That rarest of things, a children's book for "children" of all ages.... In this picaresque and highly entertaining novel, Leutenlieb, a.k.a. Baron Munchausen (great-great-great grandson of his celebrated ancestor), takes us on a roller-coaster ride through the history of the Twentieth Century, introducing us along the way to a galaxy of iconic figures - from Hitler to Hemingway, from Al Capone to Greta Garbo - while describing how, with breath-taking imagination, brilliant ingenuity and technological expertise of staggering proportions (not to mention legendary modesty!) he succeeds in solving all the problems with which he is faced. The darker side is there too - two world wars, Nazi extermination camps and Soviet labour camps - but through it all our protagonist maintains his optimism, his integrity, his belief in the power of the indomitable human spirit, and his sense of humour. The full tragi-comedy of life is there. Shlomo Kalo, a nominee for the Nobel Prize in Literature and a story teller of international renown brings us a book of refreshing insights and ingenious humor that younger readers can enjoy too. Scroll up and grab your copy today!

Nearly 40 years ago, contemplating a dogfight between Israeli and Syrian jets, Shimon Tzabar got to thinking about how war works. The result is a crystal-clear, at times funny inversion of such classics as Sun-Tzu's The Art of War. Readers find the facts on why often — almost always, in major conflicts throughout history — victory is not all it's cracked up to be. Practical advice is offered as well, such as what to do if you're in danger of winning, and how to surrender in the midst of a firefight.

"The theme of this book involves the Holocaust [...]. Itzkoff's main concern is to understand and explain this event in the context of Jewish history and the unfolding meaning of Western civilizational experience"--Front flap.

How involved should the government be in American healthcare? Ronald Hamowy argues that to answer this pressing question, we must understand the genesis of the five main federal agencies charged with responsibility for our health: the Public Health Service, the Food and Drug Administration, the Veterans Administration, the National Institutes of Health, and Medicare. In examining these, he traces the growth of federal influence from its tentative beginnings in 1798 through the ambitious infrastructures of today - and offers startling insights on the current debate. The author contends that until the twentieth century, governmental involvement in health care policy was nominal. With the sweeping food and drug reforms of 1906 and the Medicare amendments to Social Security in 1965, a whole new system of health care was brought to the American public. A careful analysis of the various programs generated by this legislation, however, shows a different picture of pet projects, budgetary lobbying, competitive bureaucracy and discord between the agencies and their opposition. Government and Public Health in America provides an illuminating look at the complicated forces that created these institutions and provokes discussion about their usefulness in the future. Hamowy's thoroughly researched analysis fills a substantial gap in the history of health policy. Economists, political scientists, historians, sociologists and health professionals concerned with the interface between government and health care will find much to recommend in this highly readable account of a fascinating topic.

For most of its history, the American gay movement has been part of the democratic Left. Gay liberation’s founders were Communists, and its activist core is still overwhelmingly progressive. But in recent years, a more affluent group of gay men has begun to make its mark. Though they are a minority in the queer community (which includes people of all races, classes and genders), conservatives have become the loudest gay voices in the mainstream media. With their withering contempt for feminism and radical politics, these ‘gayocons’ are changing the movement’s public image. Unless their rise is met by a persuasive critique, they may also alter its heart and soul. The Attack Queers offers such a critique. It describes how the gay Right agenda differs from the one the queer community has long embraced. Never abandoning its analysis of the complex relationship between homosexuals and liberal society, the book examines the conflict between liberationists and assimilationists that has raged since the Stonewall era, and explores how political success tipped the balance and facilitated the rise of the gay Right. Finally this book offers an alternative to gay conservatism grounded in queer humanism, a distinct sensibility that has been a major force in progressive thought for more than a century.

