change. In this case, an oral tradition cherished by many of the Lemba that they are of Jewish origin appears to be supported by recent DNA testing, which has deeply affected the narrative and religious identity of the group and the way the tribe is perceived in the Western world. International in appeal, this topical text brings together cutting-edge research on the social, cultural and ethical implications of genetics and the study of Judaising movements across the world. This book will be of interest to researchers and students of Jewish history, genetic anthropology, race and ethnicity studies, and religious and cultural studies.

Burton Blumert is an entrepreneur who knows not only all that there is to know about precious metals but also about politics and economics. He offers his wide-ranging insights in this funny, charming, and also learned collection of essays from many years of writing. David Gordon finds that this book is full of insight: "Burt s writings on politics are by no means confined to praise or condemnation of particular people. He grasps the essence of issues that most others fail to see at all." Blumert was among the closest friends of Murray and Joey Rothbard, having helped him during in his professional life many times. You will find here fascinating stories of their life together. There are also movie reviews, fiction and non-fiction reviews, commentary on media talking heads, observations on various mass insanities, and a contrarian take on virtually all conventional wisdom. This is an enjoyable book that helps you see the world through the eyes of an observer thoroughly steeped in the Rothbardian world view. "As a writer, as you will see from this book, he is a talented satirist who can teach the truths of liberty and life while making you laugh out loud. Most of all, he has shown how the Mises-Rothbard dream of drawing together commerce and ideas can be achieved." Llewellyn H. Rockwell, Jr. 366 page, Paperback, ISBN 978-1-933550-30-5

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Poem is an ironic investigation of contemporary culture and the technomediatic-saturated world we are enmeshed in. Composed in the style of Facebook updates and extended tweets, each section infuses itself with continuously shifting tones, styles, and commentary which in turn are provocative, emotive, and deeply satiric. Mashing up lexicons of Stein, Zukofsky, Shakespeare, Whitman, the recent financial meltdown, semiotic theory, Lady Gaga, Derrida, and Flickr streams, This Poem is a self-reflexive romp through shards and fragments of post-consumerist culture.

"Pep: J. L. Wetcheek's American Song Book" is a brilliant collection of satirical verse by the renowned German novelist Lion Feuchtwanger, writing under the playful pseudonym J. L. Wetcheek. This work offers a sharp, outsider's perspective on the American landscape during the height of the 1920s. Through a series of rhythmic and biting poems, Feuchtwanger explores the themes of materialism, frantic energy, and the relentless pursuit of "pep"-the quintessential American quality of the era. The collection serves as a mirror to the Jazz Age, capturing the contradictions of a society defined by both its boundless optimism and its underlying spiritual hollows. From the urban hustle to the obsession with success, these poems dissect the cultural fabric of early 20th-century America with wit and irony. Written at a time when European intellectuals were both fascinated and repelled by American modernization, "Pep" remains a significant piece of social critique. It provides readers with an evocative look at how the American Dream was perceived from abroad, blending poetic craft with historical insight into the Roaring Twenties. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Assesses concepts of hearing and listening across multiple fields, from both practitioners and academics The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. This issue looks at concepts of hearing and listening and looks at nature documentaries, sonic interactions, production hierarchy in television, and the use of macro-sounds to present the inside of bodies. Key Features - Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. - Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds. - Provides a new platform for discourse on how aural elements combine with moving images. Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider, Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.

