Baseball, first dubbed the "national pastime" in print in 1856, is the country's most tradition-bound sport. Despite remaining popular and profitable into the twenty-first century, the game is losing young fans, among African Americans and women as well as white men. Furthermore, baseball's greatest charm--a clockless suspension of time--is also its greatest liability in a culture of digital distraction. These paradoxes are explored by the historian and passionate baseball fan Susan Jacoby in a book that is both a love letter to the game and a tough-minded analysis of the current challenges to its special position--in reality and myth--in American culture. The concise but wide-ranging analysis moves from the Civil War--when many soldiers played ball in northern and southern prisoner-of-war camps--to interviews with top baseball officials and young men who prefer playing online "fantasy baseball" to attending real games. Revisiting her youthful days of watching televised baseball in her grandfather's bar, the author links her love of the game with the informal education she received in everything from baseball's history of racial segregation to pitch location. Jacoby argues forcefully that the major challenge to baseball today is a shortened attention span at odds with a long game in which great hitters fail two out of three times. Without sanitizing this basic problem, Why Baseball Matters remind us that the game has retained its grip on our hearts precisely because it has repeatedly demonstrated the ability to reinvent itself in times of immense social change.

A sophisticated coming-of-age memoir tracing a modern Holly Golightly from girl- to womanhood and from fantasy to realityFrom the glittering skyscrapers of Manhattan's media elite to the slacker haven of a fashionably low-rent L. A. bar, Strawberry Saroyan traces her journey not only from girl- to womanhood, but from fantasy to reality. A powerful and profoundly post-modern coming of age story, with a voice reminiscent of Liz Phair one moment and Mary McCarthy the next, Girl Walks into a Bar explores Saroyan's struggle not only with who she is and who she wants to be, but also who she is in the context of what she's supposed to embody: the iconic media-promulgated 'girl', a 21st-century version of Audrey Hepburn standing outside Tiffany's looking at diamonds. episodes of Saroyan's life and brings them to the page as a filmmaker might, zeroing in on the crucial 'scenes': losing her virginity, starting her own riot grrly magazine, falling in dysfunctional love. Yet all the while, she's trailed by that other black-clad girl, the Platonic ideal of so many modern young women's fantasies. Will they ever meet? That question lies at the heart of Saroyan's genre-bending meoir. Girl Walks into a Bar promises to be one of the most memorable debuts of the year. Strawberry Saroyan was born in 1970 and grew up in California. After graduating from Barnard, she was an editor at Conde Nast Traveler. Her writing has appeared in Salon, Elle and Vogue. She lives in Los Angeles.

Most mathematicians, when asked about the nature and meaning of mathematics, vacillate between the two unrealistic poles of Platonism and formalism. By looking carefully at what mathematicians really do when they are doing mathematics, Reuben Hersh offers an escape from this trap. This book of selected articles and essays provides an honest, coherent, and clearly understandable account of mathematicians' proof as it really is, and of the existence and reality of mathematical entities. It follows in the footsteps of Poincare, Hadamard, and Polya. The pragmatism of John Dewey is a better fit for mathematical practice than the dominant ""analytic philosophy''. Dialogue, satire, and fantasy enliven the philosophical and methodological analysis. Reuben Hersh has written extensively on mathematics, often from the point of view of a philosopher of science. His book with Philip Davis, The Mathematical Experience, won the National Book Award in science.

First published in 1982, this book is inspired the ideas generated by Eric Hobsbawm, and has taken shape around a unifying preoccupation with the symbolic order and its relationship to political and religious belief. It explores some of the oldest question in Marxist historiography, for example the relationship of 'base' and 'superstructure', art and social life, and also some of the newest and most problematic questions, such as the relationship of dreams and fantasy to political action, or of past and present -- historical consciousness -- to the making of ideology. The essays, which range widely over period and place, are intended to break new ground and take on difficult questions.

