In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time―how it's felt, remembered, and recounted. These free-form talk pieces―sometimes called talk poems or simply talks―began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud. Serious and playful, they move rapidly from keen analysis to powerful storytelling to passages of pure comedy, as they range kaleidoscopically across Antin's experiences: in the New York City of his childhood and youth, the Eastern Europe of family and friends, and the New York and Southern California of his art and literary career. The author's analysis and abrasive comedy have been described as a mix of Lenny Bruce and Ludwig Wittgenstein, his commitment to verbal invention and narrative as a fusion of Mark Twain and Gertrude Stein. Taken together, these pieces provide a rich oral history of and critical context for the evolution of the California art scene from the 1960s onward.

MeditationsAuthor: David AntinTitle: MeditationsPublication: Black Sparrow PressEdition: FIRST EDITIONDescription: First Edition, First Printing. Published by Black Sparrow Press, 1971. Octavo. Paperback. Book is very good. Great copy of this collection of poetry. Seller ID: 349717Subject: Poetry

Poetry. Amiri Baraka calls MIRAGE "A fine book--important on painting." Basil King attended Black Mountain College as a teenager in the 1950s, and completed his apprenticeship as an abstract expressionist painter in San Francisco and New York. Since that time, his art has taken a different turn, reaching through abstraction back to surrealism and forward into a new approach to the figure. Although he did not begin to write regularly until 1986, an involvement with poetry has always been part of his life, first in doing art to accompany poems in books and magazines, later as a book artist, now as a poet/painter. Among his many books, THE EARTH SUITE by Carl Rakowsi, with drawings by Basil King, is available from SPD.

Poetry. Award-winning poet Alison Stone draws from the tarot in her latest collection. These 78 poems range from the archetypal (The Fool, The Magician, etc.) to the everyday situations of love, work, ideas, and conflicts that make up our lives. Mythical figures from past and present appear--Prometheus and Persephone represent court cards, as do Lou Reed and Steve Jobs. By turns witty and heartbreaking, this book goes down easily enough to be devoured in one sitting yet reveals greater depths with each subsequent reading. Stone's accessible lyrics move and entertain us with the struggles and joys of what it means to be human.

"One might think of Alan Sondheim as the Joyce of our time. Too big while he?s here among us, or while we?re here among him, to get our heads around what he?s done and is doingEOn the other hand, it?s clear he doesn?t want to be our Joyce at all, in deliberate, un-scrolling process as he is of immolating himself, incinerating any last trace of canonical identity in a stupendous bonfire of poetry, code, and secret philosophy. What OJoyceO shall be left? What OSondheimO? A monk burns in full view and the blaze refuses to go out. We?re here watching, startled and baffled, contemptuous and titillated. That we don?t quite know what fuels the seemingly mystical act renders the transfiguration all the more unsettling and marvelous. -- Kent JohnsonSondheim's writing refreshes. Narrative or persistent personality the reader constructs will resist. It's funny output, coded, destabilizing. It projects, expands and redirects personal need, hunger amidst insubstantial plenty, where the real material is imaginary.Writing without purpose; purposeful writing; not delivery of contentment or white space infill. Writing as individuation of multipliers where what is familiar is parodic as it is manifested, cyborgian tenacity creating its selves in process awareness, sans merci.I is mindful of being confederated awareness. Peripheral desiring bodies remain animal, alone and palely loitering during downtime, mammals with machines, sensuous making intellects. -- Lawrence UptonAlan Sondheim is a force of nature: a Category 5 mindstorm blowing in from all points of the compass at once. Coded and plain-speaking, philosophical and emotional, artistic and banal: to read Sondheim is to fall through a wormhole into a full world. And why shouldn't a work of art be a world? His art is writing as a performance act even more direct than Allen Ginsberg speaking into his tape recorder. A storming virtuosity of ideas. Be shelled. (ksh to be specific.) Complex and simple, digital and just plain talking, Jeremiah and the static. At this time of continuing doom, the storm we need to blow us clean. -- Jim Rosenberg"

"A satiric and searing collection of poetry obsessed with television, oceans, Jewish history, and time. In Shifting Baseline Syndrome, Aaron Kreuter asks the hard questions: will the Anthropocene have a laugh track? Is it okay to marry your eighteenth cousin? How different would the world look from outside the life-frame of the human? What is it like to have an acid trip in a porta potty? Is it the end . . . of Earth? Of capitalism? Of television? Throughout Kreuter’s sophomore collection, the TV remote is never far. Shifting Baseline Syndrome is both searching and searing, veering between satire and sincerity, history and prophecy, and human and non-human worlds. As the end looms, Kreuter demonstrates why we’ll keep doing what we’ve always done: hoping, for once, that the series finale will be good."--

The Jewish, Odesa-born poet, Semyon Izrailevich Lipkin (1911-2003), was a central figure in modern Russian literature, although until recently, he was best known in the West for his role in preserving the manuscript of Vasily Grossman's Life and Fate from the KGB. As a Soviet journalist in WW2, he witnessed and wrote about the horrors of Stalingrad, which led the Nobel Laureate Josef Brodsky to refer to him as 'Russia's war poet'. Later, during the years of Stalin's deportation of ethnic groups, Lipkin translated and preserved the language and writings of Tajiks, Uzbeks, and Tatars and, in doing so, became a living repository of their culture for which he risked censure and arrest from the Soviet authorities. In this memoir, Lipkin's humanity, civic courage, and friendship with many important Russian writers - Anna Akhmatova, Marina Tsvetaeva, Andrei Platonov, and of course, Grossman himself - shine through the reports of terror and oppression that characterized this most turbulent period of Russian history.

One of 500 limited copies.

Signed by both Krauss and the illustrator, James L. Ochs. Limited to 350 copies, printed in June 1981. A four-plate color intaglio fronts this delicate ivory book with its eight translucent pages. Krauss is one of the West Coast Beats and is still in performance in the San Francisco area. She performed this piece at Boston University and at Bard College.

Robins Poet-Tree is a collection of Poems that come straight from the heart. I hope that as you read the poems you can draw in the same warm feeling that I felt as I wrote these selections. My writing is about real life issues and events that have happened in my life. I feel these are issues that many others can also relate to. I have many memories, feelings and important people in my life intertwined in my words. Some of the topics written about in Robin's Poet-Tree are God, children, Love, & family. As you Read these selection you can find How & Where they fit into your life.

Manual, the sixth volume in the ongoing series of Richard Berengarten's Selected Writings, is an ambitious work-in-progress, a single poem, whose central theme is human hands.

This is a collection of poems that reflects the author's experiences as a traveler and a lover of nature. The poems are characterized by a lyrical and introspective tone, and reveal a deep appreciation for the beauty and mystery of the natural world. Philip Max Raskin's work is sure to resonate with readers who share his sense of wonder and awe. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A poem describing the sights and sensations of flying in an airplane.