"In separate but resonating story lines, both men's adventures take them from New York City to the mountainous borderlands of northern Italy, where the line between imagination and reality begins to blur and stories take on a life of their own. Here we are immersed in Rich's vivid, enchanting world, full of captivating characters - the despairing Enzo, who wanders looking for a nameless love; the tiny, doll-like guide, Lang; and the grotesque Eakins. Over this strange, spectral landscape looms the Mayor, a mythic and monstrous figure considered by his townspeople a "beautiful creator," whose pull ultimately becomes irresistible." "From a young writer with exceptional promise, this refreshingly original novel is a meditation on the frustrations of love, the madness of mayors, the failings of language, and the transformative power of storytelling."--BOOK JACKET.

Osip returns to Skender after many years, only to find the blood feud that wiped out so many families, including his own, is still tearing apart the island. On his first day back he meets Bostan and only narrowly escapes with his life. He discovers she is a 'designated man'. The pair fall in love.

When Lily and Ida meet on a flight to America, they embark on a relationship that is to see them through two very different marriages. Lily wants passionately to help people, and to experience romance and adventure at the same time. Falling in love with a married man was not part of the plan. In order to escape her abusive father, Ida flees to America to marry Buddy, looking forward to a clean slate with her new husband. But is having a house and being Mrs. Someone enough for her? Married life will bring them comfort, distress, joy and tragedy in equal measure as the years unfold. Only their friendship can carry them through. First published in 1988, Dear Doctor Lily follows two women as they navigate the complexities of love, family, and friendship.

Lee Emery is an empty nester, contentedly married to a man she has known forever and hunkering down in the house where she grew up. She believes she is happy occupying such a familiar emotional and physical space. But questions of the path not taken start to haunt her after she publishes a memoir of her deliciously eccentric grandmother with whom she traipsed through Europe at eighteen. It was then that Lee fell in love for the first time. Twenty-five years later, "what if" obsessions shake up her settled life. Should she have made a different choice—Simon—instead of the man now next to her? Struck once more by the lingering power of first love, she sets off a chain of events that catapults her back to Europe and to a second chance that she may or may not want to risk.

A story about love and death in Chicago during the age of prohibition, this novel was originally published in 1928 and out of print for nearly 50 years. Set in a boarding house on the north side of Chicago, the novel follows Marry Javlyn, a newspaperman who has just arrived from Iowa; Jo Ruska, a switchboard operator; and Abe Wise, a gangster on the lam. Marry and Jo fall in love, but when Marry is lured away by a glamorous newspaper culture critic, he descends into a Gomorrah of speakeasies, patronage jobs, and dingy art studios. Despite family secrets revealed, betrayed loyalties, and a violent climax, Marry still has a chance in the end for redemption. With an original, rollicking plot and memorable characters, the story stands as an authentic and invaluable artifact of an era long distorted beyond recognition by sensationalism and stereotype.

It is set in the summer of 1931, when twenty-year-old Nora Krieger returns to her small-town home in Lithuania from university in Berlin ready to present her new, mature self. Instead, her time at home becomes a period of unrequited love, difficult memories and introspection. Hopeful that her long wallks and intellectual banter with Albert Arin will lead to romance. Nora must abandon the notion when she discovers Arin's affair with his daughter's friend. Determined to come to terms with her relationship with her father, who was driven to madness after being tortured in the First World War, Nora must confront her own fear of losing her sanity. Young, educated and Jewish, she must accept the limits imposed on her by a class-conscious, increasingly anti-Semitic society.

Innocence rounds the bend to experience in these beautifully shaped stories of Moscow and Brooklyn, which take up the worldview of the young and overlooked. The stunning Second World War story that opens the book is a masterpiece of ambivalence—about the simultaneous generosity and hypocrisy of Galina, a gentile Russian woman who offers safe harbor to a Jewish friend and her daughter during the German occupation. In “Love Lessons—Mondays, 9 A.M.,” a young math teacher is assigned to teach a girls’ sex education class, even though she herself is still awaiting her first kiss. And in “Mistress,” a boy newly arrived in this country bears witness to the intimate details of his grandparents’ new and diverging lives: his grandmother’s doctors’ appointments, where he is charged with translating her myriad complaints into English, and his grandfather’s clandestine courtship of another woman. Adept at both snapshots and long exposures, Lara Vapnyar, herself a recent immigrant, writes of life’s adventures and possibilities, its disappointments and unexpected turns, with delicate humor, brilliant timing, and striking emotional honesty. She is a writer to relish and to watch.

