An objective account of the personalities and events and their effects on each other during John Kennedy's presidency.

"In an unprecedented literary accomplishment, Herman Wouk, one of America's most beloved and enduring authors, reflects on his life and times from the remarkable vantage point of 100 years old. Many years ago, the great British philosopher Sir Isaiah Berlin urged Herman Wouk to write his autobiography. Wouk responded, "Why me? I'm nobody." Berlin answered, "No, no. You've traveled. You've known many people. You have interesting ideas. It would do a lot of good." Now, in the same year he has celebrated his hundredth birthday, Herman Wouk finally reflects on the life experiences that inspired his most beloved novels. Among those experiences are his days writing for comedian Fred Allen's radio show, one of the most popular shows in the history of the medium; enlisting in the US Navy during World War II; falling in love with Betty Sarah Brown, the woman who would become his wife (and literary agent) for sixty-six years; writing his Pulitzer Prize-winning novel, The Caine Mutiny; as well as a big hit Broadway play The Caine Mutiny Court Martial; and the surprising inspirations and people behind such masterpieces as The Winds of War, War and Remembrance, Marjorie Morningstar, and Youngblood Hawke. Written with the wisdom of a man who has lived through two centuries and the wit of someone who began his career as professional comedy writer, the first part of Wouk's memoir ("Sailor") refers to his Navy experience and writing career, the second ("Fiddler") to what he's learned from living a life of faith. Ultimately, Sailor and Fiddler is an unprecedented reflection from a vantage point few people have lived to experience"-- Provided by publisher.

For more than 50 years, Herman Wouk has dreamed of writing a novel about the life of Moses Finally, at the age of 96, he has found an ingeniously witty way to tell the tale of The Lawgiver, a romantic and suspenseful epistolary novel about a group of people trying to make a movie about Moses in the present day. At its centre is Margo Solovei, a brilliant young writer-director who has rejected her father's strict Jewish upbringing to pursue a career in the arts. When an Australian multi-billionaire promises to finance a movie about Moses, Margo does everything she can to land the job, including a reunion with her estranged first love, an influential lawyer with whom she has unfinished business.

Explore the groundbreaking theories that redefined our understanding of the universe in "The Principle of Relativity," featuring seminal works by Albert Einstein and Hermann Minkowski. This essential collection delves into the revolutionary concepts of relativity, space-time, and their profound impact on the world of physics. A cornerstone of scientific thought, this volume presents Einstein's original papers alongside Minkowski's pivotal contributions, providing direct access to the genesis of these paradigm-shifting ideas. Journey through the essays that laid the foundation for modern physics and continue to inspire scientists and thinkers today. "The Principle of Relativity" offers a unique glimpse into the history of science, showcasing the intellectual journey that reshaped our comprehension of gravity, motion, and the very fabric of reality. A timeless resource for anyone interested in the profound implications of relativity and its enduring legacy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A group of notable writers--including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow--celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past What can a house tell us about the person who lives there? Do we shape the buildings we live in, or are we formed by the places we call home? And why are we especially fascinated by the houses of the famous and often long-dead? In Lives of Houses, a group of notable biographers, historians, critics, and poets explores these questions and more through fascinating essays on the houses of great writers, artists, composers, and politicians of the past. Editors Kate Kennedy and Hermione Lee are joined by wide-ranging contributors, including Simon Armitage, Julian Barnes, David Cannadine, Roy Foster, Alexandra Harris, Daisy Hay, Margaret MacMillan, Alexander Masters, and Jenny Uglow. We encounter W. H. Auden, living in joyful squalor in New York's St. Mark's Place, and W. B. Yeats in his flood-prone tower in the windswept West of Ireland. We meet Benjamin Disraeli, struggling to keep up appearances, and track the lost houses of Virginia Woolf and Elizabeth Bowen. We visit Benjamin Britten in Aldeburgh, England, and Jean Sibelius at Ainola, Finland. But Lives of Houses also considers those who are unhoused, unwilling or unable to establish a home--from the bewildered poet John Clare wandering the byways of England to the exiled Zimbabwean writer Dambudzo Marechera living on the streets of London. With more than forty illustrations, Lives of Houses illuminates what houses mean to us and how we use them to connect to and think about the past. The result is a fresh and engaging look at house and home. Featuring Alexandra Harris on moving house; Susan Walker on Morocco's ancient Roman House of Venus; Hermione Lee on biographical quests for writers' houses; Margaret Macmillan on her mother's Toronto house; a poem by Maura Dooley, "Visiting Orchard House, Concord, Massachusetts"--the house in which Louisa May Alcott wrote and set her novel Little Women; Felicity James on William and Dorothy Wordsworth's Dove Cottage; Robert Douglas-Fairhurst at home with Tennyson; David Cannadine on Winston Churchill's dream house, Chartwell; Jenny Uglow on Edward Lear at San Remo's Villa Emily; Lucy Walker on Benjamin Britten at Aldeburgh, England; Seamus Perry on W. H. Auden at 77 St. Mark's Place, New York City; Rebecca Bullard on Samuel Johnson's houses; a poem by Simon Armitage, "The Manor"; Daisy Hay at home with the Disraelis; Laura Marcus on H. G. Wells at Uppark; Alexander Masters on the fear of houses; Elleke Boehmer on sites associated with Zimbabwean writer Dambudzo Marechera; Kate Kennedy on the mental asylums where World War I poet Ivor Gurney spent the last years of his life; a poem by Bernard O'Donoghue, "Safe Houses"; Roy Foster on W. B. Yeats and Thoor Ballylee; Sandra Mayer on W. H. Auden's Austrian home; Gillian Darley on John Soane and the autobiography of houses; Julian Barnes on Sibelius and Ainola.

