Acclaimed national security columnist and noted cultural critic Fred Kaplan looks past the 1960s to the year that really changed America While conventional accounts focus on the sixties as the era of pivotal change that swept the nation, Fred Kaplan argues that it was 1959 that ushered in the wave of tremendous cultural, political, and scientific shifts that would play out in the decades that followed. Pop culture exploded in upheaval with the rise of artists like Jasper Johns, Norman Mailer, Allen Ginsberg, and Miles Davis. Court rulings unshackled previously banned books. Political power broadened with the onset of Civil Rights laws and protests. The sexual and feminist revolutions took their first steps with the birth control pill. America entered the war in Vietnam, and a new style in superpower diplomacy took hold. The invention of the microchip and the Space Race put a new twist on the frontier myth. Vividly chronicles 1959 as a vital, overlooked year that set the world as we know it in motion, spearheading immense political, scientific, and cultural change Strong critical acclaim: "Energetic and engaging" ( Washington Post ); "Immensely enjoyable . . . a first-rate book" ( New Yorker ); "Lively and filled with often funny anecdotes" ( Publishers Weekly ) Draws fascinating parallels between the country in 1959 and today Drawing fascinating parallels between the country in 1959 and today, Kaplan offers a smart, cogent, and deeply researched take on a vital, overlooked period in American history.

A powerfully written history . . . Eric Hammel has demonstrated again his genius for bringing the past to life in language that is both understandable and digestible. He accompanies his magnificent prose with many never-before-published photographs of Marines in action during the war. The result is a history masterpiece. . . . A must-read for future generations of Marines. For those who fought the battles, endured the suffering and paid the price, this book is a tribute to their honor, glory and steadfast devotion to duty.— Leatherneck Magazine Where did the U.S. Marines earn their reputation as being the "first to fight?" It was on the South Pacific Island of Guadalcanal, America’s first land victory of World War II. There, on August 7, 1942, the 1st Marine Division stormed ashore to begin one of the most difficult and brutal campaigns of military history—and an unbroken string of victories staged across the Pacific. Pacific Warriors takes you from the fighting leatherneck’s first victory at Guadalcanal to their final victory on Okinawa in 1945, their last battle of the war. The book features 300 photographs, many which were never before published.

Everyone has his own picture of Jesus - few historical figures have been so overlaid with centuries of mythmaking. But is it possible for us to discover what he was like from the historical evidence? Professor Sanders, author of Paul and Palestinian Judaism and Jesus and Judaism, has placed the study of the relationship between Judaism and early Christianity on a new one that is historical and descriptive rather than theological and antagonistic. In this book he uses a clear and logical approach, carefully distinguishing the 'certain' from the 'less certain' and the 'improbable' to present a fresh and dramatic account of Jesus as a person. Since scholars first began to analyse the gospels using the tools of critical study, Jesus has proved a tantalizing puzzle. There is enough evidence to offer the hope of a full explanation of who he was and what he did, but on examination it turns out to be difficult and sometimes contradictory. In the first part of this study Professor Sanders proposes that we can have excellent knowledge about Jesus on a general level where he fits into the history and religious movements of first-century Palestine, the main themes of his teaching, some of his principal activities, and the people who followed him. More specific questions, such as 'What precisely was he like?', 'What are the nuances of his teaching?' and 'What were his aims', can be answered with less certainty. The second part of the book identifies the range of possible answers and weighs the evidence in favour of each. Historical research into the life and career of Jesus cannot fully explain the emergence and phenomenal spread of the new religion of Christianity. The author discusses how the disciples decided to put together the reports of Jesus' life which we now have as the gospels, and their desire to present his person in the teachings of what became a powerful religion that spread from the Jews to the Gentiles and throughout the world. Although we must acknow

