Long before Stonewall, young Air Force veteran Edward Field, fresh from combat in WWII, threw himself into New York’s literary bohemia, searching for fulfillment as a gay man and poet. In this vivid account of his avant-garde years in Greenwich Village and the bohemian outposts of Paris’s Left Bank and Tangier—where you could write poetry, be radical, and be openly gay—Field opens the closet door to reveal, as never been seen before, some of the most important writers of his time. Here are young, beautiful Susan Sontag sitting at the feet of her idol Alfred Chester, who shrewdly plotted to marry her; May Swenson and her two loves; Paul and Jane Bowles in their ambiguous marriage; Frank O’Hara in and out of bed; Fritz Peters, the anointed son of Gurdjieff; and James Baldwin, Isabel Miller (Patience and Sarah), Tobias Schneebaum, Robert Friend, and many others. With its intimate portraits, Field’s memoir brings back a forgotten era—postwar bohemia—bawdy, comical, romantic, sad, and heroic.

A special twenty-fifth anniversary edition relaunches this beloved classic coming-of-age nove, which was called "one of those rare delights... as wise as it is funny" (Alix Kates Shulman, Ms. magazine). This endearing novel chronicles the growth of the young Allegra in pre-World War II Brooklyn as she learns about sex, death, bigotry, family limitations, and what it means to be young and female and independent. Marketing Plans for "Allegra Maud Goldman": Advance review copies to booksellers Twenty-fifth anniversary press kit Strong media push Edith Konecky is the author of a second novel, "A Place at the Table," as well as short fiction and poetry.

Speaking and understanding can both be thought of as forms of translation, and in this way every speaker is an exile in language—even in one's mother tongue. Drawing from the philosophical hermeneutics of Martin Heidegger and Hans-Georg Gadamer, the testimonies of the German Jews and their relation with the German language, Jacques Derrida's confrontation with Hannah Arendt, and the poetry of Paul Celan, Donatella Ester Di Cesare proclaims Auschwitz the Babel of the twentieth century. She argues that the globalized world is one in which there no longer remains any intimate place or stable dwelling. Understanding becomes a kind of shibboleth that grounds nothing, but opens messianically to a utopia yet to come.

Speaking and understanding can both be thought of as forms of translation, and in this way every speaker is an exile in language—even in one’s mother tongue. Drawing from the philosophical hermeneutics of Martin Heidegger and Hans-Georg Gadamer, the testimonies of the German Jews and their relation with the German language, Jacques Derrida’s confrontation with Hannah Arendt, and the poetry of Paul Celan, Donatella Ester Di Cesare proclaims Auschwitz the Babel of the twentieth century. She argues that the globalized world is one in which there no longer remains any intimate place or stable dwelling. Understanding becomes a kind of shibboleth that grounds nothing, but opens messianically to a utopia yet to come.

Denise Levertov, American poet and activist, died in December 1997 at the age of 74. This book contains some twenty previously uncollected interviews conducted between the early 1960s and the middle of the 1990s. They are focused primarily on her work as a poet but also on her social and political concerns. The interviews in which Levertov discusses her craft constitute an important document on American poetry in the second half of the twentieth century. She talks of her legendary friendship with her mentor William Carlos Williams and her association with the Black Mountain Poets. As she discusses her craft in great detail, she gives special attention to diction, line lengths, versification, and choice of subject matter. Students of American culture and readers of American poetry will be delighted by this collection of the personal views of one of the century's best poets.

Following a series of portraits of his compatriots made in the early 1970s, photographer David Goldblatt, for a very short and intense period of time, naturally turned to focusing on people's particulars and individual body languages, as affirmations or embodiments of their selves. Goldblatt's affinity was no accident: Working at his father's men's outfitting store in the 1950s, his awareness of posture, gesture and proportion - technical as it was - formed early and would accompany him throughout his life. In this series we see hands resting on laps, crossed legs, the curved backs of sleepers on a lawn at midday, their fingers and feet relaxed, pausing from their usual occupations. This deeply contemplative work is framed by Ingrid de Kok's poetry. The photographs in 'Particulars' were taken beginning in 1975, and the first edition of the book was published by Goodman Gallery, Johannesburg, in 2003. Goldblatt has revised 'Particulars' for this new Steidl edition

