After surviving the Nazi death camp at Auschwitz, Hans Frankenthal chose to return to live in his hometown of Schmallenberg, Germany at the age of 19. In this memoir, he describes his experiences working as a butcher in the town, a town emptied of its Jewish residences where few wanted to hear about his experiences during the war. He also describes his experiences after retirement, when he finally spoke out and became an advocate for those who had been forced to work as slave laborers for the company I.G. Farben. Translated from Verweigerte Rueckkehr (1999). Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

When Hamilton Jordan died of peritoneal mesothelioma in 2008, he left behind amostly finished memoir, a book on which he had been working for the last decade. Jordan's daughter, Kathleen-with the help of her brothers and mother-took up the task of editing and completing the book. A Boy from Georgia -the result of this posthumous father-daughter collaboration-chronicles Hamilton Jordan's childhood in Albany, Georgia, charting his moral and intellectual development as he gradually discovers the complicated legacies of racism, religious intolerance, and southern politics, and affords his readers an intimate view of the state's wheelers and dealers. Jordan's middle-class childhood was bucolic in some ways and traumatizing in others. As Georgia politicians battled civil rights leaders, a young Hamilton straddled the uncomfortable line between the southern establishment to which he belonged and the movement in which he believed. Fortunate enough to grow up in a family that had considerable political clout within Georgia, Jordan went into politics to put his ideals to work. Eventually he became a key aide to Jimmy Carter and was the architect of Carter's stunning victory in the presidential campaign of 1976; Jordan later served as Carter's chief of staff. Clear eyed about the triumphs and tragedies of Jordan's beloved home state and region, A Boy from Georgia tells the story of a remarkable life in a voice that is witty, vivid, and honest.

When Hamilton Jordan died of peritoneal mesothelioma in 2008, he left behind a mostly finished memoir, a book on which he had been working for the last decade. Jordan's daughter, Kathleen - with the help of her brothers and mother - took up the task of editing and completing the book. A Boy from Georgia - the result of this posthumous father-daughter collaboration - chronicles Hamilton Jordan's childhood in Albany, Georgia, charting his moral and intellectual development as he gradually discovers the complicated legacies of racism, religious intolerance, and southern politics, and affords his readers an intimate view of the state's wheelers and dealers. Jordan's middle-class childhood was bucolic in some ways and traumatizing in others. As Georgia politicians battled civil rights leaders, a young Hamilton straddled the uncomfortable line between the southern establishment to which he belonged and the movement in which he believed. Fortunate enough to grow up in a family that had considerable political clout within Georgia, Jordan went into politics to put his ideals to work. Eventually he became a key aide to Jimmy Carter and was the architect of Carter's stunning victory in the presidential campaign of 1976; Jordan later served as Carter's chief of staff. Clear eyed about the triumphs and tragedies of Jordan's beloved home state and region, A Boy from Georgia tells the childhood story of a remarkable life in a voice that is witty, vivid, and honest. -- from dust jacket.

Behind Every Choice Is a Story is a poignant blend of personal stories, commentary, and memoir that chronicles the life-changing reproductive choices that women, men, and teens make every day. The book also traces Gloria Feldt’s personal journey from the dusty oil fields of West Texas to becoming a Head Start teacher and activist in the civil rights and women’s movement, culminating in her current standing as one of the most influential voices in the reproductive freedom movement. The book was inspired by the 1928 Motherhood in Bondage , a collection of letters written by women to Margaret Sanger, the founder of Planned Parenthood. Publishing these letters from women in desperate circumstances helped to equate the concept of birth control with higher values of wanted children, healthy mothers, loving couples, self realization, and female emancipation. Behind Every Choice Is a Story addresses many of those same issues and values and advances a new agenda for the twenty-first century. It sounds a clarion call by highlighting the importance of storytelling as a cultural force in encouraging change. Feldt recognizes and values women’s stories for their personal, social, and political importance. The book uniquely positions current issues of reproductive freedom in the context of everyday experiences and provides a refreshing new framework to understand the current political and social landscape. Although the primary audience for this book is women who support reproductive freedom, a wide audience including men and teens will find their experiences among the compelling stories. It will also appeal to those who are intrigued by the unique perspective the book gives to the real-life impact of reproductive choices.

Geraldine Brooks of Sydney, Australia longs to discover what life is all about the world beyond her backyard, two thousand miles below the equator. Her pen pals offer her a window to that world. Twenty years later Brooks is an award-winning foreign correspondent. Back in Australia to attend to her dying father, she stumbles onto the old letters and embarks on a human treasure hunt for her pen pals to retrieve her own lost memories of the girl she once was. This intimate, moving memoir speaks to the heart of-every girl who has yearned to become a woman of the world.

