"Judith Arcana's remarkable feat in Hello. This is Jane. is to paint, tile by tile, a complex mosaic of compelling linked stories- children's playgrounds and adult tattoo parlors, ill-advised lovers and underground abortion activists. In the mainstream and on the edges, you'll feel the urgency of the struggle for reproductive justice as you turn these pages." -Cindy Cooper, Founding Director of Words of Choice and The Reproductive Freedom Festival, Judith Arcana has taught and written about motherhood and reproductive justice for decades. The prose and poetry of Our Mothers' Daughters, Every Mother's Son, and What if your mother are feminist classics. The stories in this new collection, rooted in her experience as a Jane in Chicago's pre-Roe v. Wade underground abortion service, were written as the United States has moved relentlessly into constraining motherhood and denying reproductive justice. By necessity, these stories reach from the past into the future, offering history and hope. "I'm profoundly grateful to Judith Arcana for writing these vital, electrifying stories. With abortion rights in America being stripped away-state by state, clinic by clinic-we need to hear from those who've fought this battle before. Arcana is a Jane; her work in the pre-Roe abortion underground has provide the seeds for her fiction, stories rooted in essential history to spark action in our terrifying present." -Leni Zumas, Author of Red Clocks

Following in the footsteps of the landmark collection, Dreaming Down-Under, this new book brings together Australia's greatest fantasy writers and cutting-edge new authors 35 new stories celebrating the wild side of Australian fantasy writing Welcome to the energy, invention and imagination of Australia's finest writers of speculative fiction - from acclaimed international bestsellers to the freshest new voices. ten years ago, Dreaming Down-Under captured the excitement of the wild side of Australian fiction and won a coveted World Fantasy Award. Now it's time to start Dreaming Again ... CONtRIBUtORS: Peter M. Ball, Lee Battersby, John Birmingham, Jenny Blackford, Russell Blackford, Adam Brown, Simon Brown, trudi Canavan, Isobelle Carmody, Paul Collins, Rowena Cory Daniells, Cecilia Dart-thornton, Rjurik Davidson, Stephen Dedman, Sara Douglass, terry Dowling, Jason Fischer, Ben Francisco, Christopher Green, Richard Harland, trent Jamieson, Margo Lanagan, Rosaleen Love, Chris Lynch, Sean McMullen, Jason Nahrung, Garth Nix, Cecily Scutt, Angela Slatter, Aaron Sterns, Dirk Strasser, Lucy Sussex, Janeen Webb, Kim Westwood and Kim Wilkins And including a previously unpublished story from the late great A. Bertram Chandler 'Dreaming Again is at once quintessentially Australian and enticingly other. If you read short fiction you'll want this collection. If you don't, this is a reason to start.' Bookseller + Publisher

A young Canadian marches over the Pyrenees and enters into history by joining the International Brigades--men and women from around the world who volunteered to fight against fascism in the Spanish Civil War. This new edition of Ted Allan's novel, This Time a Better Earth, reintroduces readers to the electrifying milieu of the Spanish Civil War and Madrid, which for a short time in the 1930s became the epicentre of a global struggle between democracy and fascism. This Time a Better Earth, first published in 1939, tells the story of Canadian Bob Curtis from the time of his arrival in Spain and the idealism and trials of the international volunteers. Allan's novel achieves the distinction of being both a work of considerable literary and historical significance and a real page-turner. This is the first installment of a series of titles to be published in the Canadian Literature Collection under the Canada and the Spanish Civil War banner. This is a large-scale project devoted to the recovery and presentation of Canadian cultural production about the Spanish Civil War (spanishcivilwar.ca), directed by Bart Auteur and Emily Robins Sharpe. A young Canadian marches over the Pyrenees and enters into history by joining the International Brigades--men and women from around the world who volunteered to fight against fascism in the Spanish Civil War. Published in English.

The Sock, a Play in One Act , by Samuel Badisch Ornitz, offers a concise dramatic experience suitable for stage performance and study. Written in the early 20th century, this play explores themes relevant to its time and provides insights into the social and cultural milieu of the era. The brevity of the one-act format makes it an accessible choice for both performers and audiences, while Ornitz's writing provides substance for those interested in early American drama. "The Sock" promises to be a thought-provoking and engaging addition to any theatrical collection or academic curriculum. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Loosely based on the Haitian slave insurrection of 1791, Babouk is a biting account of colonialism at its peak. By using the imagination of the novelist to fill in the gaps in the historical record, Endore is able to show us how slavery felt to the slaves who experienced it. His novel is rare for its depiction of the shared history of the slaves and its attention to the variety of the slave experience. It provides the reader with a vivid history of Haiti and a compelling account of slavery and rebellion.