The problem of the causes of the decline and fall of the classical world as represented by the Roman Empire in the West is at least as old as the Renaissance and was posed in definitive form by Edward Gibbon in the eighteenth century. It has not yet lost its fascination, for in the twentieth century historians and philosophers of history have continued to use it as the focal point for speculations on the nature of historical change. The Roman Empire is admirably suited as a subject for such speculations, because it represents a complete cycle of civilization. At the same time, it is of special interest to students of Western civilization, for the classical heritage is a vital component of that civilization. The difficulties presented by the problem of the decline and fall are enormous. The passage of time and the vagaries of fortune have destroyed many of the sources we should like to have as evidence and have preselected the rest; but beyond the problem of sources is the difficult methodological problem of distinguishing cause from effect and assigning the proper weight to each contributing factor. In light of these difficulties it is not surprising that there seem to be as many interpretations as there are scholars and that each age has seen the problem from a different perspective. The selections presented here give some idea of the nature of the debate.

To most graph theorists there are two outstanding landmarks in the history of their subject. One is Euler's solution of the Konigsberg Bridges Problem, dated 1736, and the other is the appearance of Denes Konig's textbook in 1936. "From Konigsberg to Konig's book" sings the poetess, "So runs the graphic tale . . . " [10]. There were earlier books that took note of graph theory. Veb len's Analysis Situs, published in 1931, is about general combinato rial topology. But its first two chapters, on "Linear graphs" and "Two-Dimensional Complexes," are almost exclusively concerned with the territory still explored by graph theorists. Rouse Ball's Mathematical Recreations and Essays told, usually without proofs, of the major graph-theoretical advances ofthe nineteenth century, of the Five Colour Theorem, of Petersen's Theorem on I-factors, and of Cayley's enumerations of trees. It was Rouse Ball's book that kindled my own graph-theoretical enthusiasm. The graph-theoretical papers of Hassler Whitney, published in 1931-1933, would have made an excellent textbook in English had they been collected and published as such. But the honour of presenting Graph Theory to the mathe matical world as a subject in its own right, with its own textbook, belongs to Denes Konig. Low was the prestige of Graph Theory in the Dirty Thirties. It is still remembered, with resentment now shading into amuse ment, how one mathematician scorned it as "The slums of Topol ogy.""

A gripping history that plumbs the extraordinary stories of American relief and rescue workers during World War II.

A crucial guide to life before—and after—Tinder, IVF, and robots. What will happen to our notions of marriage and parenthood as reproductive technologies increasingly allow for newfangled ways of creating babies? What will happen to our understanding of gender as medical advances enable individuals to transition from one set of sexual characteristics to another, or to remain happily perched in between? What will happen to love and sex and romance as our relationships migrate from the real world to the Internet? Can people fall in love with robots? Will they? In short, what will happen to our most basic notions of humanity as we entangle our lives and emotions with the machines we have created? In Work Mate Marry Love , Harvard Business School professor and former Barnard College president Debora L. Spar offers an incisive and provocative account of how technology has transformed our intimate lives in the past, and how it will do so again in the future. Surveying the course of history, she shows how marriage as we understand it resulted from the rise of agriculture, and that the nuclear family emerged with the industrial revolution. In their day, the street light, the car, and later the pill all upended courtship and sex. Now, as we enter an era of artificial intelligence and robots, how will our deepest feelings and attachments evolve? In the past, the prevailing modes of production produced a world dominated by heterosexual, mostly-monogamous, two-parent families. In the future, however, these patterns are almost certain to be reshaped, creating entirely new norms for sex and romance, and for the construction of families and the raising of children. Steering clear of both techno-euphoria and alarmism, Spar offers a bold and inclusive vision of how our lives might be changed for the better.

