International law is a fundamentally modern phenomenon. Tracing its roots to nineteenth-century pronouncements on the 'law of nations,' the discipline took shape in the elaborate treaty structures of the post-First World War era and in the institutions and tribunals established after the Second World War. International law as scholars know and study it today is a product of modernism. In The Aesthetics of International Law, Ed Morgan engages in a literary parsing of international legal texts. In order to demonstrate how these types of legal narratives are imbued with modernist aesthetics, Morgan juxtaposes international legal documents and modern (as well as some immediately pre- and post-modern) literary texts. He demonstrates how the same intellectual currents that flow through the works of authors ranging from Edgar Allan Poe to James Joyce to Vladimir Nabokov are also present in legal doctrines ranging from the law of war to international commercial disputes to human rights. By providing a comparative, interdisciplinary account of this modern phenomenon, Morgan's work highlights the ways judges, lawyers, and state representatives artfully exploit the narratives of international law. It demonstrates that just as modernist literature developed complex narrative techniques as a way of dealing with the human condition, modern international law has developed parallel argumentative techniques as a way of dealing with international political conditions.

Dead End: Be Careful How You Live is a suspenseful crime thriller novel written by Ed Lacy. The story revolves around a young man named Johnny Dolan, who is wrongly accused of murdering his girlfriend. Despite his innocence, the police and the media are convinced of his guilt, and Johnny is forced to go on the run to clear his name.As Johnny tries to evade the law and find the real killer, he becomes embroiled in a dangerous world of organized crime and corruption. Along the way, he meets a cast of colorful characters, including a tough-talking private detective, a seductive nightclub singer, and a ruthless gangster who will stop at nothing to protect his interests.As the plot thickens, Johnny must use all his wits and resources to stay one step ahead of his pursuers and uncover the truth behind his girlfriend's murder. With plenty of twists and turns, Dead End: Be Careful How You Live is a gripping page-turner that will keep readers on the edge of their seats until the very end.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Boria Sax, steeped in animal studies in myth and literature, is not only a teacher and scholar, but also one of our finest lyric poets. This collection of poems and tales, centered around the mysterious world of crows and ravens that exists around us almost unnoticed, demonstrates the universality of the narratives in which animal wisdom plays, as he retells Eastern European and Native American crow/raven tales. The book is also interspersed with Sax's sensitive lyrics on other topics. Includes two "crow wheel" illustrations by Tom Fitzpatrick.

For poets throughout the world Rome was the world. This is particularly true for Russian poets, owing to the anagrammatical relation of the words Rome and mir (Rome and world). The legacy of ancient Rome has always constituted an important component of the Russian cultural consciousness. The revitalization of classical scholarship in nineteenth-century Russia and new approaches to antiquity prompted many of the Russian Symbolists to seek their inspiration in ancient Rome. Vladimir Solovyov, Dmitry Merezhkovsky, Valery Bryusov, Vyacheslav Ivanov, Maksimilian Voloshin, Vasily Komarovsky, and Mikhail Kuzmin all made significant contributions to what is often referred to as the "Roman text." The Legacy of Ancient Rome in the Russian Silver Age analyzes the forms involved in creating the Roman image and explores its functionality within the given poetic system. In addition to the formal analysis, the background and the stimulus leading up to the composition of a particular poem are explored, as well as allusions to legends, myths and Rome's geography and architecture. Moreover, this study considers the function of the Roman text in Russian Symbolist poetics and the works of the individual poets. Finally, the relation between the Roman and Petersburg texts of Russian literature is explored, since many of the Russian Symbolist poets found in Rome a perfect metaphor for their studies of the city and "urban" poetry.

Step into the enchanting world of Constantinople, a city that bridges continents and cultures, vividly captured in this exquisite edition by Warwick Goble, with evocative descriptions by Alexander Van Millingen. This beautifully restored book, long out of print, invites you to explore the rich tapestry of the Byzantine and Ottoman Empires through stunning illustrations and compelling narratives. Goble s artistry brings to life the historical architecture and vibrant culture of Istanbul, making it a must-have for both casual readers and dedicated collectors of classic literature. This edition is not merely a reprint; it is a cultural treasure, meticulously restored for today s and future generations to cherish. Discover the allure of 19th-century travel narratives as you journey through the streets of Constantinople, where every page reveals the city s profound historical significance and artistic heritage. With its blend of art history and travel, this book serves as a portal to a bygone era, igniting the imagination and inspiring wanderlust. Don t miss your chance to own this remarkable collector s item from Alpha Editions, a testament to the enduring legacy of one of the world s most captivating cities. Perfect for those who appreciate the beauty of illustrated travel books and the cultural heritage of Istanbul, this edition is a celebration of a timeless classic that deserves a place on every bookshelf.

