Bestselling author Delia Ephron shares a deeply personal collection of stories and essays, anchored by a loving remembrance of her sister Nora. In Sister Mother Husband Dog, Delia Ephron brings her trademark wit and effervescent prose to a series of autobiographical essays about life, love, sisterhood, movies, and family. In “Losing Nora,” she deftly captures the rivalry, mutual respect, and intimacy that made up her relationship with her older sister and frequent writing companion. Other essays run the gamut from a humorous piece about love and the movies—how one romantic comedy completely destroyed her twenties—to the joy of girl friends and best friendship, the magical madness and miracle of dogs, keen-eyed observations about urban survival, and a serious and affecting memoir of life with her mother and growing up the child of alcoholics. Ephron’s eloquent style and voice illuminate every page of this superb and singular work.

StoryCorps founder Dave Isay shares stories of love and marriage from the revolutionary oral history project, revealing the many and remarkable paths that relationships can take. From the excitement of courtship to the deep connection of lifelong commitment, we discover that love is found in the most unexpected of places and witness the life-affirming joy of partnership, the comfort of shared sorrows, and profound gratitude in the face of loss.

Schorr, Daniel, Clearing The Air

Where Did I Go Right? is Brillstein's street-smart, funny, and thoroughly human story of a life in show business. With his trademark wit and candor, he speaks out for the first time about his feud with Mike Ovitz, and how it felt to pass the leadership of his company to his partner, Brad Grey, and no longer be the king. He describes his close relationship with John Belushi and what it was like being alone with Belushi's body as it lay stretched out across two cramped seats in a tiny jet, wrapped up in a body bag on the way to his funeral. He shares stories about Jim Henson and Gilda Radner, about Lorne Michaels and the early days of Saturday Night Live.

Do you enjoy weekends? Vacation? Overtime? Are you happy that there's a safety net if you get laid off? Do you appreciate that there's no arsenic in your food? And what about the fact that you're protected from unjust imprisonment--do you like that? If your answer to these questions is an overwhelming yes, you can thank liberals. Since the founding of America, we have battled about the best way to move forward. In Thank the Liberals, political commentator and Fox News radio host Alan Colmes explains how those who fight for liberal ideals have consistently made our lives better. He tells us the real story about many of the programs and benefits we take for granted. With his trademark humor and wit, Colmes walks us through the liberal values on which our nation was established, showing how all Americans are actually liberal. Then he takes us through key pieces of legislation, constitutional amendments, Supreme Court decisions, and actions of grassroots organizations and individuals that have liberalized us even more, providing the equality and opportunity that have made America stand out as a beacon of freedom and democracy for the rest of the world. But the fight continues as the divide between conservatives and progressives increasingly widens. While "regressives," as Colmes calls them, would have us revert to bygone eras--revoking hard-won rights--liberals oppose this backward slide. From the relationship between church and state, to climate change, health care, immigration, caring for the poor, and making peace, not war, Colmes shows how liberals are leading the way. Thank the Liberals will open your eyes to some of our nation's current battles and set the story straight concerning who truly has fought--and continues to fight--for the freedom and justice that are essential to the American way of life.

A powerful true story of loss and hope by one of the biggest names in sports media, Adam Schefter's The Man I Never Met . On September 11, 2001, Joe Maio went to work in the north tower of the World Trade Center. He never returned, leaving behind a wife, Sharri, and 15-month old son, Devon. Five years later, Sharri remarried, and Devon welcomed a new dad into his life. For thousands, the whole country really, 9/11 is a day of grief. For Adam and Sharri Maio Schefter and their family it’s not just a day of grief, but also hope. This is a story of 9/11, but it’s also the story of 9/12 and all the days after. Life moved on. Pieces were picked up. New dreams were dreamed. The Schefters are the embodiment of that. The Man I Never Met will give voice to all those who have chosen to keep living. It’s gratifying and beautiful. But also messy and hard. Like most families. Except that one day every year history comes roaring back. How do you embrace that? How do you honor that? This book is also a peek at Adam Schefter ("Schefty"), the man behind the headlines and injury reports; a real person who has a real family. It will follow in the path of other ESPN books by Tom Rinaldi and the late Stuart Scott – books that have transcended sport to examine the raw emotion of life.

One of the most widely read books on modern design, Nikolaus Pevsner’s landmark work today remains as stimulating as it was when first published in 1936. This expanded edition of Pioneers of Modern Design provides Pevsner’s original text along with significant new and updated information, enhancing Pevsner’s illuminating account of the roots of Modernism. The book now offers many beautiful color illustrations; biographies and bibliographies of all major figures; illustrated short essays on key themes, movements, and individuals; a critique of Pevsner’s analysis from today’s perspective; examples of works after 1914 (where the original study ended); a biography detailing Pevsner’s life and achievements; and much more. Pevsner saw Modernism as a synthesis of three main sources: William Morris and his followers, the work of nineteenth-century engineers, and Art Nouveau. The author considers the role of these sources in the work of early Modernists and looks at such masters of the movement as C.F.A. Voysey and Charles Rennie Mackintosh in Britain, Louis Sullivan and Frank Lloyd Wright in America, and Adolf Loos and Otto Wagner in Vienna. The account concludes with a discussion of the radical break with the past represented by the design work of Walter Gropius and his future Bauhaus colleagues.

