Periods of great social change reveal a tension between the need for continuity and the need for innovation. To comprehend these changes as history and as guideposts to the future, Peter F. Drucker has, over a lifetime, pursued a discipline that he terms social ecology. The writings brought together in The Ecological Vision define the discipline as a sustained inquiry into the man-made environment and an active effort at maintaining equilibrium between change and conservation.

With the same uncompromising style that characterized his breakthrough, Vietnam-era writings, Toward a New Cold War extends Chomsky's critique of U.S. foreign policy through the early 1970s to Ronald Reagan's first term. Expanding on themes such as the cozy relationship of intellectuals to the state and American adventurism after World War II, Chomsky goes on to examine the way that U.S. policymakers set about the task of rewriting the horrible history of involvement in Indochina and turned their attention more squarely on the Middle East and Central America. Chomsky also assesses U.S. oil strategy and the Israeli-Palestinian conflict, dissects the first volume of Kissinger's memoirs, issues an urgent call to stem the bloodshed in then-unknown East Timor and, in the title essay, marks the increased posture of confrontation and rearmament under presidents Carter and Reagan that signaled the end of d�tente with the Soviet Union. Featuring a new foreword by internationally acclaimed journalist John Pilger, this is the fifth in a series of Chomsky's classic political works reissued by The New Press. The others are American Power and the New Mandarins , For Reasons of State , Problems of Knowledge and Freedom , and Objectivity and Liberal Scholarship .

In We hold these truths, Dr. Adler illuminates the ideas and ideals that have made the United States of America a truly unique nation in the annals of history. The ideas Adler examines include those at the core of the Declaration of Independence -- human equality, inalienable human rights, civil rights, the pursuit of happiness, and both the consent and dissent of the governed. These are the ideas that form the basis for the ideals found in the Preamble to the constitution that bind us together as a nation -- justice, domestic tranquillity, the common defense, the general welfare, and the blessings of liberty.

Of the American Bill of Rights, perhaps the forty-five words that comprise the First Amendment-allowing freedom of religion, speech, press, and assembly, and the guaranty of the writ of habeas corpus-are the most precious. Only a legal expert could lay claim to truly understanding the meaning and intention of those basic freedoms. Yet it is precisely the expert, knowing the complexity of the subject, who would be the first to hesitate to claim to possess such a thorough understanding. In analyzing such freedoms basic to American society, Milton Konvitz helps make comprehending our fundamental liberties easier. The book is divided into three parts: I. Freedom of Religion; II. Freedom of Speech, Press, and Assembly; III. Freedom of Speech, Press, and Assembly: The Clear and Present Danger Doctrine. The reader will find included such topics as the debate over the scope of the separation of Church and State, whether or not freedom of religion is an absolute right, religious freedom prior to 1776, the liberty of private schools, heresy, the right for a religious group to seek converts, the freedoms not to speak and listen, obscene literature, picketing in labor disputes, the freedom to think and believe, abridgments of speech and press, and loyalty oaths and guilt by association. Konvitz's work includes an important chapter on the history of the adoption of the Bill of Rights. His careful tracing of the development of constitutional attitudes to the freedoms protected by the First Amendment is a scholarly benchmark, and is still an archetype for students doing research and writing about these issues. It is of critical importance to anyone seeking an authoritative statement on the basic liberties guaranteed by the First Amendment to the United States Constitution. Fundamental Liberties of a Free People is a relevant and practical guide to understanding the liberties so fundamental to a free society. In his new introduction and afterword, author Milton Konvitz brings First Amendment developments up to 2002. It will be welcomed by students and scholars of constitutional law, government, politics, religion, and American history.

