This textbook aims to provide, in accessible form, a full history of Jewish religion and tradition. Within a broad outline of the history and religion of the Jewish people, this volume highlights cultural and spiritual developments which have shaped Jewish self-consciousness through the centuries. Beginning with an account of the history and religion of the ancient Near East, the book focuses on the influence of ancient Near Eastern civilization on the Hebrew scriptures. This discussion is followed by an outline of ancient Israelite history, emphasizing the role of the patriarchs, the exodus from Egypt, the rise of monarchy and the emergence of prophecy. The book then examines later biblical history, the development of Judaism in Hellenistic times, and the emergence of classical Rabbinic literature and theology. The Medieval period in Islamic and Christian lands is also investigated, giving special attention to the rise of Jewish philosophy, theology and mysticism. Turning to the modern period, the rise of Hasidism is examined as is the emergence of religious reform. Finally, the study concentrates on the development of Jewry in the 19th and 20th centuries, and concludes with a discussion of the future of Judaism as a living faith. Through this overview of the Jewish heritage, the reader is asked to approach Judaism in an appreciative spirit - to examine sympathetically its beliefs, doctrines and ideals in an historic context. The book aims to provide both factual information about the development of the Jewish tradition and a survey of a range of Jewish issues through the centuries to the present day.

The publication of the apocryphal Acts of the Apostles has unveiled a vast yet unexplored domain in ancient Christian literature. These Acts, particularly the oldest ones, provide insights into second-century Christianity. They are vital for understanding early Christian worship practices and offer a glimpse into divine services held in homes, complementing the Acts of the Apostles. They also hold significance in the history of Christian poetry, notably within Gnostic circles. Despite their mix of fact and fiction, these Acts are relevant to educators, preachers, missionaries, and historians. The oldest and most significant Acts are presented in this volume. These Acts are crucial for early Church literature and provide valuable insights into Christian history. Bernhard Pick (1842–1917) was a German-American Lutheran pastor and prolific scholar, studied at New York City's Union Theological Seminary. He contributed extensively to theological encyclopedias, provided critical indexes, and delved into hymnology. This Reader's Edition is based on a public domain text. This text has been thoroughly spellchecked and proofread to correct errors that appear in the public domain edition. The formatting has also been altered to provide a cleaner, more readable experience. Introductions and footnotes not native to the text have been removed to avoid interruptions to and distractions from the text. Many readers find that this allows them a greater ability to focus on the text itself. It is our hope that this Reader's Edition will provide you with the best possible reading experience of this classic text. Our mission is to breathe new life into the pages of the past by removing barriers between the reader and the text.

Hailed as a masterpiece when it was first published in France in 1977, The Desert tells the story of al-Mammi, a young exiled prince of a now-destroyed Jewish kingdom in southern Morocco in the late fourteenth century. Fighting battles in the service of kings and narrowly escaping imprisonment, the prince travels the Islamic world absorbing lessons, often painfully, on how to govern himself, as well as a country. At that same time, al-Mammi engages upon a spiritual journey to obtain inner wisdom rather than material riches. Memmi chronicles the prince’s fortunes as they rise and fall, drawing upon the traditions of Maghrebian storytelling and Arabian tales to offer a highly imaginative and allegorical novel that provocatively blends history with fiction.

Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution , Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.

From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art’s history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century’s most important artists and writers. Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist’s struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.

In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Today we hear much talk of crisis and comparisons are often made with the Great Depression of the 1930s, but there is a crucial difference that sets our current malaise apart from the 1930s: today we no longer trust in the capacity of the state to resolve the crisis and to chart a new way forward. In our increasingly globalized world, states have been stripped of much of their power to shape the course of events. Many of our problems are globally produced but the volume of power at the disposal of individual nation-states is simply not sufficient to cope with the problems they face. This divorce between power and politics produces a new kind of paralysis. It undermines the political agency that is needed to tackle the crisis and it saps citizens' belief that governments can deliver on their promises. The impotence of governments goes hand in hand with the growing cynicism and distrust of citizens. Hence the current crisis is at once a crisis of agency, a crisis of representative democracy and a crisis of the sovereignty of the state. In this book Zygmunt Bauman and Carlo Bordoni explore the social and political dimensions of the current malaise. While this problems have been greatly exacerbated by the turmoil following the financial collapse of 2007-8, Bauman and Bordoni argue that the crisis facing Western societies is rooted in a much more profound series of transformations that stretch back further in time and are producing long-lasting effects. This highly original analysis of our current predicament by two of the world's leading social thinkers will be of interest to a wide readership."--Page 4 of cover.

