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The life story of a Holocaust survivor: his prewar childhood in Czechoslovakia, his experiences in 8 Nazi concentration camps, his liberation and emigration to the USA, and his career as a General Motors engineer, a Christian minister, and a consummate teacher. For Walter Ziffer, who today considers himself a Jewish secular humanist, life has always been a search for meaning. His compelling and insightful memoir distills the experiences of a remarkable man.

(Applause Books). "The best way I know to resuscitate the theatre is to produce dangerous new works." Stuart Ostrow. Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer-creator relationship and an evaluation of the essentials that can make a show fly, or remain earthbound. As a solo producer, Ostrow's many productions include M. Butterfly , which won the Tony Award for Best Play; Pippin ; and 1776 , which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He produced the original Broadway production of the critically acclaimed La Bete , which won the Olivier Award in London for Best Comedy. Ostrow was brought in to fix the original production of Chicago , collaborated with Anthony Hopkins on a London production of M. Butterfly , that was not meant to be, and even had his own play, Stages , directed on Broadway by the avant-garde theatrical pioneer Richard Foreman. He riffs about the heroes and heels he's met along the way and that great cast includes Frank Loesser, Meredith Willson, Mel Brooks, Mike Nichols, Bob Fosse, David Geffen, Andrew Lloyd Webber, David Henry Hwang, John Kander, Fred Ebb, and many more.

Inside of Time is a book for everyone eager to read about the personal and human side of our stirring times. The vivid recollections of a trailblazing eyewitness to history, combined with stories of Gruber's intimate friendships with luminaries of the century, has created a book to cherish. In the Roosevelt administration and as a foreign correspondent with the New York Herald Tribune, Gruber worked with, wrote about, and was mentored by a cast that included Harold Ickes, FDR's Secretary of the Interior, who in 1941 appointed Gruber as his personal representative to Alaska; Helen Rogers Reid, Herald Tribune publisher and Gruber's boss, who scheduled her to speak at lecture forums where Gruber shared the podium with Churchill and DeGaulle; Golda Meir, with whom she swapped kitchen table confidences about their families; David Ben-Gurion, whose prophetic voice made him the most inspiring leader Gruber ever knew; and Eleanor Roosevelt, whom Gruber shepherded to Israel in the early 1950s. Spanning 1941–1955, Gruber also recalls the fierce anti-Semitism she overcame in Congress, the DP camps she saw in Germany after WWII, and traveling with the Israeli army during the War for Independence. Sixteen pages of photographs add to this enthralling autobiography by one of America's best journalists.

As the bloodshed in Iraq intensified in 2005, Afghanistan quickly faded from the nation's front pages to become the “other war,” supposedly going well and largely ignored. In fact, the insurgency in Afghanistan was about to break out with renewed force, the drug problem was worsening, and international coordination was losing focus. That July, Ronald Neumann arrived in Kabul from Baghdad as the U.S. ambassador, bringing the experience of a career diplomat whose professional lifetime had been spent in the greater Middle East, beginning thirty-eight years earlier in the same country in which it ended—Afghanistan. Neumann's account of how the war in Afghanistan unfolded over the next two years is rich with heretofore unexamined details of operations, tensions, and policy decisions. He demonstrates why the United States was slow to recognize the challenge it faced and why it failed to make the requisite commitment of economic, military, and civilian resources. His account provides a new understanding of the problems of alliance warfare in conducting simultaneous nation building and counterinsurgency. Honest in recounting failures as well as successes, the book is must reading as much for students of international affairs who want to understand the reality of diplomatic policymaking and implementation in the field as for those who want to understand the nation's complex “other war.”

Robin Morgan is known as a prize-winning author, a political theorist, and a founder of the contemporary women's movement. But these adult accomplishments eclipsed an earlier fame. "Saturday's child has to work for a living," and Morgan has--since the age of two. She was a tot model, had her own radio show at age four, and was a child star on television, including on the popular series "Mama." Unlike most child actors, she emerged to reinvent a life filled with literary achievement and constructive politics.Here Morgan tells the whole story--the years as a child so famous she was named "The Ideal American Girl," her fight to become a serious writer, marriage to a fiery bisexual poet, motherhood, lovers (male and female), and decades working on civil rights, the radical underground, and global feminism. This is the intensely personal, behind-the-scenes story of her life.

