A humorous memoir of big city angst and big life decisions chronicles one couple's journey from a Manhattan townhouse to an eighteenth-century Dutchess County farmhouse.

Mermestein's haunting memoir chronicles his Czech family's descent into German concentration camps, his ultimate survival as the only member of his immediate family, and his continuing fight against Holocaust dissenters.

Intimate, humorous, and refreshingly candid, this extraordinary work is a remarkable record—in both words and images—of Jewish life in a Polish town before World War II as seen through the eyes of an inquisitive boy. Mayer Kirshenblatt, who was born in 1916 and left Poland for Canada in 1934, taught himself to paint at age 73. Since then, he has made it his mission to remember the world of his childhood in living color, "lest future generations know more about how Jews died than how they lived." This volume presents his lively paintings woven together with a marvelous narrative created from interviews that took place over forty years between Mayer and his daughter, Barbara Kirshenblatt-Gimblett. Together, father and daughter draw readers into a lost world—we roam the streets and courtyards of the town of Apt, witness details of daily life, and meet those who lived and worked there: the pregnant hunchback, who stood under the wedding canopy just hours before giving birth; the khayder teacher caught in bed with the drummer's wife; the cobbler's son, who was dressed in white pajamas all his life to fool the angel of death; the corpse that was shaved; and the couple who held a "black wedding" in the cemetery during a cholera epidemic. This moving collaboration—a unique blend of memoir, oral history, and artistic interpretation—is at once a labor of love, a tribute to a distinctive imagination, and a brilliant portrait of life in one Jewish home town. Copub: The Judah L. Magnes Museum

National Outdoor Book Award Winner for Outdoor Literature From the award-winning, bestselling author of Cod- the irresistible story of the science, history, art, and culture of the least efficient way to catch a fish. Fly fishing, historian Mark Kurlansky has found, is a battle of wits, fly fisher vs. fish-and the fly fisher does not always (or often) win. The targets-salmon, trout, and char; and for some, bass, tarpon, tuna, bonefish, and even marlin-are highly intelligent, athletic animals. The allure, Kurlansky learns, is that fly fishing makes catching a fish as difficult as possible. The flies can be beautiful and intricate, some made with over two dozen pieces of feather and fur; the cast is a matter of grace and rhythm, with different casts and rods yielding varying results. Kurlansky is known for his deep dives into specific subjects, from cod to oysters to salt. But he spent his boyhood days on the shore of a shallow pond. Here, where tiny fish weaved under a rocky waterfall, he first tied string to a branch, dangled a worm into the water, and unleashed his passion for fishing. Since then, his love of the sport has led him around the world's countries, coasts, and rivers-from the wilds of Alaska to Basque country, from Ireland and Norway to Russia and Japan. And, in true Kurlansky fashion, he absorbed every fact, detail, and anecdote along the way. The Unreasonable Virtue of Fly Fishing marries Kurlansky's signature wide-ranging reach with a subject that has captivated him for a lifetime-combining history, craft, and personal memoir to show readers, devotees of the sport or not, the necessity of experiencing nature's balm first-hand.

In this classic memoir that explores the Nazi presence in the south of Chile after the war, Marjorie Agosín writes in the voice of her mother, Frida, who grew up as the daughter of European Jewish immigrants in Chile in the World War II era. Woven into the narrative are the stories of Frida's father, who had to leave Vienna in 1920 because he fell in love with a Christian cabaret dancer; of her paternal grandmother, who arrived in Chile later with a number tattooed on her arm; and of her great-grandmother from Odessa, who loved the Spanish language so much that she repeated its harmonious sounds even in her sleep. Agosín's A Cross and a Star is a moving testament to endurance and to the power of memory and words. This edition includes a collection of important new photographs, a new afterword by the author, and a foreword by Ruth Behar.