"A brilliant, thorough, utterly mad book, the product of the most admirable sort of enthusiasm: total. You like soccer, you don't like soccer, it doesn't matter. If you think of yourself as a serious fan, if you want to continue on the path towards enlightenment and take your devotion to another level, you'd best check out the standard being set here." --ESPN.com On one level, Brilliant Orange is about a people whose unique point of view has led to the most enduring arts, the weirdest architecture, and a bizarrely cerebral form of soccer--Total Football--that led in 1974 to a World Cup finals match with arch-rival Germany, as well as to a devastating loss against Spain in 2010. On another, the book also offers, as a 5-star reviewer put it: "insight into the Dutch mindset beyond football. You learn about Dutch history, art, and society while learning about their great players and the total football. You don't actually need to be a football fan to enjoy the book." "One of those strangely informative books that will entertain those who have little interest in either soccer or the Netherlands." -- The Economist "Wry, obsessional, digressive, deep. This is football as art, metaphor, and cultural signifier." -- The Guardian

In Islam and the West, Bernard Lewis brings together in one volume eleven essays that indeed open doors to the innermost domains of Islam. Lewis ranges far and wide in these essays. He includes long pieces, such as his capsule history of the interaction--in war and peace, in commerce and culture--between Europe and its Islamic neighbors, and shorter ones, such as his deft study of the Arabic word watan and what its linguistic history reveals about the introduction of the idea of patriotism from the West. Lewis offers a revealing look at Edward Gibbon's portrait of Muhammad in Decline and Fall of the Roman Empire (unlike previous writers, Gibbon saw the rise of Islam not as something separate and isolated, nor as a regrettable aberration from the onward march of the church, but simply as a part of human history); he offers a devastating critique of Edward Said's controversial book, Orientalism; and he gives an account of the impediments totranslating from classic Arabic to other languages (the old dictionaries, for one, are packed with scribal errors, misreadings, false analogies, and etymological deductions that pay little attention to the evolution of the language). And he concludes with an astute commentary on the Islamic world today, examining revivalism, fundamentalism, the role of the Shi'a, and the larger question of religious co-existence between Muslims, Christians, and Jews.

The destruction of the Armenians of the Ottoman Empire in 1915-16 was the greatest atrocity of World War I. Around one million Armenians were killed, and the survivors were scattered across the world. Although it is now a century old, the issue of what most of the world calls the Armenian Genocide of 1915 is still a live and divisive issue that mobilizes Armenians across the world, shapes the identity and politics of modern Turkey, and has consumed the attention of U.S. politicians for years. In Great Catastrophe, the eminent scholar and reporter Thomas de Waal looks at the aftermath and politics of the Armenian Genocide and tells the story of recent efforts by courageous Armenians, Kurds, and Turks to come to terms with the disaster as Turkey enters a new post-Kemalist era. The story of what happened to the Armenians in 1915-16 is well-known. Here we are told the "history of the history" and the lesser-known story of what happened to Armenians, Kurds, and Turks in the century that followed. De Waal relates how different generations tackled the issue of the "Great Catastrophe" from the 1920s until the failure of the Protocols signed by independent Armenia and Turkey in 2010. Quarrels between diaspora Armenians supporting and opposing the Soviet Union broke into violence and culminated with the murder of an archbishop in 1933. The devising of the word "genocide," the growth of modern identity politics, and the 50th anniversary of the massacres re-energized a new generation of Armenians. In Turkey the issue was initially forgotten, only to return to the political agenda in the context of the Cold War and an outbreak of Armenian terrorism. More recently, Turkey has started to confront its taboos. In an astonishing revival of oral history, the descendants of tens of thousands of "Islamized Armenians," who have been in the shadows since 1915, have begun to reemerge and reclaim their identities. Drawing on archival sources, reportage and moving personal stories, de Waal tells the full story of Armenian-Turkish relations since the Genocide in all its extraordinary twists and turns. He looks behind the propaganda to examine the realities of a terrible historical crime and the divisive "politics of genocide" it produced. The book throws light not only on our understanding of Armenian-Turkish relations but also of how mass atrocities and historical tragedies shape contemporary politics.

