Illinois, 1861: Without proof of insanity, Elizabeth Packard is committed by her husband to an asylum. Based on historical events, Emily Mann's play tells of one woman's struggle to right a system gone wrong. "Emily Mann is one of our most urgently engaging, provocative and significant American playwrights." -Joyce Carol Oates "Elizabeth Packard emerges as a vibrant, passionate force of nature." -New York Times

Traditionally, women share their secrets with their hairdressers. But what about their manicurists, masseurs, chi gong teachers, and tattoo artists? In Damage Control , women wax poetic about the experts and gurus who help them love themselves, sharing stories of everything from friendships born in the make-up chair to the utter dismay of a truly horrible haircut. Minnie Driver finally meets a Frenchman who understands her hair . . . and tries to teach her not to hate it. Marian Keyes remembers the blow-dry that pushed her over the edge. Francesca Lia Block tells the ugly story of the plastic surgeon who promised to make her beautiful. Rose McGowan explains why it's harder to be depressed when you're glamorous . . . and shows how it takes a village to transform from mere mortal to movie star. Witty and wise, Damage Control is an intimate, sometimes dark, look at our experiences with the professionals who pluck, prod, and pamper every inch of our bodies—and a reminder why we surrender ourselves to their (hopefully) very capable hands.

The decision to record my experiences, observations, and reactions during my stay in Russia I had made long before I thought of leaving that country. In fact, that was my main reason for departing from that tragically heroic land. The strongest of us are loath to give up a long-cherished dream. I had come to Russia possessed by the hope that I should find a new-born country, with its people wholly consecrated to the great, though very difficult, task of revolutionary reconstruction. And I had fervently hoped that I might become an active part of the inspiring work. I found reality in Russia grotesque, totally unlike the great ideal that had borne me upon the crest of high hope to the land of promise. It required fifteen long months before I could get my bearings. Each day, each week, each month added new links to the fatal chain that pulled down my cherished edifice. I fought desperately against the disillusionment. For a long time I strove against the still voice within me which urged me to face the overpowering facts. I would not and could not give up. Then came Kronstadt. It was the final wrench. It completed the terrible realization that the Russian Revolution was no more. I saw before me the Bolshevik State, formidable, crushing every constructive revolutionary effort, suppressing, debasing, and disintegrating everything. Unable and unwilling to become a cog in that sinister machine, and aware that I could be of no practical use to Russia and her people, I decided to leave the country. Once out of it, I would relate honestly, frankly, and as objectively as humanly possible to me the story of my two years' stay in Russia. I left in December, 1921. I could have written then, fresh under the influence of the ghastly experience. But I waited four months before I could bring myself to write a series of articles. I delayed another four months before beginning the present volume.

� Vision on Fire is a historical treasure.��Howard Zinn This carefully chosen collection features the most important writings from the turbulent last four years of Emma Goldman�s life. This incredible follow-up her popular autobiography, Living My Life , reveals her struggles with the contradictions of the Spanish Revolution and her efforts to maintain integrity and vision in the heat of political activism. An influential and well-known anarchist, Emma Goldman was an early advocate of free speech, birth control, feminism, and workers� rights. David Porter received his PhD from Columbia University. He has taught for two decades at Empire State College.

