This is a bold book by James Altucher because he not only gives you a new map for the new financial landscape, but he also has skin in the game. This is the first financial book in which the author REVEALS HOW HE, PERSONALLY, MAKES HIS OWN MONEY. We are living in an epic period of change, danger and opportunity. The economy is crashing and booming every few years. People are getting fired and replaced by computers and Chinese workers. The stock market crashes with regularity. Every "fix" from the government makes things worse. The Old World has been demolished... and people are desperate for answers. James Altucher's "The Choose Yourself Guide To Wealth" contains those answers. This is the field guide to the "New World" we live in. You can play by the old rules and get left behind, or you can use these new ideas and become wealthy. This is not a book for the faint of heart. Read at your own risk, because sometimes the truth is hard to take. But for those who are ready to hear, James provides an updated map of the new territory for generating wealth and freedom. This book is the eye-opener of the century, it is the guide to building, keeping, and investing your money and breaking free from the chains of rusted, old thinking.

"Over the past three years James Altucher and Claudia Azula Altucher have answered tens of thousands of questions in their writings, retreats, talks, and online seminars. The questions cover the entire spectrum of life, from how to deal with bad relationships, to how to access your innate special uniqueness, to how to pay the rent when you're crying on the floor, broken and depressed,. Invariably, they look to one little word as the solution: No. No is not only a solution; it is a path for people to heal and bring abundance and happiness into their lives. Every time you say yes to something you don't want to do you can experience a spate of negative outcomes: resenting people, doing poor quality work, having less energy for the things you actually love, making less money, and so on. But the worst part is that yet another small percentage of your life is used up by something you don't want. We need the power of no so we can set proper boundaries around the things that hurt us directly. We need it to curb the relationships that drain us of our energy, creativity, and expression, to protect us from those people who put us down, hurt us emotionally, and leave us barren and depressed. And in the larger picture, we need the power of no to understand what we truly believe in, rather than the stories we take at face value because we've been conditioned to think them as the truth. With the power of no we can refocus our energies toward living an abundant, healthy, and wealthy life. We can realize that there is nothing to prove, there is nobody to impress, there is no cage around us. Such is the power of saying no to our misconceptions. As a species, this is where we find ourselves now and many of us are trying very hard to use the power of no at this higher level. To clearly see what intelligent compassion is. To open our hearts and bring healing to the world. The power of no is a force that allows us to truly surrender to a higher power and be the unique people we were meant to be. And in The Power of No, James and Claudia will help guide you to this place by relating the stories they've heard and the things they've experienced. Their goal is to bring this little word out into the world to shine its power and its light on all of us. "--

Written by hedge fund manager James Altucher, this technique-heavy introduction to the day-in, day-out world of hedge fund trading explores twenty trading systems, strategies, and techniques that active traders can use to uncover hidden pockets of inefficiency in any market. Altucher wastes no time in getting right to the bread-and-butter trading strategies that form the foundation of today's well-documented hedge fund successes.

In this “compulsively readable exploration of the tangled world of Christian origins” ( Publishers Weekly ), religious historian James Tabor illuminates the earliest years of Jesus’ teachings before Paul shaped them into the religion we know today. This fascinating examination of the earliest years of Christianity reveals how the man we call St. Paul shaped Christianity as we know it today. Historians know almost nothing about the two decades following the crucifixion of Jesus, when his followers regrouped and began to spread his message. During this time Paul joined the movement and began to preach to the gentiles. Using the oldest Christian documents that we have—the letters of Paul—as well as other early Chris­tian sources, historian and scholar James Tabor reconstructs the origins of Christianity. Tabor shows how Paul separated himself from Peter and James to introduce his own version of Christianity, which would continue to develop independently of the message that Jesus, James, and Peter preached. Paul and Jesus illuminates the fascinating period of history when Christianity was born out of Judaism.

An actor treads the line between reality and fiction every time he plays a part, and for James Franco, that exploration isn’t limited to the screen—he’s also a visual artist with several exhibitions under his belt as well as the author of the widely praised story collection Palo Alto. In A California Childhood he plays with the concept of memoir through personal snapshots, sketches, paintings, poems, and stories. “I was born in 1978 at Stanford Hospital and spent my first eighteen years in a single house at the end of a cul-de-sac in Palo Alto,” Franco writes in his introduction. Steve Jobs’s daughter and the grandson of one of the Hewlett-Packard founders may have both been in his graduating class, but just across the freeway from his home turf lay East Palo Alto, which in 1992 had the highest murder rate per capita in the country. For Franco, the terrain of his upbringing is fraught with the complication of a city divided. But within that diversity, universal aspects of adolescence rise to the surface, and those are the subjects at the heart of Franco’s work. Ultimately this is a portrait of a childhood brightened by California sunshine, but with trouble waiting in the shadows. At turns funny, dark, and emotional, the journey of this book delivers an undeniable immediacy. And at the end, the reader is left wondering just where the boundary lies between Franco’s art and his true life.

