Cam and her friend Eric are having a great time at the circus with Aunt Molly - that is, until their box of popcorn goes missing. Did they lose it, or was it stolen? It's up to Cam and her photographic memory to figure it out!

Level Three Cam is playing baseball with her friends. When a baseball goes missing, Cam has to use her amazing memory to help her friends find it.

In search of more food, Joãozinho the rabbit learns to how escape from his ironclad hutch, daring the humans to solve the mystery of his methods.

In the dying days of the Nineteenth Century, the small Russian town of Zavolzhsk is shaken out of its sleepy rural existence by the arrival from St Petersburg of a Synodical Inspector with a hidden agenda and a dangerously persuasive manner.Meanwhile, in the nearby country estate of Drozdovka, one of the prized white Bulldogs - prized because of its one brown ear, and its propensity to drool - belonging to the cantankerous lady of the house has been poisoned. The old widow has taken to her bed, sick with fear that her two remaining dogs may face a similar fate, and the many potential beneficiaries of her will wait fretfully to see whether or not she will recover.Sister Pelagia: bespectacled, freckled, woefully clumsy and astonishingly resourceful is summoned by the Bishop of Zavolzhsk to investigate the bulldog's death. But her investigation soon takes a far more sinister turn when two headless bodies are pulled out of the river on the edge of the estate.

Just as the dust from the case of the White Bulldog begins to settle in the small Russian town of Zavolzhsk, it is shaken up once again by the arrival of a stranger: this time, a desperately frightened monk from the island monastery of New Ararat, who seeks the help of the bishop, Mitrofanii.The monks have been troubled by visions of a dark, hooded figure: a figure that appears to walk on the waters of the vast Blue Lake surrounding their monastery. Sceptical of ghost stories and dismissive of rural superstitions, Mitrofanii dispatches Alexei Lentochkin, his clever young ward, to investigate the mystery, only for Lentochkin himself to appear to fall victim to the phantom. With sightings of the Black Monk occurring with disturbing frequency, and rumours of suspicious deaths reaching his ears, the Bishop decides to send two more of his most trusted advisors, in turn, to New Ararat, but they too meet with unexpected fates.Finally, Sister Pelagia takes matters into her own hands, and, adopting a number of ingenious disguises, she ventures across the Blue Lake in search of answers, and in pursuit of the Black Monk. But as she delves deeper into the layers of secrecy that cloak the island and its strange population, and as the body count continues to rise, Pelagia begins to realise that an encounter with a ghost may be the least of her problems...

When a woman's body is discovered in the wardrobe warehouses of Israel Television, brooding police superintendent Ohayon embarks on a tangled and bloody trail of detection through the corridors and studios of Israel's official television station and, especially, through the relations, fears, loves, and courage of the people who make the station what it is. It is a journey that brings into question the very ideals upon which Ohayon--and indeed the entire nation--was raised, ideals that may have led to terrible crimes.--From publisher description.

Laura ha muerto. El misterio de su muerte queda en manos de tres hombres. Waldo, un escritor excéntrico que sufrió porque nunca consiguió el amor de Laura; Shelby, aquel con quien Laura estuvo a punto de casarse y Mark McPherson, el detective a cargo del caso que llega a enamorarse de la víctima durante la investigación. Laura es una atrapante novela psicológica cuyo enigma central resulta un cristal de puntos filosos tanto para el detective como para el lector.

In Manhatten a serial killer is at large and revenge gets personal for private detective R.J. Brooke when his mother becomes the next victim.

At times in his life, Tom Harris is a dull schoolboy, an apprentice barber, a delinquent husband, an old man with a monkey who drinks at the Green Man Pub, "il professore Harris" at the University of Genoa, and possibly a murderer. But the question of who the elusive Tom Harris really is, and what crimes he has really committed, obsesses the narrator of this novel. Tom Harris can perhaps be described as a sort of philosophical detective story, ingeniously plotted and wittily told with a stylistic virtuosity on par with the most playful works of Raymond Queneau.

"This novel should come with a warning: addictive reading ahead. It's as good a legal thriller as I've read this year." - John Lescroart, author of a dozen New York Times bestselling novels " THE AMENDMENT KILLER is a high-speed, tense political thriller about one of today's most fundamental issues, the integrity of our Supreme Court." - Andrew Gross, #1 New York Times bestselling author of The One Man " Ron Barak is a writer to watch." - Anthony Franze, author of The Outsider "Barak matches Grisham step for step. He had me turning the pages of THE AMENDMENT KILLER from the first page to the last. I thoroughly enjoyed the ride." -Dennis DeConcini, United States Senator, Ret "A legal thriller with a tense drama where the stability of the government hangs in the balance. It's timely, tense, and a perfect read in these uncertain times." -John M. Murray (Foreword Reviews) "WE HAVE YOUR GRANDDAUGHTER. HERE'S WHAT YOU NEED TO DO." That's the text message Supreme Court Justice Arnold Hirschfeld receives as hearings commence in the U.S. Supreme Court to determine the fate of the 28th Amendment - enacted to criminalize abuse of power on the part of our political representatives. In court to defend the amendment, retired U.S. District Court Judge Cyrus Brooks observes his old friend and law school classmate Hirschfeld acting strangely and dispatches veteran D.C. homicide detective Frank Lotello to find out why. In the meantime, Hirschfeld's precocious and feisty 11-year-old diabetic granddaughter Cassie, brutally kidnapped to control her grandfather's swing vote upholding or invalidating the amendment, watches her insulin pump running dry and wonders which poses her greatest threat, the kidnappers or the clock. As Brooks is forced to choose between saving our nation or saving the girl.

