This companion discusses Jewish American literature in relation to ethnicity, religion, politics, race, gender, ideology, history, and ethics, and places it in the contexts of both Jewish and American writing. With its chronology and guides to further reading, this volume will prove valuable to scholars and students alike. --

It is widely believed that most Americans not only distrust but also despise China. Considering the country's violent political history, unprecedented economic rise, and growing military capabilities, China has become America's strongest market competitor and arguably the most challenging global threat to the United States.Nevertheless, a full consideration of American opinion proves the opposite to be true. Carefully analyzing all available polls and surveys, Benjamin I. Page and Tao Xie find most Americans favor peaceful engagement with China. The public view has been surprisingly coherent and consistent, changing only in response to major events and new information.While a majority of Americans are not happy that China's economy is projected to become as large as that of the United States, they are prepared to live with it. "Unfair" Chinese trade practices and their impact on American jobs and wages are a concern, along with the quality and safety of Chinese-made goods. However, Americans favor free trade with China, provided it is tempered with environmental and workplace protections. They also believe that the United States should "balance" Chinese power through alliances with neighboring countries, such as Japan. Yet they oppose military action to defend Taiwan. Page and Xie examine these opinions in relation to facts about China and in light of current U.S. debates on diplomacy and policy

This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story , Some Like It Hot , In the Heat of the Night , and The Magnificent Seven . His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment , Fiddler on the Roof , and The Great Escape , Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.” Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Joel Benjamin is one of the most prominent faces in the history of US chess. At thirteen years of age he broke Bobby Fischer's record as the youngest ever national master, and this was followed by countless tournament successes. Perhaps most famously, in 1997 he hit the headlines when he became the chess consultant for IBM's Deep Blue computer, which made history by beating World Champion Garry Kasparov in an epic encounter. In American Grandmaster, Benjamin takes the reader on a journey through chess adventures spanning more than thirty years. Tracing through his own career, from being a prodigy in the 'Fischer boom' era thorough to an experienced Grandmaster with many titles, Benjamin is in a unique position to highlight the major changes that have occurred both in US and international chess throughout the last four decades.This book includes: Instructive annotations of his favourite gamesAnecdotes and reflections from thirty years of US and worldwide chess eventsNew perspectives on the legendary Kasparov-Deep Blue matchInsights into how Grandmasters earn their livingA deep look into the current major issues of ches

"Eliminate the pressure of immigration, and we may be headed for a caste system based on ethnic diversity and mitigated to only a negligible degree by economic differences." --Horace Kallen, in Democracy versus the Melting Pot, 1915 Democracy versus the Melting Pot was published in The Nation magazine by Horace Kallen in 1915, at a time when the United States were receiving the largest influx of immigrants in history. The government tried to enable the assimilation of those diverse peoples into "American" culture through "Americanization" programs, but Kallen saw these programs as being mostly in the interest of Anglo-Saxon business classes and against the spirit of democracy. Kallen rejected the "melting pot" concept, and supported "cultural pluralism," a term he coined. Democracy versus the Melting Pot also strongly influenced Randolph Bourne, another progressive writer. Just as Kallen, Bourne was also against forcing immigrants to assimilate to the dominant Anglo-Saxon culture as he described in his famous article Trans-national America in 1916. Kallen's work is relevant as ever for students of history, political scientists, and others interested in the current discussion about immigration in America.

Focusing on the design and implementation of computer-based automatic machine tools, David F. Noble challenges the idea that technology has a life of its own. Technology has been both a convenient scapegoat and a universal solution, serving to disarm critics, divert attention, depoliticize debate, and dismiss discussion of the fundamental antagonisms and inequalities that continue to beset America. This provocative study of the postwar automation of the American metal-working industry—the heart of a modern industrial economy—explains how dominant institutions like the great corporations, the universities, and the military, along with the ideology of modern engineering shape, the development of technology. Noble shows how the system of "numerical control," perfected at the Massachusetts Institute of Technology (MIT) and put into general industrial use, was chosen over competing systems for reasons other than the technical and economic superiority typically advanced by its promoters. Numerical control took shape at an MIT laboratory rather than in a manufacturing setting, and a market for the new technology was created, not by cost-minded producers, but instead by the U. S. Air Force. Competing methods, equally promising, were rejected because they left control of production in the hands of skilled workers, rather than in those of management or programmers. Noble demonstrates that engineering design is influenced by political, economic, managerial, and sociological considerations, while the deployment of equipment—illustrated by a detailed case history of a large General Electric plant in Massachusetts—can become entangled with such matters as labor classification, shop organization, managerial responsibility, and patterns of authority. In its examination of technology as a human, social process, Forces of Production is a path-breaking contribution to the understanding of this phenomenon in American society.