This is the true story of the moviemaking maverick who co-founded an independent studio almost Forty years ago in a humble broom closet... who used raw hamburger, Karo syrup blood, and Bromo-Seltzer vomit to create films of questionable artistic and moral value... who battled the MPAA rating board to bring his outrageous vision to the screen... who rejected Madonna after an audition... who defied the Hollywood system and slapped the face of the industry... and who built a B-movie empire filled with Hard-Bodied Lesbians, Surf Nazis, Kabuki Cops, Nymphoid Barbarians, and a lone hero known as The Toxic Avenger. This is the story of Troma Studios. A story of guerilla filmmaking at its cheapest, of the American Dream torn limb from limb, and of topless starlets menaced by obscene rubber puppets.

Originally written for the Italian Enciclopedia del Novecento, this indispensable book is a concise, instructive introduction to polytheism, Greek mythology, the soul-spirit distinction, anima mundi, psychopathology, soul-making, imagination, therapeutic practice, and the writings of C. G. Jung, Henry Corbin, and Adolf Portmann in the formulation of the field of Archetypal Psychology. This new edition includes three additional texts, which James Hillman long felt belong into this introductory account of Archetypal Psychology: "Why 'Archetypal Psychology'?"; "Psychology: Monotheistic or Polytheistic?"; and "Psychology: Monotheistic or Polytheistic?-Twenty Years Later."

With this book James Hillman initiated the "soul movement" in psychotherapy more than fifty years ago. Soul and suicide are dominant issues of this new millennium; soul because it cannot be reduced to genes and chromosomes; suicide because it raises fundamental religious, political, and legal conflicts. As Hillman writes in the Postscript to the second edition: "The individual consists of more than his or her personal individuality. Something besides 'myself' inhabits the soul, takes part in its life and has a say in its death...We need a...definition of self as the interiorization of community. Suicide, literally 'self-killing, ' now would mean both a killing of community and involvement of community in the killing."Hillman's book tries to carry Jung's ideas of a soul-informed psychology into the most wrenching agony of therapeutic practice: the suicide of the patient. It goes to the heart of therapy. Since we are each in a silent therapy with ourselves, the issue of suicide reaches into the heart of each of us. Suicide and the Soul resurrects "soul" from its reliquary in spiritual churchiness and instills the idea with the passion-laden daily life of soul food, soul music, soul brother, soul sister, and soul death.This new edition is introduced by the eminent psychiatrist and pioneering social critic Thomas Szasz.

In a deepening of the thinking begun in The Myth of Analysis and Re-Visioning Psychology , James Hillman develops the first new view of dreams since Freud and Jung.

With his classics of social commentary "The Geography of Nowhere and "Home from Nowhere, James Howard Kunstler has established himself as one of the great commentators on American space and place. Now, with "The Long Emergency, he offers a shocking vision of a post-oil future. The last two hundred years have seen the greatest explosion of progress and wealth in the history of mankind. But the oil age is at an end. The depletion of nonrenewable fossil fuels is about to radically change life as we know it, and much sooner than we think. As a result of artificially cheap fossil-fuel energy we have developed global models of industry, commerce, food production, and finance that will collapse. "The Long Emergency tells us just what to expect after we pass the tipping point of global peak oil production and the honeymoon of affordable energy is over, preparing us for economic, political, and social changes of an unimaginable scale. Are we laboring under a Jiminy Cricket syndrome when we tell ourselves that alternative means of energy are just a few years away? Even once they are developed, will they ever be able to sustain us in the way that fossil fuels once did? What will happen when our current plagues of global warming, epidemic disease, and overpopulation collide to exacerbate the end of the oil age? Will the new global economy be able to persevere, or will we be forced to revert to the more agrarian, localized economy we once knew? Could corporations like Wal-Mart and McDonald's, built on the premise of cheap transportation, become a thing of the past? Will the misguided experiment of suburbia--considered a birthright and a reality by millions of Americans--collapse when the car culturebecomes obsolete? Riveting and authoritative. "The Long Emergency is a devastating indictment that brings new urgency and accessibility to the critical issues that will shape our future, and that we can no longer afford to ignore. It is bound to become a classic of social science.