This book of poems has intent, design, and purpose. They are written to touch something hidden deep within you, something latent, undiscovered, and mysterious. I hope that you may wish to discover more about that of which I speak.For there are answers to your questions if you but seek. That hidden something is true of everyone, almost without exception, but most of us have fallen asleep to the yearning and the searching that it can give rise to. If you are not in the category of the walking dead--and you are truly searching-- perhaps this book will be for you. If you loved fairy tales as a child, would rather travel to ancient sites than take cruises or hang out on a beach, appreciate the mythology from other cultures, enjoy classical art, perhaps read philosophy and great literature, are enthralled by the wonder of the natural world--and the list goes on and on--this book may be of interest to you. Even if your yearning takes other forms, you may love what I've written as well. But the book is not an answer to your yearnings. It can, though, be a window into a world where those same yearnings are addressed, satisfied, and shown a further and meaningful path to take. I wrote it in the language of today (including a small amount of crude language), with some references to literary or artistic works of the past. Despite the simplicity of many of the poems, there is great depth of meaning, if you are open to it. My suggestion would be to read only a few poems at a time, trying to ponder what I am talking about, letting them sink in emotionally, rather than dissecting them intellectually. And certainly don't continue to read until your eyes glaze over, as that will not profit you in the least. Enjoy!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Product Description This volume, A Vedic Concordance, is part of the Harvard Oriental Series. This reprint of the 1906 edition is an alphabetic index to every line of every stanza of the published Vedic literature and to the liturgical formulas; it is an index to the Vedic mantras, together with an account of their variations in the different Vedic books. This volume is expected to serve two purposes. 1. It gives a comprehensive index of all the mantras. 2. It registers the variants of mantras that are not wholly identical. In addition, it spells out few secondary uses. (i) It is a key to the liturgical employment of the mantras. (ii) It is virtually a finding-index of rites and practices. (iii) It is a tool for future editors of Vedic texts. (iv) It is a repertory of the most archaic Hindu prose. (v) It also provides some miscellaneous uses to the future researchers in the domain of Vedic studies and sciences. A must buy for all universities, colleges, institutions, scholars, researchers, and students who are engaged in Vedic studies. About the Author Best known as the student of Vedas, Maurice Bloomfield, Ph.D., LL.D., was a reputed philologist and Sanskrit scholar. He was born on 23 February 1985 in Austrian Silesia. Though a Polish by birth, he made, of late, America his home. He did his studies at Furman University, John Hopkins University and Princeton University. He studied Sanskrit under W.D. Whitney. Dr Bloomfield taught at John Hopkins University as Associate Professor and Professor of Sanskrit and Comparative Philology. As an author, Dr Bloomfield published numerous articles in the American Journal of Philology. He was the first to edit Kausika-Sutra (1890), and in 1905, he published Cerberus, the Dog of Hades. In 1906, he published this volume as part of the Harvard Oriental Series. His The Religion of the Veda appeared in 1908; Life and Stories of the Jaina Savior Parasvanatha and a work on the Rig Veda got published in 1916. He breathed his last on 12 June 1928.

This pioneering study focuses on an area of Soviet and socialist studies until now largely neglected in the literature: social change. The author contends that while most standard analyses of communist regimes purport to be about social change, they are in fact analyzing economic and political developments rather than transformation in the class structure of society. Because economic and political factors are the least stable, Brucan argues, they are therefore the least explanatory and predictive factors if we are to understand long term trends in the evolution of socialism. Brucan instead explores the social forces at work in the Soviet Union, China, and Eastern Europe--classes, professional groups, and so on--tracing the evolution of class and class policy from the time of the 1917 revolution through the present leadership of Gorbachev. Students of international affairs and sociology will find in Brucan's work important new insights into the likely future direction of the world's major communist societies. Beginning with a detailed historical analysis of class and class policy in the East, Brucan examines issues such as forced collectivization, the new working class, wage policy, the state take-over, and Khruschev's openings. Turning to a discussion of the relationship between social structure and the scientific-technological revolution, the author shows that communist regimes in the Soviet Union, Eastern Europe, and China have demonstrated a deliberate and systematic pattern of overvaluation of manual work and undervaluation of scientific and technical work--explaining their lack of preparation for rapid scientific and technical change. Brucan relates the historical analysis of social change to questions about whether reforms in the East can be achieved, arguing that no analysis of the East's economic and political history can be fully understood without considering social structure. In the final section, the author addresses the current period of perestroika, suggesting that Gorbachev's real challenge will be to dislodge the current social structure that was consolidated in the late 1970s. He concludes that a new class alignment in socialism has led to a crisis of the communist party itself.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

What goal other than Utopia would find Casanova, the prophet Isaiah, Plato and Sir Thomas More on the same trail? Alchemists, crusaders and ecologists have sought utopian solutions; so too have Stalin and Hitler. Long intrigued by the human inclination to imagine perfect worlds, the author investigates a great variety of utopias and their idealistic proponents.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Poetry. "The world, as refracted through the lens of Tom Mandel's poetry, takes on the singularity of a new kind of order. His voice is fresh, astringent and altogether compelling. He is a dynamic presence" -John Ashbery.