To discover how women constructed their own mythology of the West, Kolodny examines the evidence of three generations of women's writing about the frontier. She finds that, although the American frontiersman imagined the wilderness as virgin land, an unspoiled Eve to be taken, the pioneer woman at his side dreamed more modestly of a garden to be cultivated. Both intellectual and cultural history, this volume continues Kolodny's study of frontier mythology begun in The Lay of the Land .

Winner of Five Obies, now back in print after fifteen years, a stage adaptation of classic stories by Hawthorne and Melville In the three plays in The Old Glory--Endecott and the Red Cross ; My Kinsman, Major Molineux ; and Benito Cereno --the most powerful figure in postwar American poetry confronts the most haunting American fiction writers of the nineteenth century. The result is a mythical, nightmare history of three centuries in America. In Endecott and the Red Cross, Hawthorne's Puritan governor, horrified by his colony's high living, declares, "Everything in America will be Bible, blood and iron. / England will no longer exist." The other two plays, based on Hawthorne's My Kinsman, Major Molineux and Melville's Benito Cereno , take up the themes of parricide and independence: one in Boston on the eve of the Revolutionary War, the other on a merchant ship in the Caribbean in the early nineteenth century. The plays were first performed in 1964, when the poet Randall Jarrell wrote: "I have never seen a better American play than Benito Cereno , the major play in Robert Lowell's The Old Glory . . . The play is a masterpiece of imaginative knowledge."

In the early decades of this century, the wave of immigration that brought nearly two million Jews from the Pale of Settlement to the United States included an extraordinary group of gifted Yiddish poets and writers, who came to be called Di Yunge (The Young). A Little Love in Big Manhattan tells the story of two of the Young’s most prominent figures―Mani Leib, a lyric poet intent on refining the hard facts of his life into works of enduring beauty, and Moishe Leib Halpern, for whom poetry had to be the expression of coarse and shattering reality. Through a dual biography of these opposing personalities, Ruth Wisse describes the rich and vital cultural movement that embraced them both. She tells of the burst of creative energy exhibited by the young poets and intellectuals who, after a long day of manual labor, would congregate in the cafes of the Lower East Side for badinage, debate, and literary talk. They started literary journals and compiled anthologies of their writings, which found their way overseas and had a rejuvenating influence on Yiddish poetry abroad. Ironically, their achievement coincided with the decline of the language in which they wrote, so that Yiddish poetry came into its own in America at a time when the next generation could scarcely read it; there were no literary heirs. Ruth Wisse presents modern Jews with a part of their lost inheritance, and also claims for the Yiddish poets a place in the American canon. The first book to present these poets as part of the history of immigrant Jews in America, A Little Love in Big Manhattan (the title is from a poem of Halpern’s) will appeal to readers of poetry and to people interested in facets of the intellectual and artistic atmosphere of the interwar period.

In 1950s America, it was remarkably easy for police to arrest almost anyone for almost any reason. The criminal justice system-and especially the age-old law of vagrancy-played a key role not only in maintaining safety and order but also in enforcing conventional standards of morality and propriety. A person could be arrested for sporting a beard, making a speech, or working too little. Yet by the end of the 1960s, vagrancy laws were discredited and American society was fundamentally transformed. What happened? In Vagrant Nation, Risa Goluboff provides a groundbreaking account of this transformation. By reading into the history of the 1960s through the lens of vagrancy laws, Goluboff shows how constitutional challenges to long-standing police practices were at the center of the multiple movements that made "the 1960s." Vagrancy laws were so broad and flexible that they made it possible for the police to arrest anyone out of place in any way: Beats and hippies; Communists and Vietnam War protestors; racial minorities, civil rights activists, and interracial couples; prostitutes, single women, and gay men, lesbians, and other sexual minorities. As hundreds of these "vagrants" and their lawyers claimed that vagrancy laws were unconstitutional, the laws became a flashpoint for debates about radically different visions of order and freedom. In Goluboff's compelling portrayal, the legal campaign against vagrancy laws becomes a sweeping legal and social history of the 1960s. Touching on movements advocating civil rights, peace, gay rights, welfare rights, and cultural revolution, Vagrant Nation provides insight relevant to this battle, as well as the battle over the legacy of the 1960s' transformations themselves.

