Poetics & Polemics, 1980-2005 brings together in one volume a wide-ranging selection of essays and commentaries by one of the most significant poets, critics, and translators working with American and international poetry today. Jerome Rothenberg's work spans a period of over forty years and nearly one hundred books, and though perhaps best known as a poet, his critical and theoretical contributions to the fields of innovative, experimental poetry have become equally important facets of his work. Rothenberg's earliest critical writings concerned themselves with ethnopoetics and the poetics of performance. In the last twenty years his critical thinking has evolved to encompass more explicitly issues of modernism, postmodernism, and the avant-garde, as well as meditations on the nature of the book and writing. This volume extends and elaborates all of those interests, allowing for the first time a comprehensive glimpse of the full trajectory of his thinking. In the first section, "Poetics and Polemics," Rothenberg's essays address a range of issues with which he's become closely associated, among them the anthology as a critical and polemical tool; the intersection of poetry with art, performance, and politics, in both contemporary and traditional practice; the poetics of Jewish mysticism as a traditional form of conceptual and language poetry; and the universality of poetic discourse, particularly as seen in tribal poetry or in poetic traditions long separated from the Western literary mainstream. In "A Gallery of Poets" is Rothenberg's lively explorations of the work of other poets, as they relate to his own work, to avant-garde poetry in general, and to the poetic traditions that concern him the most. Finally, in "Dialogues and Interviews" are Rothenberg's unbridled meditations and musings on what he calls "the life of poetry" outside the bounds of book and binding, class and category, a dynamic force at the center of all that we call human.

George Perle takes us into the composer's workshop as he reevaluates what we call "twentieth-century music"—a term used to refer to new or modern or contemporary music that represents a radical break from the tonal tradition, or "common practice," of the preceding three centuries. He proposes that this music, in the course of breaking with the tonal tradition, presents coherent and definable elements of a new tradition. In spite of the disparity in their styles, idioms, and compositional methods, he argues, what unites Scriabin, Stravinsky, Bartók, and the Viennese circle (Schoenberg, Berg, and Webern) is more important than what separates them. If we are to understand the connections among these mainstream composers, we also have to understand their connections with the past. Through an extraordinarily comprehensive analysis of a single piece by Varèse, Density 21.5 for unaccompanied flute, Perle shows how these composers refer not only to their contemporaries but also to Wagner, Debussy, and Beethoven. Perle isolates the years 1909-10 as the moment of revolutionary transformation in the foundational premises of our musical language. He asks: What are the implications of this revolution, not only for the composer, but also for the listener? What are the consequences for the theory and teaching of music today? In his highly original answers, Perle relates the role of intuition in the listening experience to its role in the compositional process. Perle asserts that the post-Schoenbergian serialists have preoccupied themselves with secondary and superficial aspects of Schoenberg's twelve-tone method that have led it to a dead end but he also exposes the speciousness of current alternatives such as chance music, minimalism, and the so-called return to tonality. He offers a new and more comprehensive definition of "twelve-tone music" and firmly rejects the notion that accessibility to the new music is reserved for a special class of elite listeners.

Book by Kolko, Gabriel

The Course of Our Times

This compilation of essays, edited by a Palestinian writer and an Israeli journalist, constitutes a challenge to critically rethink the Israeli-Palestinian conflict. Between the Lines presents a groundbreaking study that brings together insights from across the lines of conflict to put the latest chapter of Israeli apartheid and Palestinian resistance into context. Contributors include: Marwan Bargouti, Dr. Azmi Bishara, Dr. Sami Shalom Chetrit, Dr. Saleh Abdel Jawwad, Husam Khader, Eileen Kuttab, Dr. Yitzhak Laor, Dr. Adi Ophir, Dr. Ilan Pappe, Linda Tabar, Graham Usher and Dr. Jamal Zahalqa. "The destruction of a nation is not an everyday event in history. It is being carried out before our eyes, systematically and consciously, with cruelty and self-righteousness, and with the backing of the global superpower. These acute and informed essays develop a perspective on the background and unfolding of these events that is remote from anything likely to be heard in the West. They merit close attention and thoughtful consideration." --Noam Chomsky "This collection provides a lucid and critical analysis of the Israeli and American policies in the Middle East. The disastrous repercussions of this unholy alliance are presented in this collection through incisive and timely contributions. In the best tradition of [the journal] Between the Lines, readers will be rewarded by this collection that unmasks and exposes what the mainstream media refuses to report or admit." --Ilan Pappe, Israeli historian and author of A History of Modern Palestine Toufic Haddad is a Palestinian American activist who was formerly co-editor with Tikva Honig-Parnass of the Jerusalem-based magazine Between the Lines. Tikva Honig-Parnass is a Jewish Israeli active in radical anti-occupation movements.

