Through The Years: An Autobiography is a memoir written by Nathan S. Jonas, detailing his life from childhood to adulthood. The book offers a comprehensive account of Jonas' experiences, including his upbringing, education, career, and personal life. It covers his early years growing up in a small town, his academic pursuits, and his eventual rise to success in his chosen field. The book also delves into his personal relationships, including his marriage and family life. Throughout the book, Jonas reflects on the challenges he faced and the lessons he learned, offering readers a unique perspective on his life and the world around him. The book is a compelling read for anyone interested in personal memoirs and the journey of self-discovery.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"The first journalist to be embedded with an Air Force combat unit in the War on Terrorism, Michael Hirsh flew from Moody Air Force Base with the 71st Rescue Squadron to their expeditionary headquarters at a secret location in Central Asia. His unparalleled access to the PJs, as well as to the courageous men and women who fly them where they have to go, often under enemy fire, allowed him to uncover incredible stories of courage in the War on Terrorism being fought in Afghanistan. Among them: the drama of a plane crash at ten thousand feet in the Hindu Kush mountains, where PJs climb with hundred-pound packs through chest-deep snow to rescue the crew ... the tension of an unprecedented nighttime combat parachute jump into the middle of an Afghan minefield ... and the heartbreak during Operation Anaconda, when seven American fighting men die, including the first PJ killed in combat since Vietnam. Absolutely committed to their calling, these are real American heroes. Their motto as pararescuemen is "These things we do that others may live." Indeed, there are none braver"--Page 4 of cover.

A collection of essays published previously. Partial contents:

- Chronicles the substantial role played by Jews in the shaping and development of contemporary Indian art and aesthetics- Contains images of lost paintings of Fyzee Rahamin and Magda Nachman, and other never-before-seen paintings- Written in an unbiased manner and supported with in-depth research, the book will be invaluable to anyone who wishes to understand contemporary Indian artThis volume reveals the roles of foreign and Indian Jews in the Indian national art project and raises issues such as: Is an Indian artist any artist born into an Indian family? What role can foreigners and members of Indian minority groups play in the Indian National Art Project as scholars, critics, or artists? Is a piece of work Indian art because of its subject matter or its style? Is it possible to utilize foreign techniques in creating Indian art?Jews and the Indian National Art Project documents the work of artists such as Anna Molka Ahmed, Mirra Alfassa (The Mother), Siona Benjamin, Carmel Berkson, and Fredda Brilliant as well as those of photographers (David Mordecai and Man Ray) and architects (Otto Königsberger, Moshe Safdie). Also covered in this volume are the work of critics, scholars and art patrons like Ernst Cohn-Wiener, Charles Fabri, Stella Kramrisch, and Marion Harry Spielmann.

"In a tribute to his late father, British historian Mark Mazower traces his family's story from the end of the nineteenth century to today, beginning with his grandfather Mordkhel Mazower's birth in the town of Grodno, part of the Pale of Settlement to which the majority of the Russian Empire's Jews were confined. An activist and member of the Communist Bund, Mordkhel--who later assumed the more European name "Max"--Travelled widely in the years surrounding the Revolution before ultimately settling in England, where his son would live his entire life"--

SHORLISTED FOR THE ORWELL PRIZE 2018 NEW STATESMAN AND EVENING STANDARD BOOKS OF THE YEAR 2017 'Brilliant ... a staggering story' Robert Fox, Evening Standard, Books of the Year 'Fascinating, vast and rich ... a dramatic family memoir' Guardian Uncovering his family's remarkable and moving stories, Mark Mazower recounts the sacrifices and silences that marked a generation and their descendants. It was a family that fate drove into the siege of Stalingrad, the Vilna ghetto, occupied Paris, and even into the ranks of the Wehrmacht . His British father was the lucky one, the son of Russian Jewish emigrants who settled in London after escaping the civil war and revolution. Max, the grandfather, had started out as a socialist and manned the barricades against tsarist troops, but never spoke of it. His wife, Frouma, came from a family ravaged by the Great Terror yet somehow making their way in Soviet society. In the centenary of the Russian Revolution, What You Did Not Tell recounts a brand of socialism erased from memory - humanistic, impassioned, and broad-ranging in its sympathies. But it also explores the unexpected happiness that may await history's losers, the power of friendship, and the love of place that allowed Max and Frouma's son to call England home.

