[From the flap] "Rabbi Akiba, the learned, pious hero of this classic biography, ranks in depth of intellect, breadth of sympathy, and clarity of vision with the foremost personalities in Jewish tradition.l According to Dr. Finkelstein, Akiba "dominated the whole scene of Jewish history for eighteen centuries...and possessed that colorful personality which made him the most revered, as well as the most beloved, of talmudic sages." In an awesome masterwork of scholarship, Dr. Finkelstein, one of the most eminent scholars and religious leaders of our time, has sifted through scores of scattered talmudic reference to paint a richly detailed and intimately felt portrait of this rabbinic hero. Comprehensive footnotes help guide the interested reader to specific sources."

This is the first study in English of a major and instructive episode in the history of the Soviet Union. The Stakhanovite movement commemorated the mining of 108 tons of coal by Alexi Stakhanov in 1935 and it was an important symbol by which the state urged workers to achieve greater productivity. As Siegelbaum shows, Stakhanovism can be used to explore the social relations within Soviet industry at a critical stage in its development. In this sense, Stakhanovism was an important symbol of a shift in official priorities from construction of the means of production via increasing inputs of labor to intensive use of capital and labor.

The site of a thriving literary tradition, Washington, DC, has been the home to many of our nation's most acclaimed writers. From the city's founding to the beginnings of modernism, literary luminaries including Walt Whitman, Paul Laurence Dunbar, Alice Dunbar-Nelson, Henry Adams, Langston Hughes, and Zora Neale Hurston have lived and worked at their craft in our nation's capital. In A Literary Guide to Washington, DC, Kim Roberts offers a guide to the city's rich literary history. Part walking tour, part anthology, A Literary Guide to Washington, DC is organized into five sections, each corresponding to a particularly vibrant period in Washington's literary community. Starting with the city's earliest years, Roberts examines writers such as Hasty-Pudding poet Joel Barlow and "Star-Spangled Banner" lyricist Francis Scott Key before moving on to the Civil War and Reconstruction and touching on the lives of authors such as Charlotte Forten Grimké and James Weldon Johnson. She wraps up her tour with World War I and the Jazz Age, which brought to the city some writers at the forefront of modernism, including the first American to win the Nobel Prize for Literature, Sinclair Lewis. The book's stimulating tours cover downtown, the LeDroit Park and Shaw neighborhoods, Lafayette Square, and the historic U Street district, bringing the history of the city to life in surprising ways. Written for tourists, literary enthusiasts, amateur historians, and armchair travelers, A Literary Guide to Washington, DC offers a cultural tour of our nation's capital through a literary lens.

Is Faith Darwin Asbury really Grace Paley? Or is it coincidental that the personal history, politics, and relationships of the fictional Asbury seem to mirror those of the well-known author? And do other characters in Paley's stories represent individuals she has known, in scenes and entire episodes she has experienced? A writer who translates her life into art not only "saves" her own life, according to Paley, but offers others the revelation of its meaning. That idea is at the core of Judith Arcana's biographical reading of this strongly autobiographical writer. Grace Paley's Life Stories interweaves details about Paley with critical discussions of her works, examining her as a woman, mother, activist, and Jew. Arcana visited and interviewed Paley at her homes in Vermont and New York over a period of several years. She also interviewed Paley's family, friends, and colleagues. Such extensive research is unmatched in Paley scholarship; Arcana's focus on the political crucible of Paley's consciousness is rare in contemporary literary criticism.

"Culture and Cultural Entities provides an original philosophical analysis of the nature and explanation of cultural phenomena, with special attention to ontology and methodology. It addresses in depth such topics as: the relation between physical and biological nature and cultural phenomena; the analysis of intentionality; the nature and explanation of action; causality; causal explanation and the unity of science; theories of language; historicity; animal and human intelligence; psychological and social phenomena; technology and evolution. Its approach features a form of non-reductive materialism, examines a wide range of views, and is highly readable, making it suitable for professionals, advanced undergraduate and graduate students, and an informed general audience. A new chapter was added to give a sense of pertinent trends since the appearance of the first edition, particularly with respect to the history of philosophy, pragmatism, the unity of science, and evolution. The unity, scope, and simplicity of the theory are well-regarded."--P. [4] of cover.

In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.

Why does God speak to human beings? Is it to impart information? Is it to unveil the secret of His Being? Is it to pronounce judgment? When we probe deeply into these questions, the author contends, we find that God does not speak to mortals simply to satisfy their curiosity or sense of guilt. He speaks to his people in order to establish with them a personal, covenantal relationship. God reassures them, He claims them for Himself, He gives Himself to humankind, He holds on to them as a Father to an unruly child. The covenant as a theological category opens up the whole aspect of human destiny and puts mortals and creation in a new perspective. This doctrine is so fundamental to theological reasoning, the author argues, that we may describe it as the axiom of biblical faith. From this axiom he goes on to define such other biblical themes and doctrines as the relation between evil and sin; the "plan," meaning, and time of salvation; the fall, the cross, and the sacraments; the covenant as creation and as revelation; history as a moral testing ground; Christ as the End of time; and the new age.

