How were moral ideas and behaviour in ancient Athens formulated and made manifest? How did democratic Athens defuse the inevitable tensions that surface in society? In this work, Professor Herman argues that rather than endorse the Mediterranean ethic of retaliation, democratic Athens looked to the courts to dispense justice. Drawing on a method of analysis taken from the behavioural sciences, he describes the exceptional strategy of inter-personal relationships that the Athenian democrats developed to resolve conflict, to increase co-operation and to achieve collective objectives. In a departure, this work investigates moral ideas and behaviour alongside each other and expands the focus of the study to include all aspects of Athenian life, be it societal or economic. Highly illustrated throughout and interdisciplinary in approach, this work offers light on society and behaviour in ancient Athens, which might also serve as a model for similar ancient societies.

A window into the Jewish idea of responsibility to care for the world--written especially for Christians. The concept of repairing the world (tikkun olam) is an integral part of Jewish life. It helps shape Jewish social and family relationships, and even mandates how Jews should speak to others. But why is it important for Christians to understand this Jewish approach to life? And what kind of impact can understanding this fundamental aspect of Judaism have on Christians seeking to develop a deeper understanding of their own faith? With insight and wisdom, award-winning author Rabbi Elliot Dorff provides an accessible, honest and thorough exploration of this important Jewish concept. With easy-to-understand explanations of Jewish terms, practices and history, each chapter explores a different facet touched by the tradition of tikkun olam. Rabbi Dorff also addresses parallel themes and practices in the Christian tradition, helping you better understand the roots of Christianity and how the fundamentals of Judaism relate and reflect your own aspirations to repair the world. Caring for the Poor The Power of Words The Ministry of Presence Duties of Spouses to Each Other Children's Duties to Their Parents Parent's Duties to Their Children The Traditional Jewish Vision of the Ideal World

Australian prime ministers since Harold Holt have all fostered close relationships with the United States, but John Howard has initiated economic and military policies that have bound the two countries even tighter. As a result, many Australians now believe that not only our sovereignty but also our very identity as a nation is under threat, and that we are fast becoming America's 51st state. If this view is correct, it should be reflected not only in our foreign policy but also in our domestic policies. Indeed, the weakening of social safety nets, the privatisation of areas long seen as government responsibilities, and the signing of the Free Trade Agreement all point to the triumph of US-style neo-liberalism. Yet, as Dennis Altman shows, the story is not so simple. Even as official rhetoric immerses us ever deeper into the US worldview, the resilience of the Australian social contract is imposing real limits on the application of neo-liberal principles. And, despite his enthusiastic membership of the coalition of the willing, Howard has assiduously cultivated economic and political ties within our region which, as the global balance of power shifts, will become increasingly relevant. In this elegant and sophisticated meditation on Australian identity, Altman suggests that the tendency to attribute malign American influence to everything we dislike about the contemporary world is the flipside of seeing the US as the only model worthy of emulation, and serves to conceal the deeper questions we face namely, how does Australia imagine its future?

In these nine masterly stories, David Leavitt surveys the complicated politics of human relationships in families and communities, in the present day and over the course of the last century. A "wizard at blending levity and pathos" (Chicago Tribune), Leavitt displays here his characteristic grace and intelligence, as well as his remarkable candor and wit. Here are stories that range in form from a historical survey to a police interrogation to an e-mail exchange. In "The Infection Scene," a young man's determined effort to contract HIV is juxtaposed with an account of the early life of Lord Alfred Douglas. In the title story, an expatriate tries to make sense of his ex-partner's senseless murder. In "Crossing St. Gotthard," the members of an American family traveling in Europe at the turn of the twentieth century find themselves confronting their own mortality as they plunge into a train tunnel in Switzerland. And in "Black Box," the partner of a man killed in a plane crash is drawn into an unholy alliance with a fellow "crash widow." Moving from Rome to San Francisco to Florida, from fin-de-siccle London to Hollywood in the early 1960s, these stories showcase the agility and sensitivity that have earned David Leavitt his reputation as one of the most innovative voices in contemporary short fiction.

