Twenty-two tales of madness, murder, and modern terror by several of today's prominent horror writers.

Robert Bloch's classic contribution to the Lovecraftian Cthulhu Mythos, back in print at last! When Albert Keith comes across a dusty old painting of a hideous, red-eyed, sharp-clawed creature in a dingy junk shop, he falls in love with it at first sight and buys it at a bargain price. But it isn't until he shows it to his friend Simon Waverly that he understands the painting's true significance: it appears to be one of the portraits described by H.P. Lovecraft in his horror story "Pickman's Model." Keith and Waverly slowly begin to realize that Lovecraft's fiction may not be works of the imagination at all-instead they contain a message to mankind, a terrible warning about Cthulhu and his minions, the Great Old Ones. Keith sets off in search of the horrible truth, but can anything stop the Great Old Ones, or is mankind already doomed? Robert Bloch (1917-1994) was a friend and admirer of Lovecraft, and in his Strange Eons (1978), originally published as a limited edition and long out of print, he contributes his own notable entry to the Lovecraftian Mythos. This new edition includes an introduction by David J. Schow. "Robert Bloch is one of the all-time masters." - Peter Straub "A hundred years from now, devotees of this genre will still be reading Robert Bloch." - Richard Matheson

In four elegant chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters, Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, the no-man's-land between traditional religion and modern secular culture.Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka's sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In Necessary Angels Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka's: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his Theses on the Philosophy of History to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin's vision, the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequeathed the Klee oil painting to Scholem, it hung in the living room of Scholem's home on Abarbanel Streetin Jerusalem until 1989, when his widow placed it in the Israel Museum. Alter's focus on the epiphanic force of memory on these three great modernists shows with sometimes startling, sometimes prophetic clarity that a complete break with tradition is not essential to modernism. Necessary Angels itself continues the necessary discovery of the future in the past. --

A literary investigation of how the modern metropolis--intoxicating, disturbing, powerful--changed perceptions and irrevocably altered the Western imagination. Alter traces the arc of literary development triggered by the runaway growth of urban centers from the early nineteenth century through the first two decades of the twentieth. As new technologies and arrangements of public and private space changed the ways people experienced time and space, the urban panorama became less coherent--a metropolis defying traditional representation and definition, a vast jumble of shifting fragments and glimpses--and writers were compelled to create new methods for conveying the experience of the city. In interpretations of novels by Flaubert, Dickens, Bely, Woolf, Joyce, and Kafka, Alter reveals the ways the city entered the literary imagination.--From publisher description.

Renee Taylor and Joseph Bologna

The Public Eye takes place in a swanky London accountancy office, where uptight Charles is confronted by Julian, an eccentric private detective hired by Charles to investigate Belinda, his young wife, whom he suspects of infidelity.

Dusty Springfield made her name in the 60s with a string of top ten hits. Her unique singing style and distinctive bouffant blonde look made her famous throughout the world. Despite a period in the wilderness during the 70s and 80s, she was back at the top in the 90s until her death from cancer in March l999. Born an Irish Catholic in l939, her background set her almost schizophrenically at odds with herself as she realised her sexuality and moved further into the rock world. Both Penny Valentine and Vicki Wickham knew Dusty well, as friend and manager for much of her career. As well as charting her gay relationships, this book also looks candidly at the period of her greatest self-destruction while living in Los Angeles in the 80s. Covering every area of her career with honesty and affection, Dusty is brought vividly to life.