This newest book by Pulitzer Prize winner Justin Kaplan is a sparkling combination of biography, social history, architectural appreciation, and pure pleasure Endowed with the largest private fortunes of their day, two heirs of arch-capitalist John Jacob Astor battled with each other for social primacy. William Waldorf Astor (born 1848) and his cousin John Jacob Astor IV (born 1864) led incomparably privileged lives in the blaze of public attention. Novelist, sportsman, and inventor, John Jacob went down with the Titanic , after turbulent marital adventures and service in the Spanish-American War. Collector of art, antiquities, and stately homes, William Waldorf became a British subject and acquired the title of Viscount Astor. In New York during the 1890s and after, the two feuding Astors built monumental grand hotels, chief among them the original Waldorf-Astoria on lower Fifth Avenue. The Astor hotels transformed social behavior. Home of the chafing dish and the velvet rope, the Waldorf-Astoria drew the rich, famous, and fashionable. It was the setting for the most notorious society event of the era—a costume extravaganza put on by its hosts during a time of widespread need and unemployment. The celebrity-packed lobbies, public rooms, lavish suites, and exclusive restaurants of the grand hotels became distinctive theaters of modern life.

""The Shaping of American Anthropology" is a book which is outstanding in many respects. Stocking is probably the leading authority on Franz Boas; he understands Boas's contributions to American anthropology, as well as anthropology in general, very well. . . . He is, in a word, the foremost historian of anthropology in the world today. . . . The reader is both a collection of Boas's papers and a solid 23-page introduction to giving the background and basic assumptions of Boasian anthropology." David Schneider, University of Chicago "While Stocking has not attempted to present a person biography, nevertheless Boas's personal characteristics emerge not only in his scholarly essays, but perhaps more vividly in his personal correspondence. . . . Stocking is to be commended for collecting this material together in a most interesting and enjoyable reader." Gustav Thaiss, "American Anthropologist"

Nathan Rabin viewed pop culture as a life-affirming form of escape throughout his childhood and adolescence. As an adult, pop culture became his life. Head writer for A.V. Club for more than a decade, Rabin uses specific books, songs, albums, films, and television shows as springboards for dissecting his Dickensian life story in his acclaimed memoir The Big Rewind . Rabin writes movingly and hilariously about how pop culture helped save him from suicidal despair, institutionalization, and parental abandonment during a childhood that sent him ricocheting from a mental hospital to a foster home to a group home for emotionally disturbed adolescents. A fun book about depression, The Big Rewind is ultimately a touching narrative of a motherless child’s search for family and acceptance, and a darkly comic valentine to Rabin’s lovable, hard-luck dad. With comic dissertations on everything from The Simpsons to The Great Gatsby, and from Grey Gardens to Dr. Dre, The Big Rewind chronicles Rabin’s improbable yet all-too-true journey through life, and its fortuitous intersections with the dizzyingly wonderful world of entertainment.

Wallace Stegner was the premier chronicler of the twentieth-century western American experience, and his novels, the Pulitzer Prize–winning Angle of Repose and the National Book Award–winning The Spectator Bird, brought the life and landscapes of the West to national and international attention. Now, in this illuminating biography, Philip L. Fradkin goes beyond Stegner’s iconic literary status to give us, as well, the influential teacher and visionary conservationist, the man for whom the preservation and integrity of place was as important as his ability to render its qualities and character in his brilliantly crafted fiction and nonfiction. From his birth in 1909 until his death in 1993, Stegner witnessed nearly a century of change in the land that he loved and fought so hard to preserve. We learn of his hardscrabble youth on the Canadian frontier and in Utah, and of his painful relationship with his father, a bootlegger and gambler. We follow his intellectual awakening as a young man and his years as a Depression-era graduate student at the University of Iowa, during its earliest days as a literary center. We watch as he finds his home, with his wife, Mary, in the foothills above Palo Alto, which provided him with a long-awaited sense of belonging and a refuge in which he would write his most treasured works. And here are his years as the legendary founder of the Stanford Creative Writing Program, where his students included Ken Kesey, Edward Abbey, Robert Stone, and Wendell Berry. But the changes wrought by developers and industrialists were too much for Stegner, and he tirelessly fought the transformation of his Garden of Eden into Silicon Valley. His writings on the importance of establishing national parks and wilderness areas—not only for the preservation of untouched landscape but also for the enrichment of the human spirit—played a key role in the passage of historic legislation and comprise some of the most beautiful words ever written about the natural world. Here, too, is the story—told in full for the first time—of the accusations of plagiarism that followed the publication of Angle of Repose, and of the shadow they have cast on his greatest work. Rich in personal and literary detail, and in the sensual description of the country that shaped his work and his life—this is the definitive account of one of the most acclaimed and admired writers, teachers, and conservationists of our time.