"Lexicography is not just an exercise in linguistic accounting," writes preeminent English language scholar David Crystal in this exceptionally lively and erudite little book. "It is a voyage of lexical exploration and discovery." In Words, Words, Words, Crystal takes readers on a fascinating linguistic adventure, exploring the English language in all its oddity, complexity, and ever-changing beauty. Traveling from word origins and word evolution to wordgangs, wordrisks, wordplay, wordgames and beyond, Crystal shares his immense knowledge of, and equally immense delight in, language. He celebrates new words, old words, words that "snarl" and words that "purr," elegant words and taboo words, plain English words and convoluted gobbledegook, eponyms and antonyms, spoonerisms and malapropisms, and a host of other written and spoken forms and variations. Words, Words, Words offers invaluable insight on such subjects as BLhow to estimate the size of your vocabulary BLthe functions of jargon BLwhen clichés are necessary BLthe value of slang words ("the chief use of slang/is to show you're one of the gang") BLhow to create your own "semantic field" BLdialect humor BLhow to become a word detective BLhow to keep a record of your child's words BLand much more! With illuminating sidebars featuring everything from common word origins and sample definitions from the dictionaries of Samuel Johnson and Ambrose Bierce to a passage from Finnegan's Wake and the winning entries of The Guardian Text Message Poetry Competition, Words, Words, Words will both satisfy and spark the curiosity of anyone who has ever been intrigued, befuddled, or awed by words and myriad ways we use them.

David Amram has played and rambled and galloped and staggered through a remarkably broad sweep of American life, experience, and creative struggle. The Boston Globe has described him as "the Renaissance man of American Music." Amram and Jack Kerouac collaborated on the first-ever jazz poetry reading in New York City in 1957 as well as the subsequent legendary film Pull My Daisy in 1959, combining Amram's music with Kerouac's narration. Amram, honored as the first Composer-in-Residence of the New York Philharmonic, has composed more than 100 orchestral and chamber works, written two operas, and has collaborated with Leonard Bernstein, Dizzy Gillespie, Lionel Hampton, Charles Mingus, Dustin Hoffman, Thelonious Monk, Willie Nelson, Nancy Griffith, Johnny Depp, and more. Vibrations is the story of one boy's adventures growing up on a farm in Pennsylvania, working odd jobs, misfitting in the U.S. Army, barnstorming through Europe with the famous Seventh Army Symphony, exiling in Paris, scuffling on the Lower East Side, day-laboring-often down but never out-finally emerging as a major musical force. With its stage-setting foreword by Douglas Brinkley and a new afterword by Kerouac biographer Audrey Sprenger, this new edition is not to be missed.

Daniela Gioseffi is an American Book Award winning author of fourteen books. She's been a worldwide speaker on campuses, at book fairs, on NPR, BBC, and on The Poet and the Poem, Library of Congress' Radio Show of The National Endowment for the Arts. This book, based on her non-fiction Afterword, includes newly discovered, startling research and theory published in The Emily Dickinson Journal, Vol. X1.2. She is listed with the Dickinson Scholar's Registry, has received the John Ciardi Award for Lifetime Achievement in poetry, two New York State Council for the Arts grants in poetry, and a PEN Syndicated Fiction Award. "Gioseffi's writing is appealing... Engaging, filled with energy.... irresistible. Larry McMurty, The Washington Post. Pulitzer Prize: Terms of Endearment "Gioseffi's work overflows with poetic vision." Nona Balakian, former staff reviewer, The New York Times "... a gifted writer.... A stunning essay [afterword]. It should be a book." Galway Kinnell, Pulitzer Prize & National Book Award winning poet "Whatever Daniela does, she does well. Among other things, I'd put my life in her hands.... Dickinson is lucky Daniela took hers in her hands." Grace Paley, Former Poet Laureate of VT. NY State Fiction Award "Startlingly fresh. Animated. Voluptuous. Gioseffi's writing is mythopoeic." Mary Pradt, Library Journal "Gioseffi's writing is imaginatively rich, startling, intelligent, with a wide range of reading behind it, and relevant to the most profound issues of our times." John Logan, Former poetry editor: The Nation "I like the way your essay richly evokes the life and times of Dickinson." Robert Hass, Former Poet Laureate USA "The essay [afterword] on Dickinson is fascinating and convincing...." Alice Quinn, Director: Poetry Society of America "Daniela's is an adamant poet's world where the poem is the source of all good." Bob Holman, PBS: The United States of Poetry, and Bowery Poetry Club, NY

Content's Essays, 1975-1984 is the celebrated introduction to language poetry by one of its leading practitioners, Charles Bernstein. First published in 1986, and now a classic study of the poetry and poetics of late-twentieth-century America, this collection of essays conducts us with wit, intelligence, and consummate style through the elaborate relations between language and culture. Bernstein considers verbal, pictorial, and filmic language to understand why writing is never the unmediated expression of personal feeling but always charged with latent meaning.Addressing a wide range of arts, Bernstein's essays move gracefully from discussions of Mad Max, Stan Brakhage, and Arakawa, to William Carlos Williams, Louis Zukovsky and Jackson Mac Low. Rather than propose grand theories, Bernstein synthesizes the many sets of ideas that are necessary for a practical understanding of contemporary culture. Reading a variety of texts and expanding on his own thinking and method, Bernstein provides a brilliant introduction not only to language writing but to all avant-garde literary ambitions of the last two decades of the century.At once irreverent and deeply serious, as indebted to Groucho Marx as it is to Stanley Cavell, Content's Dream stakes out a clear cultural and aesthetic position for one extraordinary poet, for language poetry, and for our time.