Allen Ginsberg, Lionel and Diana Trilling, Lillian Hellman, Hannah Arendt, and Norman Mailer -- all are ex-friends of Norman Podhoretz, the renowned editor and critic and leading member of the group of New York intellectuals who came to be known as "the Family." As only a family member could, Podhoretz tells the story of these friendships, once central to his life, and shows how the political and cultural struggles of the past fifty years made them impossible to sustain. With wit, piercing insight, and startling honesty, we are introduced as never before to a type of person for whom ideas were often matters of life and death, and whose passing from the scene has left so large a gap in American culture. Podhoretz was the trailblazer of the now-famous journey of a number of his fellow intellectuals from radicalism to conservatism -- a journey through which they came to exercise both cultural and political influence far beyond their number. With this fascinating account of his once happy and finally troubled relations with these cultural icons, Podhoretz helps us understand why that journey was undertaken and just how consequential it became. In the process we get a brilliantly illuminating picture of the writers and intellectuals who have done so much to shape our world. Combining a personal memoir with literary, social, and political history, this unique gallery of stern and affectionate portraits is as entertaining as a novel and at the same time more instructive about postwar American culture than a formal scholarly study. Interwoven with these tales of some of the most quixotic and scintillating of contemporary American thinkers are themes that are introduced, developed, and redeveloped in a variety of contexts, with each appearance enriching the others, like a fugue in music. It is all here: the perversity of brilliance; the misuse of the mind; the benightedness of people usually considered especially enlightened; their human foibles and olympian detachment; the rigors to be endured and the prizes to be won and the prices to be paid for the reflective life. Most people live their lives in a very different way, and at one point, in a defiantly provocative defense of the indifference shown to the things by which intellectuals are obsessed, Norman Podhoretz says that Socrates' assertion that the unexamined life was not worth living was one of the biggest lies ever propagated by a philosopher. And yet, one comes away from Ex-Friends feeling wistful for a day when ideas really mattered and when there were people around who cared more deeply about them than about anything else. Reading of a time when the finest minds of a generation regularly gathered in New York living rooms to debate one another with an articulateness, a passion, and a level of erudition almost extinct, we come to realize how enviable it can be to live a life as poignantly and purposefully examined as Norman Podhoretz's is in Ex-Friends.

With its depictions of the downtrodden prostitutes, bootleggers, and hustlers of Perdido Street in the old French Quarter of 1930s New Orleans, Nelson Algren's A Walk in the Wild Side has found a place in the imaginations of all generations since it first appeared. As Algren admitted, the book "wasn't written until long after it had been walked . . . I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called 'Walking the Wild Side of Life.' I've stayed pretty much on that side of the curb ever since." Perhaps the author's own words describe this classic work best: "The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind."

French Dressing looks at the ancien régime's scenarios of libertine seduction--unsafe sex and its consequences for women's lives. It places the gender performances of male and female-authored novels in dialogue in order to recover the complexity of a century obsessed, as we are today, with writing and living plots of desire. French Dressing exposes the erotic anxieties behind a national culture of sexual self-display--French undressing.

"Gordimer brings the reader into the lives of Steven Reed and Jabulile Gumede, a 'mixed' couple, both of whom have been combatants in the struggle for freedom against apartheid. Once clandestine lovers under racist law forbidding sexual relations between white and black, they are now in the new South Africa. The place and time where freedom - the 'better life for all' that was fought for and promised - is being created but also challenged by political and racial tensions worldwide, while the hangover of moral ambiguities and the vast and growing gap between affluence and mass poverty continue to haunt the present"--Dust-jacket

Caroline Rose is plagued by the tapping of typewriter keys and the strange, detached narration of her every thought and action. Caroline has an unusual problem - she realises she is in a novel. Her fellow characters also seem deluded: Laurence, her former lover, finds diamonds in a loaf of bread - has his elderly grandmother hidden them there? And Baron Stock, her bookseller friend, believes he is on the trail of England's leading Satanist. In Muriel Spark's brilliant first novel, the only things that aren't ambiguous are her matchless originality and glittering wit.

In mid-century London, aspiring writer Fleur becomes secretary to a group of egotists who are writing their memoirs in advance and uncovers material enough for any novelist, but is perplexed by the familiarity of their lives.

Michael Wolff knows Rupert Murdoch, Barry Diller, Jean-Marie Messier, Steve Ross and Ted Turner. He knows what they want, what fuels their appetites and what they can and can't see when they look in the mirror (or the financial pages). And he tells us all he knows in this report.

