"Black Bart was not the Old West's only stagecoach robber, but he was the most famous. To many people, he was a folk hero: a robber who didn't threaten or harm passengers. He was a bandit with a sense of humor who wrote poetry. In robbing at least 28 Wells Fargo stagecoaches across northern California between 1875 and 1883, he never fired a shot or injured anyone. His gun, it turned out, was never loaded. Newspaper stories about the poet robber's exploits and about Jim Hume, the unyielding chief detective of Wells Fargo, became popular reading throughout the West. Black Bart seemed to enjoy the chase. During one robbery the driver told him "They'll catch you one of these days." Bart answered, "Perhaps, but in the meantime give my regards to J. B. Hume, will you?" For eight years, each new robbery--and each new story--made Hume even more determined to track him down. Resources include a list of all Bart's robberies, notes, and bibliography, making this a rich resource for all Wild West readers."--Provided by publisher.

"This tale of great achievements and great disappointments offers a fresh perspective on the interplay between scholarship and political sentiment in the late nineteenth and early twentieth centuries. Lazăr Șăineanu (1859-1934), linguist and folklorist, was a pioneer in his native Romania, seeking out the popular elements in culture along with high literary ones. He was the first to publish a study of Yiddish as a genuine language, and he uncovered Turkish features in Romanian language and customs. He also made an index of hundreds of Romanian folktales. Yet when he sought Romanian citizenship and a professorship, he was blocked by powerful figures who thought Jews could not be Romanians and who fancied the origins of Romanian culture to be wholly Latin. Faced with anti-Semitism, some of his friends turned to Zionism. Instead he tried baptism, which brought him only mockery and shame. Hoping to find a polity to which he could belong, Șăineanu moved with his family to Paris in 1900 and became Lazare Sainéan. There he made innovative studies of French popular speech and slang, culminating in his great work on the origins of that language. Once again, he was contributing to the development of a national tongue. Even then, while welcomed by literary scholars, Sainéan was unable to get a permanent university post. Though a naturalized citizen of France, he felt himself a foreigner, an "intruder," into his old age"--

"When her marriage suddenly ends, and a diary documenting her beloved grandfather's escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi K. Lewis decides to retrace his journey to learn about her family history. Despite suffering from extreme disorientation and a lifetime of anxiety, she travels alone for the first time. Moving from Amsterdam to Lyon--relying on the marvels of GPS--she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis's memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations. How do immigrants weave their sense of identity into their chosen countries? Must we be able to locate ourselves within family and cultural geography to belong?"--

"The Jerusalem of the Balkans is today a city of ghosts. Saloniki or Salonika, as Thessaloniki was known its Jewish community, today barely numbers a thousand Jews whereas from 1500 to World War I the Jews constituted the majority of its inhabitants. Moshe Ha-Elyon and his extended family were part of the deportation from Salonika of some 45,000 Jews to Auschwitz where all but a handful were gassed, beaten, or starved to death during the spring of 1943 to the end of the war. This memoir differs from the many memoirs of Greek Jews. Moshe Ha- Elyon portrays the religious and cultural life of his ancestral community as well as the spiritual and mystical research of his father who predicted, prior to his death at the onset of the war, both the persecution of the Jews and the subsequent rise of a Jewish state in its aftermath. It is the moving story of a teenager who suffered in extremis yet lived to transmit to his family in Israel the legacy of a vanished era. A most informative and worthwhile insight into the inner world of Greek Jewry before and during its destruction during World War II"--

"Part memoir, part history, part political commentary - and all Richler - This Year in Jerusalem is a personal, passionate, and quirkily comic examination of the idea of Israel-as-homeland: for Jews, for Palestinians, and, not least, for the author himself. Richler re-creates the Montreal of his adolescence - the local Zionist youth organization functioning as an escape from the zealous Hasidism of his grandfathers; the idea of emigration to Israel growing into a shimmering dream for himself and his friends. And, going to Israel to look up his old pals from St. Urbain Street, he shows us what happened to those who actually did "make aliyah"--Who settled in the cities and on the kibbutzim, survived the turmoils of war, and are faced today with the opportunities and dangers of peace with the Palestinians. He shows us, as well, the course of his own migration - away from Zionism and through the maze of his own sense of Judaism until he rediscovers his true homeland: "I owe as much to the thin gruel of my Canadian experience as I do to my Jewish provenance." Woven through his story are his fond (and not so fond) recollections of his family, his encounters in today's Israel with the kids he grew up with in Montreal a million years ago, and his most mordant observations on the state of the state of Israel and the Israeli-Palestinian conflict. Witty, intelligent, well reasoned, and across-the-board provocative, here is Mordecai Richler at his inimitable - and controversial - best." -- dust jacket

Son of pioneer movie producer Harry Rapf, Maurice Rapf grew up in Hollywood in that city's golden age. After moving from independent filmmaking to Warner Bros., in 1924 the senior Rapf joined Louis Mayer and became one of the founding members of MGM. Hence, movies were a huge influence in Maurice Rapf's early life. After graduating from college, Rapf worked as a screenwriter for major Hollywood studios, but, in 1947, he left Hollywood, never to work for a major studio again. On numerous occasions, he was called before the House Un-American Activities Committee as an alleged communist, although he never made a public confession or denial. As a result he was blacklisted from the industry and forced to begin a new career in the East. He eventually became a movie critic and film studies professor. Maurice Rapf knows movies and the movie business as an insider, from first-hand experience, not from books. His autobiography is the story of one person's interaction with an evolving Hollywood. Rapf witnessed the historical progression of movie production: from silents to sound, from a fun-loving frontier community to a huge and fiercely competitive industry, from an apolitical never-never land to a community very much aware of-and nervous about-its social responsibility in a period of economic depression and in a period of world peace seriously threatened by the aggression of fascism. Of interest to students and teachers of film studies, of American history, and of American popular culture, as well as anyone who loves movies.