Dave Liebman is one of the leading forces in contemporary jazz. Prominently known for performing with Miles Davis and Elvin Jones, he has exerted considerable influence as a saxophonist, bandleader, composer, author, and educator. In addition to his recent recognition as a National Endowment for the Arts Jazz Master, he has received the Order of Arts and Letters from France and holds an honorary doctorate from the Sibelius Academy in Helsinki, Finland. He has mentored many of today's most notable young jazz musicians worldwide and is a prolific writer on jazz. In What It Is: The Life of a Jazz Artist, friend, pianist, and noted jazz scholar Lewis Porter conducts a series of in-depth interviews with Liebman, who discusses his professional, personal, and musical relationships with Davis and Jones, as well as such notable musicians as Chick Corea, Richie Beirach, Michael and Randy Brecker, and many others. Through the interviews, Liebman discusses such personal matters as contracting polio as a child and the difficulties it caused as an adult during his rise as a jazz musician. He offers insights into the life of jazz performers of his generation, particularly the tumultuous period of the 1960s and 1970s. The book also features rare photos from Liebman's personal collection. A fascinating and witty storyteller, Liebman's stories in What It Is will appeal to jazz fans and scholars by providing a firsthand look into the creative life of one of America's leading jazz musicians.

Overview of chromaticism -- Fundamental principles -- Harmonic concept of tonal chromaticism -- Superimposition in various harmonic situations -- Non-tonal chromaticism -- Voicings -- Melodic concepts -- Considerations of chromatic melodic lines -- Interval categories -- Practicing ideas -- Playing situations -- Musical relationships in the group -- Examples of chromaticism from jazz and classical repertoire -- Analysis of Liebman transcriptions -- Playing melodies -- Pattern and variational techniques -- Harmonization of a chromatic line -- Reharmonization of standards -- Analysis of complex chords -- Suspended chord terminology -- Liebman original compositions -- Line compendium -- Voicing compendium.

The first collection of stories from the author of Arctic Summer and In a Strange Room Damon Galgut's first collection of stories transports us to 1980s South Africa where politics begins at home. The family that small circle of beings where love should flourish can be an arid and alienating territory where hatred and violence may ignite. The title novella is set in a house far out of town, at the end of a dust road that rises up into the mountains. The desperate bondage of family life is revealed to a mother as she sits at her sons bedside where he lies sick, perhaps dying. Galgut's understated prose unpicks the emotional paradoxes of family life with a surprising, surreal twist. In a world where some of the most intimate relationships are those between strangers, Small Circle of Beings describes how children must learn to pull away from their parents if they are to find their own way.

From Library Journal West, a psychologist, relates a deeply painful narrative of his battle with dissociative identity disorder (DID). He describes the horrors he endured, both mental and physical, as a child who was grossly abused by his mother, attributing the fragmentation of his adult life to these appalling experiences and telling how his long, happy marriage and family relationships were nearly ruined by the effects of DID. The book is not entirely dark; it provides hope and encouragement to DID victims and suggests how they can be helped through the support and understanding of others. It's also a practical guide for future clinicians, offering insight into a perplexing condition. West concludes with an epilog in which he lays out his theory that abused children can achieve a sense of wholeness through the understanding and acceptance of others and the reinvention of the self. Highly recommended.."

A captivating novel about aging fathers and their grown daughters, childhood scars, and rewriting the script with a little help from Shakespeare, from the acclaimed author of My October . On the brink of forty, Bea Rose has lost her lover, her business, and her bearings. When the opportunity arises to work on a summer production of King Lear to be staged in various parks around Montreal, she takes it, despite her utter lack of theatre experience. Things get off to a rocky start when Bea meets the artistic director, Artie White, a childhood friend whose presence stirs up painful memories. Then, inadvertently attracting the attentions of the play's aging star, she learns that she must tread carefully among the egos and relationships of the company. At the same time, Bea's father begins behaving erratically, and her younger sister Cara discovers cracks in the foundation of an apparently perfect life. The sisters do their best to care for their beloved, demanding father, but his deteriorating condition is more than they can handle. Meanwhile, the star of Lear is also faltering amidst the confusions of age, illness, and regret. When a raucous party whirls out of control, the various forces in Bea's life collide, culminating in a violent act that could destroy more than one life. But that act also reveals how lives might be united in new ways. Tender, vivid, and powerful, Lear's Shadow is a richly satisfying meditation on love's power to bind and to liberate. It's a lyrical reminder that even in the face of grief, life's joy can be embraced.