"A dazzling biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as both an artist and a woman in the vibrant art world of 1950s New York"--

"In 1977, after serving as a leading activist for the democratic dissident movement in the Soviet Union, Natan Sharansky was arrested. He spent nine years as a political prisoner convicted of treason against the state. In fact Sharanksy was fighting for individual freedom in the face of overt tyranny, a struggle that would come to define the rest of his life. Written with frankness, affection, and humor, the book offers us profound insights from a man who embraced the essential human struggle: to find his own voice, his own faith, and the people to whom he could belong."--back cover

Beginning where A Child Called Noah left off, A Place for Noah - Josh Greenfeld's journal entries from 1971 to 1976 - conveys the anger, frustration, day-to-day drudgery, and intense love the Greenfeld family experiences during six years (ages five to eleven) in the life of Noah, the Greenfelds' severely brain-damaged son.Initial hope and denial have given way to simmering rage. As Noah grows older, the Greenfelds realize that eventually they will have to relinquish his care to others, but the horrors of bureaucratic mistreatment and the lack of any true understanding on the part of many the professionals they encounter leave them increasingly unwilling to have him institutionalized. They finally discover that, by default, they have become experts.The Greenfelds move to Pacific Palisades, California, to be near a school where Noah will receive the best treatment available, but they continue to search for a future solution - striving all the while to keep a place in their home and their hearts for their son.

The well-known comedienne and talk-show host opens up about her life, describing her rise to the top, her marriage, the birth of her daughter, the politics of the entertainment industry, and her husband's suicide. Reprint.

"This amazing collection of choice anecdotes takes us right back to the Golden Age of New York City nightlife, when top restaurants like Toots Shor's, "21," and Sardi's, as well as glittering nightclubs like the Stork Club, The Latin Quarter, and El Morocco, were the nightly gathering spots for great figures of that era: movie and Broadway stars, baseball players, champion boxers, comedians, diplomats, British royalty, prize-winning authors, and famous painters. From Charlie Chaplin to Winston Churchill, from Ethel Barrymore to Sophia Loren, from George Burns to Ernest Hemingway, from Joe DiMaggio to the Duke of Windsor: Leonard Lyons knew them all. For forty glorious years, from 1934 to 1974, he made the daily rounds of Gotham nightspots, collecting the exclusive scoops and revelations that were at the core of his famous newspaper column, "The Lyons Den." In this entertaining volume Jeffrey Lyons has assembled a considerable compilation of anecdotes from his father's best columns, and has also contributed a selection of his own in-depth interviews conducted on his own TV shows with George Clooney, Penelope Cruz, Javier Bardem, Dame Judi Dench, George Carlin, Dennis Hopper, Sir Michael Caine, Sir Ben Kingsley and other current stars. Organized chronologically by decade and subdivided by celebrity, "Stories my father told" me offers fascinating and amusing stories illustrated by some sixty archival photographs. He so captured the tenor of those exciting times that the great Lincoln biographer Carl Sandburg said: "Imagine how much richer American history would have been had there been a Leonard Lyons in Lincoln's time."--

Memoir of a Hungarian woman who was imprisoned for several years in the German concentration camp Auschwitz. This is the true, documented chronicle of a beautiful woman who survived the nightmare horror of the worst death camp of them all. Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This book is a necessary reminder of one of the ugliest chapters in the history of human civilization. ""You have done a real service by letting the ones who are now silent and most forgotten speak.""-Albert Einstein "This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilization."-New York Herald-Tribune "It is a picture of utter hell."-Saturday Review of Literature

From an early age, Richard Hell dreamed of running away. He arrived penniless in New York City at seventeen; ten years later he was a pivotal voice of the age of punk, cofounding such seminal bands as Television, The Heartbreakers, and Richard Hell and the Voidoids—whose song "Blank Generation" remains the defining anthem of the era, an era that would forever alter popular culture in all its forms. How this legendary downtown artist went from a bucolic childhood in the idyllic Kentucky foothills to igniting a movement that would take over New York and London's restless youth culture—cementing CBGB as the ground zero of punk and spawning the careers of not only Hell himself, but a cohort of friends such as Tom Verlaine, Patti Smith, the Ramones, and Debby Harry—is a mesmerizing chronicle of self-invention, and of Hell's yearning for redemption through poetry, music, and art. An acutely rendered, unforgettable coming-of-age story, I Dreamed I Was a Very Clean Tramp evokes with feeling, lyricism, and piercing intelligence both the world that shaped him and the world he shaped.

Having recalled his life through the story of his physical self in Winter Journal , internationally acclaimed novelist Paul Auster remembers the experience of his development from within through the encounters of his interior self with the outer world in Report from the Interior . In the beginning, everything was alive. The smallest objects were endowed with beating hearts . . . From his baby's-eye view of the man in the moon, to his childhood worship of the movie cowboy Buster Crabbe, to the composition of his first poem at the age of nine, to his dawning awareness of the injustices of American life, Report from the Interior charts Auster's moral, political, and intellectual journey as he inches his way toward adulthood through the postwar 1950s and into the turbulent 1960s. Auster evokes the sounds, smells, and tactile sensations that marked his early life—and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: The final section of Report from the Interior recapitulates the first three parts, told in an album of pictures. At once a story of the times—which makes it everyone's story—and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before.