Dual language - German original with English translations on facing pages. For much of her lifetime, and for decades after her death, Mascha Kaleko was a forgotten poet. With his publications, Andreas Nolte has played a role in changing this. To him, she personifies an all-too-typical example of a German-Jewish artist who was marginalized, intimidated, expelled into exile, and then forgotten. What adds to her obscurity is that her life's intriguing story is not well known, unless one speaks German and can read her poems, or what little has been written about her. This book provides a significant number of translated poems and biographical information from every stage of Kaleko's remarkable life in Berlin, New York, and Jerusalem to an English-speaking audience. Her story and her powerful poetry need to be heard: they shine a light on the darkest of times in the last century and remind us of the lessons that history teaches us.

"The autobiography of Martin Karplus, Nobel Prize in Chemistry, 2013, describes the journey from his childhood in Vienna, his escape to Switzerland in 1938 shortly after Hitler's entrance into Austria, his education in New England and California, and scientific career which took him to England, Illinois, Columbia, Strasbourg, and Harvard. The author's optimistic outlook and faith in himself made it possible for him to overcome difficulties in his research and to develop methods in several different fields of science that asked questions to teach him and others something not known before. Paralleling his efforts in science, Martin Karplus enjoyed a life-long interest in cooking, working at some of the best restaurants in France and Spain, and in photography, holding numerous exhibitions of his work around the world"--

This book tells the story of Trinidad-born Claudia Jones, a key figure in the movement for racial justice in Britain. Exiled in 1955 from the US for her affiliation to the Communist Party, she arrived in London penniless and became active in civil rights campaigns among the capital's West Indian communities. She set up the newspaper West Indian Gazette and in 1958, following racist violence in Notting Hill, launched an annual indoor carnival to showcase Caribbean culture. Claudia Jones: A Life in Exile was the first book to chart the work of this visionary and pioneer, focusing on her time in Britain. Part of the Radical Black Women series, this new edition features a preface by Black feminist researcher Lola Olufemi and an appendix compiled by Marika Sherwood.

Memoirs of Filar, a Jewish pianist born in Warsaw in 1917. Describes his youth as a child prodigy, including his early successes despite anti-Jewish discrimination. Pp. 50-115 relate his experiences in the Holocaust. At the outbreak of the war he fled to Lvov, but he returned to Warsaw after the German occupation in 1941. He entered the ghetto, where he first played with the Jewish symphony orchestra, but was soon sent for forced labor. When his parents and several of his six siblings were deported, he and his brother Joel joined a resistance group. They fought during the uprising, but were then caught and deported, first to Majdanek and then to Skarżysko-Kamienna, Buchenwald, and Schlieben. After surviving a death march, they were liberated at Nixdorf. His parents and two siblings perished in the Holocaust. After the war Filar lived in Germany; in 1950 he emigrated to the U.S., where he became a concert pianist and played in Carnegie Hall in 1952.

A collection of letters, speeches and articles by Solzhenitsyn, his admirers and his critics.

Leonard Lavin epitomizes the American Dream. In this book Lavin reveals how his instinct-driven vision led him to build the Alberto Culver Corporation from a tiny beauty supply company into a revered Fortune 500 buisness.

Stories of Biblical Mothers offers a new look at an often unnoticed group of women in the Hebrew Bible: the biblical mothers. The author's insightful analysis gives evidence that women of the Bible are able to obtain domestic and public influence through their status as mothers. This work reassesses the position of the biblical woman, and acknowledges that while marginalized, nevertheless as a mother she is both honored and powerful. Author Leila Leah Bronner adds to the ongoing conversation about the role and place of women in the Bible, and inspires further reflection on the biblical mother.

Dubbed-some would say drubbed-the "godfather behind creative nonfiction" by Vanity Fair, Lee Gutkind takes the opportunity of these essays, and the rich material of his own life, to define, defend, and further expand the genre he has done so much to shape. The result is an explosive and hilarious memoir of Gutkind's colorful life as a motorcyclist, a medical insider, a sailor, a college professor, an over-aged insecure father, and a literary whipping boy. In Forever Fat Gutkind battles his weight, his ex-wives, his father, his rabbi, his psychiatrist, and his critics in a lifelong cross-country, cross-cultural search for stability and identity. And from Gutkind's battles, the reader emerges a winner, treated to a sometimes poignant, sometimes harrowing, sometimes uproarious, and always engrossing story of the simultaneous awakening of a man and his mission, and of the constant struggle, in literature and in life, to sort out memory and imagination. Here, enacted in technicolor terms, is the universal, symbolic truth that no matter how far you travel, over how many years, you will never completely shed the weighty baggage of adolescence. Yet, as Gutkind proves again and again, he has learned to describe his burden with an ever-lightening brilliance. Lee Gutkind is the founder and editor of the journal Creative Nonfiction. The author and editor of a dozen books, including the award-winning Many Sleepless Nights: The World of Organ Transplantation, he is a professor of English at the University of Pittsburgh and the director of the Mid-Atlantic Creative Nonfiction Writers' Conference at Goucher College.

Unusual book

The untold life story of All-of-a-Kind Family author Sydney Taylor, highlighting her dramatic influence on American children's literature.