Chess champions are among the strongest strategic thinkers in the world. Imagine if you could apply the thought processes of grandmasters like Bobby Fischer, Garry Kasparov, and Susan Polgar to your own investments.Rich as a King: How the Wisdom of Chess Can Make You a Grandmaster of Investing unlocks the secrets of chess in a tangible way so you can apply them to managing your own finances. With the guidance of World Chess Champion and Grandmaster Susan Polgar--one of the greatest players in the history of the game--along with international investment advisor Douglas Goldstein, CFP®, you can learn how to apply the wisdom of chess to make you a grandmaster of your investments.Packed with practical examples and never-before-heard stories from the chess world, Susan and Doug will show you: What has been holding you back from success The moves Susan used to win 10 Olympic medals, which you can start using right now to manage your money The 64 strategies that can make you Rich as a King!Thinking one step ahead and creating a detailed financial plan will bring you closer to your ultimate goals of building your wealth.

The world's most revered and eloquent interpreter of evolutionary ideas offers here a work of explanatory force unprecedented in our time--a landmark publication, both for its historical sweep and for its scientific vision.With characteristic attention to detail, Stephen Jay Gould first describes the content and discusses the history and origins of the three core commitments of classical Darwinism: that natural selection works on organisms, not genes or species; that it is almost exclusively the mechanism of adaptive evolutionary change; and that these changes are incremental, not drastic. Next, he examines the three critiques that currently challenge this classic Darwinian edifice: that selection operates on multiple levels, from the gene to the group; that evolution proceeds by a variety of mechanisms, not just natural selection; and that causes operating at broader scales, including catastrophes, have figured prominently in the course of evolution.Then, in a stunning tour de force that will likely stimulate discussion and debate for decades, Gould proposes his own system for integrating these classical commitments and contemporary critiques into a new structure of evolutionary thought.In 2001 the Library of Congress named Stephen Jay Gould one of America's eighty-three Living Legends--people who embody the "quintessentially American ideal of individual creativity, conviction, dedication, and exuberance." Each of these qualities finds full expression in this peerless work, the likes of which the scientific world has not seen--and may not see again--for well over a century. --

A NOVEL OF AN IGNOMINIOUS FALL, THE RISE TO INFAMY, AND LIFE AFTER BOTH. • It is the summer of 1998, and Stephen Glass is a young magazine journalist whose work is gaining more and more acclaim -- until a rival magazine tells Glass's editor that it suspects one of his stories is fabricated. As his editor sorts out the truth, Glass is busy inventing it -- spinning rich and complex blends of fact and fiction, and exploiting the gray world in between. But Glass is caught. His fabulism is uncovered and his career instantly unravels. Worse, his editor learns that it's not the first time. Soon, a long history of invention, passed off as journalism, emerges. Glass suddenly becomes a household name -- an emblem of hubris and a flashpoint for Americans' distrust and dislike of the press. The media is consumed with the story: Once the young man who had been known for mastering the "takedown" article, Glass now becomes the one every journalist wants to take even further down. Once the hunter, Glass becomes the hunted -- the story of the year. Glass responds to this agonizing public scrutiny with a self-imposed exile, first near Chicago with his family and then in the anonymous suburbs of Washington, D.C. There, he begins a long personal struggle with his misdeeds, working out his own answers to the questions of why he fabricated, how he can learn to stop lying, and whether, at age twenty-five, he has destroyed his life irrevocably. Glass encounters a world far stranger than his own fabrications -- one populated by eccentric coworkers, ailing animals, angry masseuses, sexy librarians, competitive bingo players, synchronized swimmers, a soulful stripper, and a mysterious guardian angel who dresses only in purple. Meanwhile, Glass is chased by marauding journalists whose desperation and ruthlessness manage to match even his own. As he dodges his pursuers, Glass grasps at straws only to find that, wondrously, they sometimes hold. Despite himself, he rediscovers the Judaism he'd left far behind in Hebrew school, and falls helplessly in love with a young woman who turns out to have her own shameful past. In the end, The Fabulist is as much about family, friendship, religion, and love -- about getting through somehow, even when it seems impossible -- as it is about reality and fantasy. At once hilarious and harrowing, The Fabulist is one of the year's most provocative novels.

Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting, and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, André Breton, Brassaï, Salvador Dalí, André Kertész, and Hans Bellmer have remained all but unknown -- until now. Traditional criticism has viewed Surrealist photography as a pale imitation of authentic Surrealist work. The assumption has been that photography, a "realistic" medium, is fundamentally incompatible with a cause devoted to the wildly subjective, the world of dreams, and the unconscious. As a consequence, Surrealist photography, a major body of twentieth-century art, has remained largely unexplored. L Amour fou is the first book to study the crucial role photography did in fact play in the Surrealist movement. It shows how photographers enlisted into the service of "subjective" Surrealism their mediums very claim to "objective" reality. Of greatest interest, of course, is the books abundant reproductions of the fantastic and distorted photographic creations that must be acknowledged as an important part of the Surrealist oeuvre. Rosalind Krauss, a professor of art history at Hunter College, CUNY, New York City, is a widely published author of books and articles on art subjects, including Surrealism. Jane Livingston, former associate director and chief curator of The Corcoran Gallery of Art in Washington, D.C., has written major books and exhibition catalogues on art and photography. Dawn Ades has written several art books, including Abbevilles The 20th-Century Poster.

"Wow, Ron Levy's book is AMAZING! Wonderful reading, entertaining, fun, educational and, well, AMAZING!" - Norman Darwen - Blues Matters! - UK "I want everyone to know, Ron Levy is one of the very best musicians I've ever played and worked with. Now, he's even written a great book! I'm so proud of my 'son'." B.B. King 4/13/13 "Ron Levy endures as an ingenious Blues keyboardist -- touring most notably with B.B. King for 7 years -- and he was there when B.B. played Muhammad Ali's private parties, as well as stadium shows in Africa and throughout the world. He was the ultimate road warrior, also tickling the ivories for Albert King, Roomful of Blues and his own Ron Levy's Wild Kingdom, while meeting everyone from Elvis Presley to Nina Simone. He distills it all in his lively, remarkably honest book (NOW IN PAPERBACK), 'Tales of a Road Dog.' Nearly everything is unique in these gritty and humorous stories of survival with some of music's great pioneers and the musicians who powered them on stage. If you thought you knew about music history, trust me that you'll know even more when you delve into Levy's rich and colorful text. This guy can write as well as he can play." - STEVE MORSE - Boston Globe, Billboard and Rolling Stone. A download link to Levy's critically acclaimed album "FUNKY FIESTA!" is included. - Also available as a Web-book & eBook!

With American foreign policy playing an increasingly dominant role in world events of the past century, the international diplomatic community and even Americans themselves have staged heated debates centering on the charge that our government often misreads international crises.Responding to the controversy, Robert Dallek's groundbreaking book argues that the pressures generated by unresolved political and social domestic problems have shaped American foreign policy. In an illuminating examination of each significant period--from the expansionism of the Spanish-American War and the American entrance into World War I, to American-Soviet relations during World War II, the Cold War period that followed, and American involvement in Korea and Vietnam--Dallek reveals why we have acted as we have, often in the face of logic and with costly consequences.Providing a wealth of new insights, he presents American foreign policies in the twentieth century as symbolic extensions of domestic hopes and fears. Reaching beyond traditional explanations of why and how these policies reflect U.S. concerns at home more than realities abroad, this important and provocative analysis challenges thinking Americans to confront the whole fascinating history of American foreign affairs in the twentieth century.