Rejects the model of competitive memory, i.e. the conception that collective memories of different groups, especially memories of victimization, confront one another in the public sphere, and eventually one group history blocks other group histories. Proposes a model of multidirectional memory, according to which various group memories interact productively and borrow from one another. In the post-World War II West, a process of coming to terms with the Nazi Holocaust of Jews went on side by side with a process of decolonization and coming to terms with Europe's and America's colonial and slavery past. In this process, the attitude that the Holocaust is unique as a historical phenomenon proved to be harmful and has been increasingly rejected. Discusses a number of artworks, literary works, and films, mainly by French artists and authors (e.g. Taslitzky, Fougeron, Césaire, Schwarz-Bart, Delbo, Rouch and Morin) as well as by some non-French ones (e.g. Arendt, W.E.B. DuBois, Caryl Phillips, Haneke), in which racism and events of the colonial past have been juxtaposed with the Holocaust.

"An expedition into the troubled soul of one of the world's greatest songwriters."-- Haaretz "A fascinating and intense account of Leonard Cohen's time in Israel during the 19-day Yom Kippur War of 1973. A must for any Leonard Cohen completist."--Suzanne Vega A Vanity Fair Best Book of 2022 * Mosaic Magazine Best Book of 2022 The untold story of Leonard Cohen's concert tour to the front lines of the Yom Kippur War, including never-before-seen selections from an unfinished manuscript by Cohen and rare photographs In October 1973, the poet and singer Leonard Cohen--thirty-nine years old, famous, unhappy, and at a creative dead end--traveled to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a group of local musicians, Cohen sang for hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen, reigniting his creativity and inspiring him to compose some of his most memorable songs. Who by Fire provides a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, existential moment for both a young country at war and a singer at a crossroads.

In 70 A.D., when Roman forces sack Jerusalem, the scribe Abraham flees the city carrying little more than the scroll that documents his family history. For the next 19 centuries, one member of each new generation inherits this scroll along with the admonition that the record must be kept up to date. From Alexandria to Toledo, from Strasbourg to the Warsaw ghetto, Halter provides a moving account of Jews in exile. Abraham's descendants continue to work as scribes and eventually as printers. Since they are loyal to the word, it serves as their defense against oppression and solace in time of pain. This novel, much celebrated in Europe, has been aptly compared to Roots since it is based on records of the Halter family dating back to 1480 and on detailed historical research for the earlier centuries.

The Book of Blessings is an extraordinary and deeply poetic re-creation of Jewish prayer that offers new blessings, poems, and meditations for Sabbath, holiday, and everyday observance. Steeped in dialogue with rabbinic tradition, it is for those who seek a more contemporary, egalitarian approach to traditional liturgy. " Falk] manages to create extraordinarily beautiful prayers--in Hebrew and English--that are both radically new and deeply resonant with Jewish tradition." --Judith Plaskow, The Women's Review of Books "Marcia Falk's work in Hebrew blessings is as beautiful as it is innovative; and it is innovative in the sweetest, most nourishing sense, sat urated in love for the language itself (its overtones and melodies as well as its deep structure), its history, its people. Even those who do not hear the traditional liturgies as exclusionary will respond to the meticulously flowering poet's passion of Marcia Falk's wholly original contribution." --Cynthia Ozick "A truly magisterial and exciting collection of brakhot . . . that invites us to re-encounter not only the blessing, but the Source of blessing. . . . Falk rekindles the flame of Jewish ardor and devotion." --Hadassah " Falk's] prayers are re-creations of traditional prayers, her versions striking in the beauty and power of their language, in English and Hebrew: this is a poet's siddur, full of profound meaning." --Sandee Brawarsky, Jewish Week

From her humble beginnings as a Slavic peasant, Lena Geyer rose to become one of the greatest singers of all-to reach the top of the glittering musical world. Her story has been gathered from those who knew her Her cherished music master Pizzetti, her closest confidant, her husband, and her manager. What emerges is the complex and challenging life of a woman who wasn't afraid to aim for the stars...and reach them!