"In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed."- First Corinthians 15:52 "Three alarming, eclectic novellas imagine a ravaged America left behind by the totalitarian reign of Donald Trump in this chilling anthology, which picks up after Trump's death in 2024 during 'the second great COVID outbreak' "-Publishers Weekly From New York Times bestselling author, Harry Turtledove, critically-acclaimed novelist, James Morrow, and Nebula Award winner, Cat Rambo, comes a masterful anthology of three sensational novellas depicting a dark fictional future of the United States. And the Last Trump Shall Sound is a prophetic warning about where we, as a nation, may be headed. Mike Pence is President of the United States after years of divisive, dogmatic control by Donald Trump. The country is in turmoil as the Republicans have strengthened their stronghold on Congress, increasing their dominance. And with the support of the Supreme Court, more conservative than ever, State governments become more marginalized by the authoritarian rule of the Federal government. There are those who cannot abide by what they view as a betrayal of the nation's founding principles. Once united communities break down and the unthinkable suddenly becomes the only possible solution: the end of the Union. The authors' depiction of a country that is both unfamiliar and yet unnervingly all too realistic, make you realize the frightening possible consequences of our increased polarization-a dire warning to all of us of where we may be headed unless we can learn to come together again.

72 HOURS IN HELL... Dis was a harsh, inhospitable, dangerous place and the Magter made it worse. They might have been human once--but they were something else now. The Magter had only one desire--Kill! Kill everything, themselves, their planet, the universe if they could-- Brion Brandd was sent in at the eleventh hour. His mission was to save Dis, but it looked as though he was going to preside over its annihilation.

Long before there was Dolly the sheep, Jeanmarie Troxell dubbed the look-alike, think-alike girls in her school "clones" and decided she wanted nothing to do with them. That's how Jeanmarie forms an unlikely friendship with another outsider, Malcolm Soo, over an equally unlikely activity -- burying dead animals at the remote spot they name Jericho Tel. It's at Jericho Tel that Jeanmarie and Malcolm encounter Tallulah, a famous actress who happens to be dead -- although not too dead to send them on a magical quest to find out who stole the famous Regina Stone. But their search leads Jeanmarie and Malcolm to something far more valuable than a missing diamond -- adventure, friendship, and self-knowledge.

From the author of THE PARENT AGENCY comes a thrilling, funny and touching new adventure. Fred and Ellie are twins. But not identical (because that's impossible for a boy and a girl). They do like all the same things, though. Especially video games. Which they are very good at. They aren't that good, however, at much else - like, for example, football, or dealing with the school bullies. Then, they meet the Mystery Man, who sends them a video game controller, which doesn't look like any other controller they've ever seen. And it doesn't control any of their usual games. When the twins find out what it does control, though, it seems like the answer to all their problems. And the key to all their wildest dreams. At least it seems like that...

As the title Jar Jar Binks Must Die indicates, Daniel M. Kimmel is not only a film critic with strong opinions, he's also a fan. In this collection of essays, he covers movies from Metropolis (1927), answering the absurd claim that the restoration of this silent classic negated its status as a science fiction film, to how Star Trek, Avatar, Moon, and District 9 may have made 2009 a "miracle year" for the genre. Along the way he looks at neglected works like Things to Come (1936), explains why remakes aren't always bad, and how seeing E.T. in an empty screening room changed his mind about Steven Spielberg. Whether to rediscover old favorites or add new titles to your Netflix queue, this is a must-have for lovers of SF movies. Author Bio Daniel M. Kimmel is a past president of the Boston Society of Film Critics. When it was discovered he is also a science fiction fan he started getting invitations to participate at a number of SF conventions, which he continues to do. He reviewed for the Worcester Telegram and Gazette and now writes for Northshoremovies.net. He is a correspondent for Variety, the "Movie Maven" for the Jewish Advocate and teaches film--including a course on SF and horror--at Suffolk University. His essays on classic science films have appeared in several publications including Clarkesworld, Space and Time, and the Internet Review of Science Fiction. He is the author of a history of FOX TV, The Fourth Network (2004) which received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team (2006) and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies (2008). He is also the author of three novels: Shh! It's a Secret: a novel about Aliens, Hollywood, and the Bartender's Guide (2013) Time On My Hands: My Misadventures In Time Travel (2017), and Father of the Bride of Frankenstein (2019).