William Carlos Williams was born on September 17, 1883 in Rutherford, New Jersey. As well as being a poet he painted and maintained a lifelong interest in it. Williams was also a physician in both paediatrics and general medicine. He served at the Passaic General Hospital in Passaic, New Jersey as chief of paediatrics from 1924 until his death. Williams is most well-known for his poems that are closely associated with the Modernism and Imagism movements. In addition to poetry he occasionally wrote short stories, plays, novels, essays, and worked on translations. He practiced medicine by day and wrote at night. Early in his career, he briefly became involved in the Imagist movement via friendships with Ezra Pound and Hilda Doolittle (H.D.). Soon his opinions moved away from theirs and his style began to confirm his alignment to a modernist expression of his surrounding environment. From the late 40's health became a major issue in his life but with himself as the patient. He suffered a heart attack in 1948 and, after 1949, a series of strokes. One such stoke in 1953 left him in hospital for four months and brought about severe depression. In these later years, Williams mentored and influenced many younger poets especially the American literary movements of the 1950s; the Beat movement, the San Francisco Renaissance, the Black Mountain school, and the New York School. One of Williams's most productive relationships was with fellow New Jersey poet Allen Ginsberg. Williams included several of Ginsberg's letters in Paterson, stating that one of them helped inspire the fifth volume of that work. Williams also wrote the introduction to Ginsberg's Howl and Other Poems in 1956. William Carlos Williams died on March 4th, 1963, at the age of 79 at his home in Rutherford. He was buried in Hillside Cemetery in Lyndhurst, New Jersey.

Praise for Marilyn Hacker: "How piercing the duet we're offered between Marilyn Hacker and the reality principle. Reality saying, it’s impossible, something's always sacrificed: you can't be so merry and so raw; so learned and earthy; so gut-wrenching, so danceable at once. Can you? To which, steadily, the voice of Marilyn Hacker: Yes. Evidently; Evidently so." ---Eve Kosofsky Sedgwick, author of Epistemology of the Closet and Touching Feeling "Hacker is one of our best singers---by turns elegiac and fierce, sweet and witty. With each new collection her voice grows richer, more resonant, sorrowing and lovely." ---Julia Alvarez, author of In the Time of the Butterflies and How the García Girls Lost Their Accents "Marilyn Hacker joins a marvelous facility with poetic forms to a shockingly intense sensuality. Not unlike Baudelaire, you might say, and indeed like him, she shares a taste for excess, drink, Paris, women, crowds. 'Enivrez-vous!' Baudelaire ordered his readers, and Marilyn Hacker has taken his advice seriously." ---Edmund White, author of Hotel de Dream, City Boy , and Le Flâneur "Everything is thrilling and true, fast and witty, deep and wise; her vitality is the pulse of life itself." ---Derek Mahon, author of Harbour Lights and An Autumn Wind A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation. For over twenty years, award-winning poet, translator, and editor Marilyn Hacker has been writing incisive criticism and reviews of contemporary poetry, with particular attention to the work of feminist poets, poets of color, and any poets whose work she judged worthy of more attention from the American (and sometimes British) reading public. Unauthorized Voices is Hacker’s first collection of critical prose, bringing together her essays on American, British, Irish, and French poets. It includes pieces on Adrienne Rich, Hayden Carruth, Elizabeth Bishop, Tony Harrison, Marilyn Nelson, and June Jordan; on French and Francophone poets including Vénus Khoury-Ghata and Guy Goffette; on poetry and politics; and on the contemporary sonnet, all affirming Hacker as a lively, unabashedly opinionated American critical voice. Marilyn Hacker is the author of twelve books of poems, most recently Names and Essays on Departure , and of ten collections of poetry translated from the French, including Marie Étienne's King of a Hundred Horsemen , recipient of the 2009 PEN Award for Poetry in Translation. She has been the recipient of the Lenore Marshall Poetry Prize, two Lambda Literary Awards, and the National Book Award for her own poetry and is a Chancellor of the Academy of American Poets.

Memory Rose into Threshold Speech gathers the first four books of poet Paul Celan's oeuvre, written between 1952 and 1963.