Take chocolate candy, add a family business at war with itself, and stir with an outsider's perspective. This is the recipe for True Confections , the irresistible new novel by Katharine Weber, a writer whose work has won accolades from Iris Murdoch, Madeleine L'Engle, Wally Lamb, and Kate Atkinson, to name a few. Alice Tatnall Ziplinsky's marriage into the Ziplinsky family has not been unanimously celebrated. Her greatest ambition is to belong, to feel truly entitled to the heritage she has tried so hard to earn. Which is why Zip's Candies is much more to her than just a candy factory, where she has worked for most of her life. In True Confections , Alice has her reasons for telling the multigenerational saga of the family-owned-and-operated candy company, now in crisis. Nobody is more devoted than Alice to delving into the truth of Zip's history, starting with the rags-to-riches story of how Hungarian immigrant Eli Czaplinsky developed his famous candy lines, and how each of his candies, from Little Sammies to Mumbo Jumbos, was inspired by an element in a stolen library copy of Little Black Sambo, from which he taught himself English. Within Alice's vivid and persuasive account (is her unreliability a tactic or a condition?) are the stories of a runaway slave from the cacao plantations of C�te d'Ivoire and the Third Reich's failed plan to establish a colony on Madagascar for European Jews. Richly informed, deeply moving, and spiked with Weber's trademark wit, True Confections is, at its heart, a timeless and universal story of love, betrayal, and chocolate. From the Hardcover edition.

Two Englishmen have met suspicious ends in Veniceone by gunshot, the other by drowning. That much is certain but nothing else is. Murder? Suicide? Accident? Another mystery is the anonymous notes sent to residents of a quiet English village, spreading the scandalous though false word of an affair between Derek Crowley and Gerda Porson. She is the wife of Crowley's business partner, the unspeakable Charles Porson, a tireless macho who adores handguns and the spanking-and-bondage ritual meted out by his bored, disgusted wife, who is in love only with his money. Was the drug-laced Bloody Mary intended for Porson? How to explain Derek's wife's penchant for masculine clothing? Who loaded the supposedly blank pistol in an amateur theatrical production? Long afterward, Jason Durling's brilliant deductive sleuthing will resolve the murders left unsolved by trhe Italian police and ignored by Scotland Yard; but he will come to great grief in his turn. Again Symons meets his own high standards: this tale is quickwitted, civilized, highly intelligent, sharply observed, complicated without being cluttered, and always in the firm control of a dextrous and accomplished storyteller.

There are 4,000 friends, lovers, relatives, and neighbors in Venus, Kansas. Holly Parker lives just west of there. Holly Parker knows that people almost always make the wrong choices. Like her sixteen year-old-son who is dating his former sixth grade teacher. Like her friend, Marvelle, still mourning a husband she should have left long before he died and broke her heart. But while 36-year-old Holly can see what's best for other people, when it comes to her own life her vision is less than perfect. With the kind, decent veterinarian who lives next door interested in her, Holly would rather turn back to an ill-starred love affair with a married man--her boss at the restaurant where she works as a waitress. But there's also Gene Rollison, the quietly sexy state trooper who seems to turn up at all the wrong moments, leaving Holly flustered and confused. That's when a grieving friend, a few crazy summer nights, and a small Kansas town come together to help Holly see what she's been missing, and where she should go from here. "West Of Venus marks the arrival of a major new talent, a writer who treats her characters tenderly, capturing for us, with remarkable skill and grace, both their loneliness and their very human desire for connection.

This is a story that asks the question, "Can a two hundred and fifty pound woman, pregnant with twins, liberate herself from husband and Westchester home and find love, sex and joy on a Vermont commune?" Author of "Looking for Mr. Goodbar"

From the award-winning author of Minor Characters comes a haunting novel about the persistence of love and the sustaining and destabilizing power of memories In the vibrant downtown Manhattan art world of the 1960s, where men and women collide in "lucky and unlucky convergences," a series of love affairs has left Joanna Gold, a young photographer, feeling numbed. Then, at yet another party, a painter named Tom Murphy walks up to her. "Why do you hang back?" he asks. Rather than another brief collision, their relationship is the profound and ecstatic love each had longed to find. But it's undermined by Tom's harrowing past--his fatherless childhood, his wartime experiences, and most of all, the loss of the two children he left behind in Florida, along with the powerful red, white, and black paintings he will never set eyes on again. Tom, both tender and volatile, draws Joanna into the unwinnable struggle against the forces that drive him toward death. Once again, Joyce Johnson brings to life a mythic bohemian world where art is everything and life is as full of intensity and risk as the bold sweep of a painter's brush across a canvas. A New York Times Notable Book Excerpted in The New Yorker and Harper's Magazine