A comprehensive history of the Holocaust in Hungary, relating also to the history of Hungarian Jewry from its emancipation in 1849 to the present. The first anti-Jewish laws in the 1920s and the increase of antisemitism in the 1930s were followed by persecution, forced military occupation by the Nazis, ghettoization, and deportation. Discusses the events of the Holocaust according to six territorial zones: the Carpathians and the northeastern parts of Hungary; northern Transylvania; northern Hungary; southeastern Hungary; western Hungary; Budapest and environs. Describes the fate of the Jews in many locations. Relates, inter alia, to the military labor service units, the Jewish Council, Jewish rescue operations, the Nazis' actions and the cooperation of the Hungarian authorities, and the actions of the Arrow Cross, as well as international interventions and rescue actions of the Christian Churches.

R. H. Quaytman is one of the most outstanding contemporary American artists, trying to revive and update the intellectual and emotional potential of the painting medium. Her work, which is a constantly evolving project, is a multi-threaded story divided into subsequent chapters, which, despite their apparent separateness, connect with each other. These images often have a strong autobiographical basis. Feminist threads appear here many times. Part of the series is a record of the artist's family history. We can find here the motives of her experiencing motherhood and raising her daughter. "The Sun" - the name of the first chapter refers to the title of the newspaper in which the artist found a notification of the sudden, tragic death of her grandfather. Her visit to Łódź in 1999, for many reasons of a city that was particularly important to her, initiated a fascination and then a constant creative dialogue with the art of Władysław Strzemiński and Katarzyna Kobro. Despite the fact that the impulse to create many of her works were genuine important events in the artist's life, these images escape unambiguous interpretation. Often times, it only becomes clearer when they are put together, when their relationships, bonds and influence are formed.

Based on an intriguing alternative history hypothesis, this novel imagines a world where the Moors never left Southern Spain after their 800-year reign but instead expanded their empire across Europe. This fascinating premise is explored through the chaotic lens of a bumbling film crew in the Sahara desert. The director, lost in a haze of Moroccan kif, has embraced the local culture a little too enthusiastically. With the scriptwriters gone and the leading actor in a perpetual sulk inside his Airstream, the production is at a standstill. Enter Tinctorio Indigolin, a bitcoin billionaire on the run from a Shakespeare-quoting Irish assassin. In a bid to leverage a tax loss, Indigolin acquires the film rights, injecting a new lease of life into the project. Mysteriously, a captivating screenplay begins to appear on set, page by page, night after night. Penned by an enigmatic writer, the script proposes a world where the Moors didn't just resist expulsion in 1492 but went on to dominate Spain, France, and Italy, creating an Islamic State of Europe. As the screenplay unfolds, it transforms the lives of everyone involved in the film. The narrative weaves through a labyrinth of twists, assassinations, and narrow escapes, employing the most unexpected methods, only to culminate in the most uplifting conclusion you'll encounter this year.

Bringing together essays, research studies, etc., written over the past two decades, this book traces a history of political & intellectual debates on the left & in cultural studies, around central issues of education, labour & the youth question.

The #1 national bestseller now revised and updated with a new Epilogue. Now aged 75, Peter C. Newman at last tells the story of his stranger-than-fiction life. Try to keep up as we follow his many lives: as a pampered child in a Czech chateau; a Jewish kid in short pants being machine-gunned by Nazi fighter planes on the beach at Biarritz, en route to the last ship to escape from France in 1940; as a refugee on an Ontario farm; as an outsider on a scholarship at Upper Canada College; as a Financial Post journalist, then an author whose Renegade in Power made Canadian politics dramatic and disrespectfully exciting for the first time; as the man who revealed the secrets of the rulers of the Canadian business world in The Canadian Establishment , and other huge business success stories, including The Establishment Man , on Conrad Black; or the millionaire who turned his back on business books and tackled Canadian history ( Company of Adventurers and other triumphs), in a career where his work has dominated the bestseller lists in politics, business, history, and current affairs. In the midst of all this were his years at the Toronto Star and Maclean’s where, as editor, he took the magazine weekly – a huge accomplishment. He is still a legend there, where his columns continue to run. He knew and wrote about every prime minister from Louis St. Laurent to Paul Martin and every prominent Canadian – hero or villain – in between. Yet his most interesting character is – Peter C. Newman. Incredibly, this central figure known to millions of Canadians sees himself as a perennial outsider. In personal terms, the rich little Czech boy whose nannies never stayed talks frankly about his marriages and the women he has known before his ultimate marriage to his beloved Alvy. His enthusiasms – from jazz to the Canadian Navy, not to mention his adventures on his beloved sailboat – make for a rich portrait of an astonishingcharacter, one who never stops being controversial.