Neither Anne nor Emily remembered choosing the book at the library, but when as they read it, the boundary between their world and the one described in the book disappears. Suddenly they are in Sherwood Forest, where they join Robin Hood's band. The further adventures that await Anne, Emily, and their brother, Will, are the kind they had always dreamed about. They had yearned for magic as strong as the spell cast by the stories they loved best. But then an uninvited guest turns up at their parents' garden party. The sinister man snatches the book with the intention of using its powers for evil, and the siblings find themselves engaged in a battle to regain possession of the book. Richly detailed black-and-white drawings enliven this intriguing literary fantasy, which pays homage to some of the heroes of the author's childhood, among them E. Nesbit, Edward Eager, and Leo Tolstoy.

Muriel Rukeyser's previously unpublished play presents the captivating life of Harry Houdini, one of our country's most intriguing celebrities. The play is magical, sexy, and provocative-presenting Houdini's life from his Brooklyn childhood and tricks (picking up pins with his eyelids) and his young romance with wife Bess, to his relationship with his mother; from picking the lock of a jail and releasing his circus companions to Houdini's Congressional Hearing and his famous escape acts. Part biography, part fantasy, Rukeyser explores issues that tap into desire, race, family, and politics. "Houdini" was performed once in Lenox, Massachusetts in the early 70's, with Christopher Walken playing the lead. This lost drama will appeal to theater people, Houdini fans, poets, magicians, and anyone interested in the interplay between reality and the imagination. How much of our lives do we conjure? Rooted in the early 70's, but timeless in its underlying theme, "Houdini" joins the Rukeyser resurgence that is well underway.Muriel Rukeyser (1913-1980) is one of our country's most influential, yet neglected writers. She published fifteen collections of poetry, translations, childrens books, and several works of nonfiction. Her "toys of fame" include the Yale Younger Poets Award, the Copernicus Award from the Academy of Arts and Letters, and the Shelley Memorial Award. She served as president of P.E.N. American Center from 1975 to 1976.

American architect Morris Lapidus is best known as the designer of glamorous postwar resort hotels in Florida, such as the Fontainebleau (1954) and the Eden Roc (1955) in Miami Beach, and the Americana in Bal Harbour (1956). Yet in a remarkable sixty-year career that began in 1926, he designed more than 500 retail stores, hotels, apartment complexes, and stage sets that captured the popular spirit and changing face of Main Street America in the twentieth century. Lapidus created fantasy environments in which America's middle class, flush with expanding postwar incomes and optimism, could fulfill its desire for glamor, relaxed luxury, and leisure. His signature forms - chevrons, "beanpoles," "woggles," or amoeba shapes, and curving walls and ceilings punctuated by "cheese holes," or cutouts - have become treasured icons of American postwar vernacular architecture. Born in Russia in 1902, Lapidus was brought to New York by his parents a year later, and the family first settled on the Lower East Side. He completed his architecture degree at Columbia University and first earned a reputation by designing stage sets and retail stores in which he developed new theories in store design and essentially created the modern storefront as we now know it. For his famed resort hotels of the 1950s Lapidus designed not only the vast structures but a melange of quasi-French provincial and Italian Renaissance decorative elements that critics would dub "Miami Beach French," including everything from the tableware to his famous "stairways to nowhere." He was one of the first architects to acknowledge the cinema as an overriding influence on American taste.

His love was like a hurricane Jocko Robinson is the 97th richest man in America and the creator of The Lamplighter, the world-popular TV crime series. But that doesn't stop Jocko from getting shot in the head while looking for a tofu burger in Los Angeles. And that won't stop Jocko from falling helplessly in love with the Hurricane Lady, a former model who calls herself Inertia and serves a crime lord from Cologne. A man in love among a tangle of lovers, Jocko is desperately trying to pry Inertia away from her life of mayhem and promiscuity. To succeed, Jocko has to enter the realm of his own fantasy -- and somehow find a way out again.