"From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists-Miles Davis, John Coltrane, and Bill Evans-who came together to create the most famous and bestselling jazz album of all time, Kind of Blue The myth of the 60s depends on the 1950s being the before times of conformity, segregation, straightness-The Lonely Crowd and The Organization Man. This all carries some truth, but it does nothing to explain how, in 1959, the great indigenous art form, jazz, reached the height of its power and popularity, led there by a number of Black geniuses so iconic they go by one name-Monk, Mingus, Rollins, Coltrane, and above all, Miles. 1959 saw Miles, Coltrane, Bill Evans, and the other members of Miles's sextet come together to record what is widely considered the greatest jazz album of all time, and certainly the best-selling: Kind of Blue. 3 Shades of Blue is James Kaplan's magnificent account of the paths of the three giants Miles, Coltrane and Evans to the mountaintop of 1959 and their path on from there. It's a book about music, and business, and race, and heroin, and the towns that gave jazz its home, from New York and LA to Philadelphia, Chicago and Kansas City. It's an astonishing meditation on creativity and the strange hothouses that can produce its full flowering. It's a book about the great forebears of this golden age, particularly Charlie Parker, and the people, like Ornette Coleman, who would take the music down strange new paths. And it's about why this period has never been replicated, why the world of jazz most people visit is a museum to it. But above all this is a book about three very different men-their struggles, their choices, their tragedies, their greatness. Bill Evans had a gruesome downward spiral, John Coltrane took the mystic's path into a space far away from mainstream concerns. Miles had three or four sea changes in him before the end. The tapestry of their lives is, in Kaplan's hands, an American Odyssey, with no direction home. It is also a masterpiece, a book about jazz that is as big as America"--

James Kugel's The Bible As It Was (1997) has been welcomed with universal praise. Here now is the full scholarly edition of this wonderfully rich and illuminating work, expanding the author's findings into an incomparable reference work. Focusing on two dozen core stories in the Pentateuch--from the Creation and Tree of Knowledge through the Exodus from Egypt and journey to the Promised Land--James Kugel shows us how the earliest interpreters of the scriptures radically transformed the Bible and made it into the book that has come down to us today. Kugel explains how and why the writers of this formative age of interpretation--roughly 200 B.C.E. to 150 C.E.--assumed such a significant role. Mining their writings--including the Dead Sea Scrolls, works of Philo and Josephus and letters of the Apostle Paul, and writings of the Apostolic Fathers and the rabbinic Sages--he quotes for us the seminal passages that uncover this crucial interpretive process. For this full-scale reference work Kugel has added a substantial treasury of sources and passages for each of the 24 Bible stories. It will serve as a unique guide and sourcebook for biblical interpretation.

A NEW YORK TIMES BESTSELLER A behind-the-scenes look at the making of the iconic musical Sunday in the Park with George Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George . In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat’s nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte . Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friendship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize–winning classic.

A delightfully unexpected, lovingly curated ode to the unique collective nouns that adorn our language, from “a leap of leopards ” to “a murder of crows ” and beyond, from the inimitable voice behind Inside the Actors Studio “I am madly in love with collective nouns! They make language so colorful and ticklish. . . . [ An Exaltation of Larks ] possess[es] an embarrassment of riches (wink wink!).” —Lupita Nyong’o, The New York Times For those who have wondered if the familiar “pride of lions” and “gaggle of geese” were merely the tip of a linguistic iceberg, James Lipton has provided a definitive answer: here are hundreds of equally pithy, often poetic terms he has unearthed and collected into one exhaustive volume. Over years of painstaking research, he embarked on an odyssey that has given us a “slouch of models,” a “shrivel of critics,” an “unction of undertakers,” a “blur of Impressionists,” a “score of bachelors,” a “pocket of quarterbacks,” and many more. Witty, beautiful, and remarkably apt, An Exaltation of Larks is a brilliant compendium of more than 1,100 resurrected or newly minted contributions to that ever-evolving species, the English language.

A smart, urgently needed book that helps parents and their kids navigate today’s online landscape—from the founder and CEO of the nation’s leading authority on kids and the media. Now, more than ever , parents need help in navigating their kids’ online, media-saturated lives. Jim Steyer, founder and CEO of Common Sense Media, the nation’s leading kidsand- media organization, and the father of four children, knows that many parents and teachers—unlike their technology-savvy kids—may be tourists in the online world. In this essential book, Steyer—a frequent commentator on national TV and radio— offers an engaging blend of straightforward advice and anecdotes that address what he calls RAP, the major pitfalls relating to kids’ use of media and technology: relationship issues, attention/addiction problems, and the lack of privacy. Instead of shielding children completely from online images and messages, Steyer’s practical approach gives parents essential tools to help filter content, preserve good relationships with their children, and make common sense, value-driven judgments for kids of all ages. Not just about Facebook, this comprehensive, no-nonsense guide to the online world, media, and mobile devices belongs in the hands of all parents and educators raising kids in today’s digital age.

