2020 Reprint of the 1957 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Howard Fast (1914-2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style. In The Naked God the well-known author tells of his disillusionment with Communism and his subsequent break with the Party. The book is Howard Fast's public repudiation of the Communist Party, of which he was a devoted member for thirteen years until reading about the full scope of atrocities committed by the Soviet Union under Stalin. As the bestselling author of Spartacus and Citizen Tom Paine, Howard Fast lent his writing talents and celebrity to the communist cause as a steadfast advocate and public figure. However, he felt increasingly ill at ease with the superior manner Party leaders took with rank-and-file members and with rumors of Soviet anti-Semitism. In The Naked God, his first book after officially leaving the Party in 1956, Howard Fast explores the reasons he joined and his long inner struggle with a political movement in which he never felt he truly belonged.

Stories gathered from the last forty years deal with love, the family, Jewish life, travel, childhood, and the search for meaning

Tales of America, adultery, football, incest, love, paranoia, sadism and Zionism.... Wickedly funny these stories may be, but heartless they are not. Disturbing images abound; like the loving family that feasts upon living butterflies; and other images that connect the themes with places deeper than the mind. The narrators are an extraordinary a berserk psychiatrist, a giraffe, a man with an invisible creature on his back, a Jewish private eye, a communist with a bowel fixation, and various other disillusioned souls. None the less, each story is lucid, concisely written and has a strong sense of location. In The Promised Land a diaspora Jew travels to Israel determined to plant his seed, only to find himself excluded from his erotic paradise. In Le Docteur Enchaîné, a London psychiatrist decides that he can only find satisfaction with a dumb woman and takes the remedy into his own hands. In The Luftmensh, Joshua Smolinsky, trailing a missing writer to New Orleans, becomes involved with ghosts from American and Jewish history. In A Moment of Happiness a Czech hypochondriac manipulates two tourists into providing him with ‘that single 1/60th of a second when I am not afraid’....

From Publishers Weekly With this first installment in a projected trilogy, the prolific author (The Patriarch) once again depicts immigrant Jews assimilating in Great Britain. A rabbi's son and former yeshiva student who himself emigrated some years ago from Russia to the United Kingdom, Bermant is a shrewd but loving storyteller, and he limns WW II Britain and the Jewish milieu with acuity, buoying a familiar coming-of-age plot with wry humor and deft characterization. Foremost among the engaging, authentic characters is his protagonist Sammy Hoch, or Titch, whose Yiddish-speaking parents, "making desperate efforts to turn native," address him only in English, "with the result that until I was about six we were virtually incommunicado." Short and bookish, and afflicted with the double burden of being Jewish and Polish by birth, Titch enlists in the British army but ends up, alas, in a Polish army regiment stationed in Britain. There he is made acolyte to an apostate rabbi, an immigrant who assumed an ecclesiastic role as a ticket to England (if his sponsors "had asked me to become a juggler, I would have become a juggler, and I would probably have enjoyed it more"). Bermant followers won't be surprised that Titch's "most important experience of the war" is an encounter with a married woman. Readers will be eager to pursue Titch and his adventures in the forthcoming sequels. Copyright 1987 Reed Business Information, Inc. From Library Journal This is the first installment of a trilogy by the author of The Patriarch and other novels of Jewish life in Great Britain. In 1925, young Sammy Hoch travels with his parents and sister Sosh from Poland to Manchester, England. Sammyor "Titch," as his sister Sosh lovingly calls himsees himself as too short, too bookish, too Jewish, too foreign. His parents are repressive, his sister Sosh shrewish. After a shining academic career, Titch looks forward to escaping his past with a military career in World War II. Unfortunately, after a stint in the British army, Titch gets called up by the Polish armyand confusion and hilarity result. Titch's attempts at romance are amusing, colorful, and droll, his descriptions of wartime Britain revealing. Bermant does portray Jewish values as burdensome, but then this is only the first of the trilogy. Recommended. Molly Abramowitz, Silver Spring, Md. Copyright 1987 Reed Business Information, Inc.

"Betty Miller wrote this, her fourth novel, in 1935. But her publisher, Victor Gollancz, #x91;turned the book down flat,#x92; wrote Neal Ascherson in The New York Review of Books. #x91;It seems most likely that he saw it as terrifyingly provocative, not only an attack on the solid English assimilation of his own family but a tactless outburst against the English at precisely the moment, two years after Hitler's assumption of power, when their tolerance and hospitality were most needed.#x92; In the novel Alec Berman escapes from his restrictive Jewish family in Brighton, and although he has a successful career as a film-maker (perhaps modelled on that of Alexander Korda) and marries the very English Catherine, he always feels a #x91;Dago: Jew: Outsider.#x92; #x91;Yet,' continued Neal Ascherson, #x91;the rejection is not really the refusal of a snobbish Gentile world fully to accept him. The rejecting force comes from within himself.#x92; #x91;A thought-provoking insight into anti-semitism between the wars,' wrote the Guardian, 'not the violent prejudice of Mosley's fascists, but the discreet discrimination of the bourgeoisie.#x92;" -- Provided by publisher.