Richard Hofstadter, the distinguished historian and twice winner of the Pulitzer Prize, brilliantly assesses the ideas and contributions of the three major American interpretive historians of the twentieth Frederick Jackson Turner, Charles A. Beard and V.L. Parrington. These men, whose views of history were shaped in large part by the political battles of the Progressive era, provided the Progressive movement with a usable past and the American liberal mind with a historical tradition. The Progressive Historians is at once a critique of historical thought during this decisive period of American development and an account of how these three writers led American historians into the controversial political world of the twentieth century. Turner, in developing his idea that American democracy is the outcome of the experience of frontier expansion and the settlement of the West, introduced his fellow historians to a set of new concepts and methods, and in doing so doing re-drew the guidelines of American historiography. Beard insisted upon the elitist origins of the Constitution, crusaded for the economic interpretation of history, and ultimately staked his historical reputation on an isolationist view of recent American foreign policy. Parrington emphasized the moral and social functions of literature, and read the history of literature as a history of the national political mind. In recent years, the tide has run against the Progressive historians, as one specialist after another has taken issue with their interpretations. The movement of contemporary historical thought has led to a rediscovery of the complexity of the American past. Although he cannot share the faith of the Progressive historians in the sufficiency of American liberalism as a guide to the modern world, Richard Hofstadter believes we have much to learn about ourselves from a reconsideration of their insights.

From the Preface: The world in which we live has its roots far back in history, and as a world power America must come to terms with countries which were formed in their present mold long before the American, revolution. All those to whom an exploration of this historical background will appeal probably share with me an immediate empathy with the anguish of nation-building around the world. This book is a study of what that anguish meant in times past when countries were first developing their political institutions and when they turned more recently from royal authority to a popular mandate. The problems of developing such institutions are formidable, then as well as now. A scholarly concern with these problems must touch on many subjects in social stratification, religion, political sociology, and the history of ideas, and the book treats these and related themes in their specific historical contexts. This interpretive work is addressed not only to students of political development but also to the general reader who is interested in a large view of history. That reader is provided with sufficient detail and annotation so that the many diverse contexts with which this study deals can be understood. A thematic outline of the book is presented on the first pages of the introduction, which deals as well with the reasons for my approach to historical sociology.

This collection of Peter F. Drucker's essays explores the intersection between society, politics, and economics. Despite this lofty goal, however, the essays themselves remain down to earth, highly readable, and full of stories and ideas that make us think differently about the business world around us. The majority of these essays were written in the 1960s, and in them Drucker specifically examines that turbulent decade, yielding conclusions that are as timeless as they are fresh. He places the merger mania of the decade in the context of business history of the twentieth century, and arrives at fundamental questions about mass market economies. He questions the personal and political values of 1960s adolescents, and ends up relating them to the concurrent rise of big complex modern institutions. He examines with equal vigor Japan's management successes, the role of politics and economics in American identity, and the "real" Kirkegaard.

The glorious tradition of the Broadway musical from Irving Berlin to Jerome Kern and Rodgers and Hammerstein to Stephen Sondheim. And then . . . Cats and Les Miz. Mark Steyn's Broadway Babies Say Goodnight is a sharp-eyed view of the whole span of Broadway musical history, seven decades of brilliant achievements the best of which are among the finest works American artists have made. Show Boat, Oklahoma!, Carousel, Gypsy, and more. In an energetic blend of musical history, analysis, and backstage chat, Mark Steyn shows us the genius behind the 'simple' musical, and asks hard questions about the British invasion of Broadway and the future of the form. In this delicious book he gives us geniuses and monsters, hits and atomic bombs, and the wonderful stories that prove show business is a business which -- as the song goes --there's no business like.

The nation's thirty-first state emerged early as one of its most diverse as people immigrated to the west. California's indigenous tribes were forced off their lands first by Spanish settlers, then by the arrival of gold miners from every corner of the world. Because of its Catholic missionary history, Gold Rush California did not experience a more exclusive eastern-style Protestantism. This permitted more rapid and inclusive acculturation. California Jews, unlike their eastern counterparts whose arrival often followed that of European Protestants, were often among the first settlers to establish a west coast community. Jewish immigrants to California took advantage of its physical environment, ethnic diversity, and cultural distinctiveness to fashion a form of Judaism unique in the American experience. California Jews enjoyed unprecedented access to political power a generation earlier than their New York counterparts. They thrived in the multicultural mix, redefining the classic black-white racial binary by forging relations with a variety of religious and ethnic groups in both San Francisco and Los Angeles.

An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the stage and encountered the realities of her new world: the battles she was forced to fight as a woman, an immigrant worker, and a Jew with family left behind in Hitler’s deadly path. The story begins in 1914: Mary, the girl who will become Lillian Faderman’s mother, just seventeen and swept up with vague ambitions to be a dancer, travels alone to America, where her half-sister in Brooklyn takes her in. She finds a job in the garment industry and a shop friend who teaches her the thrills of dance halls and the cheap amusements open to working-class girls. This dazzling life leaves Mary distracted and her half-sister and brother-in-law scandalized that she has become a “good-time gal.” They kick her out of their home, an event with consequences Mary will regret for the rest of her life. Eighteen years later, still barely scraping by as a garment worker and unmarried at thirty-five, Mary falls madly in love and has a torrid romance with a man who will never marry her, but who will father Lillian Faderman before he disappears from their lives. America is in the midst of the Depression, Hitler is coming to power in Europe, and New York’s garment workers are just beginning to unionize. Mary makes tentative steps to join, despite her lover’s angry opposition. As National Socialism engulfs Europe, Mary realizes she must find a way to get her family out of Latvia, and she spends frenetic months chasing vague promises and false rumors of hope. Pregnant again, after having submitted to two wrenching back-room abortions, and still unmarried, Mary faces both single motherhood and the devastating possibility of losing her entire Eastern European family. Drawing on family stories and documents, as well as her own tireless research, Lillian Faderman has reconstructed an engrossing and essential chapter in the history of women, of workers, of Jews, and of the Holocaust as immigrants experienced it from American shores.