A visually stunning introduction to classical music from piano maestro and bestselling author James Rhodes. " Rhodes makes classical music accessible, relatable, and exciting . It is hard not to be swept up - Rhodes writes with such enthusiasm and thoughtfulness that readers will be dying to listen to the Spotify playlist he shares ... Rhodes makes history and music come alive. Surreal, psychedelic collages ... make the book an eye-popping visual experience as well. A dynamic and infectious introduction to classical music. " - Kirkus Bach. Mozart. Beethoven. Old guys with curly wigs, right? But trust me: those composers were the original rock stars. Let me introduce you to some of the most breathtaking and magnificent pieces of music ever created. We'll meet the rebels and revolutionaries who wrote them - did you know Beethoven peed into a chamber pot he kept under his piano? - and find out why they're responsible for every track on your phone today. The world of classical music is going to blow your mind. So take some time out to listen to the online playlist I've curated for you as you read. Bach, Mozart, Beethoven, Chopin, Schubert, Rachmaninoff and Ravel: the perfect introduction to classical music. With jaw-dropping artwork and avant-garde design, this visually exquisite celebration of classical music is encased in a stunning slipcase and features a large fold-out poster as well as an accompanying online playlist of the pieces being discussed. It's the perfect gift for older children and adults alike who want to explore classical music, but aren't quite sure where to begin.

In this brilliant book of recollection, one of America's finest writers re-creates people, places, and events spanning some fifty years, bringing to life an entire era through one man's sensibility. Scenes of love and desire, friendship, ambition, life in foreign cities and New York, are unforgettably rendered here in the unique style for which James Salter is widely admired. Burning the Days captures a singular life, beginning with a Manhattan boyhood and then, satisfying his father's wishes, graduation from West Point, followed by service in the Air Force as a pilot. In some of the most evocative pages ever written about flying, Salter describes the exhilaration and terror of combat as a fighter pilot in the Korean War, scenes that are balanced by haunting pages of love and a young man's passion for women. After resigning from the Air Force, Salter begins a second life, becoming a writer in the New York of the 1960s. Soon films beckon. There are vivid portraits of actors, directors, and producers--Polanski, Robert Redford, and others. Here also, more important, are writers who were influential, some by their character, like Irwin Shaw, others because of their taste and knowledge. Ultimately Burning the Days is an illumination of what it is to be a man, and what it means to become a writer. Only once in a long while--Vladimir Nabokov's Speak, Memory or Isak Dinesen's Out of Africa--does a memoir of such extraordinary clarity and power appear. Unconventional in form, Burning the Days is a stunning achievement by the writer The Washington Post Book World said "inhabits the same rarefied heights as Flannery O'Connor, Paul Bowles, Tennessee Williams and John Cheever" --a rare and unforgettable book.

From the PEN/Faulkner Award–winning author James Salter and his wife, Kay—amateur chefs and terrific hosts—here is a charming, beautifully illustrated food lover’s companion that, with an entry for each day of the year, takes us from a Twelfth Night cake in January to a champagne dinner on New Year’s Eve. Life Is Meals is rich with culinary wisdom, history, recipes, literary pleasures, and the authors’ own stories of their triumphs—and catastrophes—in the kitchen. For instance: The menu on the Titanic on the fatal night Reflections on dining from Queen Victoria, JFK, Winnie the Pooh, Garrison Keillor, and many others The seductiveness of a velvety Brie or the perfect martini How to decide whom to invite to a dinner party—and whom not to John Irving’s family recipe for meatballs; Balzac’s love of coffee The greatest dinner ever given at the White House Where in Paris Samuel Beckett and Harold Pinter had French onion soup at 4:00 a.m. Sophisticated as well as practical, opinionated, and indispensable, Life Is Meals is a tribute to the glory of food and drink, and the joy of sharing them with others. “The meal is the emblem of civilization,” the Salters observe. “What would one know of life as it should be lived, or nights as they should be spent, apart from meals?”

Includes are commentaries from the director, screenwriters, producers, actors, art and production designers, as well as 210 full-color images, movie stills, behind-the-scenes photographs, concept drawings, storyboard, and computer images detailing the various stages in the development of The Hulk.

"A vibrant portrait of the "original affluent society"--The Bushmen of southern Africa--by the anthropologist who has spent much of the last twenty-five years documenting their encounter with modernity. If the success of a civilization is measured by its endurance over time, then the Bushmen of the Kalahari are by far the most successful in human history. A hunting and gathering people who made a good living by working only as much as needed to exist in harmony with their hostile desert environment, the Bushmen have lived in southern Africa since the evolution of our species nearly two hundred thousand years ago. In Affluence Without Abundance, anthropologist James Suzman vividly brings to life a proud and private people, introducing unforgettable members of their tribe, and telling the story of the collision between the modern global economy and the oldest hunting and gathering society on earth. In rendering an intimate picture of a people coping with radical change, it asks profound questions about how we now think about matters such as work, wealth, equality, contentment, and even time. Not since Elizabeth Marshall Thomas's The Harmless People in 1959 has anyone provided a more intimate or insightful account of the Bushmen or of what we might learn about ourselves from our shared history as hunter-gatherers."--Jacket flap