At 'The Hollyhocks' old people's home, the inhabitants are 'waiting for the scythe'. But while they are waiting...Lady Celia is running a blackmailing business on the side, Mr Cross keeps a tally of fellow residents' deaths on the back of his wardrobe, and then there is the rabid old Scots nationalist, and Mrs Green, a woman with a mysterious past. Hardly surprising in this environment that Mrs Bellamy decides she can't take any more and slits her throat. When Matron hushes it up because it would be bad for business, Lady Celia sees an opportunity to expand her blackmailing operation. Meanwhile two new incomers disturb the life of the home further; Mrs Feinberg, a sprightly Jewish woman of whom the other residents are immediately suspicious, and the elegant Mr Rufus. Hidden pasts, unusual sexual preferences and wickedly dark humour are mixed to delicious effect in Bernice Rubens' wonderful new novel.

From Alison Pick, Booker longlisted author of FAR TO GO comes a suspenseful, dystopian reimagining of the founding of a kibbutz in 1920s Palestine, for readers of WHEN I LIVED IN MODERN TIMES, THE HANDMAID'S TALE or THE POWER. 'We came into their valley at dawn'. From three vastly different points of view, Alison Pick relates the story of a group of Jewish pioneers, many escaping violent homelands, who have come together to found a kibbutz on a patch of land that will later become Israel. With tightly controlled intensity, Pick takes us into three very different minds to show us how a utopian dream is punctured by messy human entanglements. Yet this is also the story of the land itself (present day Israel and Palestine), revealing the way the newcomers chose to ignore the fact that their valley was already populated, home to a people that the pioneers did not want to see. In writing of extraordinary, at times heartbreaking power, Pick has created unforgettable characters, haunted by ghosts and compromised by unbearable secrets. The novel's shocking conclusion is a tour de force , the work of a writer uniquely in control of her craft and with an extraordinary insight into the innermost workings of the human heart.

Zvi Arbel is an Israeli historian whose field is Jewish history. His chosen topic of research is the Petliura massacres of Ukrainian Jews in 1918-1920. Arbel's work is read by the poet Shmuel Foiglman, a Holocaust survivor who sends Arbel a volume of his own poetry in Yiddish. The relationship that develops between the two men is one of ambivalence and fascination; the reserved Israeli historian is alternatively affectionate and resentful towards the enthusiastic but tormented poet. Despite his ambivalence, Arbel is manipulated into helping Foiglman. He embarks on an effort to get Foiglman's poetry translated into Hebrew, and as Foiglman begins to monopolize more and more of his time and resources, Arbel ignores all the warning signs of the effect this is having on his marriage; his wife Nora cannot be dissuaded from her feelings of revulsion towards Foiglman. As the poet unintentionally drives a wedge between them, Arbel and Nora's long and contented marriage goes sour, and in Megged's blend of past and present, lust and nostalgia - tragedy becomes the only way out.

The Twelfth Hour (1907) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Felicity, Sylvia, and Savile Crofton all feel the pressure placed on upper-class youths to marry wisely. At 25, Felicity appears to have found herself a good husband, a man of wealth and social standing who on closer appearance seems more interested in leisure than love. Determined not to fall into a similarly unhappy marriage, her 20-year-old sister Sylvia hopes to thwart her father's wish that she marry millionaire Mr. Ridokanski. Although he is only 16, Eton student Savile is deeply in love with a famous opera singer--from a distance--but also feels obliged to entertain the affections of Dolly Clive, a girl his own age. Finding company in their own unique miseries of the heart, the Crofton siblings hatch a plan to achieve happiness for themselves, satisfaction for their father, and whatever it is young people are meant to owe to society. The Twelfth Hour is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's The Twelfth Hour is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This is the outer and inner journey of Mo Smith, a homeless vagrant who walks northward along the crowded island of Manhattan from the southern tip of Battery. Multiple voices, multiple personas, shifting identities and multiple tales accompany his stubborn journey. This is a novel of our post 9/11 world that looks at ordinary and extraordinary lives that teem in our chaotic times. It also makes the connections, so dramatically relevant now, between America and the Middle East.

"The Parting Gift is an epistolary novel, one long letter written by a nameless narrator to his host of the last four months, a recounting of the events that caused him to show up in this unnamed American city with an erotic story of obsession, jealousy and revenge that took place at the other side of the world, in a seaside farming community in Israel, with disastrous results"--

Despite the tragic reality of the continuing Israeli-Arab conflict, this book affirms the bonds between the two communities, showing that the literatures of both ethnic groups defy obstructive ideologies. Rachel Brenner argues that literary critics have ignored the variety and dissent in the novels of both Arab and Jewish writers in Israel, giving them interpretations that conform with Zionist ideology. She offers insightful new readings that compare fiction by Jewish writers Amos Oz, A. B. Yehoshua, David Grossman, and others with fiction written in Hebrew by such Arab-Israeli writers as Atallah Mansour, Emile Habiby, and Anton Shammas. She highlights the moral and psychological dilemmas faced by both Jews and Arabs and suggests that the hope for release from the historical trauma lies in reaching an understanding with and of the adversary.