Is there really such a thing as a family curse? The tale of Four Mothers captivates readers with fantastic characters, magical events, foreign colors and scents while telling the story of a dynasty of women cursed to raise their daughters on their own. This is a vibrant first person recounting of matriarchal dynasty with rich strong women who pass their material and spiritual legacy on from one generation to the next. The last woman in the line, Amal, documents the wisdom of her female predecessors from the beginning of memory. The family has known riches and fame as well as poverty and bad fortune, but women have always survived, and prospered . The epic drama echoes the wondrous realism of Gabriel Garcia Marquez and demonstrates a talent for lavish details. The realistic yet fantastic style and story question the cultural inferiority and oppression of women as well as the role of the family curse within contemporary Israeli society. The story depicts Jerusalem from the end of the 19th century to present day, covering the Turkish and British rule over the ancient city. At the same time it presents an alternative, personal perspective to the history of Jerusalem over the past century. The colorful and rich work presents a precise historiography of the period from woman's viewpoint. Four Mother has been awarded several prizes.

Bestselling author Santa Montefiore’s spellbinding, historical trilogy reaches its sweeping and heartwarming conclusion in The Last Secret of the Deverills. A new generation of love and war at Castle Deverill... Ireland, 1939. Peace flourishes throughout the country, but much has changed for the Deverill family. In Dublin, Martha Wallace searches for her birth mother. Given up for adoption as a baby and raised in America, Martha returns to Ireland to connect with her Irish roots. Instead, she falls in love with the impossibly charming JP Deverill, and together they uncover the truth about her family. At Castle Deverill, the humble daughter of the castle’s former cook is now Countess di Marcantonio and mistress of the Castle. Bridie is determined to make the splendid surroundings her home, but to do so she must turn a blind eye to the failings of her husband and son. Kitty has settled into her life with Robert and their two children, but when Jack O’Leary returns to Ballinakelly with a family of his own, she realizes she never forgot her first love, even though his heart belongs elsewhere. As the Second World War hovers on the horizon, the Deverills uncover a secret that will forever change their lives. The Last Secret of the Deverills is the dramatic conclusion to a stunning saga about a family caught in the sweep of history, and the ties that keep them together.

"In March 1953, four women meet in Room 408 of Moscow's deluxe Metropole Hotel. They have gathered, not altogether willingly, to reminisce about Vladimir Mayakovsky, the poet who in death had become a national idol of Soviet Russia. In life, however, he was a much more complicated figure. Each of these ladies loved Mayakovsky in the course of his life, and as they piece together their memories of him, a portrait of the artist emerges. From his early years as a leader of the Futurist movement to years as a propagandist for the Revolution, to the censorship battles that turned him against the State, Mayakovsky is revealed as a passionate, complex man who lived at the center of history and fought to hold onto his ideals even in the face of a world changing for the worse. The Mayakovsky Tapes is an ambitious, impressive novel that captures the tumultuous life of one of the most significant writers of the Soviet era"--