Cyril M. Kornbluth's "Takeoff" is a masterful exploration of the interplay between technology and society, set against a backdrop of technological optimism and skepticism typical of mid-20th century speculative fiction. The narrative is punctuated by Kornbluth's characteristic wit and sharp social commentary, as he delves into the implications of a space-age future. Through a compelling storyline that examines human ambition, ethical dilemmas, and the consequences of technological advancement, Kornbluth captures the anxiety of an era teetering between hope and disillusionment, displaying a profound understanding of the zeitgeist of his time. Cyril M. Kornbluth (1923-1958) was a prominent figure in the science fiction realm, recognized for co-writing notable works with Fredric Brown and for his solo efforts that often critiqued contemporary society. His experiences during World War II and his keen insights into political and social issues deeply informed his writing. "Takeoff" reflects his fascination with the space race and the dynamics of progress, underscoring his ability to weave personal and historical narratives into universally resonant themes. I highly recommend "Takeoff" to readers who appreciate thought-provoking science fiction that challenges perceptions of technological advancement. Kornbluth's astute observations, combined with his engaging narrative style, ensure this work remains relevant today, prompting readers to contemplate the balance between innovation and ethical responsibility.

In this interpretive translation of the Five Scrolls, the variety and scope of the Bible is apparent, both as a religious text and as a work of great literature. In the Song of songs, the yearning for love is combined with a fine expression of eroticism, and the Book of Ruth is the great short story. Lamentation reveals the heartbreak of a prophetover the ultimate disaster of his people - the destruction of the Temple and of Jerusalem. Ecclesiastes is a philosophical treatise, bordering on cynicism, but still offering hope that, amidst the vanities and tears, youth, love, companionship and wisdom can still bring joy to human life. S for Esther, here is, surprisingly, a fantasy comedy.

"Stoller is not just a scientist but a lover of words and language. In this book, his text is as playful, charming, and serious as his topic. The mix, a scientific and aesthetic exploration of the erotic imagination, is almost as irresistible as one's own erotic daydreams. Observing the Erotic Imagination is for all professional and private students of the erotic."--Dr. Ethel Person "This book is a delight....He offers a model clinical illustration, brilliant and full of presence. Indeed, Stoller's entire book is a model of clear, elegant conversational prose."--Jerome B. Katz, M.D., Bulletin of the Menninger Clinic "Stoller presents new thoughts on his most provocative theory of the relationship between erotic excitement and fantasy of revenge and hostility."--Anke A. Ehrhardt, Ph.D. and Evan J. Elkin, Journal of the American Academy of Child and Adolescent "Stoller's account is comprehensive and levelheaded."-- Psychological Reports

With all the intrigue and twists of a mystery, Questions for Freud uncovers the paradoxes that riddle psychoanalysis today and traces them to Freud's vacillation at key points in his work--and from there to a traumatic event in Freud's life. What role did censored family history play in shaping Freud's psychological inquiries, promoting and impeding them by turns? With this question in mind, Nicholas Rand and Maria Torok develop a new biographical and conceptual approach to psychoanalysis, one that outlines Freud's contradictory theories of mental functioning against the backdrop of his permanent lack of insight into crucial and traumatic aspects of his immediate family's life. Taking us through previously unpublished documents and Freud's dreams, his clinical work and institutional organization, the authors show how a shameful event in 1865 that shook Freud and his family can help explain the internal clashes that later beset his work--on the origins of neurosis, reality, trauma, fantasy, sexual repression, the psychoanalytic study of literature, and dream interpretation. Steeped in the history, theory, and practice of psychoanalysis, this book offers a guide to the wary, a way of understanding the flaws and contradictions of Freud's thought without losing sight of its significance. This book will alter the terms of the current debate about the standing of psychoanalysis and Freud.

Giving Ground is prompted by two phenomena whose paradoxical convergence is currently altering our experience and conception of urban relations and city planning. On the one hand, forces of globalisation push towards conditions of homogenisation and deterritorialisation, while, on the other, a surging politics of identity barricades various groups behind particular claims and ignites violent persecutions. The covert relation between these phenomena, wherby territory/ground is both disavowed or abstracted and jealously reclaimed, is the focus of the essays in this volume, at the heart of these investigations are the notions of propinquity and neighbourliness whose redefinitions and redeployments serve widely divergent ends: from the fortification of the ‘new urbanist’ fantasy about the possibility of re-creating small towns, to the validation of the exclusionary tactics of ‘sanitization’ that guide zoning decisions, to assisting in the reimagination of an ethical and reasonable urbanism. Directed against the contracting limits of tolerance, this volume attempts to reinvent the troubled notion of the ‘right to the city’. The individual contributions range from examinations of the crises in specific cities—Jerusalem, New York, and the network of ‘global cities’ throughout the world—to considerations of specific urban issues, such as the physical instrumentalities by which people a brought into physical proximity and the implementation of ‘new urbanist’ projects; and reworkings of physical concepts, such as Levina’s notion of the face-to-face, Lacan’s notion of sublimation, in urbanist terms. Several focus on the relation between cities and sexuality, which figures, for different reasons, as the ‘eternal irony’ of urbanity.