No real damage, Pocket and a few stamps, DJ in Mylar. 170 pages, many photos, 10 3/4 By 8 1/4" 1975.

"The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. The 2014 "Revolution of Dignity" heralded a tremendous transformation of Ukrainian politics and society that has continued to ripple and reverberate throughout the world. These unprecedented events also wrought a remarkable cultural revolution in Ukraine itself. In late 2015, a year and a half after the 2014 Revolution swept away the presidency of the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review, focusing on newly emergent trends in film, literature, painting, design, and fashion. The journal became an East European cultural institution, publishing outstanding writers in the region and beyond. From his vantage point as a journalist and editor, Davidzon came to observe events and know many of the leading figures in Ukrainian politics and culture, and to write about them for a Western audience. Davidzon later found himself in the center of world events as he became a United States government witness in the Ukraine scandal that shook the presidency of Donald Trump. This eagerly anticipated debut tells the real story of what happened in Ukraine from the keen and resilient perspective of an observer at its center"-- Provided by publisher.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Text: English, German (translation)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Oolah: As Played By Francis Wilson And Company At The Broadway Theatre, New York Charles Lecocq, Sydney Rosenfeld R. A. Saalfield, 1889 Music; Genres & Styles; Opera; Music / Genres & Styles / Opera; Operas

"In Apogee of Empire, the authors argue that the inability to renovate the Hapsburg legacies reflected reluctance to undertake radical changes first at home, then in Spain's relationship with its colonies." "The Steins trace in detail efforts to reform the Spanish establishment in the early 1760s, initially under the leadership of the marques de Esquilache, who accompanied Charles from Naples. Reformers had to determine which adjustments could be made without risking radical innovation. The ensuring seven-year conflict between reformers and traditionalists ended in a coup that outsted Esquilache. The authors then analyze the shift in focus to the colonies and the emphasis on incrementally modifying a key element of Spanish colonialism, transatlantic trade, via so-called free trade within the imperial system. Comercio libre, like most Bourbon reformism in general, neither realized a colonial pact nor improved Spain's competitive position in the Atlantic trading system. At the time of Charles III's death, the authors conclude, Spain had only made superficial changes, rather than the profound transformation the situation demanded, and by 1789 Spain and its wealthiest colony, New Spain, would be ill-prepared for the coming decades of upheaval in Europe and America."--Jacket

". . . a remarkable book. . . . A most penetrating study of education."--Saturday Review of Literature". . . an admirable defense of the critical mind in education . . . Sidney Hook is among the the Children of the Light, that is to say, of the Enlightenment."--Albert Guerard, New York Herald Tribune". . . Mr. Hook has put his finger . . . upon the profound fallacy of most of the current attempts to 'reorganize' higher education . . . exciting reading"--Howard Mumford Jones, New York Times". . . needed by anyone who wishes to have a comprehensive view of the problems of modern education."--Wendell Johnson, Chicago Sun"Sidney Hook brings . . . a new high standard of sanity and clarity. . . . For sheer excellence of logic, and for magic of comprehensiveness, the book is head and shoulders above all recent competitors."--William Randel, St. Louis Post-Dispatch". . . a fine book . . . it has the advantage of Mr. Hook's dissecting mind, operating with the cleanness of a surgical instrument."--Jerome Nathanson, The New Republic"Wisely sane."--John Dewey

Gibraltar has been a haven for Jews since it was captured by the British in 1704 - Catholic Spain having expelled them in 1492. By the mid-18th century, a third of the population was Jewish, adding to the rich cosmopolitan mix of the free port. Today Christians, Muslims, Jews and Hindus, from England, Spain, Portugal, Italy, North Africa and India, live there side by side. The Gibraltar Jewish community is some 600 strong and its four historic synagogues are all still in use. They form a rare legacy, untouched by the ravages of the Second World War. Discover Jewish heritage in Gibraltar with this first-ever authoritative guidebook featuring colour photographs, drawings and an architectural heritage trail.