Excerpt from Trial of a Poet, and Other Poems And I look up as one who looks through glass And sees the thing his soul clearly desires, Who stares until his vision flags and tires, But from whose eye the image fails to pass. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A mysterious web of solitude, love, illness, and loss is seamlessly woven into a captivating historical and personal narrative in this poignant yet concise novel. As three characters move through their increasingly haunting lives, they discover how to piece together their past and recreate connections.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

SPANNING SIX GENERATIONS and three continents, My Name, a Living Memory is a fictionalized saga of author Giorgio van Straten’s family from the Napoleonic era through World War II. The story begins in Rotterdam in 1811, when Hartog son of Alexander — father, cucumber salesman, and Dutch Jew — is forced by Napoleonic edict to choose a last name. He chooses Straaten, the Dutch word for “street.” The name presages a journey through history that flings Hartog’s descendants as far afield as San Francisco, London, Odessa, Sao Paolo, and Tbilisi. They witness the Gold Rush, the Russian Revolution, the Stalinist purges, and, finally, the Holocaust. Some are uprooted by business interests, including the author’s grandfather, who lost one of the A’s in his surname en route. As the political climate grows increasingly perilous for Jews throughout Europe, several are forced to flee for their lives, and many fail to return from Auschwitz, Sobibor, and Bergen-Belsen. Historical fiction of a very personal sort, van Straten weaves his relatives’ stories together, much as an art restorer reconstructs the missing portions of a fresco, guided by the evidence that remains. A gold watch, a few photographs, crumpled documents and letters, family lore; these are the artifacts from which lives are re-created. In the end, the story of van Straten’s family can be read as a testament to the rich and varied history and culture of Jews in Europe and the Americas.

"In 1915, fourteen years before Berlin Alexanderplatz, Alfred Doblin published his first novel, an amazing, extensively researched Chinese historical extravaganza: The Three Leaps of Wang Lun. Even more remarkably, given its subject matter, the book was written in expressionist style and is now considered the first modern German novel, as well as the first Western novel to depict a China untouched by the West. Based on actual accounts of a doomed rebellion during the reign of Emperor Qianlong in the late eighteenth century, the novel tells the story of Wang Lun, a historical martial arts master and charismatic leader of the White Lotus sect, who leads a futile revolt of the "Truly Powerless." Densely packed cities and Tibetan wastes, political intrigue and religious yearning, imperial court life and the fate of wandering outcasts are depicted in a language of enormous vigor and matchless imagination, unfolding the theme of timidity against force and a mystical sense of the world against the realities of power"--

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Robert Nathan's "Jonah" is a compelling work of literary fiction that reimagines one of the Old Testament's most profound narratives. This acclaimed novel delves into the story of the biblical prophet Jonah, exploring the challenges and spiritual journey of a man called to deliver a divine message. Through Nathan's evocative prose, readers are drawn into a deeply reflective exploration of religious themes. The book centers on Jonah, the reluctant prophet, as he grapples with the weight of prophecy, the nature of obedience, and the concept of divine mercy. It offers a nuanced portrayal of a timeless figure confronting his faith, destiny, and the world around him. As a significant piece of biblical fiction, "Jonah" stands as a literary novel that resonates with enduring questions about human will and spiritual calling. It is a masterful example of Christian historical fiction that transcends its setting to ponder universal dilemmas. This edition presents a classic narrative, inviting reflection on a foundational story and its lasting impact on literature and thought. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Robert Annys: Poor Priest: A Tale of the Great Uprising" by Annie Nathan Meyer transports readers to the heart of medieval England during a time of immense social and religious upheaval. This historical novel delves into the world of the Lollards, a religious movement advocating for reform within the Church. Against the backdrop of the Great Uprising, also known as the Peasants' Revolt, the story explores themes of faith, poverty, and resistance. Meyer's meticulously researched work brings to life a pivotal period in English history, offering a glimpse into the lives and beliefs of those who challenged the established order. For readers interested in historical fiction, religious fiction, and the struggles of the Middle Ages, "Robert Annys: Poor Priest" provides a compelling and insightful narrative. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the years between 1929 and 1939, when Itzik Manger wrote most of the poetry and fiction that made him famous, his name among Yiddish readers was a household word. Called the Shelley of Yiddish, he was characterized as being "drunk with talent." This book -- the first full-length anthology of Manger's work -- displays the full range of his genius in poetry, fiction, and criticism. The book begins with an extensive historical, biographical, and literary-critical introduction to Manger's work. There are then excerpts from a novel, The Book of Paradise, three short stories, autobiographical essays, critical essays, and finally, Manger's magnificent poetry -- ballads, bible poems, personal lyrics, and the Megilla Songs. These works, which have the patina of myths acquired ages ago, also offer modern psychological insight and irrepressible humor. With Manger we make the leap into the Jewish twentieth century, as he recreates the past in all its layered expressiveness and interprets it with modernist sensibilities.

Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeerâ (TM)s grands opÃ(c)ras, and his final work. By 1860 long-imposed labor had started to tell upon the composerâ (TM)s health: he knew that he must concentrate on the â oenavigator projectâ which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and CÃ(c)sar-Victor Perrin, the director of the OpÃ(c)ra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph FÃ(c)tis, while the libretto was revised by MÃ(c)lesville. The original title of Lâ (TM)Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. Lâ (TM)Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.