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In Feed My Dear Dogs, Emma Richler returns to the life of the Weiss family, first introduced to readers in her debut–and much-celebrated–book, Sister Crazy, through a series of interconnected stories narrated by Jemima (Jem) Weiss. The Weisses are a tight unit of seven: father Yaakov, a gruff sportswriter whose love for his children is manifest in his stern instructions and impromptu boxing lessons; mother Frances, a wise and gentle beauty adored by her family, almost to the point of obsession by her husband; Ben, the most heroic of the siblings, by virtue of birth-order and also for knowing the answer to all questions; Jude, Jem’s almost-twin, who is only fifteen months older than she and the most serious of the children, careful to point out the anti-Semitic leanings of Jem’s literary heroes; Jem, the narrator, who would prefer to never leave the comforting confines of her family; delicate yet hilarious Harriet, Jem’s only sister, who can sound like a little old lady or a sultry vixen, depending on what movie she’s quoting; and Gus, the frail little boy who completes the circle at the beginning of the book with his birth and arrival home from the hospital. Feed My Dear Dogs beings with the family in London, where eight-year-old Jem and her sister attend a convent school to the consternation of most of the nuns, since not only are the Weiss children not Catholic, but, most perplexingly, they are half-Jewish. Not surprisingly, Jem prefers home to school. At home she is surrounded by the books she loves, (particularly Tintin and Le Morte d’Arthur) and the comforts only a big, happy family can provide. Soon, however, the family departs for Canada –“Dad’s country,” as the children see it–where together they begin a new life, shuttling between a Montreal townhouse and a country home, and adapting to their new land –even creating the “Weiss on Ice” hockey team. No matter where the family is, each member is fiercely loyal to home. From the use of short notes: “Out. Back soon. – Jude” to a simple “I’ll be up in my room!” yelled down the stairs, to Yaakov’s frantic bellowing of “Frances!” through the house, the family keeps close tabs on its members, which also allows Jem to subconsciously control it: “. . . my universe still the Universe, a place I wander with a slight swagger.” But the comfort and security of family can’t last forever, Jem learns in high school, as Jude plans an extensive travel itinerary for himself and Ben contemplates moving out on his own. Meanwhile, Jem’s burgeoning feminism pits her against her father and brothers while she battles with a burden of guilt over the near-drowning death of her youngest brother. Spiraling into a breakdown by the story’s tragically beautiful end, Jem discovers that families simply can not remain fixed, like the stars in the galaxies, unchanged forever. Intermingled through the story of the Weiss family are Jem’s (and her siblings’) encyclopedic knowledge of history, literature, film, religion and language. Richler also interweaves the almost mythic life story of Frances, the family’s matriarch, into the book, and provides glimpses into Jem’s troubled mind through a series of present-day conversations with her therapist, all of which serve to create a fully drawn portrait of Jem, her mother and the bond between them and the family as a whole.

An NYRB Classics Original Emmanuel Bove was one of the most original writers to come out of twentieth-century France and a popular success in his day. Discovered by Colette, who arranged for the publication of his first novel, My Friends , Bove enjoyed a busy literary career, until the German occupation silenced him. During his lifetime, his novels and stories were admired by Rilke, the surrealists, Camus, and Beckett, who said of him that “more than anyone else he has an instinct for the essential detail.” Henry Duchemin and His Shadows is the ideal introduction to Bove’s world, with its cast of stubborn isolatoes who call to mind Melville’s Bartleby, Walser’s “little men,” and Rhys’s lost women. Henri Duchemin, the protagonist of the collection’s first story, “Night Crime,” is ambivalent, afraid of appearing ridiculous, desperate for money: in other words, the perfect prey. Criminals, beautiful women, and profiteers threaten the sad young men of Bove’s stories, but worse yet are the interior voices and paranoia that propel them to their fates. The poet of the flophouse and the dive, the park bench and the pigeon’s crumb, Bove is also a deeply empathetic writer for whom no defeat is so great as to silence desire.

This report presents a set of concrete proposals of increasing ambition for the reform of the international monetary system. The proposals aim at improving the international provision of liquidity in order to limit the effects of individual and systemic crises and decrease their frequency. The recommendations outlined in this report include: / Develop alternatives to US Treasuries as the dominant reserve asset, including the issuance of mutually guaranteed European bonds and (in the more distant future) the development of a yuan bond market. / Make permanent the temporary swap agreements that were put in place between central banks during the crisis. Establish a starshaped structure of swap lines centred on the IMF. / Strengthen and expand existing IMF liquidity facilities. On the funding side, expand the IMF's existing financing mechanisms and allow the IMF to borrow directly on the markets. / Establish a foreign exchange reserve pooling mechanism with the IMF, providing participating countries with access to additional liquidity and, incidentally, allowing reserves to be recycled into productive investments.To limit moral hazard, the report proposes the setting up of specific surveillance indicators to monitor international funding risks associated with increased insurance provision. The report discusses the role of the special drawing rights (SDRs) and the prospects for turning this unit of account into a true international currency, arguing that it would not solve the fundamental problems of the international monetary system. The report also reviews the conditions under which emerging market economies may use temporary capital controls to counteract excessive and volatile capital flows. The potential for negative externalities requires mutual monitoring and international cooperation in terms of financial regulation and suggests that the mandate of the IMF should be extended to the financial account.

The autumn leaves are turning yellow and gold. The apples are ready to pick. Miriam can't wait to have fresh apples and honey for Rosh Hashanah. But something is eating the apples in the orchard. It's a sasquatch!