First with his magisterial fantasy Bone to his mind-bending, time-warping sci-fi noir RASL, Paleolithic-set fantasy Tüki: Save the Humans, arthouse-styled superheroic miniseries Shazam!, and his latest children's book Smiley's Dream Book, Jeff Smith (b. 1960) has made an indelible mark on the comics industry. As a child, Smith was drawn to Charles Schulz's Peanuts, Carl Barks's Donald Duck, and Walt Kelly's Pogo, and he began the daily practice of drawing his own stories. After writing his regular strip Thorn for The Ohio State University's student paper, Smith worked in animation before creating, writing, and illustrating his runaway success, Bone. A comedic fantasy epic, Bone focuses on the Bone cousins, white, bald cartoon characters run out of their hometown, lost in a distant, mysterious valley. The self-published series ran from 1991 to 2004 and won numerous awards, including ten Eisner Awards. This career-spanning collection of interviews, ranging from 1999 to 2017, enables readers to follow along with Smith's development as an independent creator, writer, and illustrator.

An anthology of eighteen feline fantasies features tales by Stephen King, Ursula LeGuin, Theodore Sturgeon, Gene Wolfe, and other masters of the fantasy genre

"In The Third Body, the poet, novelist, feminist critic, and theorist Helene Cixous interweaves a loose narrative line with anecdotal presentations, autobiography, lyricism, myth, dream, fantasy, philosophical insights, and intertextual citations of and conversations with other authors and thinkers. Cixous evokes the relationship of the female narrator and her lover, a relationship of alternating presences and absences, separations and rejoinings - a passionate and ever-buoyant relationship in which the partners partake of life and death, memory and oblivion, desire and discovery, the transgressive and the visionary, and the chimerical and the "real." This relationship assumes protean forms within a complex web of writing, creating a "third body" out of the entwined bodies of the narrator and her lover. This is a sensuous body endowed with flesh-and-blood reality, and it is also the body of the text: for Cixous, writing is grounded in the physical body, and the physical body becomes writing." "The three dominant texts that Cixous cites or alludes to Wilhelm Jensen's novel Gradiva; Freud's interpretation of that work in the essay "Delusion and Dream"; and Kleist's "Earthquake in Chile" - are integrated with reminiscences of the narrator's dead father, juxtaposed with thoughts about her lover; evocations of the narrator's mother; and ruminations on figures taken from Scripture, classical mythology, and fairy tales." --Book Jacket.

The three are John, Gary and Kris. Three young men who know one another and have learnt to love. Howard Roffman photographed the story of this menage a trois with a loving eye over a long period. Fantasy and reality coalesce and a romantic collage full of sensually erotic pictures is the result.

Available for the first time... the complete saga of Thunder Jim Wade! Written by fantasy legend Henry Kuttner, this collection reprints all five adventures of Thunder Jim Wade from 1941. Long discounted as a Doc Savage clone, THUNDER JIM WADE: THE COMPLETE SERIES brings to life this classic pulp hero and shows him to be much more than a knock-off! Includes an all-new introduction by pulp historian Will Murray!

The only Freudian to have been originally trained in folklore and the first psychoanalytic anthropologist to carry out fieldwork, Gza Rcheim (1891-1953) contributed substantially to the worldwide study of cultures. Combining a global perspective with encyclopedic knowledge of ethnographic sources, this Hungarian analyst demonstrates the validity of Freudian theory in both Western and non-Western settings. These seventeen essays, written between 1922 and 1953, are among Rcheim's most significant published writings and are collected here for the first time to introduce a new generation of readers to his unique interpretations of myths, folktales, and legends. From Australian aboriginal mythology to Native American trickster tales, from the Grimm folktale canon to Hungarian folk belief, Rcheim explores a wide range of issues, such as the relationship of dreams to folklore and the primacy of infantile conditioning in the formation of adult fantasy. An introduction by folklorist Alan Dundes describes Rcheim's career, and each essay is prefaced by a brief consideration of its intellectual and bibliographical context.

"In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi explores how human beings create themselves, and how artists make their lives into art.."--Publisher's description.