Winter Games is a dazzling tale of secrets and betrayal, and the perfect novel for fans of The Bolter by Frances Osborne, and all those fascinated by the Mitford sisters. Munich, 1936. She doesn't know it, but eighteen-year old Daphne Linden has a seat in the front row of history. Along with her best friend, Betsy Barton-Hill, and a whole bevy of other young English upper-class girls, Daphne is in Bavaria to improve her German, to go to the Opera, to be 'finished'. It may be the Third Reich, but another war is unthinkable, and the girls are having the time of their lives. Aren't they? London, 2006. Seventy years later and Daphne's granddaughter, Francie Fitzsimon has all the boxes ticked: large flat, successful husband, cushy job writing up holistic spas . . . The hardest decision she has to make is where to go for brunch - until, that is, the discovery of a photograph of Daphne sends her on a quest to discover what really happened to her grandmother in Germany, all those years ago. A dazzling tale of secrets and betrayal, Winter Games is powerful novel of innocent lives caught up in the march of history. 'Johnson has a brilliant eye for the telling specifics . . . She is a natural comic writer and has a breezy, Mitfordian tone that makes you laugh at the same time as wincing in recognition . . . To write an entertaining romp set against the backdrop of Nazi Germany is a tricky feat to pull off. Yet Johnson has done it - and done it in style' Observer 'A rip-roaring read' Evening Standard 'There's never a dreary moment in this blast of a book . . . Johnson's descriptions are irresistibly exuberant . . . As addictively, fizzily invigorating as the Alpine air itself' Daily Mail 'Johnson delivers a genuine sense of time and place . . . there isn't a dull sentence in this sure-footed novel' Jenny Colgan, Telegraph 'An excellent romp. Full of 'tally-ho' Mitfordian charm . . . a witty, fast read' Red 'Excellent on period detail, the blundering innocent abroad and young heartbreak' Sunday Times 'The Jane Austen of W11' Scotsman Rachel Johnson is a journalist who has written two previous novels and two volumes of diaries. The Mummy Diaries , Notting Hell, Shire Hell and A Diary of The Lady are all available now from Penguin.

In the tradition of James Baldwin’s Notes of a Native Son, Robeson’s A Black Way of Seeing melds history and analysis in a sweeping panorama of the present moment as we know it to be—scathing in its understanding of why Black empowerment has failed and prescient in its articulation of what it will take for Black Americans to be agents of change for the country as a whole.

Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and critics themselves approach the history of visual culture in the former Soviet Union? Taking its title from a Russian word that can refer to the 'texture" of life, painting, or writing, this anthology assembles thirteen key essays in art history and cultural theory by Russian-language writers. The essays erase boundaries between high and low, official and dissident, avant-garde and socialist realism, art and everyday life. Everything visual is deemed worthy of analysis, whether painting or propaganda banners, architecture or candy wrappers, mass celebrations or urban refuse. Most of the essays appear here in English for the first time. The editors have selected works of the past twenty years by philosophers, literary critics, film scholars, and art historians. Also included are influential earlier essays by Mikhail Bakhtin, V. N. Voloshinov, and Sergei Eisenstein. Compiled for general readers and specialists alike, Tekstura is a valuable resource for anyone interested in Russian and Soviet cultural history or in new theoretical approaches to the visual.

My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to ÒMexican American,Ó since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mindÕs eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal‡. Loosely linked by an exploration of the many meanings of Òfamily,Ó these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is Òa form of illiteracy,Ó we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal‡ is a writer but also why we appreciate her so much. She helps us to find ourselves.

Throughout the last 100 years, Syria has been a crucial hub of Middle Eastern events. As the birth place and 'pulsating heart' of Arab nationalism, and as the object of colonial and regional ambitions, Syria has been transformed into a regional power exerting influence over its neighbors. Now available in paperback, this unique bestseller sheds new light on the recent history and current politics and policies of this important Middle Eastern country. Author Itamar Rabinovich is uniquely qualified to take a panoramic view of Syria's modern history and contemporary politics. As a scholar, he spent 35 years studying Syria in diplomatic archives and through the range of sources. As a diplomat, he was Yitzhak Rabin's chief negotiator with Syria and Israel's ambassador to Washington, and thus a key participant in some of the events addressed in the book. This enlarged second edition includes a new introduction, as well as two new chapters on the Israeli-Syrian-American peace negotiations and Israel's view of the Syrian uprising. The 23 essays by Rabinovich cover the century from the eve of the First World War to the Bush Administration's row with Bashar al-Asad. The essays focus on three principal themes: the notion of a Syrian entity and its translation into a Syrian state in its current boundaries; the conflict between rival concepts of the political community that inhabits the Syrian state; and issues of foreign policy with a particular emphasis on the Syrian-Israeli conflict and peace process. The main themes of Syrian history and politics are picked up at their inception and followed through the course of the 20th century to the present day.