"Good Things Happen Slowly is [Fred Hersch's] memoir. It's the story of the first openly gay, HIV-positive jazz player; a deep look into the cloistered jazz culture that made such a status both transgressive and ground-breaking; and a profound exploration of how Hersch's two-month-long coma in 2007 led to his creating some of the finest, most direct, and most emotionally compelling music of his career."--Jacket.

In 1939, F. Scott Fitzgerald was in Hollywood, in failing health, trying to work—write for the movies, sell some stories—and to continue to be the mainstay and anchor for his family, paying Zelda’s substantial hospital bills, educating Scottie and remaining, through letters, a protective and anxious father. The magazines were no longer clamoring for his stories; his books had nearly disappeared from the bookstores. The fame, money and high times of the early years seemed to have evaporated. Fortune had not deserted him entirely, however—Frances Kroll applied for the position as Fitzgerald’s secretary. Young and a little shy, but nevertheless level-headed, intelligent, practical, versatile and resilient, Miss Kroll played a vital role during the last quiet but difficult twenty months of Fitzgerald’s life. They worked at home where she typed from his handwritten pages, ordered groceries, made appointments and listened while he talked out ideas. Finally, it fell to her to make his funeral arrangements and deal with the modest belongings. Nearly a lifetime later, Frances Kroll Ring gives us both the youthful experience of Fitzgerald, and her mature vision of it. This frankly admiring and respectful memoir of the extraordinary writer creates a uniquely domestic picture. We see an admirable and talented man carrying on with dignity, purpose and commitment against a tide of troubles and disappointments.

In Bad Boy , renowned American artist Eric Fischl has written a penetrating, often searing exploration of his coming of age as an artist, and his search for a fresh narrative style in the highly charged and competitive New York art world in the 1970s and 1980s. With such notorious and controversial paintings as Bad Boy and Sleepwalker, Fischl joined the front ranks of America artists, in a high-octane downtown art scene that included Andy Warhol, David Salle, Julian Schnabel, and others. It was a world of fashion, fame, cocaine and alcohol that for a time threatened to undermine all that Fischl had achieved. In an extraordinarily candid and revealing memoir, Fischl discusses the impact of his dysfunctional family on his art—his mother, an imaginative and tragic woman, was an alcoholic who ultimately took her own life. Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world. Fischl rebelled against the conceptual and minimalist art that was in fashion at the time to paint compelling portraits of everyday people that captured the unspoken tensions in their lives. Still in his thirties, Eric became the subject of a major Vanity Fair interview, his canvases sold for as much as a million dollars, and The Whitney Museum mounted a major retrospective of his paintings. Bad Boy follows Fischl’s maturation both as an artist and sculptor, and his inevitable fall from grace as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors. Beautifully written, and as courageously revealing as his most provocative paintings, Bad Boy takes the reader on a roller coaster ride through the passion and politics of the art world as it has rarely been seen before.

A tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo. 63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes . Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.

A superb introduction to modern Japanese fiction as well as a memoir of his own love affair with Japanese literature and culture, this volume consists of chapters on five modern Japanese novelists whom Donald Keene knew personally: Yasunari Kawabata, Yukio Mishima, Jun'ichiro Tanizaki, Ryotaro Shiba, and Kobo Abe. Each chapter opens with a vignette describing Keene's personal encounters with these famous men, blending his autobiographical observations with literary and cultural analysis.

Journalist Dina Rabinovitch had just turned 40 when was diagnosed with breast cancer in September 2004. At that point she didn't know a thing about the disease. By the time of her death in autumn 2007, she was an expert. Her experience of the condition and its treatment, from diagnosis through mastectomy to remission and reoccurrence is recounted in this down-to-earth memoir, covering everything from trialling the last anti-cancer drugs to what to wear that's stylish after surgery. Warm, lively, at times irreverent, Rabinovitch's brave story of juggling a hectic career and a large, extended family while living - and dying - with cancer is essential reading.