When the woman who would become Indra Devi was born in Russia in 1899, yoga was virtually unknown outside of India. By the time of her death, in 2002, it was being practiced everywhere, from Brooklyn to Berlin to Ulaanbaatar. In The Goddess Pose, New York Times best-selling author Michelle Goldberg traces the life of the incredible woman who brought yoga to the West and in so doing paints a sweeping picture of the twentieth century. Born into the minor aristocracy (as Eugenia Peterson), Devi grew up in the midst of one of the most turbulent times in human history. Forced to flee the Russian Revolution as a teenager, she joined a famous Berlin cabaret troupe, dove into the vibrant prewar spiritualist movement, and, at a time when it was nearly unthinkable for a young European woman to travel alone, followed the charismatic Theosophical leader Jiddu Krishnamurti to India. Once on the subcontinent, she performed in Indian silent cinema and hobnobbed with the leaders of the independence movement. But her greatest coup was convincing a recalcitrant master yogi to train her in the secrets of his art. Devi would go on to share what she learned with people around the world, teaching in Shanghai during World War II, then in Hollywood, where her students included Gloria Swanson and Greta Garbo. She ran a yoga school in Mexico during the height of the counterculture, served as spiritual adviser to the colonel who tried to overthrow Panamanian strongman Manuel Noriega, and, in her eighties, moved to Buenos Aires at the invitation of a besotted rock star. Everywhere she went, Indra Devi evangelized for yoga, ushering in a global craze that continues unabated.

In this "stunning" new history, New York Times bestselling author Max Wallace draws on groundbreaking research to reframe Helen Keller's journey after the miracle at the water pump, vividly bringing to light her rarely discussed, lifelong fight for social justice across gender, class, race, and ability (Rosemary Sullivan, New York Times bestselling author). Kirkus Best Nonfiction Book of 2023 Raised in Alabama, she sent shockwaves through the South when she launched a public broadside against Jim Crow and donated to the NAACP. She used her fame to oppose American intervention in WWI. She spoke out against Hitler the month he took power in 1933 and embraced the anti-fascist cause during the Spanish Civil War. She was one of the first public figures to alert the world to the evils of Apartheid, raising money to defend Nelson Mandela when he faced the death penalty for High Treason, and she lambasted Joseph McCarthy at the height of the Cold War, even as her contemporaries shied away from his notorious witch hunt. But who was this revolutionary figure? She was Helen Keller. From books to movies to Barbie dolls, most mainstream portrayals of Keller focus heavily on her struggles as a deafblind child--portraying her Teacher, Annie Sullivan, as a miracle worker. This narrative--which has often made Keller a secondary character in her own story--has resulted in few people knowing that her greatest accomplishment was not learning to speak, but what she did with her voice when she found it. After the Miracle is a much-needed corrective to this antiquated narrative. In this first major biography of Keller in decades, Max Wallace reveals that the lionization of Sullivan at the expense of her famous pupil was no accident, and calls attention to Keller's efforts as a card-carrying socialist, fierce anti-racist, and progressive disability advocate. Despite being raised in an era when eugenics and discrimination were commonplace, Keller consistently challenged the media for its ableist coverage and was one of the first activists to highlight the links between disability and capitalism, even as she struggled against the expectations and prejudices of those closest to her. Peeling back the curtain that obscured Keller's political crusades in favor of her "inspirational" childhood, After the Miracle chronicles the complete legacy of one of the 20th century's most extraordinary figures.

“The intricacies of family and the complexities of the games they play mingle wonderfully here in a memoir quite unlike any other.”—George Plimpton, author of Truman Capote Katy Lederer grew up on the bucolic campus of an exclusive East Coast boarding school where her father taught English, her mother retreated into crosswords and scotch, and her much older siblings played “grown-up” games like gin rummy and chess. But Katy faced much more than the typical trials of childhood. Within the confines of the Lederer household an unlikely transformation was brewing, one that would turn this darkly intellectual and game-happy group into a family of professional gamblers. Poker Face is Katy Lederer’s perceptive account of her family’s lively history. From the long kitchen table where her mother played what seemed an endless game of solitaire, to the seedy New York bars where her brother first learned to play poker, to the glamorous Bellagio casino in Las Vegas, where her sister and brother wager hundreds of thousands of dollars a night at the tables, Lederer takes us on a tragicomic journey through a world where intelligence and deceit are used equally as currency. Not since Mary McCarthy’s Memories of a Catholic Girlhood has a writer cast such a witty and astringently analytic eye on the demands of growing up. An unflinching exploration of trust and betrayal, competition, suspicion, and unconventional familial love, Poker Face is a testament to the human spirit’s inventiveness when faced with unusually difficult odds.