Tells the story of Dr. Martin Luther King, Jr.'s involvement with the Jewish community, drawing from previously unpublished material and interviews with Dr. King's associates, to examine his activities as an advocate for the human and civil rights of Jews.

"For one 1970's family, the center may not hold, but it certainly does fold. In 1978 Jimmy Carter mediates the Camp David Accords, Fleetwood Mac tops charts with Rumours, Starsky fights crime with Hutch, and twelve-year-old Lou Cove is uprooted from the Upper West Side of Manhattan to Salem, Massachusetts- a backwater town of witches, Puritans, and sea-captain wannabes. After his eighth move in a dozen years, Lou figures he should just resign himself to a teenage purgatory of tedious paper routes, school bullies, and unrequited lust for every girl he likes. Then one October morning an old friend of Lou's father, free-wheeling (and free-loving) Howie Gordon arrives at the Cove doorstep from California with his beautiful wife Carly. Howie is everything Lou wants to be: handsome as a movie star, built like a god and in possession of an unstoppable confidence. Then, over Thanksgiving dinner, Howie drops a bombshell. Holding up an issue of Playgirl Magazine, he flips to the center and there he is, Mr. November in all his natural glory. Howie has his eye on becoming the next Burt Reynolds, and a wild idea for how to do it: win Playgirl's Man of the Year. And he knows just who should manage his campaign. As Lou and Howie canvas Salem for every vote in town - little old ladies at bridge club, the local town witch, construction workers on break and everyone in between - Lou is forced to juggle the perils of adolescence with the pursuit of Hollywood stardom. Man of the Year is the improbable true story of Lou's thirteenth year, one very unusual campaign, and the unexpected guest who changes everything"--

A study of antisemitism in Poland in the 20th century. Describes the increase in antisemitism between 1918-39. Reflects on the question of the role of Polish antisemitism in the Holocaust. During the war, most Poles either collaborated with the Nazis or at least approved of the economic measures against the Jews. The rightist anti-German resistance (e.g. Narodowe Sily Zbrojne) regarded Jews as enemies of Poland and sometimes cooperated with the Nazis in the murders. The Armia Krajowa was also antisemitic, and sometimes killed Jews. Many Poles profited from the Holocaust. The Catholic Church was silent. Discusses, also, the Poles who rescued Jews and their motivations. At the end of the war there was a wave of murders of Jews who had survived the Holocaust or were repatriated from the USSR. Antisemitism remained a political factor in Poland both in the communist and post-communist periods.

Larry Kane, dean of Philadelphia news anchors, arrived in town to take a job as a radio broadcaster on September 12, 1966. Driving across the Walt Whitman Bridge he spotted several fires raging to the south. After paying his toll, he drove to a pay phone and called the fire emergency line. The dispatcher responded, "Whateryoutawkin about? Them there's oil refineries."Thirty-four years later, Larry knows all about the oil refineries. In fact, there's very little that goes on in Philadelphia that he hasn't reported on at one time or another. And it's all here in this easy-reading look at Philadelphia government and politics, and the trials of a journalist trying to cover them.For Larry Kane watchers, this book answers some nagging questions: Why did he leave for New York and why did he come back? What's the story behind the Bill Green lawsuit? Does he apply his own makeup? Larry is candid about his own mistakes, and about his successes. He talks about his insecurities and the strain of living life in the spotlight.But this is first and foremost a book about Philadelphia by a man who knows the city intimately. He has been close to more Philadelphia power figures than perhaps any other person. Here he talks personally about Ed Rendell, Arlen Specter, Vince Fumo, Lynne Abraham, John Cardinal Krol, Leon Sullivan, and, of course, the legendary Frank Rizzo. He has visited Jimmy Tayoun in jail, co-hosted a weekend radio marathon with John Lennon, and interviewed shirtless Lenny Dykstra, who insisted that the news team could just clip the microphone to his chest hair.Larry also has tales to tell about watching Martin Luther King Jr.'s killer being apprehended in Heathrow Airport, about barely escaping the riot at the 1968 Chicago Democratic Convention, about traveling to earthquake-stricken Italy and to dissent-torn Israel. He has even been to Alaska to see the Pope. (Yes, he's also met him more conventionally at the Vatican.)These are the reminiscences of a master-storyteller, a man whose job has been to see the city accurately and report on it informatively. Whether you're more familiar with Richardson Dilworth or Boyz II Men, you will laugh, groan, and be moved by Larry Kane's view of Philadelphia. Author note: Larry Kane is news anchor for Eyewitness News at 11 on KYW TV in Philadelphia.