Product Description In this thoroughly updated second edition, Judith Walzer Leavitt, a leading authority on the history of women's health issues, has collected thirty-five articles representing important scholarship in this once-neglected field. Timely and fascinating, this volume is organized chronologically and then by topic, covering studies of women and health in the colonial and revolutionary periods and the nineteenth century through the Civil War. The remainder of the book concentrates on the late nineteenth and twentieth centuries and addresses such controversial issues as body image and physical fitness, sexuality, fertility, abortion and birth control, childbirth and motherhood, mental illness, women's health care providers (midwives, nurses, physicians), and health reform and public health. Review "Superb."— Isis "Highly recommended for everyone interested in women's health."— Journal of the American Medical Women's Association "Should be on everyone's reference shelf."— Women's Studies in Indiana "Leavitt is to be commended for selecting pieces which highlight the major debates."— Women's Review of Books "It's a pleasure, as well as useful, to have such a range of excellent work in one book."— Journal of the History of Medicine "[Leavitt's] approach ensures that women's history will meet high standards and, in fact, raises the standards of historical scholarship."— Bulletin of the History of Dentistry "This anthology may be just the prescription to cure a current deficiency disease, to supply in one place the information that has been sadly lacking in historical treatments of women as patients and practitioners."— Mobius About the Author Judith Walzer Leavitt is Ruth Bleier Professor of History of Medicine, History of Science, and Women’s Studies and the associate dean of faculty at the medical school, University of Wisconsin–Madison. Her many books include The Healthiest City and Sickness and Health in America, both also available from the University of Wisconsin Press, as well as Typhoid Mary and Brought to Bed: Childbearing in America 1750–1950.

In Yiddish, khurbn is the word for "total destruction," the word for what the English-speaking world calls the Jewish "Holocaust" of World War II. In 1987, thirteen years after the publication of his book of ancestral poems, Poland/1931, Jerome Rothenberg visited Poland and the small town of Ostrow-Mazowiecka, from which his parents had emigrated in 1920. "I hadn't realized," he writes, "that it was only fifteen miles from Treblinka..." Out of the poet's confrontation with his family's annihilation came Khurbn & Other Poems. "The poems that I first began to hear at Treblinka are the clearest message I have ever gotten about why I write poetry. They are an answer also to the proposition that poetry cannot or should not be written after Auschwitz." For decades a leader of the American literary avant-garde, Rothenberg, with Khurbn & Other Poems, adds his voice to those writers, like Paul Celan and Edmond Jabes, who have sought to name the unnamable at the ruinous heart of the history of our time.

Investigative reporter Edward Jay Epstein defines the seldom seen universe of intelligence and counterintelligence.Set in the era of the Cold War, it explores the ultimate art of nations: Winning without fighting, or, in a single word, deception. It concerns, as James Jesus Angleton described it to the author, " a state of mind -and the mind of the state." With a new Preface (2014)Praise For Edward Jay Epstein"Epstein delves deep into the wheels-within-wheels of superpower intelligence and counterintelligence, showing ways in which the CIA and the KGB have been "provoked, seduced, lured into false trails, blinded, and turned into unwitting agents." Readers will find new information here on a multitude of subjects: programs involving CIA-written books published under defectors' names; the story of Yuri Nosenko, a KGB officer who defected in 1963 and was "at the heart of everything that happened at the CIA for a decade"; and the theories of James Angleton, the former CIA chief of counterintelligence, on the hidden motives of KGB super-mole Kim Philby. The book concludes with an ominously plausible argument that Gorbachev's glasnost is merely the sixth phase in a grand strategy of Soviet deception conceived soon after the Bolshevik Revolution. Highly recommended."---Publishers Weekly"Epstein's account of the world of intelligence is fascinating, instructive, and, in parts, sensational."-Irving Kristol American Enterprise Institute"This is an important book that reflects an epoch in United States counterintelligence operations and philosophy."-William R. Harris The RAND Corporation"A brilliant investigator examines the fascinating history of glasnost and the unseen motives and machinery of the Soviet state."-Lou Dobbs, CNN

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.