It was Christmas Eve 1927 and Prohibition was at its height when Diana and Lionel Trilling, that distinguished literary pair, were introduced to each other. They met at a Manhattan speakeasy. Both were 22. Lionel was a graduate student at Columbia, taking his first tentative steps to a literary career. Diana hoped to be a singer. Soon after their marriage in 1929, the stock market crashed. Their families were in financial ruin. Not until the forties did Lionel attain literary recognition and Diana launch her career as fiction critic of the Nation. A long arduous decade had been lost to illness, financial hardship, grueling family responsibility. Also to the lure, and rejection, of Communism. The Beginning of the Journey takes its title from Lionel Trilling's famous novel, The Middle of the Journey. An uncommonly personal account of the upbringing, education, and marriage of two remarkable individuals, it is also a probing portrait of life among the group now so widely referred to as "the New York intellectuals." Mary McCarthy, Dwight Macdonald, William Phillips, Phillip Rahv, Edmund Wilson, James Agee, Sidney Hook, Randall Jarrell, Allen Ginsberg: these are but a few of the well-known figures whom we come to see through the eyes of someone who lived at the center of America's Bloomsbury. Although Mrs. Trilling chiefly deals with the intellectual culture of our century, the range of her memoir is not limited to this single section of society. The Beginning of the Journey speaks to questions of a kind which transcend social lines but which have been largely ignored by our literary biographers. What was it like, what was it really like, to be a woman in this predominantly male universe? What did it feel like to be as respected a critic as Diana Trilling but married to a man so much more celebrated than herself? What did a woman of her generation sacrifice for marriage and motherhood?

"Virginia Woolf wrote that in order to be a writer, a woman needs a room of one's own. Now, in [this book], acclaimed author Deborah Levy concludes her ground-breaking trilogy of living autobiographies with an exhilarating, boldly intimate meditation on home and the specters that haunt it. In this vibrant memoir, Levy employs her characteristic indelible writing, sharp wit, and acute insights to craft a searing examination of womanhood and ownership. Her inventory of possessions, real and imagined, pushes readers to question our cultural understanding of belonging and belongings and to consider the value of a woman's intellectual and personal life. Blending personal history, gender politics, philosophy, and literary theory, [this book] is a brilliant, compulsively readable narrative" --

For the last decade scholars have been questioning the idea that the Holocaust was not talked about in any way until well into the 1970s. After the Holocaust: Challenging the Myth of Silence is the first collection of authoritative, original scholarship to expose a serious misreading of the past on which, controversially, the claims for a âe~Holocaust industryâe(tm) rest. Taking an international approach this bold new book exposes the myth and opens the way for a sweeping reassessment of Jewish life in the postwar era, a life lived in the pervasive, shared awareness that Jews had narrowly survived a catastrophe that had engulfed humanity as a whole but claimed two-thirds of their number. The chapters include: an overview of the efforts by survivor historians and memoir writers to inform the world of the catastrophe that had befallen the Jews of Europe an evaluation of the work of survivor-historians and memoir writers new light on the Jewish historical commissions and the Jewish documentation centres studies of David Boder, a Russian born psychologist who recorded searing interviews with survivors, and the work of philosophers, social thinkers and theologians theatrical productions by survivors and the first films on the theme made in Hollywood how the Holocaust had an impact on the everyday life of Jews in the USA and a discussion of the different types, and meanings, of âe~silenceâe(tm). ãee A breakthrough volume in the debate about the âe~Myth of Silenceâe(tm), this is a must for all students of Holocaust and genocide.

Poxl West fled the Nazis' onslaught in Czechoslovakia. He escaped their clutches again in Holland. He pulled Londoners from the Blitz's rubble. He wooed intoxicating, unconventional beauties. He rained fire on Germany from his RAF bomber. Poxl West is the epitome of manhood and something of an idol to his teenage nephew, Eli Goldstein, who reveres him as a brave, singular, Jewish war hero. Poxl fills Eli's head with electric accounts of his derring-do, adventures and romances, as he collects the best episodes from his storied life into a memoir. He publishes that memoir, Skylock, to great acclaim, and its success takes him on the road, and out of Eli's life. With his uncle gone, Eli throws himself into reading his opus and becomes fixated on all things Poxl. But as he delves deeper into Poxl's history, Eli begins to see that the life of the fearless superman he's adored has been much darker than he let on, and filled with unimaginable loss from which he may have not recovered. As the truth about Poxl emerges, it forces Eli to face irreconcilable facts about the war he's romanticized and the vision of the man he's held so dear. Daniel Torday's debut novel, "The Last Flight of Poxl West, " beautifully weaves together the two unforgettable voices of Eli Goldstein and Poxl West, exploring what it really means to be a hero, and to be a family, in the long shadow of war.