Here is a sustained criticism of the "rather facile use" of rabbinic literature by New Testament scholarship. In particular, Neusner addresses the writings of Helmut Koester, Samuel Sandmel, Reginald Fuller, Harvey Falk, Geza Vermes, E.P. Sanders, S.J.D. Cohen, Morton Smith, John P. Meier, and Brad H. Young. The book begins with a study of the characteristics of rabbinic literature and a demonstration of why this literature cannot be easily used for the kind of history New Testament scholarship proposes to produce. Then follow critiques of the writings by various New Testament scholars and the differences between Professor Neusner and his critics. A concluding section pays tribute to the New Testament field for all it has taught the author.

The Talmud - the Mishnah, a philosophical law code, and the Gemara, a dialectical commentary upon the Mishnah - works by translating principal modes of Western philosophy and science into the analysis of the rules of rationality governing the rules of humble, everyday reality. Science, in particular the method of hierarchical classification characteristic of natural history, supplies the method of making connections and drawing conclusions to the Mishnah, the law-code that forms the foundation-document of the Talmud, as Neusner demonstrated in his "Judaism as Philosophy. The Method and Message of the Mishnah," Here he proceeds to show how philosophy, specifically dialectical analysis, defines the logic of the Gemara and guides the writers of the Gemara's compositions and the compilers of its composites in their analysis and amplification of some of the topical presentations, or tractates, of the Mishnah.

This study of the history of Judaism is organized around the polarities of timelessness, change, eternity, and the historical present.

Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which "Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington Post Book World" A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant

Forty-six essays, presented by avowedly anti-Castro editors and gathered mostly from US journals and books of the past couple decades, are organized into five sections devoted to the history, economy, society, military, and polity of Cuba. Some of the specific topics treated include: Cuban and Soviet relations; decentralization, local government, and participation; economic policies and strategies for the 1990s; the politics of sports; political and military relations; and forecasting institutional changes after Castro. In addition, two appendices present a chronology of the Cuban revolution from 1959 to 1998 and biographical essays on 19 revolutionary leaders. Annotation copyrighted by Book News, Inc., Portland, OR

Complete book and lyrics, illustrated. The Ziegfeld Follies of 1919 opened at one of the most transitional times in American history. World War I had just ended, Prohibition was soon to take effect, and America was on the verge of the Jazz Age. The review ran for 171 performances, the longest of any Follies up to that time and is consider the best of Ziegfeld's Follies. It is primarily remembered today as the Follies that introduced Irving Berlin's "A Pretty Girl is Like a Melody" and that showcased Ziegfeld's unrequited love interest at the time, Marilyn Miller.

Is the Bible actually a love story between a deity and a people? And what does this love story have to do with the modern world? In With All Thine Heart distinguished cultural critic Ilan Stavans speaks to freelance writer Mordecai Drache about love in the Bible. Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective tissue that binds this work. Addressing a wide range of topics, from biblical archaeology and fundamentalism to Hollywood movies, lexicography, and the act of praying, With All Thine Heart suggests that the Hebrew Bible is a novel worth decoding patiently, such as one does with classics like Don Quixote de la Mancha, In Search of Lost Time, and Anna Karenina. Similar to the protagonists in these tales, biblical characters, although not shaped with the artistic nuance of modern literature, allow for astonishing insight. This exploration of love through the pages of the Bible--organized chronologically from Genesis to Exodus and followed by insightful meditations on the Song of Songs and the Book of Job--is a delightful intellectual and spiritual treat . . . Shema Ysrael!

This book is primarily intended to meet the requirements of students who already have an acquaintance with the broad outlines of Indian History. Special stress has been laid on administrative, social, economic and cultural aspects which do not always rec

Recounts the transformation of two daily newspapers in the face of economic downturns and sweeping technological change. In 1978, Harry Rosenfeld left the Washington Post , where he oversaw the paper’s standard-setting coverage of Watergate, to take charge of two daily papers under co-ownership in Albany, New York: the morning Times Union and the evening Knickerbocker News . It was a particularly challenging moment in newspaper history. While new technologies were reducing labor costs on the production side and providing ever more sophisticated tools for journalists to practice their craft, those very same technologies would soon turn a comparatively short-lived boom into a grave threat, as ever more digitally distracted readers turned to sources other than print and other legacy media for their news. Between these boundaries, Rosenfeld set about to do his work. Picking up where his previous memoir, From Kristallnacht to Watergate , left off, Battling Editor tells the story of how Rosenfeld and his colleagues transformed two daily publications into alert and aggressive newspapers even in times of economic downturn. Bringing the investigative habits he had honed in his years at the New York Herald Tribune and the Washington Post , Rosenfeld’s objective was to tell the fully rounded stories of the region’s cities, suburbs, and rural towns, with awareness of both their achievements and their shortcomings. Furthermore, the misuse of power, whenever it happened, whether in city hall or the state capitol, in courtrooms or prisons, or in hospitals, corporations, community organizations, was to be exposed, and those accountable were to be held responsible. More importantly, however, Rosenfeld’s account is enlisted in the growing call to arms for all who cover the news and all who consume it. Written at a time when the credibility of news organizations is under attack by those at the highest levels of government, Battling Editor is a full-throated defense of fact-based journalism and hard-hitting reporting at the local as well as national level. “Harry’s book is often about tough decisions, and it stands out as a handbook on how to live an ethical life in the news business right now. Is it possible to tell the truth all the time? Sometimes. But this is an instructive narrative—especially today when the truth is such a rare commodity in the White House and Congress, and the financially beleaguered press is itself under threat as an enemy of the people. Harry and his family lived in Nazi Germany, and escaped it in 1939. A large part of his subsequent life has been an ongoing war against fascism, racism, and political criminals. This book explains how he waged that war on a daily basis in the newsrooms he managed so well, and for so long.” — from the Foreword by William Kennedy “Harry Rosenfeld made a choice. He left an exciting job at the Washington Post for the chance to do what so many editors dream of—become the guy in charge of two vibrant regional newspapers. What fun he had as a boss—being responsible for stories about local heroes, crooked politicians, and the day-to-day doings of a capital city. There also is a tinge of nostalgia in Harry’s memoir, for the kind of local reporting Harry lived for has all but disappeared in today’s newspaper world. Local coverage has been stripped away in newspaper after newspaper as all are facing dwindling readership and disappearing income.” — Seymour M. Hersh