Locked in the Cabinet is a close-up view of the way things work, and often don't work, at the highest levels of government--and a uniquely personal account by the man whose ideas inspired and animated much of the Clinton campaign of 1992 and who became the cabinet officer in charge of helping ordinary Americans get better jobs. Robert B. Reich, writer, teacher, social critic--and a friend of the Clintons since they were all in their twenties--came to be known as the "conscience of the Clinton administration and one of the most successful Labor Secretaries in history. Here is his sometimes hilarious, sometimes poignant chronicle of trying to put ideas and ideals into practice. With wit, passion, and dead-aim honesty, Reich writes of those in Washington who possess hard heads and soft hearts, and those with exactly the opposite attributes. He introduces us to the career bureaucrats who make Washington run and the politicians who, on occasion, make it stop; to business tycoons and labor leaders who clash by day and party together by night; to a president who wants to change America and his opponents (on both the left and the right) who want to keep it as it is or return it to where it used to be. Reich guides us to the pinnacles of power and pretension, as bills are passed or stalled, reputations built or destroyed, secrets leaked, numbers fudged, egos bruised, news stories spun, hypocrisies exposed, and good intentions occasionally derailed. And to the places across America where those who are the objects of this drama are simply trying to get by--assembly lines, sweatshops, union halls, the main streets of small towns and the tough streets of central cities. Locked in the Cabinetis an intimate odyssey involving a memorable cast--a friend who is elected President of the United States, only to discover the limits of power; Alan Greenspan, who is the most powerful man in America; and Newt Gingrich, who tries to be. Plus a host of others: White House staffers and cabinet members who can't find "the loop; political consultant Dick Morris, who becomes "the loop; baseball players and owners who can't agree on how to divide up $2 billion a year; a union leader who accuses Reich of not knowing what a screwdriver looks like; a heretofore invisible civil servant deep in the Labor Department whose brainchild becomes the law of the land; and a wondrous collection of senators, foreign ministers, cabinet officers, and television celebrities. And it is also an odyssey for Reich's wife and two young sons, who learn to tolerate their own cabinet member but not to abide Washington. Here is Reich--determined to work for a more just society, laboring in a capital obsessed with exorcising the deficit and keeping Wall Street happy--learning that Washington is not only altogether different from the world of ordinary citizens but ultimately, and more importantly, exactly like it: a world in which Murphy's Law reigns alongside the powerful and the privileged, but where hope amazingly persists. There are triumphs here to fill a lifetime, and frustrations to fill two more. Never has this world been revealed with such richness of evidence, humor, and warmhearted candor.

Football fans are tired of lame memoirs or technical fantasy football books. Rich Eisen is going to give them what they want—a chance to share in his world of a never-ending football season. It's about eating, living, and breathing the most popular sport in the history of America. The passion. The pageantry. The pigskin. Thanks to his role as host of NFL Total Access, Eisen gets to go to virtually every event on the NFL calendar—the Super Bowl, the Pro Bowl, the Scouting Combine, the NFL Draft, and the Hall of Fame Weekend. You name it, Eisen is there. And thanks to this book, you can go along for the ride with him—in front of the camera interviewing league MVPs or behind the scenes with some of the game's all-time greats. Total Access is the ultimate football book for fans everywhere.

A celebration of subversives: the first one-volume history of the greatest cultural movement since the Enlightenment. Peter Gay's most ambitious endeavor since Freud explores the shocking modernist rebellion that, beginning in the 1840s, transformed art, literature, music, and film with its assault on traditional forms. Beginning his epic study with Baudelaire, whose lurid poetry scandalized French stalwarts, Gay traces the revolutionary path of modernism from its Parisian origins to its emergence as the dominant cultural movement in world capitals such as Berlin and New York. A work unique in its breadth and brilliance, Modernism presents a thrilling pageant of heretics that includes (among others) Oscar Wilde, Pablo Picasso, and D. W. Griffiths; James Joyce, Virginia Woolf, and T. S. Eliot; Walter Gropius, Arnold Schoenberg, and (of course!) Andy Warhol. Finally, Gay examines the hostility of totalitarian regimes to modernist freedom and the role of Pop Art in sounding the death knell of a movement that dominated Western culture for 120 years. Lavishly illustrated, Modernism is a superlative achievement by one of our greatest historians.

Although Lillian Hellman and Mary McCarthy probably only met once in their lives, their names will be linked forever in the history of American literary feuds: they were legendary enemies, especially after McCarthy famously announced to the world that every word Hellman wrote was a lie, "including 'and' and 'the.'" The public battle, and the legal squabbling, that ensued ended, unsatisfactorily for all, with Hellman's death. In Imaginary Friends," Nora Ephron brilliantly and hilariously resuscitates these two bigger-than-life women to give them a post-mortem second act, and the chance to really air their differences.