The award-winning author of Minor Characters writes with delicious transparency about a love that cannot be harnessed and a woman who refuses to be deceived In the great wave of husband-leaving ushered in by the Sexual Revolution, Molly Held frees herself from her cold, flagrantly unfaithful husband after their final quarrel turns violent. With her five-year-old son, she lights out for an Upper West Side apartment and the new life she hopes to find with Conrad Schwartzberg-the charismatic radical lawyer who has recently become her lover. Having escaped from a desert, she lands in a swamp. While Conrad radiates positive energy, he is unable to tell Molly-or anyone who loves him-the truth. No longer the wronged wife, Molly now finds herself the Other Woman. She is sharing Conrad with Roberta, another refugee from marriage-with Conrad's movements between the two of them disguised by his suspiciously frequent out-of-town engagements. Roberta either knows nothing or prefers to look the other way, but Molly's maddening capacity for double vision takes over her mind. What saves her from herself is her well-developed sense of irony, which never fails her-or the reader. "Ironic, witty and always graceful." -Marilyn French, author of The Women's Room "Johnson . . . reveals a knack for lyric bitterness." -Kirkus Reviews "Another superb novel of feminine risk-taking." -Ann Douglas " Bad Connections] is controlled, smooth, deftly written: it evokes scene and character with admirable sure swiftness. . . . Joyce Johnson's touches are all true." -Harper's Magazine "Joyce Johnson is a writer of wit and perception . . . and she has a keen eye for the irony of modern life." -The New York Times Book Review "Often funny, sometimes cathartically angry, always skillful in rendering the small, excruciating moments that add up to the misery of love gone bad." -The Village Voice "The new literature of the aggrieved woman has produced something here quite memorable, a sad, beautiful casebook of unrequited love, unrequited humanity." -E. L. Doctorow "Painfully perceptive, psychologically accurate." -Judith Rossner "A subtle, witty, rueful tour de force of that strange new territory which all of us now inhabit: modern women's modern lives." -Barbara Probst Solomon Joyce Johnson was born in 1935 in New York City, the setting for all her fiction: Come and Join the Dance, recognized as the first Beat novel by a woman writer, Bad Connections, and In the Night Caf . She is best known for her memoir Minor Characters, which won the National Book Critics Circle Award in 1983 and dealt with coming of age in the 1950s and with her involvement with Jack Kerouac. She has published two other Beat-related books: Door Wide Open: A Beat Love Affair in Letters, and The Voice Is All: The Lonely Victory of Jack Kerouac. She has also written a second memoir, Missing Men, and the nonfiction title What Lisa Knew: The Truths and Lies of the Steinberg Case.

Lloyd has a particular set of skills. He writes the small print for prescription drugs, marital aids, and incontinence products. The clients present him with a list of possible side effects. His job is "to "ecite and minimize", sometimes by just saying them really fast and other times by finding the language that can render them acceptable. The results are ingenious. The methods diabolical. Lloyd has a habit too. He cops smack during coffee breaks at his new job writing copy for Christian Swingles, an online dating service for the faithful. He finds a precarious balance between hackwork and heroin until he encounters Nora, a mysterious and troubled young woman, a Sylvia Plath with tattoos and implants, who asks for his help. Lloyd falls swiftly in love, but Nora bestows her affections at a cost. Before Lloyd clears his head from the fog of romance, he finds himself complicit in Nora's grand scheme to horrify the world and exact revenge on those who poison the populace in order to sell them the cure.

His love was like a hurricane Jocko Robinson is the 97th richest man in America and the creator of The Lamplighter, the world-popular TV crime series. But that doesn't stop Jocko from getting shot in the head while looking for a tofu burger in Los Angeles. And that won't stop Jocko from falling helplessly in love with the Hurricane Lady, a former model who calls herself Inertia and serves a crime lord from Cologne. A man in love among a tangle of lovers, Jocko is desperately trying to pry Inertia away from her life of mayhem and promiscuity. To succeed, Jocko has to enter the realm of his own fantasy -- and somehow find a way out again.