"A memoir of a decade in prison by a well-educated young addict known as the "Apologetic Bandit" In 2003, fresh out of NYU, Daniel Genis was working in publishing as his writer father had always expected. But he was also hiding a serious heroin addiction that led him into debt and burglary. After he was arrested for robbing people at knifepoint in 2003, Daniel Genis was nicknamed the "apologetic bandit" in the press, given his habit of apologizing to his victims as he took their cash. He was sentenced to twelve years (ten with good behavior), surviving the decade by reading 1,046 books, weightlifting, having philosophical discussions with various inmates, encountering violence on a daily basis, working at a serious of prison jobs, and in general observing an existence for which nothing in his life had prepared him. Sentence is one of the most striking prison memoirs--and memoirs in general--in recent years--written with intelligence, wit, empathy, and remarkable style. Genis is the son of a famous Soviet émigré writer, broadcaster, and culture critic in Russia. He grew up in a home whose visitors included Mikhail Baryshnikov; Russian nuclear physicist Andrei Sakharov; authors Kurt Vonnegut, Umberto Eco and Norman Mailer; and Czech film director Milos Forman. The education and culture so prized by his family were his lifeline during his decade in prison, and he describes in unsparing and vivid detail the realities of daily life in the New York penal system, from Rikers Island through a series of upstate institutions. He learns about the social strata of gangs, the "court" system that sets geographic boundaries in prison yards, how sex was obtained, the black market of drugs and more practical goods, the inventiveness required for everyday tasks such as cooking, and how debilitating solitary confinement actually is--all while trying to preserve his relationship with his recently married wife"--

'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement 'As cunning and rich as anything Ozick's written' Wall Street Journal 'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker 'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of Books I remember nothing. I remember everything. I believe everything. I believe nothing. In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil. In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

'Darkly Funny' according to The Chicago Tribune. Royal Blue (Simon & Schuster 1998) is a memoir of half fact half fiction chronicling the early years of Christina Oxenberg's extraordinary life.

At last Betty Friedan herself speaks about her life and career. With the same unsparing frankness that made The Feminine Mystique one of the most influential books of our era, Friedan looks back and tells us what it took -- and what it cost -- to change the world. Betty Friedan's The Feminine Mystique, published in 1963, started the women's movement; it sold more than four million copies and was recently named one of the one hundred most important books of the century. In Life So Far, Friedan takes us on an intimate journey through her life -- a lonely childhood in Peoria, Illinois; salvation at Smith College; her days as a labor reporter for a union newspaper in New York (from which she was dismissed when she became pregnant); unfulfilling and painful years as a suburban housewife; finding great joy as a mother; and writing The Feminine Mystique, which grew out of a survey of her Smith classmates and started it all. Friedan chronicles the secret underground of women in Washington, D.C., who drafted her in the early 1960s to spearhead an "NAACP" for women, and recounts the courage of many, including some Catholic nuns who played a brave part in those early days of NOW, the National Organization for Women. Friedan's feminist thinking, a philosophy of evolution, is reflected throughout her book. She recognized early that the women's movement would falter if institutions did not change to reflect the new realities of women's lives, and she fought to keep the movement practical and free of extremism, including "man-hating." She describes candidly the movement's political infighting that brought her to the point of legal action and resulted in a long breach with fellow leaders Gloria Steinem and Bella Abzug. Friedan is frank about her twenty-two-year marriage to Carl Friedan, an advertising entrepreneur. She writes about the explosive cycle of drinking, arguing, and physical battering she endured and explores her prolonged inability to leave the marriage. (They are now friends and the grandparents of nine.) Friedan was not only pivotal in the founding of NOW, she was also the driving force behind the creation of the National Abortion and Reproductive Rights Action League (NARAL), the National Women's Political Caucus (NWPC), and the First Women's Bank and Trust Company. She made history by introducing the issue of sex discrimination as an argument against the ratification of a Supreme Court nominee. She convinced the Secretary General of the United Nations to declare 1975 the International Year of the Woman. In this volume, Friedan brings to extraordinary life her bold and contentious leadership in the movement. She lectures, writes, leads think tanks, and organizes women and men to work together in political, legal, and social battles on behalf of women's rights. It is exactly this breadth of vision that makes Friedan's memoir an important and compelling work.

"From the acclaimed author of Calm Sea and Prosperous Voyage and the memoir W-3, a trio of novellas about three women's bold exploration of the desire for belonging as it comes into conflict with the fulfillment of our individual selves. With an introduction by Rumaan Alam. Over the past several years, A Public Space has brought the work of Bette Howland back into print. First published in 1983, Things to Come and Go is her final book, and a showcase of her stunning talent--the razor-sharp observations, the elusive narrators, the language at once experimental and classical. Nearly forty years later, it's writing that "feel[s] revelatory and imperative to the work we might all be trying to make next" (Lynn Steger Strong)."--provided by publisher.