The author provides a narrative history of Surrealism and an analysis of the major works of Surrealist literature.

This collection contains Donald Kuspit's writing at its illuminating best as it reveals the psychological and spiritual motivation that conceivably compelled the artists represented to create some of their most interesting work. His subjects range from the artist's relentless manoeuvring for status to the calculated use of perversion and empowering sexuality to engage the art-going public. His criticism is occasionally devastating but always eloquently convincing. Donald Kuspit's opinions will be disconcerting for many who accept what is considered by art journalists and curators to be significant and worthy of the public's attention. He also examines the art market and its compromising effect upon our system of cultural values. The book is appropriately illustrated with paintings by Marcus Reichert, whose own work adheres to a radical ethos. With essays on: Karel Appel, Louise Bourgeois, Robert Motherwell, August Sander, Lucian Freud, Lucas Samaras, Robert Graham, George Segal, Helmut Newton, Rebecca Horn, Elizabeth Peyton, Richard Serra, Gerhard Richter, Dieter Roth, Anne-Louis Girodet, Nicholas Poussin, Jasper Johns, Neo Rauch, Sean Scully, Stephen Newton, and many other subjects ranging from sensationalism in art to the spiritual in art. Donald Kuspit is one of America's most esteemed art critics. He is Distinguished Professor of Art History and Philosophy at the State University of New York at Stony Brook. Winner of the prestigious Frank Jewett Mather Award for Distinction in Art Criticism (1983), given by the College Art Association, Professor Kuspit is a Contributing Editor at Artforum, Sculpture, and Tema Celeste magazines, and the editor of Art Criticism. He has also curated many exhibitions.

A wry and beautifully observed memoir about coming of age in the era of conceptual art. Growing up in the suburbs—confused about his sexuality, about his consumer-oriented world, about the death of his older brother—Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa . My Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer "of uncommon subtlety and nuance" (David Ulin, Los Angeles Times ). It is a record of the wonders and follies of a certain era in art history, always aware that awakening to art is, for a young person, inseparable from awakening to the ever-shifting nature of the self.

'Enlightening ... Funny, smart, original and provocative ... It is hard to imagine the stalwarts of Mock the Week recognising the Druze militia leader Walid Jumblatt in a London cinema' NEW STATESMAN 'Few standups have come close to capturing a fraction of this creative energy in a book ... Alexei Sayle is an exception' GUARDIAN "What I brought to comedy was an authentic working-class voice plus a threat of genuine violence - nobody in Monty Python looked like a hard case who'd kick your head in." In 1971, comedians on the working men's club circuit imagined that they would be free to continue telling their tired, racist, misogynistic gags forever. But their nemesis, a nineteen-year-old Marxist art student, was slowly coming to meet them... Thatcher Stole My Trousers chronicles a time when comedy and politics united in electrifying ways. Recounting the founding of the Comedy Store, the Comic Strip and the Young Ones, and Alexei's friendships with the comedians who - like him - would soon become household names, this is a unique and beguiling blend of social history and memoir. Fascinating, funny, angry and entertaining, it is a story of class and comedy, politics and love, fast cars and why it's difficult to foul a dwarf in a game of football.

Jewish Polity and American Civil Society is a study of the civic and political engagements of American Jews as mediated by their communal and denominational institutions. The book explores how the various branches of the organized Jewish community seek to influence public affairs. Over the course of the last century, Jewish agencies and religious movements have tried to shape public debate and public policy on such issues as civil rights, church-state relations, and American foreign policy. The book sets the history of Jewish engagement in these areas into historical context; analyzes the motives, strategies, and tactics of various Jewish groups, and evaluates their successes and failures. The book also explores the underlying idea-the public philosophy-that informs American Jews' understanding of civic and political engagement.