Excerpt from Encounters: An Anthology From the First Ten Years of Encounter Magazine Finally, if I were to attempt to express what it is we have been about m a few words, I would put it this way: a review is a way of looking at the world, a record of glimpses and perspectives, concerned with the colour of things and not only with their meaning, with the visible surface Of life as well as its hidden patterns. A review is also a way of talking with the world, and, if worth listening to at all, alive with a sense of conversation, a feeling for the continuous dialogue which alone, in our days of agitated pictures and violent excitements, can sustain an imaginative interest in words and texts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is the outer and inner journey of Mo Smith, a homeless vagrant who walks northward along the crowded island of Manhattan from the southern tip of Battery. Multiple voices, multiple personas, shifting identities and multiple tales accompany his stubborn journey. This is a novel of our post 9/11 world that looks at ordinary and extraordinary lives that teem in our chaotic times. It also makes the connections, so dramatically relevant now, between America and the Middle East.

Art Does (Not!) Exist is lively, inventive, and artfully wicked. In the world according to video artist Julia Maraini , life is in need of tracking control. Personas warp and twist in a perverse parody of modern life that is, nonetheless, exactly the thing itself. As the protagonist prepares a video for an important grant application, she discovers that the video has been tampered with, and a snuff film of her controversial star (a wealthy Brazilian) added. Does she turn it in? Does she receive an NEA grant? How much hipper can hip be than Art Does (Not!) Exist? Art Does (Not!) Exist is about Julia Maraini, an artist in her early twenties involved in video and other new genres, who is down on her luck: her mad scientist husband is gone but threatens to return; and her apartment on the lower east side close to Soho, burns down under suspicious circumstances. Through it all she works at completing her art projects hoping to receive an NEA grant for one of them, or at least an invitation to be included in the prestigious Whitney Biennial. One of her projects is an interview with two skeletons purported to be Nag and Nell, the parents of Hamm, a character in Samuel Beckett's Endgame. Her competitors are: a Brazilian steel magnate who writes her sexy letters and appears by two mysterious characters; a famous British feminist who is in the States to promote her first novel; and a pair of near-sighted detectives disguised in Hawiian shirts. At one point her estranged husband, his mother and step-father appear on the Geraldo Show where all hell breaks loose. This is a book about the way an artist thinks, it examines what's at stake in today's art world - and dares to ask the question, what is art anyway? A question that has been pondered ever since someone handed a loaded paintbrush to a chimp and aimed her at a canvas. Written with tongue in one cheek and tofu in the other, Art Does (Not!) Exist is both funny and nourishing.

"The poetry in this collection explores insights that paradoxes point to in our lives, as energizing antidotes to bland generalities. What's the present, when past and future erupt into it? Can truth be found among our very errors? Can we speak beyond the limits of language? Do we all live in the same world, if different animals see it differently? There are many sorts of poems here, about love, family, farming, war, nature ... seeking a wider view of life in our age."--

In Light of My Eye, Paula Jacques, born in Egypt, recreates the vanished world of cosmopolitan Cairo with remembered affection and amusing dialogue. Her novel depicts the turbulent waning days of its once thriving Jewish community, during the strange and ominous time between the collapse of the Egyptian monarchy and Nasser's rise to power. At its center are the pre-adolescent Mona Castro and her family, whose lives and destinies the author evokes in a series of scenes that veer between poignancy and wit. Mona's coming of age is marked by her youthful rebellion against her domineering mother, Becky; the illness of the beloved family patriarch, Joucky; and her half-innocent dalliance with an older man, a refugee from eastern Europe. The surrounding ensemble of relatives, whose family gatherings attempt to cope with a history that will overwhelm them, shifts the focus from Mona' s tale to a chronicle of a proud, doomed family.

"At the turn of the twentieth century, over forty percent of the world's Jews lived within the Russian Empire, almost all in the Pale of Settlement. From the Baltic to the Black Sea, the Jews of the Pale created a distinctive way of life little known beyond its borders. This led the historian Simon Dubnow to label the territory a Jewish 'Dark Continent.' Just before World War I, a socialist revolutionary and aspiring ethnographer named An-sky pledged to explore the Pale. He dreamed of leading an ethnographic expedition that would produce an archive--what he called an Oral Torah of the common people rather than the rabbinic elite--which would preserve Jewish traditions and transform them into the seeds of a modern Jewish culture. Between 1912 and 1914, An-sky and his team collected jokes, recorded songs, took thousands of photographs, and created a massive ethnographic questionnaire. Consisting of 2,087 questions in Yiddish--exploring the gamut of Jewish folk beliefs and traditions, from everyday activities to spiritual exercises to marital intimacies--the Jewish Ethnographic Program constitutes an invaluable portrait of Eastern European Jewish life on the brink of destruction. Nathaniel Deutsch offers the first complete translation of the questionnaire, as well as the riveting story of An-sky's almost messianic efforts to create a Jewish ethnography in an era of revolutionary change. An-sky's project was halted by World War I, and within a few years the Pale of Settlement would no longer exist. These survey questions revive and reveal shtetl life in all its wonder and complexity." -- Publisher's Web site.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.