"In 1972, Jack Dann was a law school student and aspiring writer who had published stories in Worlds of If and Fantastic when a story he had sent to Damon Knight for his famed Orbit anthology series was published. These early stories eventually led to a Nebula Award for his novella “Da Vinci Rising” in 1997 and to increasing acclaim as one of science fiction and fantasy’s most original writers. Jack Dann’s imagined worlds are so rich in detail as to become hallucinatory; a reader doesn’t so much peruse a Dann story as experience it. In “The Dybbuk Dolls,” the owner of a sex shop in a future ghetto finds himself involved with weird customers, a political feud, alien dolls, and a number of complicated and often hilarious events. “Jumping the Road” and “Timetipping” also draw on Dann’s Jewish heritage and his gift for humor, while “Amnesia,” a darker tale in which a man searching for his dead wife plugs into a dying man’s mind, demonstrates Dann’s range, as does “Blind Shemmy,” a story of gamblers playing for the highest of stakes. In “Bad Medicine,” a man searching for meaning in his life embarks on a spiritual quest with a Native American shaman, while the Ditmar Award-winning “The Diamond Pit,” an homage to F. Scott Fitzgerald set in the 1920s, is an adventure story of an aviator shot down and confined by an eccentric millionaire in a luxurious prison from which he and other confined flyers must escape." --

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry. The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown. The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes.

Legend of a Musical City - The Story of Vienna by Max Graf is a story of Vienna - the musical center of the world. The author has enjoyed the intimate friendship of the musical stars of the last fifty years in which this book was written. Musical stars such as Bruckner, Brahms, and Richard Strauss. He gives a delightful as well as highly educational story of the development of Austrian music. Max Graf, a composer and music critic, the father of "Little Hans," was born October 1, 1873, in Vienna, where he died on June 24, 1958. The son of Joseph Graf, a Jewish writer and editor, he was educated in Vienna and Prague. After 1891 he studied at the law school of the University of Vienna but devoted most of his time to music and it was his intention to become a composer, according to Louis Rose (1986). He finished his legal studies in 1896 but devoted much of his time to music composition and criticism, and regularly took part in meetings of the literary group Jung-Wien. From 1902 to 1938 he taught the history of music and musical aesthetics at the Vienna Academy of Music, where he was appointed professor in 1909. Graf met Sigmund Freud in 1900 and his wife, Olga Graf (born Olga Hoenig), from whom he separated a few years later, was probably a patient of Freud's. Within the psychoanalytic movement he is known for being the father of "Little Hans," Herbert Graf, who was born in 1903. It was Max who supplied Freud with the material for his paper "The Analysis of a Phobia in a Five-Year Old Boy" (1909b). At the end of 1904, he took part in sessions of the Wednesday Psychoanalytic Society and, in December 1907, wrote an essay entitled "Methodik der Dichterpsychologie" (Methodology of the Psychology of the Poet). In early 1906 Freud wrote a short text on a somewhat unexpected topic, "Psycopathische Personen auf der Bühne" (Psychopathic Characters on the Stage). The text was never published in German, but Graf, to whom Freud had given the manuscript, kept it and had an English translation published (1942a [1905-1906]). Graf emigrated to the United States in 1938 and taught until 1947 at the New School for Social Research in New York, where, in 1940, he created the first seminars in music criticism. He was a guest professor at the Carnegie Institute of Technology in Pittsburgh and at Temple University in Philadelphia. In 1947 he returned to Austria and taught music criticism at the Mozarteum in Salzburg and elsewhere. In 1953 his autobiography, Jede Stunde war erfüllt: Ein halbes Jahrhundert Musik- und Theaterleben (Every Minute Filled: A Half-Century in Music and Theater), was published in Vienna, where he died in 1958.

In this illuminating philosophical book, Jabes, who died in 1991 and lived in France after being forced to leave Egypt with other native-born Jews during the Suez War, ruminates on the link between being Jewish and being mislabeled as a foreigner. It is also an indictment of bigotry. Jabes writes, "the basic racist is the man who refuses himself as he is. . . . The antisemite can never forgive the Jews for being capable of self-realization . . . . " Elsewhere he observes in verse on his own experience of exile: "I left a land not mine / for another, not mine either. / I took refuge in a word of ink with the book for space, / word from nowhere, obscure word of the desert. " His seamless style brings to mind both religious and French existential writings, although some musings reach heights too abstract to follow: "We must from now on grant citizen's rights to the foreigner's new name: the foreign I . / Foreign Me, foreign You designated by the I. " Here, too, Jabes ( The Book of Questions ) evokes powerful images of the desert to underscore a mood of isolation and comments wisely about aging and power. --

As Hitler rises to power, a man and woman travel to Germany in the desperate search for a Jewish family. Yet, more than common purpose unites them in their mission. Together, Peter and his married cousin, Leah Lackland, head for Munich.