Analyzes the views of Jewish philosophers on the problem of evil and suffering of innocents, stressing their philosophical, not merely religious, responses to the problem. In ch. 10 (pp. 185-219), "The Holocaust", the views of post-Holocaust thinkers Elie Wiesel, Richard Rubenstein, Emil Fackenheim, Arthur Cohen, Eliezer Berkovits, and Ignaz Maybaum are examined, as well as some Christian reactions to the Holocaust. Traditional Jewish thought regards God as very remote from the human world; He gave human beings the Law and freedom of choice, but refrains from intervening in human matters. However, the enormity of the Holocaust in comparison to other Jewish disasters presents a serious problem - why did He not intervene in this special case? The philosophers answer basic questions - such as, does God intervene in history at all; where was He during the Holocaust; does He understand our sufferings; did He partake in the tragedy, and if so, what were His intentions - in different ways. They all insist, however, that we must not abandon Judaism. Criticizes weak aspects of each explanation.

From drawing and painting to printmaking and sculpture, the work of Nicole Eisenman (born 1965) combines formal experimentation with wide-ranging references to art history. Her critical and often humorous commentary on the ever-changing nature of public life consistently challenges power structures and normative conceptions of gender.0Nicole Eisenman: What Happened documents the breadth of the artist's career with over 200 color illustrations, explored in 10 newly commissioned texts. Essays by curators Mark Godfrey and Monika Bayer-Wermuth survey developments in Eisenman's work since the 1990s, while Chloe Wyma considers Eisenman's recent engagements with national and institutional politics.00Exhibition: Museum Brandhorst, Munich, Germany (24.03. - 10.09.2023) / Whitechapel Gallery, London, UK (11.10.2023 - 14.01.2024).

Few philosophical issues have had as long and elaborate a history as the problem of free will, which has been contested at every stage of the history of the subject. The present work practices an extensive bibliography of this elaborate literature, listing some five thousand items ranging from classical antiquity to the present.

Twenty years ago, the second wave of feminism in Britain was marked by the Women's Liberation Conference in Oxford. The author interviewed women who were there, and has produced portraits of a generation of women who came to political consciousness at a crucial moment in history.

Born in a displaced persons' camp two years after the end of the Holocaust, Michael Gawenda spent his childhood and teenage years in a left-wing non-Zionist Jewish youth group in Melbourne. This shaped the sort of Jew he became - a secular Jew who loved the Yiddish language and Yiddish culture. Gawenda went on to become a public figure during his 40 years as a journalist, including his role as editor-in-chief of The Age - the only Jewish editor-in-chief in the newspaper's history. Throughout this time, and since, he became dismayed and pained by the growing hostility of the left to Israel and to Jews like him who were not prepared to declare themselves as anti-Zionists. This has also forced him to examine his own Jewish identity and his relationships with his Jewish friends, and to forensically examine the basis of the critiques of Israel. At a time of rising anti-Semitism and anti-Zionism, My Life as a Jew is a controversial book. It is also a vital book. It should be read by activists for Israel and Zionism, as well as for the Palestinians. It should be read by readers of all political stripes. It should be read by journalists, as it is in part about journalism and its failings. And it should also be read by people interested in the remarkable life and career of its author, Michael Gawenda.