"In the mid-20th century, the Heldmans were tennis royalty. Julie was a volatile and gutsy tennis star, twice ranked number 5 in the world. Her mother Gladys was broadly admired for her unique magazine, World Tennis, and for engineering the women's tennis revolution. No one guessed that Gladys's hidden emotional abuse was the source of Julie's powerful drive. Driven is a highly readable insider's account of a pivotal time in women's tennis history; an in-depth look at Gladys's complex character; and the revealing story of Julie's interior journey, both on and off the court."--Page 4 of cover

A book for both the general reader of American history and the student of art, Flexner's study of Copley (1738-1815) brings into vivid detail the struggle the artist endured against an unfavorable environment in the New World, his rise to fame, the development of his unique style, and the personal growth of the man who became America's first great artist. Copley's life began in the humble surroundings of Boston's waterfront. As a poor boy growing up in a city where no formal art instruction was available, rigorous self-instruction was Copley's only means to his goal of becoming a painter. Through laborious work Copley mastered his craft; the portraits he produced between 1753 and 1774, at the height of his fame, were distinguished by the fully rounded modeling and realism which make the personalities of his subjects come alive. His paintings in these years were the best works a colonial American artist had ever produced. Yet his personal letters reveal that he found life in Boston limited; he cites the dearth of great art from which to learn and by which to be inspired, and complains of what he perceives to be the underappreciation of his patrons. The Boston Tea Party and other events led inexorably toward the Revolution. Copley was unwillingly drawn into the troubled political arena; his loyalist connections made his life in Boston increasingly turbulent and precarious. In 1774, at the suggestion of Joshua Reynolds and Benjamin West, Copley became convinced he was wasting his talents in the colonies and moved to London to study the European masters. This decision marked the second period of his life, lasting forty years, and instigated a no less dramatic shift in the style and subjectof his art. Copley's tour of European cities and galleries broadened the range and scope of his work. He produced large canvases of sweeping historical scenes of war, political subjects, and religious subjects considered taboo in the colonies. Copley's fame soared to world-wide recognition as a historical painter. But in his later work Copley seems to have lost his strong sense of composition; eventually, even his draftsmanship seemed to fail him. The rejection and scorn of critics stung Copley, and he spent the last years of his life struggling to regain his former acclaim.

"This account of Philip Roth traces the psychological and artistic origins of his creative life. It examines the major events of his career, while identifying a series of personal themes in his writing, from his relationship with Judaism to family, marriage, Eastern Europe and America. It addresses his private challenges from romance and health, to surviving as a writer burdened with success. The book also reflects how living outside the United States, initially in Italy and then England, plus his visits to Eastern Europe and exposure to their oppressed writers affected his writing. In particular, it primed him for a new engagement with American political and social history, resulting in a renewed determination to re-write America through his American trilogy and The Plot Against America. Although chronology is the framework, this is a thematic reading of Roth's life and career with attention to family, self-identity and success. A set of contrasting angles form this approach, beginning with his prolonged sense of discontent, yet public image of success, his search for sustained relationships but then decision to end them, his idealization of his parents but persistent undercurrent of criticism. Three overlapping issues provide the impetus for this reading: the aesthetic, the emotional and the historical. The lasting importance of such themes as anger, betrayal and failure has a vital role in understanding Roth's character and work. So, too, does his sense of performance on and off the page. Location is also significant and there are extensive discussions of Newark, London, Iowa, Prague and rural Connecticut. Particular attention to writers of the Holocaust, notably Primo Levi and Aharon Appelfeld, and contemporaries such as Saul Bellow and Bernard Malamud, also frame the narrative along with discussions of John Updike, Cynthia Ozick, Norman Mailer, Nadine Gordimer and Nicole Krauss. Works receiving special attention are Portnoy's Complaint, The Ghost Writer, Sabbath's Theater and the American trilogy. The shifting patterns of Roth's writing style, often related to changes in his physical and psychological health, are also considered. But more importantly is Roth's character and how early incidents formed later behavior, especially his inability to forget the past, particularly an insult or criticism. Analysis of his life with his two wives, Margaret (Maggie) Williams and Claire Bloom also occurs, as well as his relationships with other women. Further commentary focuses on Roth's illnesses and his life after he publically announced that he had stopped writing"--