As if history and nature had not provided wonders enough, through the ages humans themselves have contrived more marvels to deceive one another. Sometimes they have concocted evidence when none was available to prove pet theories; sometimes their intention has been to impress or defraud; sometimes they have acted merely for sport. ø Robert Silverberg tells the stories of a baker's dozen of these scientific hoaxers in a lively, good-humored book that ranges through time and across continents. Here are perpetual-motion machines and space rockets, men on the moon and serpents in the sea. The rogues? gallery is a varied one: Dr. Mesmer, who cast his hypnotic spell on eighteenth-century Paris; Charles Dawson, whose Piltdown Man challenged evolution; Dr. Cook, with his tale of ?discovering? the North Pole; and many others. ø These are fascinating stories and more than just entertainment. The author explains the scientific background against which the hoaxes appeared and the detective work that led to their exposure. The schemers teach us to be alert, to challenge the evidence, and to appreciate the healthy skepticism that characterizes the scientific method.

Search-Cover"I was four years old when my father came back to kidnap me," begins this gripping memoir about Matousek's search for James Matousek, the drifter father he never knew. Described by the New York Times as " part reminiscence, part detective story, part spiritual musing," this memoir is more than the story of one man's search for his father; it is also a look at the meaning of life and how fathers contribute to that meaning. Growing up in a family of troubled women (Matousek's sister committed suicide when the author was 29), he describes the turmoil of growing up "fatherless in America" - an experience shared by millions of children in what sociologists have called the Age of the Absent Father - and the difficult, ultimately successful, struggle to figure out what being a man really means in an age of shifting definitions, evolving sexuality, and "breaking out the man box" of stereotyping and patriarchy. With the tension of a mystery story, the climax occurs when Matousek meets a man he believes to be his father. But is he? And does Matousek, who has reconciled with his mother as she lay dying, really care? These are just two questions leading to this memoir's surprising conclusion. Praise for The Boy He Left Behind "Mark Matousek's memoir The Boy He Left Behind begins with the gripping sentence, 'I was four years old when my father came back to kidnap.' Part reminiscence, part detective story, part spiritual musing, the book is more than the story of one man's search for his father, it is also a look at the meaning of life and how fathers contribute to that meaning." -The New York Times Book Review "This thoughtful and lovingly rendered portrait of an American childhood is a refreshing addition to the genre. Matousek not only tells his own story but brilliantly evokes the troubled lives of his mother and sisters with humor, honesty, and above all, compassion." -Kathleen Norris, author of The Cloister Walk and Amazing Grace "A riveting story in the hands of a master storyteller. Mark Matousek has written a family memoir that is tight and revealing. This is one fine book." -James McBride, author of The Color of Water "[A] searing memoir....The writing is exhilarating...deeply soulful, compassionate, and self-scrutinizing. It is an explosive memoir filled with prose that sings, one that provokes readers to question where we come from and what our places are in this world. Matousek...writes from the heart. Read this book" -Los Angeles Magazine "Matousek's account of his search for the father he hadn't seen since he was four [is] sharp and funny, thanks to the punchy dialogue and dead-on character sketches." -Elle "Interweaving the frustrating suspenseful search for his long-lost father with unsparing recollections of a fatherless boyhood and his confrontation with a life-threatening disease, Mark Matousek expertly guides you through the particulars of his life into a harrowing meditation on the difficulties of becoming a man in a country without fathers. The Boy He Left Behind is beautifully crafted, artful and inspiring. It merits a place alongside the late Paul Monette's masterwork, Becoming a Man; Half a Life Story. Like Monette, Matousek's triumph is twofold - In the book he has written, and in the man he has become. Matousek's probing memoir of lost childhood and found history celebrates the power of manhood." -The Utne Reader "Mark Matousek has produced [a] riveting account of his search-at age 38, with the help of a private detective-for the father who abandoned him at age four. A searing meditation on the psychic harm suffered by men and women without fathers, this wise odyssey wrestles with questions of life and death and the search for the meaning of one's existence." -Publishers Weekly (starred review)