Tom Perkins had a dream. It wasn't to get rich, acquire power, or marry into fame. As the man most responsible for creating Silicon Valley, he had done all that. His venture-capital firm, Kleiner Perkins Caufield & Byers, remains the most celebrated money machine since the Medicis. He'd helped found Genentech and fund Google. And in 2006 his resignation from the Hewlett-Packard board triggered the revelation of a spying scandal that dominated the front pages. Along the way, he also managed to get himself convicted of manslaughter in France and become Danielle Steel's Husband No. 5. No, as he hit his seventies, Perkins wanted to create the biggest, fastest, riskiest, highest-tech, most self-indulgent sailboat ever—the "perfect yacht." His fantasy would be a modern clipper ship—as long as a football field, forty-two feet wide, with three masts each rising twenty stories toward the heavens. This $130 million square-rigger—The Maltese Falcon—would evoke the era of magnificent vessels that raced across the oceans in the nineteenth century. But the Falcon is more than a tribute to the past. Gone are all the deckhands to climb the yardarms. Gone is the intricate rigging that helped give the square-riggers of yore their impressive look. Instead, the Falcon's giant carbon-fiber masts are entirely freestanding and rotate by computer. The bridge looks like something out of Star Trek. And the fifteen huge sails unfurl at the touch of a screen. In short, this is a revolutionary machine—the most significant advance in sailing in 150 years. With keen storytelling and biting wit, Newsweek's David A. Kaplan takes us behind the scenes of an extraordinary project and inside the mind of a larger-than-life character. We discover why any sane man would gamble a sizeable chunk of his net worth on a boat; we meet the cast of engineers who conspired with him; and we learn about the other two monumental yachts just built by gazillionaires that Perkins is ever eyeing. In a battle of egos on the high seas, Perkins loves to preen, "Mine's better! Mine's Bigger!" On the Falcon's climactic maiden voyage across the Mediterranean—sixteen hundred nautical miles from Istanbul to Malta to the Riviera—we revel with Perkins as his creation surges along at record-breaking speeds. This is the biography of a remarkable boat and the man who built it. More than a tale of technology, Mine's Bigger is a profile of ambition, hubris, and the imagination of a legendary entrepreneur.

Discusses a variety of feminist issues. Ch. 15 (pp. 375-410), "Holocaust Consciousness, " discusses attitudes of American Jews to the Holocaust. Many of them obsess and agonize about it, but do not try to analyze how and why it happened. After the war, American Jews harbored a rescue fantasy, refusing to face the fact that their government, and especially President Roosevelt, had obstructed efforts to save European Jews. From the 1960s, they have blamed their own leaders for inaction. Deplores the fact that the Holocaust is often the focus of Jewish identity in the U.S. Advocates analyzing the causes of the Holocaust and the changing conditions (e.g. economic upheaval, social desperation) that could have allowed a criminal party to attain power. Discusses the rise in antisemitic incidents in the U.S. in the 1990s. Claims that the cause of antisemitism lies in the patriarchal nature of society: pogroms and the Holocaust are examples of male violence against powerless humans, the Jews, who are seen as a personification of female values (nonviolence, compassion, altruism, cooperation) and a threat to patriarchal structures. Pp. 249-253 deal with the JAP stereotype.

This collection of erotic short stories examines human desire and explores the boundaries between reality and fantasy. The stories explore Freudian obsessions, the innocence of youth, frustration and man's addiction to success. The author has also written The Woman of Rome.

Swords and Sorcery clash with riveting results in these classic stories! "[A] pomegranate writer: popping with seeds—full of ideas." —Ray Bradbury When Robert E. Howard died in 1936, some of the greatest science-fiction and fantasy writers stepped into the void to pen amazing tales of swords and sorcery. Weird Tales published these two stories by iconic author Henry Kuttner, perfect for fans of Conan the Barbarian, and vital for every fantasy reader. Depicting a brutal world of swords and magic, with a hint of the Lovecraft mythos, Kuttner unleashes tales as vital in today’s Game of Thrones world as they were when they first published. Stories include: Cursed be the City The Citadel of Darkness

*The pleasure of your company is requested.* Graceful feet tracing courtly steps. Eyes behind jeweled masks meeting across a room of twirling dancers. Gloved hands touching fleetingly-or gripping swords... Anything can happen at a ball. You are invited to enjoy these stories of fancy and fantasy from thirteen authors, framed in the splendor and elegance of a ballroom. Be it at a house party for diplomats and thieves, or Almacks in a side-universe in which the Patronesses have magic, or a medieval festival just after the plague years ... *Prepare to be swept into the enchantment of the dance *