Herbert S. Parmet's Eisenhower and the American Crusades is a major assessment of the American presidency during the critical period of America at mid-century. The book follows the career of General Dwight D. Eisenhower from 1952, when he decided to leave his NATO command to campaign for the presidency, to his retirement at Gettysburg nearly nine years later. His entry into politics was well-timed. A mood of conservatism was sweeping the country; surveys indicated that the majority of Americans felt it was time for a change from two decades of executive control 'by those who had permitted events to get out of hand.'Parmet based his study of the Eisenhower years on massive research, conversations with leading figures of the era, and previously unreleased documents. This wealth of material has enabled him to provide answers to questions frequently asked about the thirty-fourth president: Was Eisenhower the kind, fatherly man millions grew up to love on their television or was this an image created by a shrewd politician who knew what the country needed in a trying time?Did he choose Richard Nixon as a running mate or was Nixon forced upon him by political necessities? Was the president intimidated by the appearance of power of Joseph McCarthy, and did the Army-McCarthy hearings influence Eisenhower's decision to involve the United States in Vietnam? Was Eisenhower concerned with the lack of progress in civil rights? Was he the right man for the right time in history or was he merely postponing the major crises of the 1960s?Parmet offers a convincing refutation of the idea of the Eisenhower years as being placid or boring. 'No years that contained McCarthy and McCarthyism, a war in Korea, constant fears of nuclear annihilation, and spreading racial violence, could be so described.' For Parmet, Eisenhower was a stabilizing force in a time of conflict. He may not have been a political genius, but he knew perhaps better than anyone else around him exactly what the people wanted and how they wanted it.

How diverse can, and should, TV programming be? And especially, in what precise ways does governmental regulation of TV affect (or fail to affect) the programs station owners produce—programs which, in the final analysis, shape in such large measure the values of Americans? It is to these timely and beguiling questions that Harvey Levin addresses his dispassionate assessment of the complex relationship between government and the TV industry. Analyzing data drawn from the history of the FCC's regulatory decisions, as well as from interviews with numerous government and industry officials, Professor Levin shows how the present form of restrictive governmental regulation almost always results in higher profits and rents for TV stations, with no concomitant increase in programming diversity. In addition, Professor Levin investigates various other aspects of the media market, from the particular kinds of crucial decisions that are made when, for example, a newspaper owns a TV station, to the kinds of problems that arise when commercial rents are taxed to fund public TV; from the brand of programming we are offered when a monopoly controls a given TV market to the nature of programming in a situation of steady and fair competition. Following a comprehensive assessment, the author makes a compelling case for diversification of station ownership, in order to be "safe rather than sorry." He also argues for the entry of new stations, more extensive support of public TV, and some form of quantitative program requirements—all of which will help bring about greater program diversity. Professor Levin's volume provides us with a fully documented and sharply focused analysis of the theories, policies, and problems of one of the most powerful and misunderstood of contemporary institutions.

Before the advent of cable and its hundreds of channels, before iPods and the Internet, three television networks ruled America's evenings. And for twenty-three years, Ed Sullivan, the Broadway gossip columnist turned awkward emcee, ruled Sunday nights. It was Sullivan's genius to take a worn-out stage genre-vaudeville-and transform it into the TV variety show, a format that was to dominate for decades. Right Here on Our Stage Tonight! tells the complete saga of The Ed Sullivan Show and, through the voices of some 60 stars interviewed for the book, brings to life the most beloved, diverse, multi-cultural, and influential variety hour ever to air. Gerald Nachman takes us through those years, from the earliest dog acts and jugglers to Elvis Presley, the Beatles, and beyond. Sullivan was the first TV impresario to feature black performers on a regular basis-including Nat King Cole, Pearl Bailey, James Brown, and Richard Pryor-challenging his conservative audience and his own traditional tastes, and changing the face of American popular culture along the way. No other TV show ever cut such a broad swath through our national life or cast such a long shadow, nor has there ever been another show like it. Nachman's compulsively readable history, illustrated with classic photographs and chocked with colorful anecdotes, reanimates The Ed Sullivan Show for a new generation.