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good , Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority. -- "Modern Language Quarterly"

This book presents a new and comprehensive biography of one of the most prominent artists of the twentieth century in dialogue with the events and ideologies of his time. It encompasses the 98 years of Chagall's life (1887-1985) in Russia, France, the US, as well as Germany and Israel, his deep roots in folk culture, his personal relationships and loves, his involvement with the art of the Russian Revolution, with Surrealism, Communism, Zionism, Yiddish literature and the state of Israel. The book exposes the complex relationships between Chagall's three cultural identities: Jewish-Russian-French. Indeed, it is a biography of the turbulent times of the twentieth century and the transformations of a Jew in it, his meteoric rise from the "ghetto" of the Russian Pale of Settlement to the centers of modern culture. -- Back cover.

"Ben-Zion Gold's memoir brings to life the world of a million Jews in pre-World War II Poland who were later destroyed by the Nazis. Recalling the relationships, rituals, observances, and celebrations, Gold evokes the sense of family and faith that helped him through the catastrophe that followed. With him we experience the life and institutions of the time: the Heder and hooky playing, his encounter with Hassidism, the courtship and marriage of his oldest sister, and the author's own first inkling of love. And with him, we recapture the memories that made life worth living in the face of disaster, along with the experience of the human capacity for evil that tested and transformed his faith as it devastated his world. Finally, Gold tells of the fate of his family and of his own escape from that fate." -- Jacket.

Basil Bernstein rarely had a good press in the forty-odd years in which he presented his developing theories to the public. Early admiration for his sociolinguistic 'discoveries' - of codes which regulate, at a deep-structural level, family beliefs and behaviours and relationships, as well as surface utterances - turned quite quickly into a suspicion that his description of social class difference amounted to a declaration of working class deficit. Although Bernstein's writings, particularly in the 1990s, became opaque to the point of seeming to be purposefully obscurantist, they have always been enlivened by clear, pithy and punchy statements which left no room for ambiguity about the case he was making. The struggle to achieve an education system which would offer genuinely equal opportunities to children from all class and cultural backgrounds continued to underpin the writing and teaching of his later years.

"The ageing civil servant Eduard Saxberger has banished all hope of literary renown. His one collection of youthful verse never led to the glittering career he hoped for, and he has resigned himself to the fact that he'll live out his life as, after all, just an ordinary man. Until, that is, a young admirer seeks him out and declares his deepest admiration for his early poems. He invites Saxberger to join him and his circle of fellow writers, who regularly meet at one of Vienna's grand coffee houses: Saxberger is their model, their literary hero. Embarrassed at first, the old man eventually gives in, flattered and fascinated by the self-styled 'Enthusiasts' (not to be confused, of course, with the 'Talentless', who sit at the other tables in the café). Will Saxberger find the inspiration he needs to write a new masterpiece? Will he be able to help the Enthusiasts to attain the public recognition for which they hunger? Will he, indeed, find late love as well as late fame? Ah, but everything is not as it seems... by Arthur Schnitzler (b. 1862 in Vienna), who qualified as a doctor but was increasingly driven to a career in writing, resulting in several celebrated plays, novellas and novels which explore the great existential subjects of the modern age: relationships, love, sex, ageing and death. Because his work dealt with subjects considered taboo, he frequently attracted the hostility of the authorities, consequently losing his position as Chief Medic in the Reserve Army and being tried for disorderly conduct. Schnitzler was close friends with Stefan Zweig and Sigmund Freud, who both admired him greatly, and a member of the 'Young Vienna' circle of writers who regularly met at a café nicknamed 'Café Megalomania' - the very same clique and café he satirises so deliciously in Late Fame. Schnitzler died in 1931."-- Publisher's website.

Goldberg uses the questions posed by self psychology as point of entry to a thoughtful consideration of issues with which every clinician wrestles: the scientific status analysis, the relationships among its competing theories, the role of empathy in analytic method, and the place of the "self" in the analyst's explanatory strategies. Clinical chapters show how the notion of the self can provide organizing insights into little-appreciated character structures.