What is the role of law in a society in which order is maintained mostly through social norms, trust, and nonlegal sanctions? Eric Posner argues that social norms are sometimes desirable yet sometimes odious, and that the law is critical to enhancing good social norms and undermining bad ones. But he also argues that the proper regulation of social norms is a delicate and complex task, and that current understanding of social norms is inadequate for guiding judges and lawmakers. What is needed, and what this book offers, is a model of the relationship between law and social norms. The model shows that people's concern with establishing cooperative relationships leads them to engage in certain kinds of imitative behavior. The resulting behavioral patterns are called social norms. Posner applies the model to several areas of law that involve the regulation of social norms, including laws governing gift-giving and nonprofit organizations; family law; criminal law; laws governing speech, voting, and discrimination; and contract law. Among the engaging questions posed are: Would the legalization of gay marriage harm traditional married couples? Is it beneficial to shame criminals? Why should the law reward those who make charitable contributions? Would people vote more if non-voters were penalized? The author approaches these questions using the tools of game theory, but his arguments are simply stated and make no technical demands on the reader.

Alterman asks why President Obama has been unable to deliver on the promise of the 2008 campaign. He argues that while Obama's compromises have disappointed many of his supporters, his failure is primarily due to a political system that stymies democracy when voters choose progressive change.

Nearly 1,000 restaurants are included in this latest edition of the most trusted guide to eating well in New York. Concise reviews by the city's most respected food writers are enhanced by original features not found in any other restaurant guide, including: ambience, recommended dishes and complete price ranges for an accurate estimate of your final bill. Only The New York Times Restaurant Guide 2004 provides you with: * The very best restaurants as ranked by The Times' star-rating system. * The best restaurants in every neighborhood. * The best inexpensive restaurants in every neighborhood. * William Grimes' take on the latest trends in food and restaurants, and Eric Asimov's lists of the best places in New York for everything from oysters and sushi to the best places to eat with children. * New features on the best places for all-American favorites and New York classics, from burgers to pastrami. * Helpful lists that locate restaurants according to the type of cuisine they serve.

Thirty-one children, ages eleven to fourteen, from a variety of family situations, address numerous parent-child issues to help other "kids" develop strategies in dealing with parents. Includes sixty-four specific topics such as overprotectiveness, bedtime, gay parents, adoption, sex, and punishment.

Selected readings shed new light on important events in black history and current developments in Negro protest movements

"A brief, accessible primer explaining the basics of archaeology from "How do you know where to dig?" to "Do you get keep what you find?""--

" Jerusalem Besieged is a fascinating account of how and why a baffling array of peoples, ideologies, and religions have fought for some four thousand years over a city without either great wealth, size, or strategic importance. Cline guides us through the baffling, but always bloody, array of Jewish, Roman, Moslem, Crusader, Ottoman, Western, Arab, and Israeli fights for possession of such a symbolic prize in a manner that is both scholarly and engaging." -Victor Davis Hanson, Stanford University; author of The Other Greeks and Carnage and Culture "A beautifully lucid presentation of four thousand years of history in a single volume. Cline writes primarily as an archaeologist-avoiding polemic and offering evidence for any religious claims-yet he has also incorporated much journalistic material into this study. Jerusalem Besieged will enlighten anyone interested in the history of military conflict in and around Jerusalem." -Col. Rose Mary Sheldon, Virginia Military Institute "This groundbreaking study offers a fascinating synthesis of Jerusalem's military history from its first occupation into the modern era. Cline amply deploys primary source material to investigate assaults on Jerusalem of every sort, starting at the dawn of recorded history. Jerusalem Besieged is invaluable for framing the contemporary situation in the Middle East in the context of a very long and pertinent history." -Baruch Halpern, Pennsylvania State University A sweeping history of four thousand years of struggle for control of one city "[An] absorbing account of archaeological history, from the ancient Israelites' first conquest to today's second intifada. Cline clearly lays out the fascinating history behind the conflicts." -USA Today "A pleasure to read, this work makes this important but complicated subject fascinating." -Jewish Book World "Jerusalem Besieged is a fascinating account of how and why a baffling array of peoples, ideologies, and religions have fought for some four thousand years over a city without either great wealth, size, or strategic importance. Cline guides us through the baffling, but always bloody, array of Jewish, Roman, Moslem, Crusader, Ottoman, Western, Arab, and Israeli fights for possession of such a symbolic prize in a manner that is both scholarly and engaging." -Victor Davis Hanson, Stanford University; author of The Other Greeks and Carnage and Culture