Guido Contini's last three films have been box-office flops. His producer, a dynamic but fierce Frenchwoman, may sue him for breach of contract unless he comes up with an idea for a film--and fast! Meanwhile, central to Guido's problems is his desire for too many women--a fact echoed by his wife, Luisa, who wants more time with him, as does his sultry mistress, Carla. But all Guido's women want him. Twenty-one swirling females change aroundhim in a fantasy ensemble he conducts like an orchestra. Yet as the fantasy life he has been lving begins to break down, Guido learns he must make sacrifices.

From the Preface by James P. Moore, Jr.: "The apt title of Midnight Musings brings together the prodigious, expansive, and real-life reflections of Magda Herzberger, an extraordinary figure by any measure. She sits alone in the company of her thoughts-past, present, and to come-and reaches out eloquently and movingly to readers from all walks of life. If each one of us is the sum total of everything we have ever experienced in our lives, Magda brings much to the table. We feel privileged to enter into her world, one that unfolds through a variety of poems steeped in reality, fantasy, quest, and profound faith." "As a poet," Magda says, "I feel that I am like a photographer. Sometimes I focus my camera and take pictures from the outside world surrounding us. Other times I take photos depicting the many aspects of the inner world of my soul. Behind each of my poems in Midnight Musings, there is a story to be told and experienced."

Over the past twenty years debates about pornography have raged within feminism and beyond. Throughout the 1970s feminists increasingly addressed the problem of men's sexual violence against women, and many women reduced the politics of men's power over women to questions about sexuality. By the 1980s these questions had become more and more focused on the issue of pornography--now a metaphor for the menace of male power. Collapsing feminist politics into sexuality and sexuality into pornography has not only caused some of the deepest splits between feminists, but made it harder to think clearly about either sexuality or pornography--indeed, about feminist politics more generally. This provocative collection, by well-known feminists on both sides of the Atlantic, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography. The authors open up the debate by looking at such topics as the improbable alliance between the right and pro-censorship feminists, the displacement of heterosexual desire and its discontents onto pornography, Andrea Dworkin's novel Mercy, psychoanalytic reflections on fantasy, censorship in relation to AIDS work, the new lesbian and bisexual pornography, the controversy over Robert Mapplethorpe's supposed racism in his photos of black nudes, Mae West as sexual icon and her brushes with the law, and the female nude in "high" art. In addition to the editors, the contributors are Elizabeth Cowie, Harriett Gilbert, Robin Gorna, Marybeth Hamilton, Loretta Loach, Anne McClintock, Kobena Mercer, Jane Mills, Mandy Merck, Lynda Nead, Gillian Rodgerson, Carol Smart, Carole S. Vance, Linda Williams, and Elizabeth Wilson.

"I want you frowning now, knowing something is very wrong with your parachute even before actually pulling the cord and praying it opens. P.S. It won't." So Jonathan Carroll addresses his readers in this much-awaited collection of 20 stories. Author of several wry and dark novels, Carroll has a considerable following, but his books are difficult to pigeonhole, so some horror and fantasy readers are still unfamiliar with him. This collection shows off his talents admirably, in tales that range from bittersweet sadness over God's failing memory, to a disturbing friendship between a dog and a dying child, to a macabre fantasy about how men and women manipulate each other. As The New York Times put it, "Carroll's world is one that is subtly out of kilter, and which can take a turn for the sinister at any time." This volume is winner of the 1996 Bram Stoker Award for Best Short Story Collection. Contents: Mr. Fiddlehead (1989) Uh-Oh City (1992) The Fall Collection (1989) Friend's Best Man (1987) The Sadness of Detail (1990) Waiting to Wave (1993) The Jane Fonda Room (1982) A Quarter Past You (1989) My Zoondel (1989) Learning to Leave (1992) The Panic Hand (1989) The Bear in the Mouth (1989) Postgraduate (1984) Tired Angel (1989) The Dead Love You (1990) Florian (1989) The Life of My Crime (1992) A Wheel in the Desert, the Moon on Some Swings (1994) A Flash in the Pants (1995)

In resolving the suicide of his friend, Philip Strayhorn explores the dividing line between good and evil in this fantasy novel, from the same author who wrote Sleeping in Flame, Bones of the Moon and Voice of our Shadow. He is the 1988 World Fantasy Award winner for short stories.