Marie de Gournay was eighteen when she read, and was overwhelmed by, the essays of the French philosopher Montaigne. She had to be revived with hellebore. When she finally met Montaigne, she stabbed herself with a hairpin until the blood ran in order to show her devotion. He made her his adopted daughter for the two months they knew each other. He died four years later, after which, though scorned by intellectuals, she became his editor. Jenny Diski engages with this passionate and confused relationship between 'father and daughter', old writer/young acolyte, possible lovers, using both their voices. Much of their story is about absence of the people they love. In Jenny Diski's hands it becomes a fascinating tale.

Continuing her narration of the story of the Patriarchs in the Book of Genesis, After These Things recounts the relationship between Abraham’s tragic son Isaac and Isaac’s son Jacob. In following the psychological trail of the children of Abraham, the first properly constituted family, we discover all the complexities of love, power, and desire that make them so quintessentially human. Jenny Diski is the author of eight novels and two memoirs: Skating to Antarctica and Stranger on a Train.

The Sea of Light is a wise, beautiful, and very American story of three women and their desire to excel and win - and heal one another - in the highly charged world of athletic competition. Angelita is the hurricane that brings down a plane carrying a team of star-quality swimmers, groomed from childhood to compete at the international level. Babe Delgado is a young Cuban-American woman, presumed dead, who is rescued from the crash. Fifty-one hours in the Atlantic have left her scarred in body and spirit, afraid to compete again. Brenna Allen is a tough, driven swim coach at a small university, grieving for a lover lost to cancer. She finds solace in building her own winning team, driving her overworked captain, Ellie Marks, ever harder. Ellie is a child of holocaust survivors, struggling to own herself and her sexuality as hard as she's working to win. Brenna recruits Babe, promising to help her rebuild her damaged body, strength, and will. The Sea of Light is a story of wins, losses, and passions in a world where destiny and magic interfere with victory, where families are forced to reconcile with private hurts and false dreams, and where a redemptive, healing love between women - erotic and overwhelmingly intimate - stands in stark contrast to the expectations of the world. A sensitive, powerful tale of self-discovery, sexual identity, and violent emotions unleashed by sudden disaster, this novel is sure to command attention and acclaim.

With The Rebel , acclaimed award-winning author Jack Dann pulls James Dean from the twisted wreckage and offers him a second chance to make an indelible mark on his art, his culture, and his time in an era of profound change and devastating social upheaval. Surviving the horrific crash that leaves him permanently scarred, both physically and emotionally, the haunted, brooding, and complex young star finds himself charged with a feeling of responsibility to do "something wonderful and important." Yet for Jimmy Dean, the glory road will be winding and broken, littered with the detritus of exploded dreams and destroyed love, as it passes through the holiest cultural sites of postwar twentieth-century America -- the genius-and-drug pumped world of the Beats, the protected inner sanctum of Graceland, the darkest shadows of Camelot. The lives and futures of Kerouac, Sinatra, Elvis, and the Kennedys will all be touched by him -- yet perhaps none so deeply as the fragile sex goddess who will always be his greatest burden and true soul mate, a dazzling and tragically lost phenomenon named Marilyn -- as he moves toward an astonishing destiny that will reconfigure the world. Ingeniously blending historical fact with brilliant invention, The Rebel is a hip, fast, and mesmerizing ride through the fifties and sixties -- an unforgettable road trip across a nation with an American legend at the wheel.

Grand Avenue, a street in the center of the northern California town of Santa Rosa where "everybody's connected to everybody, " is home not only to Pomo Indians making a life outside of the reservation but also to Mexicans, blacks, and some Portuguese, all trying to find their way among the many obstacles in their turbulent world. Bound together by a lone ancestor, the lives of the Native Americans from the core of these stories - tales full of cures, poison, family healing rituals, and a kind of humor that allows the inhabitants of Grand Avenue to see their own foibles with a saving grace. A teenage girl falls in love with a crippled horse marked for slaughter . . . an aging healer summons his strength for one final song . . . a father seeks a bond with his illegitimate son . . . a mother searches for the power to care for her cancer-stricken daughter's spirit. Here is a tapestry of lives rendered with the color, wisdom, and quest for meaning of the traditional tale-telling in which they are rooted. Vibrant with the emotions and realities of a changing world, these stories are all equally stunning and from the heart.