Goldberg uses the questions posed by self psychology as point of entry to a thoughtful consideration of issues with which every clinician wrestles: the scientific status analysis, the relationships among its competing theories, the role of empathy in analytic method, and the place of the "self" in the analyst's explanatory strategies. Clinical chapters show how the notion of the self can provide organizing insights into little-appreciated character structures.

Five Evenings was published in the Minnesota Drama Editions series by the University of Minnesota Press in 1966.The Russian playwright Aleksandr Volodin represents a “new wave” of Soviet dramatists, who appear to be primarily interested in personal relationships and values within a framework that is social rather than specifically socialist or communist. This play, Five Evenings, was first published in the Soviet monthly theater journal Teatr in 1958 and was produced at the Boloshoi Theatre of Drama in 1959. An earlier play by Volodin, The Factory Kid, was the subject of violent controversy, on political grounds, in the Soviet press. But while the controversy raged, the play was being enthusiastically received by large audiences. A later play, Going Out and Staying In, was produced in Moscow at the Ermolova Theatre in 1960. Recently Volodin has been working in films.Five Evenings has its setting in present-day Leningrad. As Harold Clurman points out in his introduction, it “is a simple play, so simple in fact that audiences in our great metropolitan centers might call it 'corny.' In doing this they would betray their own provinciality.” Mr. Clurman believes that an American production of the play would help us appreciate the spirit of Soviet dramaturgy, and better still, understand the Soviet people. “Beyond that,” he writes, “it might provide us with an affectionate and touching evening in the theatre - a good time.”

Arguing that in every religious tradition the afterlife represents the ultimate reward for the good, Segal combines historical and anthropological data with insights gleaned from religious and philosophical writings to explain the following mysteries: why the Egyptians insisted on an afterlife in heaven, while the body was embalmed in a tomb on earth; why the Babylonians viewed the dead as living in underground prisons; why the Hebrews remained silent about life after death during the period of the First Temple, yet embraced it in the Second Temple period (534 B.C.E.-70 C.E.); and why Christianity placed the afterlife in the center of its belief system. He discusses the inner dialogues and arguments within Judaism and Christianity, showing the underlying dynamic behind them, as well as the ideas that mark the differences between the two religions. In a thoughtful examination of the influence of biblical views of heaven and martyrdom on Islamic beliefs, he offers a fascinating perspective on the current troubling rise of Islamic fundamentalism. In tracing the organic, historical relationships between sacred texts and communities of belief and comparing the visions of life after death that have emerged throughout history, Segal sheds a bright, revealing light on the intimate connections between notions of the afterlife, the societies that produced them, and the individual's search for the ultimate meaning of life on earth.--Dust cover.

For more than forty years, the American government has struggled with the challenge of maintaining useful relations with a special breed of regime: one whose rulers profess a community of interests with the United States while they rule through authoritarian means. Relationships with such "friendly tyrants" almost invariably generate tensions between the need for prudent security strategies and the ideal of promoting liberty and human rights worldwide. The Devil and Uncle Sam: A User's Guide to the Friendly Tyrants Dilemma distills the policy lessons of over four decades and offers practical approaches to negotiating these obstinate ambiguities of contemporary political life.This User's Guide brings together a team of eminent authors with diverse talents and experience to present a comparative study of the Friendly Tyrants phenomenon in recent history and to devise a systematic set of guidelines for dealing with it. The book is organized around ten essential maxims (Beware Dependence, Be Nimble, Promote Democracy, Chastise with Care, Define Goals, Know the Country, Think It Through, Coordinate Policy, Hedge Bets, Plan for Crises) and a larger number of specific Do's and Don'ts.The Devil and Uncle Sam draws richly upon historical examples to illustrate general principles that will prove invaluable to policymakers and political analysts. The Persian Gulf*War has shown that the Friendly Tyrants problem is still with us, even in the post-Cold War environment. The authors' understanding of past patterns yields insights that should help to prevent the preventable. While new situations will create possibilities for new mistakes, old ones must not be repeated. Contributors to The Devil and Uncle Sam include, in addition to Adam Garfinkle, Daniel Pipes, Kenneth Adelman, Patrick Clawson, Mark Falcoff, and Douglas J. Feith.