Out of Thin Air is the story of the news behind the news. Studded with personal anecdotes, this is the inside story of the people and events that shaped the way TV reports the news. Frank gives readers a revealing look at how hit-or-miss the development of TV news was--and what a seat-of-the-pants adventure creating the news turned out to be.

An informative memoir of kibbutz life that reveal a piece of Israel's early story that should not be forgotten.

"A compelling record of one year in the life of a writer, including observations about movies, art, music, friendship, travel, and family. The essay is the most pluckily pedestrian and blithely transgressive of literary genres, the one that is most at large and in need, picking through the accumulated disjecta of daily life and personal and social history to take what it needs and remake it as it sees fit. It is, at its lively best, quite indifferent to the claims of style, fashion, theory, and respectability, provoking and inspiring through the pleasure of surprise. In 2016, Philip Lopate, who has been writing essays and thinking about the essay for decades now, turned his attention to one of the essay's offshoots, the blog, a form by that time already thick, as he knew, with virtual dust. Lopate committed to writing a weekly blog about, really, whatever over the course of a year, a quicker pace of delivery than he'd ever undertaken and one that carried the risk of all too regularly falling short. What emerged was A Year and a Day, a collection of forty-seven essays best characterized as a single essay a year in the making, a virtuosic (if never showy) demonstration of the essay's range and reach, meandering, looping back, pressing reset, forging on. Lopate's topics along the way include family, James Baldwin, a trip to China, Agnes Martin, Abbas Kiarastomi, the resistable rise of Donald Trump, death, desire, and the tribulations, small and large, of daily life. What results is at once a self-portrait, a picture of the times, and a splendid new elaboration of what the essay can be"--

The number one bestselling memoir of one of New Labour's three founding architects, now with a revealing new chapter updating this paperback edition. Peter Mandelson is one of the most influential politicians of modern times. The Third Man is his story - of a life played out in the backroom and then on the frontline of the Labour Party during its unprecedented three terms in government. Much of the book is devoted to the defining political relationships of Peter Mandelson's life - with Tony Blair and Gordon Brown. Charting what he terms the 'soap-opera' years of the Labour government, his book continues to ruffle feathers with an updated preface bringing the story up to the tempestuous present.

The nine American Jews of whom Milton Konvitz writes are philosophers, jurists, or rabbis, widely known and readily accepted as American Jewish thinkers. Their work reflects all essential Jewish values. Each person in his own way has dedicated his work to the betterment of life and the advancement of human ideals. In this sense, their Jewishness is not defined by religion alone. Americanism permeated all they thought and all they did. Konvitz argues that in the complex modern world, secularists often serve God more handsomely than do members of synagogues or churches. For example, when the Supreme Court in 1954 (with Felix Frankfurter playing a key role behind the scenes) agreed to outlaw segregation of the races in public schools, was the Court's action secular or religious? When Congress passed the statute known as the Americans with Disabilities Act, requiring equal treatment of handicapped persons, was the action secular or religious? Is a minimum wage act secular or religious? Is Medicaid a secular or a religious act? Konvitz believes the distinction is not useful, or even possible. The book is divided into three parts, reflecting Konvitz's range of intellectual interests. The nine essays offer concise intellectual biographies of three American Jewish philosophers, three Supreme Court Justices, and three rabbis. The philosophers-Horace M. Kallen, Morris Raphael Cohen, and Sidney Hook-are world-renowned. The jurists-Louis D. Brandeis, Benjamin N. Cardozo, and Felix Frankfurter-hold prominent places in American legal history. And the three rabbis-Leo Jung, Robert Gordis, and Jacob Agus-are known wherever Jewish thought is studied. By treating with equal seriousness the lives and writings of both religious and secularist thinkers, the author intentionally minimizes the conventional antagonism and frequent conflict between religion and secularism. An unusual feature of the book is the fact that the author was a close friend of six of the persons whose lives and work are examined, allowing him a perceptive insight into their character and thought. Although the book is about serious subjects, its graceful style makes the contents easily accessible to lay persons as well as scholars and students of Judaica.