Judy Rebick's Ten Thousand Roses is a major contribution to a chronicling of the second wave women's movement in Canada of the 1970s and 1980s. The story is told through the voices of dozens of women who played key roles in the fight for women's liberation and women's rights.

'Theater legend Malina has written one of the most interesting studies of the avant-garde theatrical movement published in the last several years.' âe" CHOICE Judith Malina and The Living Theatre have been icons of political theatre for over six decades. What few realise is that she originally studied under one of the giants of twentieth century culture, Erwin Piscator, in his Dramatic Workshop at The New School in New York. Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany. The Piscator Notebook documents Malinaâe(tm)s intensive and idiosyncratic training at Piscatorâe(tm)s school. Part diary, part theatrical treatise, this unique and inspiring volume combines: complete transcriptions of Malinaâe(tm)s diaries from her time as a student at the Dramatic Workshop, as well as reproductions of various of Piscatorâe(tm)s syllabi and teaching materials; notes on Malinaâe(tm)s teachers, fellow students âe" including Marlon Brando and Tennessee Williams âe" and New School productions; studies of Piscatorâe(tm)s process and influence, along with a new essay on the relationship between his teaching, Malinaâe(tm)s work with the Living Theatre and "The Ongoing Epic"; an introduction by performance pioneer, Richard Schechner. The Piscator Notebook is a compelling record of the genealogy of political theatre practice in the early 20th Century, from Europe to the US. But it is also a stunningly personal reflection on the pleasures and challenges of learning about theatre, charged with essential insights for the student and teacher, actor and director. 'Piscator is the greatest theatre man of our time.' âe" Bertolt Brecht

A remarkable collection of essays by Reform Jewish rabbis illustrating how Judaism tackles today's issues.

A survey of Jewish-Gentile relations in Frankfurt am Main, Giessen, and Geisenheim on the eve of and during the Nazi dictatorship. Gives a demographic, social, and historical portrait of the three Jewish communities and a picture of Jewish-Gentile interaction in the Weimar years. Even in these years some anti-Jewish tendencies became evident, e.g. hostility toward the "Ostjuden, " broad popular indifference toward the Jews in the of the growing Nazi movement. Ch. 5-7 present a case study of Nazi anti-Jewish policy in Hesse, focusing on Jewish-Gentile relations there in the Nazi period. States that the persecution of Jews was facilitated by the indifference and passivity of ordinary Germans. A latent antisemitism (though not "eliminationist") combined with apathy and acquiescence to a brutal dictatorship in the conditions of war and paved the way to the mass murder. Dwells on the legal exclusion of Jews in 1933-38, on the "Kristallnacht" pogrom, and on the deportations of Hessian Jews in 1941-43.

John B. Judis, one of our most insightful political commentators, most rational and careful thinkers, and most engaged witnesses in Washington, has taken on a challenge that even the most concerned American citizens shrink from: forecasting the American political climate at the turn of the century. The Paradox of American Democracy is a penetrating examination of our democracy that illuminates the forces and institutions that once enlivened it and now threaten to undermine it. It is the well-reasoned discussion we need in this era of unrestrained expert opinions and ideologically biased testimony. The disenchantment with our political system can be seen in decreasing voter turnout, political parties co-opted by consultants and large contributors, the corrupting influence of "soft money," and concern for national welfare subverted by lobbying organizations and special-interest groups. Judis revisits particular moments -- the Progressive Era, the New Deal, the 1960s -- to discover what makes democracy the most efficacious and, consequently, most inefficacious. What has worked in the past is a balancing act between groups of elites --- trade commissions, labor relations boards, policy groups -- whose mandates are to act in the national interest and whose actions are governed by a disinterested pursuit of the common good. Judis explains how the displacment of such elites by a new lobbying community in Whashington has given rise to the cynicism that corrodes the current political system. The Paradox of American Democracy goes straight to the heart of every political debate in this country.