Two men, decades apart, are ensnared in the deadly search for a fabled treasure in the conclusion to Lavie Tidhar's epic and audacious Maror Trilogy. 1882, Jerusalem The foreigner. A man with no name, twin guns at his hips, a wide-brimmed hat on his head. A European exile in the backwaters of Ottoman Palestine, The foreigner is a bounty hunter in pursuit of a thief. 1948, Haifa Burton. A man with one name, a detective inspector in the crumpled khaki uniform of the Palestine Police Force's CID. With just seven days before the British Mandate ends, he must find a murderer and a missing aristocrat, as order collapses around him. Both men are outsiders in a land that is a palimpsest of ruins and loyalties, legacy of a history written in blood on a landscape that remembers everything. Both men will treat with bandits and mystics, dreamers and killers as they pursue their quarry; both will be ensnared in a lethal search for the fabled treasures of the Second Temple, long-lost amid the rise and fall of peoples, nations and empires. And both will be haunted by their dreams: burning red skies, a mountain of skulls, echoes of a vision from the dawn of humanity. Before Jerusalem, before Jericho, there has always been Golgotha.

Roger Ackroyd, a young private detective, finds himself involved in the tangled affairs of Annabelle, a beautiful & hysterical lady married to (and separated from) "Rags, an aspiring novelist.

"Lexicography is not just an exercise in linguistic accounting," writes preeminent English language scholar David Crystal in this exceptionally lively and erudite little book. "It is a voyage of lexical exploration and discovery." In Words, Words, Words, Crystal takes readers on a fascinating linguistic adventure, exploring the English language in all its oddity, complexity, and ever-changing beauty. Traveling from word origins and word evolution to wordgangs, wordrisks, wordplay, wordgames and beyond, Crystal shares his immense knowledge of, and equally immense delight in, language. He celebrates new words, old words, words that "snarl" and words that "purr," elegant words and taboo words, plain English words and convoluted gobbledegook, eponyms and antonyms, spoonerisms and malapropisms, and a host of other written and spoken forms and variations. Words, Words, Words offers invaluable insight on such subjects as BLhow to estimate the size of your vocabulary BLthe functions of jargon BLwhen clichés are necessary BLthe value of slang words ("the chief use of slang/is to show you're one of the gang") BLhow to create your own "semantic field" BLdialect humor BLhow to become a word detective BLhow to keep a record of your child's words BLand much more! With illuminating sidebars featuring everything from common word origins and sample definitions from the dictionaries of Samuel Johnson and Ambrose Bierce to a passage from Finnegan's Wake and the winning entries of The Guardian Text Message Poetry Competition, Words, Words, Words will both satisfy and spark the curiosity of anyone who has ever been intrigued, befuddled, or awed by words and myriad ways we use them.

Why would a nurse's aide terrified of heights hurl herself from a twentieth story rooftop in Queens? Why would an attractive librarian with a water phobia be found naked and floating facedown in the Astoria Park swimming pool? How did the scantily clad body of a young bookstore clerk with a horror of snakes end up inside a Central Park Zoo cage with a two-hundred-pound python? NYPD Detective Max Segal, strung out from a devastating divorce, is determined to find the killer before more women die. A sadistic ex-con who masquerades as a shrink is seducing phobic women into psychic hell and literally scaring them to death. When Max Segal picks up the killer's trail, Max's new girlfriend is chosen to become victim number four. Like Love Kills and Exes , Dan Greenburg's previous bestselling thrillers, Fear Itself is a terrifyingly realistic, darkly humorous, startlingly sexy, street-tough page-turner with a surprising climax.

For me it begins in such an ordinary way ... with a gorilla, a blonde, and a gun ... Mid- 20th century Hollywood; 'Raymond Chandler's LA before Pilates and cell phones'. Clancy Sigal (who would later be the inspiration for Doris Lessing's 'Saul Green') is just back from fighting in the Second World War and an abortive solo attempt to assassinate Hermann Goering at the Nurenburg trials. Charming his way into a job as an agent with the Sam Jaffe agency, Sigal plunges into a chaotic Hollywood peopled by fast women, washed-up screenwriters, wily directors, and starstruck FBI agents trailing 'subversives'. He parties with the likes of Humphrey Bogart, Barbara Stanwyck, Tony Curtis and an anxious Peter Lorre, who becomes a drinking buddy. But this is the era of the Hollywood Blacklist and Sigal, like many of his contemporaries, is subpoenaed to testify before the HUAC. Will he give up the list of nine names, burning a hole in his pocket, to save his own skin? Hilarious, touching, intimate and revealing: Sigal's memoir reads like a forgotten hardboiled detective novel and has all the makings of an instant classic.

Who knows that Kate Baeier is back in London? Who wants her gone so badly? What is everyone- even her former sleuthing partner- hiding from her? Still raw with grief over the death of Sam, her lover, Kate finds herself the target of inexplicable threats and then violence. Has her last abandoned case- its tendrils of corruption reaching from Hackney to Chelsea- come back to haunt her? Witty, dark and classy, this fast-moving thriller doesn't finish until the devastating truth is hounded down by the unstoppable Kate.