Consists of 11 essays that examine fascism's causes and effects by various Llewellyn Woodward, The Study of Contemporary History; George L. Mosse, The Genesis of Fascism; Robert J. Soucy, The Nature of Fascism in France; Gilbert D. Allardyce, The Political Transition of Jacques Doriot; Adrian Lyttelton, Fascism in Italy - The Second Wave; Eugen Weber, The Men of the Archangel; Ludwig Jedlicka, The Austrian Heimwehr; Paul M. Hayes, Quisling's Political Ideas; Erwin Oberlander, The All-Russian Fascist Party; Hugh Thomas, The Hero in the Empty Room -- Jose Antonio and Spanish Fascism; Hugh Seton-Watson, Fascism Right and Left

Kennikat Press, 1971, Very good., Bright, clean, tight. No dust jacket. American History and Culture in the Twentieth Century. [American History, American Culture, Labor Unions, Political Science] Out-of-print and antiquarian booksellers since 1933. We pack and ship with care.

First Published in 1989 London Jewry and London Politics 1889-1986 is a study of the relationship between the London Jewish community, the London County Council, and the Greater London Council. Geoffrey Alderman draws on a wealth of primary and secondary material to illuminate a dialogue that began, a hundred years ago, in a mood of great optimism and co-operation, but which ended, in the early 1980s, in a welter of insults and antagonisms. Alderman adopts a chronological approach, looking first at the Jewish involvement in London government prior to the establishment of the London County Council in 1889. He then analyses the contribution made by London Jewry to the periods of progressive control and conservative rule. With the arrival of Jewish immigrants from Eastern Europe the nature of the Jewish electorate underwent considerable change and Alderman describes how the government exploited prejudice against the Jewish community causing LCC to adopt blatantly antisemitic policies. The Labour victory of 1934 was in part due to the Jewish vote, but the period of Labour rule was a disappointment and an anticlimax. This illuminating account of hundred years is an essential read for scholars and researchers of British history.

Menaḥem Mendel Schneerson (1902-1994) was the seventh and seemingly last Rebbe of the Habad-Lubavitch dynasty. Marked by conflicting tendencies, Schneerson was a radical messianic visionary who promoted a conservative political agenda, a reclusive contemplative who built a hasidic sect into an international movement, and a man dedicated to the exposition of mysteries who nevertheless harbored many secrets. Schneerson astutely masked views that might be deemed heterodox by the canons of orthodoxy while engineering a fundamentalist ideology that could subvert traditional gender hierarchy, the halakhic distinction between permissible and forbidden, and the social-anthropological division between Jew and Gentile. While most literature on the Rebbe focuses on whether or not he identified with the role of Messiah, Elliot R. Wolfson, a leading scholar of Jewish mysticism and the phenomenology of religious experience, concentrates instead on Schneerson's apocalyptic sensibility and his promotion of a mystical consciousness that undermines all discrimination. For Schneerson, the ploy of secrecy is crucial to the dissemination of the messianic secret. To be enlightened messianically is to be delivered from all conceptual limitations, even the very notion of becoming emancipated from limitation. The ultimate liberation, or true and complete redemption, fuses the believer into an infinite essence beyond all duality, even the duality of being emancipated and not emancipated--an emancipation, in other words, that emancipates one from the bind of emancipation. At its deepest level, Schneerson's eschatological orientation discerned that a spiritual master, if he be true, must dispose of the mask of mastery. Situating Habad's thought within the evolution of kabbalistic mysticism, the history of Western philosophy, and Mahayana Buddhism, Wolfson articulates Schneerson's rich theology and profound philosophy, concentrating on the nature of apophatic embodiment, semiotic materiality, hypernomian transvaluation, nondifferentiated alterity, and atemporal temporality.