""Film in the Battle of Ideas"" is a book written by John Howard Lawson, a screenwriter and member of the Hollywood Ten who was blacklisted during the McCarthy era. The book explores the role of film in shaping public opinion and political ideology, particularly in the United States during the 1930s and 1940s. Lawson argues that film is a powerful tool for propaganda and that Hollywood has the ability to shape public opinion and influence political discourse. He examines the ways in which films have been used to promote various political ideologies, including fascism, communism, and capitalism, and argues that filmmakers have a responsibility to use their medium for the greater good. The book also delves into the political and cultural climate of Hollywood during the time period, including the effects of the Hays Code and the Red Scare. Overall, ""Film in the Battle of Ideas"" is an insightful and thought-provoking analysis of the intersection between film and politics.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In 1975, at the age of forty, Richard Raskind, a renowned eye surgeon and highly ranked amateur tennis player, "died," and Renée Richards was "born," in what was to become the most public and highly scrutinized sex reassignment to date. It was not until Renée Richards was discovered playing in an amateur tennis tournament that the world took notice. Extensive media coverage and criticism thrust Renée reluctantly into the spotlight, sparking an intense public debate over her private life. Now, at seventy-two, Richards looks back and speaks frankly about all aspects of her complicated and often notorious life in this eye-opening, thought-provoking memoir. Richards' honest and compelling narrative explores the dichotomy between the successful life she lived as Dr. Richard Raskind, who seemed to have everything (devoted friends, a beautiful wife and son, a stellar record of academic and professional achievement, and outstanding athletic ability), and a secret life of struggle with a drive that could not be suppressed, even by years of psychotherapy and the force of a considerable will. Richards takes readers through her difficult decision to undergo surgery and the complex mixture of relief and continued frustration that came with the realization of her new identity. Discussing life after her transformation, Richards candidly relates the details, trials, and pleasures of her romantic life as well as fascinating stories about her tennis career, including her experiences as Martina Navratilova's coach. She also provides an intimate account of her difficult but rewarding relationship with her rebellious son: runaway teenager, high-stakes Vegas gambler, karate champion, and entrepreneur. She describes the deterioration of a once-loving marriage and the challenges of reclaiming her place at the forefront of her demanding medical specialty. Having lived as a woman almost as long as she lived as a man, Richards draws on a personal history that illuminates thirty years of remarkable change in society's attitude toward gender issues. Her absorbing and inspiring story, at once heartbreaking and uplifting, is a testimony to how far we have progressed in our ability to discuss and accept sexuality in all its iterations, as well as a reminder of how far we still must travel.

This volume commemorates the twenty-fifth anniversary of the Jewish Publication Society of America, celebrated in Philadelphia on April 5th and 6th, 1913. It offers a glimpse into the society's early history and its role in promoting Jewish culture and literature in America. Founded in 1888, the Jewish Publication Society aimed to disseminate religious, historical, and scientific works in the English language. This anniversary publication provides insights into the organization's activities, including its publications, membership, and contributions to Jewish intellectual life in the United States. "The Jewish Publication Society Of America Twenty-fifth Anniversary" serves as a valuable historical record for scholars and anyone interested in the development of Jewish institutions in America. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Someone is having a sleepless night and browsing the internet. A girl fights for her life in a lift. New Window. A protest in Trafalgar Square. New Window. A naked man in a bathtub. New Window. Janelle Monae, dancing. The possibilities are endless. Even at 2am. That's the thing about being Extremely Online: there's no limit on where you can go.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

This title was first published in 2000. Published in two volumes, "Work and the Image" addresses a critical theme in contemporary social and cultural debates whose place in visual representation has been neglected. Ranging from Greek pottery to contemporary performance, and exploring a breadth of geo-national perspectives including those of France, Britain, Hungary, Soviet Russia, the Ukraine, Siberia and Germany, the essays provide a challenging reconsideration of the image of work, the meaning of the work process, and the complex issues around artistic activity as itself a form of work even as it offers a representation of labour. With a shared focus on the 20th century, the era of modernity and its postmodern aftermath, the essays in this volume examine the diverse ways in which the social relations of work in industrial societies from both capitalist and socialist regimes were publicly and privately mediated by changing forms of visual representation. The authors discuss traditional analyses of the image of the worker in the light of contemporary critical theories that address the question of the subjectivity of the worker in relation to class, gender, nationhood and the concept of modernity.