A musician, musicologist, and self-defined “poet of research,” Amelia Rosselli (1930–96) was one of the most important poets to emerge from Europe in the aftermath of World War II. Following a childhood and adolescence spent in exile from Fascist Italy between France, England, and the United States, Rosselli was driven to express the hopes and devastations of the postwar epoch through her demanding and defamiliarizing lines. Rosselli’s trilingual body of work synthesizes a hybrid literary heritage stretching from Dante and the troubadours through Ezra Pound and John Berryman, in which playful inventions across Italian, English, and French coexist with unadorned social critique. In a period dominated by the confessional mode, Rosselli aspired to compose stanzas characterized by a new objectivity and collective orientation, “where the I is the public, where the I is things, where the I is the things that happen.” Having chosen Italy as an “ideal fatherland,” Rosselli wrote searching and often discomposing verse that redefined the domain of Italian poetics and, in the process, irrevocably changed the Italian language. This collection, the first to bring together a generous selection of her poems and prose in English and in translation, is enhanced by an extensive critical introduction and notes by translator Jennifer Scappettone. Equipping readers with the context for better apprehending Rosselli’s experimental approach to language, Locomotrix seeks to introduce English-language readers to the extraordinary career of this crucial, if still eclipsed, voice of the twentieth century.

Poetry. Drawings by Paul Blake. Originally published in 1977 by Good Gay Poets of Boston. "A book whose page has come. ruth weiss has been sounding these poems, alone or with jazz accompaniment, for many years. It's now ocheny chorosho that they appear for the senses of those potential poets searching for new modulations of expression; for her poems are of the rhythms of our time and the interlaced, repetitive subtleties are sewn by that 'thread for those who breathe in rags' (Vallejo) which bespeaks and sings the deep loom of the bronze lotus." Jack Hirschman"

Wallace Berman (1926-1976) was the quintessential artist of the Californian counterculture, connecting the disparate artistic, literary, music and film scenes of Los Angeles and San Francisco with his pioneering mail-art magazine Semina . Published between 1955 and 1964 in editions ranging from 150 to 350 copies, and hand-printed on a tabletop at Berman's house, Semina was sent through the mail to his friends, to the contributors and to those he admired. Among its many contributors were Charles Brittin, Jean Cocteau, Walter Hopps, Cameron, Michael McClure, William Burroughs, Allen Ginsberg, John Wieners, Robert Duncan and Berman himself. With its loose-leaf poetry, collages and photography, the magazine has become a defining document of its period (particularly since the 2006 traveling exhibition Semina Culture ) and now sells for thousands of dollars. This volume allows itsentire contents to be seen for the first time, reproducing every component of every issue of the magazine in full color. Published in collaboration with the Berman family and Berman's gallerist Michael Kohn, it also includes commentary and essays by friends, admirers and family in a laid-in pamphlet.

Each bilingual volume in The Defiant Muse series includes 60 to 80 poems by both well-known and rediscovered poets, selected on the basis of their individual merit and as illustrations of the evolution of feminist thought and feeling. Reflecting their own cultural milieus as well as enduring themes, the poets write of love and friendship, revolution and peace, religion, nature, isolation, work, and family. The Dutch, French, German, and Italian volumes represent their respective countries; the Hispanic volume includes poems from the many Spanish-speaking nations; and the Hebrew volume encompasses writing in Hebrew from around the world. The poems are presented in their original languages alongside English translations. Each volume includes an introduction, placing the poetry in historical and aesthetic perspective, and full biographical and bibliographical notes on the poets.

Ricochet is a bilingual collection of word sonnets by one of the chief innovators of the form, Seymour Mayne. It includes three sequences of pithy and evocative poems that encapsulate moments of sharp perception while also drawing attention to instants of humour that suddenly appear in daily life. Concise and visual in effect, word sonnets are fourteen line poems, with one word per line. Frequently allusive and imagistic, they can also be irreverent and playful. While informed by other short poetry forms such as the Haiku, Mayne's word sonnets are deeply influenced by the Talmudic tradition of maxims, proverbs and images that instruct and inform everyday life. Presented with an excellent translation of the poems into French, Ricochet is a unique volume that showcases this innovative new form. The collection also includes a short preface by the poet and an introductory essay by the translator on the challenges of translating word sonnets. Bilingual Edition.

As dismissal and disdain of Jews speak through the art of some leading twentieth-century poets, so the poetry of Rodger Kamenetz artfully answers, framing in subtle terms the questions that haunt our culture-about the voices through which culture speaks, about the identity of poet and poetry, about the capacity of art to harm and to heal. Whether subjecting the anti-Semitic verses of T. S. Eliot to a literary trial; conjuring the eloquence with which "Allen Ginsberg forgives Ezra Pound on Behalf of the Jews"; or drawing upon personal history, the Torah, and Jewish mysticism to explore the tangled relations of Jewish identity and modern literature, Kamenetz's poems attest to the inexorable power of language.

"Translations of selected poetry concerning Jerusalem, for the 1930s to the present, with an introduction and notes"-- Provided by publisher.