Of all the players in the planning and evolution of the Bush Administration's war on terrorism, few were more integral--or more controversial--than Douglas Feith, the chief strategist on Donald Rumsfeld's Pentagon policy team. A highly influential international policy analyst for more than a quarter century, Feith worked closely with Rumsfeld, Paul Wolfowitz, Colin Powell, Condoleezza Rice, Vice President Cheney, and President Bush in defining the U.S. response to the attacks of 9/11--from the successful war on Afghanistan to the more challenging invasion of Iraq and its aftermath. Now, in this candid and revealing memoir, Feith--a charter member of the neoconservative movement and an architect of the administration's preventive strategy in the war on terrorism--offers the most in-depth and authoritative account yet of the Pentagon's evolving stance during one of the most controversial eras of American history. Drawing upon a unique trove of documents and records, this extraordinary chronicle will put the reader in the room for scores of previously unreported senior-level meetings, showing how hundreds of critical decisions were made in defense of American interests during and after the crisis of 9/11--decisions both successful and controversial. Where journalists like Bob Woodward could only speculate, Feith is the first inside player to reveal the inner workings of the Pentagon, at a time when history hung in the balance.--From publisher description.

Alfred Stieglitz (1864-46) is one of the most revered artists in the history of the photographic medium. Via his influential journal "Camera Work", which he edited and published from 1903 to 1917, and his galleries 291, The Intimate Gallery and An American Place, he championed, published and exhibited much of the best art, European and American, of the period. He also created his own outstanding body of photographic work and it is this which has firmly established his reputation as one of the great 20th-century artists.

"From the longtime New York Times reporter, best-selling author, and Pulitzer Prize winner-- an expansive, timely assessment of the state of free speech in America. David Shipler's recent best seller, The Working Poor, cemented his place among our most trenchant social commentators. Now, he turns his keen, illuminating focus to another endangered American ideal: freedom of speech. Through selected accounts of First Amendment invocation and infringement, Shipler maps a rapidly shifting topography of political and cultural norms: parents in Michigan rallying to teachers vilified for their reading lists; conservative ministers risking their churches' tax-exempt status to preach politics from the pulpit; national security reporters using techniques more common in dictatorships to avoid leak prosecution; history teachers in Texas quietly navigating around a conservative curriculum to give students access to unapproved perspectives. Anchored in personal stories--sometimes shocking, sometimes absurd, sometimes dishearteningly familiar--but encompassing a theme as sweeping and essential as democracy itself, Freedom of Speech brilliantly reveals the triumphs and challenges of defining and protecting the boundaries of free expression in modern America"--

Two former members of the National Security Council trace the evolution of terrorist activities and the history of radical Islam, the September 11th attacks, and the U.S. government's efforts to stop further threats.

A multi-textual memoir chronicling the life of one of our most potent pop iconsGroundbreaking rock musician. Award-winning actress. Perceptive songwriter and author. Mother. Wife of a rock god. Fashionista and trendsetter. Provocateur. In each and every one of these roles Courtney Love has demonstrated a wholehearted commitment to her art, and an intense drive and a lust for life that have made her a star and a celebrity icon—but have also led her into some unwise, uncharted, and even dangerous territory. Simultaneously candid and enigmatic, Love has a mordant wit and vivid intelligence matched in intensity only by the extraordinary life she has led, from a bleak early childhood through great fame and terrible heartbreak to the present day. By turns exhilarating and unsettling, this is a story told for the first time in Dirty Blonde . Composed of an astonishing and eclectic collection of deeply personal artifacts including personal letters, childhood records, poetry, diary entries, song lyrics, fanzines, show flyers, other original writings, and never-before-seen photographs, Dirty Blonde leads us through the unimaginable highs and the despairing lows of one of the most compelling and creative figures in the world of popular culture. Through these diaries we see Love’s accomplishments, her mistakes, her history, and her bright future in a whole new light. From her upbringing in Oregon through her years living in Japan, New Zealand, and London, from her career highs with Hole and as a Hollywood leading lady to her personal heartbreak and struggle, Dirty Blonde is Love laid bare—a wholly fascinating portrait of a fierce and insightful woman with an unblinking worldview and a determination to express herself no matter the cost.