As with so many members of his generation, down-on-his-luck writer-filmmaker Milton Siegel has what some might call an unhealthy fixation on the TV shows, movies, books, music, and celebrities from his childhood that spanned the 1980s and 1990s. Unlike many of his generation, Milt has spent most of his life as an adult (so to speak) chronicling this same pop culture of his youth. Hey, it's a living ... sometimes. After quitting his job at a regional newspaper (or after having been fired, depending on who you ask), Milt finds himself on what becomes a quixotic quest to promote his latest pop culture history project around the country over one progressively insane and hilarious month. Throughout his many misadventures to come, Milt must contend with: a horde of salivating manic nerds, an inexplicable rash of natural disasters, clickbait-concocting media pundits, overly ambitious pseudo-celebrities, bafflingly incompetent event coordinators, a desperately hemorrhaging bank account, a super seductive stripper, ultra-competitive frenemies, and his own sense of the precarious future while being so embroiled in his childish past. In the end, it's up to Milt to make it through the month-long nomadic tour of laughter, tears, and revelations ahead without losing his mind. If he's really lucky, he might even make rent, keep his new wife from fleeing in terror, and perhaps have a little fun along the way. --from Amazon.

Martin Jay tackles a question as old as Plato and still pressing today: what is reason, and what roles does and should it have in human endeavor? Applying the tools of intellectual history, he examines the overlapping, but not fully compatible, meanings that have accrued to the term "reason" over two millennia, homing in on moments of crisis, critique, and defense of reason. After surveying Western ideas of reason from the ancient Greeks through Kant, Hegel, and Marx, Jay engages at length with the ways leading theorists of the Frankfurt School—Horkheimer, Marcuse, Adorno, and most extensively Habermas—sought to salvage a viable concept of reason after its apparent eclipse. They despaired, in particular, over the decay in the modern world of reason into mere instrumental rationality. When reason becomes a technical tool of calculation separated from the values and norms central to daily life, then choices become grounded not in careful thought but in emotion and will—a mode of thinking embraced by fascist movements in the twentieth century. Is there a more robust idea of reason that can be defended as at once a philosophical concept, a ground of critique, and a norm for human emancipation? Jay explores at length the ommunicative rationality advocated by Habermas and considers the range of arguments, both pro and con, that have greeted his work.

"This cleverly plotted, engrossing read will appeal to maturing fans of Jon Scieszka’s ‘The Time Warp’ series." — SCHOOL LIBRARY JOURNAL Fresh from a dangerous time-traveling mission, Eli Sands and his friends Clyne, the dinosaur, and Thea, the scholar from Alexandria, are thrown into nineteenth-century America. While Clyne is stranded alone, Thea and Eli pop up at the start of the Lewis and Clark expedition, where Thea is mistaken for a runaway slave. After a close escape, the friends make an unsettling discovery about a Prime Nexus that they may have caused — and which will surely change all of history to come.

"Readers will revel in the fractured time line, as well as in Eli’s ruminations on relativity, unintended consequences of technology, and quantum flux." — SCHOOL LIBRARY JOURNAL After another close call, Eli Sands, aka Danger Boy, is back in San Francisco in 2020. The bad news is that he and his friends, Clyne and Thea, are being held captive by the government agency DARPA. Since their last foray into the Fifth Dimension, history has been unraveling, the deadly slow pox is spreading fast, and DARPA wants to send Eli back in time to ancient Jerusalem. But Eli and crew discover a city in ruins from a Babylonian invasion and an angry mob ready to stone them. Will Danger Boy and company ever find their way home again?

In early 1965 at age thirteen, Mark Aarons came under the 'adverse notice' of ASIO, which opened volume one of his nine-volume security file. Mark was following in the footsteps of his father, Laurie Aarons, whose 85-volume file commenced in the early 1930s when he was fourteen. For four generations the Aarons family were 'subversive revolutionaries', avowed communists who challenged the established constitutional order. Having obtained access to his family's ASIO files - the largest collection in the nation's history - Mark Aarons combines their meticulous chronicles with his family's own accounts to tell a political tale of revolution and dissent, idealism and intrigue. It is also an intimate story of life under surveillance, a reflection on communism and its legacy, and on what it was to be a radical in Australia in eventful times.