Internationally renowned author Jane Yolen has composed a sequence of tough, angry, and moving love poems that express grief and gratitude for her late husband David, as witness to his treatment for and passing from cancer, and the ongoing loss that is felt years after his death. In one poem, Yolen--a prize-winning poet, speaks of his "shallow bird breath/beating beneath the cage of his chest bones." In another: "Do not help me to forget./Help me to remember." And in a third: You have gone before me into winter, Into spring, into summer, somehow A consummate time traveler I can never catch up to, Always a season ahead. Jane Yolen , often called "the Hans Christian Andersen of America," is the author of over three hundred books, including Owl Moon , The Devil's Arithmetic , and How Do Dinosaurs Say Goodnight . The books range from rhymed picture books and baby board books through middle grade fiction, poetry collections, nonfiction, novels, and story collections for young adults and adults, and two books of adult poetry. Her books and stories have won two Nebula Awards, a World Fantasy Award, a Caldecott Medal, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award. She is also the winner (for body of work) of the Kerlan Award, the World Fantasy Association Lifetime Achievement Award, and the Catholic Library's Regina Medal.

This follow-up to Ellison's 1989 Stoker Award-winning book of film (and by extension, cultural) criticism picks up precisely where its predecessor left off: with the 35th installment-dated July 1989-of his column in THE MAGAZINE OF FANTASY & SCIENCE FICTION, and continues through his 50th entry, written for this volume in September 2014. But wait, there's more: buy now, and at no extra cost, you'll get three pieces of twenty-first century film criticism bringing the collection bang -up-to-date, as well as a long-lost assessment of PSYCHO that predates even the 1965 entries in HARLAN ELLISON'S WATCHING; if that's not value for money, we don't know what is. Did I mention the stunning Overton Loyd cover? The Harlan Ellison's Watching columns included are: From 1989: Installment 35: In Which the Phantasmagorical Pales Before the Joys of the Mimetic Installment 36: In Which, Darkly and Deliciously, We Travel From Metropolis to Metropolis, Two Different Cities, Both Ominous Installment 37: In Which Not Only is No Answer Given, But No One Seems to Know the Question to Ask Installment 38: In Which, Though Manipulated, We Acknowledge That Which All Men Seek From 1990: Installment 39: In Which We Hum a Merry Tune While Waiting for New Horrors, New Horrors Installment 40: In Which We Scrutinize the Sedulousness to Their Hippocratic Oath of Troglodytic, Blue, Alien Proctologists Installment 41: In Which an Extremely Nervous Fool with His Credentials Taped to His Forehead Tacks Trepidatiously Between Scylla and Charybdis Knowing that Angels and Wise Men Would Fear Even to Dog-Paddle This Route Installment 42: In Which It Waddles Like a Duck, Sheds Water Like a Duck, and Goes Steady With Ducks, But Turns Out to be a Tortoise Installment 43: In Which We Lament, "There Goes the Neighborhood " Installment 44: In Which the Good Ship Coat-Tail-Ride Sinks, Abandoning Hundreds in Treacherous Waters From 1991: Installment 45: In Which Tempus Fidgets, Fugits, and Inevitably Omnia Revelats Installment 46: In Which We Bend So Far Over Backwards To Be Unbiased That You Can See The Nose Hairs Quiver With Righteousness Installment 47: In Which Artful Vamping Saves the Publisher $94.98 From 1994: Installment 48: In Which the Wee Child's Icons are Demeaned From 1995: Installment 49: In Which the Old Man of the Sea Bites the Head off Yet Another Chicken From 2014: Installment 50: In Which the Playroom of the Prodigal Gives One Last Gasp Pre-dating Ellison's column in The Magazine of Fantasy and Science Fiction, ENDLESSLY WATCHING collects a review of PSYCHO from a 1960 fanzine, 1974's "Total Impact: THE TERMINAL MAN," and Ellison's 1966 treatise on terror: "3 Faces of Fear," making its debut in a non-fiction Ellison collection. Bridging the nearly two decades between Watching columns are: 2007's "I Saw GHOST RIDER Today at the Galleria," and 2013's review of 12 YEARS A SLAVE and "Death to All Hollywood Award Shows " As an added bonus, we've exhumed two unpublished reviews...or, rather, one unpublished review of BRAM STOKER'S DRACULA and an unpublished refusal to review HONEY, I BLEW UP THE BABY.