"Representing Michigan for thirty-six years in the U.S. Senate, Carl Levin, the longest-serving senator in Michigan history, was known for his dogged pursuit of the truth, his commitment to holding government accountable, and his basic decency. Getting to the Heart of the Matter: My 36 Years in the Senate is his story - from his early days in Detroit as the son of a respected lawyer to the capstone of his career as chair of both the Senate Armed Services Committee and the Senate Permanent Subcommittee on Investigations. Levin's career placed him at the center of some of our nation's most critical points in modern times: from the aftermath of the 1967 Detroit riots, to the Clinton impeachment, through 9/11 and the wars in Iraq and Afghanistan, and the 2008 financial crisis. He met with numerous world leaders, including Egypt's Anwar Sadat and China's Jiang Zemin. Getting to the Heart of the Matter recounts Levin's experiences, thoughts, and actions during these historic moments. Consisting of seventeen chapters, the book takes the reader through Levin's early life in Detroit of the 1940s, 50s, and 60s where he met his wife, started a family, practiced law and served as the first General Counsel for the newly created Michigan Civil Rights Commission and the chief appellate defender for Detroit's Legal Aid Office. Elected to the Detroit City Council in 1969, where Levin served for eight years including four as Council president, the book describes how his fight against the Department of Housing and Urban Development's devastating housing practices in the neighborhoods of Detroit led him to run for the U.S. Senate with a pledge to make government work more effectively. Winning election six times, Levin had an illustrious career in the Senate where he challenged leaders in government and the private sector for the greater good of the nation. Levin describes how, as a Democrat, throughout his time in the Senate, he worked with Republican senators who often held different policy positions in order to find common ground to achieve national goals, and how he and his Senate staff searched for creative solutions to trade issues, support for the auto industry and manufacturing sector, U.S. military action in Iraq and Afghanistan, and efforts to protect the Great Lakes and the environment, among many other issues. Levin's hope in writing this memoir is that by sharing his deeply held beliefs about the responsibility of elected officials, the book will serve as a resource for people beginning a career in, or contemplating running for, public office. Readers with an interest in politics, history, facts, and perseverance will find kinship in this book" -- provided by the publisher

In 1992, most pundits accepted the famous line of the Clinton campaign that the election was about "the economy, stupid". But in 1994, with the economy flourishing, voters dumped the Democrats. What happened? Why? What is likely to happen next? Ben Wattenberg answers with Values Matter Most, a book that is, at once, a fascinating and lively inside political story, a nuanced portrait of America in the mid-nineties, and a stark political thesis. In the controversial 1970 bestseller The Real Majority, Wattenberg and Richard Scammon argued that "the social issue" - now often called "values" - including crime, welfare, race, discipline, drugs, promiscuity and prayer - had suddenly become coequal with economics as the key to voter behavior. They warned Democrats to pay attention, or they would lose. They didn't, and they did. Now, after 25 years of social deterioration in America, Wattenberg dramatically advances the argument. He says that the concern about values has become the number one issue, and properly so. Wattenberg vividly narrates the history of the values issue in American politics. He says that whichever party and candidates now best understand the social concerns of a restless electorate, and act upon these issues, will be rewarded in national, state, and local elections in 1996 and beyond. He caps his analysis with strategy lessons for Republicans, Democrats, and potential third (or even fourth or fifth) party candidates.