"The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity." --

"Martha Shelley didn't start out in life wanting to become a gay activist, or an activist of any kind. The daughter of Jewish refugees and undocumented immigrants in New York City, she grew up during the Red Scare of the late 1940s and 1950s, was inspired by the civil rights and anti-Vietnam War movements that followed, and struggled with coming out as a lesbian at a time when being gay made her a criminal. Shelley rose to become a public speaker for the New York chapter of the lesbian rights group the Daughters of Bilitis, organized the first gay march in response to the Stonewall Riots of 1969, and then cofounded the Gay Liberation Front. She coproduced the newspaper Come Out!, worked on the women's takeover of the RAT Subterranean News, and took a central role in the Lavender Menace action to confront homophobia in the women's movement. Martha Shelley's story is a feminist and lesbian document that gives context and adds necessary humanity to the historical record"--Dust jacket flap.

"During World War II, Marione and her family miraculously escape the firestorms of Hamburg and seek shelter with a contact in the countryside who grudgingly agrees to house them in a shed for more than a year. "--Provided by publisher.

"Sisters is a revealing, intensely readable book by one of Ireland's finest feminist writers. It contains a major assessment of the women's movement in Ireland, but first and foremost it tells the story of one woman's search for personal fulfilment." "After growing up in Dublin, June Levine went through marriage, breakdown and divorce in Canada, returning to Ireland as an unmarried woman in the swinging sixties. She writes with special insight of the era of the mohair-suited Irish male and his liberated 'girl' friends." "By the end of the decade, some women decided that this kind of liberation was no longer enough. The Irish women's movement was born, and June Levine was there from the start. This book captures all the excitement and controversy of the time, and is laced with perceptive pen-portraits of some well-known feminist leaders." "During the seventies June Levine worked as a journalist, and as a researcher on Gay Byrne's Late Late Show. Her evaluation of the past ten years in terms of her own experience, and in terms of Irish feminism, makes fascinating and absorbing reading."--Jacket

But who could describe my fright when, on the next morning, I awoke and found myself feeling as if completely changed into a woman. — Case 129, Autobiography, from Psychopathia Sexualis, a Medico-Forensic Study by Richard Von Krafft-Ebing At the time the passage above was written, people who felt trapped in the wrong gender automatically became case-studies. Today they become the men and women they always felt they were. Transsexuals test our notions of what it is to be male or female and, more provocatively, what it means to be one self as opposed to another. “Their stories,” says Jonathan Ames, “hold the appeal of an adventurer’s tale.” In Sexual Metamorphosis , Ames presents the personal narratives of seventeen gender pioneers. Here is Christine Jorgensen, the first celebrity transsexual, greeting thousands of well-wishers from the stage of Madison Square Garden. Here is Caroline Cossey, former model and Bond (as in James) girl, being outed in the tabloid press. Here is novelist and English professor Jennifer Finney Boylan discussing her impending transformation with her heartbroken spouse and supportive yet confused colleagues. The result is a fascinating and compulsively readable book, filled with anguish, introspection and courage.

In this eloquent and thought-provoking "autohistory," John Lukacs, distinguished historian and writer, describes the history of his own convictions and beliefs. The journey takes us from the Hungary of the 1930s and the ravaged Budapest of World War II to Lukacs’s discovery of the New World, his forays into the intellectual life of New York City, and finally his settling in Philadelphia. Along the way, Lukacs examines many of the major currents of our period, including fascism, communism, democracy, anti-Semitism, and the Christian realism from which springs the book’s title. What emerges is a mind that brings to bear on the conflicts of the twentieth century the erudition of the European heritage and the independence of the American. In prose as elegant as it is supple, Confessions of an Original Sinner is at once the vivid account of one man’s voyage and an important contribution to that small library that brings into sharp focus the major intellectual developments of our time.

Jacob G. Rosenberg was born in Lodz, Poland, the youngest member of a working-class family. After the Germans occupied Poland, he was confined with his parents, two sisters, and their little girls in the Lodz Ghetto, from whch they were eventually transported to Auschwitz.

EAST OF TIME is a rendezvous of history and imagination, of realities and dreams, hopes and disenchantments. This extraordinary book, by turns stark and poetic, unfolds in a succession of short reminiscences that weave together into a shimmering tapestry depicting a lost world. The setting is Lodz, Poland, in the years of the author's childhood, when he witnessed the grand belief in a just new world overtaken by the cataclysmic events of the 1930s, imprisoned between the walls of ghettos, and finally silenced at Auschwitz. The book's touchstone is the determination of an entire community to remain human, even at the last frontier of life.