"With a movie in development from director Steven Spielberg, DC collects this acclaimed 1988 series starring the World War II aviator known as Blackhawk for the first time. Howard Chaykin's 1988 miniseries is collected in book format for the first time. Polish pilot Janos Prohaska - better known as Blackhawk - is on American soil and in trouble. Accused of Communist leanings, he stumbles across a plot to overthrow the U.S. government and bomb New York City concocted by former Nazis out for revenge."--

The best-selling author describes his membership in the Communist Party from 1944 to 1957; his hardships, blacklisting, and prison term during the McCarthy era; and his eventual disillusionment with the party

About the Author In addition to the Immigrants novels, Howard Fast is the author of Greenwich, Being Red, My Glorious Brothers, Time and the Riddle, and Spartacus (the basis for the acclaimed film), among many other books. He has won numerous awards for his writing, including an Emmy Award, the National Jewish Book Award, and the Schomburg Award for Race Relations. Born in New York in 1914, he now lives in Greenwich, Connecticut.

Howard Fineman, one of our most trusted political journalists, shows that every debate, from our nation’s founding to the present day, is rooted in one of thirteen arguments that–thankfully–defy resolution. It is the very process of never-ending argument, Fineman explains, that defines us, inspires us, and keeps us free. At a time when most public disagreement seems shrill and meaningless, Fineman makes a cogent case for nurturing the real American dialogue. The Thirteen American Arguments runs the gamut, including • Who Is a Person? The Declaration of Independence says “everyone,” but it took a Civil War, the Civil Rights Act, and other movements to make that a reality. Now, what about human embryos and prisoners in Guantanamo? • The Role of Faith No country is more legally secular yet more avowedly prayerful. From Thomas Jefferson to James Dobson, the issue persists: Where does God fit in government? • America in the World In Iraq and everywhere else, we ask ourselves whether we must change the world in order to survive and honor our values–or whether the best way to do both is to deal with the world as it is. Whether it’s the nomination of judges or the limits of free speech, presidential power or public debt, the issues that galvanized the Founding Fathers should still inspire our leaders, thinkers, and fellow citizens. If we cease to argue about these things, we cease to be. “Argument is strength, not weakness,” says Fineman. “As long as we argue, there is hope, and as long as there is hope, we will argue.”

Bloom draws an analogy between the biological material whose primordial multiplication began life on earth and the ideas, or "memes," that define, give cohesion to, and justify human superorganisms.

Voluminous treatise encompassing the history of Israel from the late-nineteenth century to present day.

"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.

Howard Zinn, author of the best-selling A People's History of the United States and respected veteran of the civil rights and anti-war movements, brings the ideas of Karl Marx to life in this witty and brilliant "play on history". Combining his vast knowledge of political philosophy and history with a vibrant sense of humor and irony, Zinn vividly explores the relevance of Marx's ideas for contemporary society. Through Marx's own voice, Zinn brings this larger-than-life personality down to earth, imaginatively recounting the important influences on his thinking, crafting a moving portrait of his family life in London, and providing a provocative and practical exposition of his ideas, still urgently vital today. Marx in Soho deserves to be widely read, both for its ideas and for the sheer pleasure of its style. Truly a match made in political heaven, Zinn's creative collaboration with Marx's thought will thoroughly engage its readers' minds and passions. The book includes an afterword by Zinn and an annotated bibliography for those interested in finding out more about Marx's life, ideas, and influence.

The premise of this witty and insightful "play on history" is that Karl Marx has agitated with the authorities of the afterlife for a chance to clear his name. Through a bureaucratic error, though, Marx is sent to Soho in New York, rather than his old stomping ground in London, to make his case.

Following on from Noam Chomsky's bestselling September 11 , this hard-hitting book presents the most up-to-date thinking on war, terrorism and the new global order by one of America's most articulate historians and a high profile defender of civil rights.