In this unique memoir, renowned poet, fiction writer, critic, and activist Marjorie Agosin writes in the voice of her mother, Frida, the daughter of European Jewish immigrants, living in Chile in the years before, during, and after World War II. Frida recounts stories from her family's Jewish/Chilean history: of her father, who had to leave Vienna in 1920 because he fell in love with a Christian cabaret dancer; of her paternal grandmother, who came to Chile later with a number tattooed on her arm; and of her great grandmother, an immigrant from Odessa, who learned to speak Spanish in Chile and loved the language so much that she repeated its harmonious sounds even in her sleep. Frida's stories of the past soften the realities of present times, when some immigrants from Germany still display portraits of Hitler m their homes and Jews still remain, after two generations, strangers in their own land. These stories are permeated with the shadow of faraway war in Europe, which haunts Frida's dreams and is a vivid presence in the everyday life in this Chilean town. For Frida the cross and the star of the title come to define two worlds that are for her distinct, yet inexorably entwined. Agosin's poetic reflections reveal a culture and a landscape little-known outside of her native land, explore the boundaries of "voice", and create a moving testament to endurance and to the power of memory and of words.

Lynn Margulis, one of the most original and perceptive scientific thinkers of our time, and the writer Dorion Sagan here present a selection from their many essays published in the last decade and a half. This collection includes an extraordinary memoir of Margulis' encounter with J. Robert Oppenheimer as well as provocative ideas on Gaia theory, symbiosis, individuality, and the way scientific research is conducted today.

Originally published in 1958, this is Lillian Roth's story in her own words following up on her blockbuster memoir I'll Cry Tomorrow. "Nothing in my wildest imaginings could have prepared me for what has happened these past five years," says Lillian Roth in her new book, which continues the story of her life from the publication of I'll Cry Tomorrow to the present. Catapulted back into the limelight as a "reformed" alcoholic, faced with the problems of a professional come-back, besieged by people who sought solace and advice, troubled by her own weaknesses and doubts, she found herself on the verge of panic and blindness. But the love and strength of her husband, the will to make good on her own, and the faith and affection of a vast audience who turned to her for help, carried her over the troubled waters. Step by step she found her way out of the darkness that still threatened her. With the same frankness and honesty that made her autobiography a deeply moving experience, Lillian Roth now describes her struggle back to the top of the nightclub circuit, of the lean and the full years, of the disappointments and triumphs, and of her search for religious understanding. She tells of her decision to become a serious actress, of the way she finally found a home, after forty-six years, and of the never-ending struggle that everyone is faced with. "Life is a struggle-and to stop struggling is to stop living. But that struggle is not for money alone, but to create, to realize the best within us." "People turned to me for help, not realizing that I too suffered human frailty. But wondrously, they brought me their strength along with their fears." Seldom has there been a story as inspiring and warmly human as this continuation of the record of a woman's search to find peace and happiness within herself.

Born in 1940, Lillian Faderman was the only child of an uneducated and unmarried immigrant Jewish woman. Her mother, whose family perished in the Holocaust, was racked by guilt at having come to America and left them behind; she suffered recurrent psychotic episodes. Her only escape from the brutal labor of her sweatshop job was her fiercely loved daughter, Lilly, whose poignant dream throughout an impoverished childhood was to become a movie star and "rescue" her mother. Lilly grew up to become Lil, outwardly tough, inwardly innocent, hungry for love and success. A beautiful young woman who was learning that her deepest erotic and emotional connections were to women, she found herself in a dangerous but seductive lesbian underworld of addicts, pimps, and prostitutes. Desperately seeking to make her life meaningful and to redeem her mother's suffering, she entered the University of California at Berkeley and worked her way through college as a burlesque stripper. A brilliant student, she ultimately achieved a Ph. D. At last she became Lillian, the woman who in time became a loving partner, a devoted mother, an acclaimed writer, and a charismatic, groundbreaking scholar of gay and lesbian studies. Told with wrenching immediacy and great power, this is an extraordinary memoir: the nakedly honest -- and very American -- story of an exceptional woman and her remarkable, unorthodox life.

"An intimate, inspiring memoir by educator and labor union leader Karen Lewis, a formidable fighter, a staunch defender of teachers and students, and a beloved Chicagoan. In 2012, Karen Lewis led the Chicago Teachers Union to a historic strike, challenging the city's powerful mayor and paving the way for an unprecedented wave of teacher strikes in the decade that followed. But Lewis's life took her in rich and surprising directions long before she landed in the CTU President's office. I Didn't Come Here to Lie, written in collaboration with historian and education expert Elizabeth Todd-Breland, tells Lewis's story in full for the first time, capturing her lively wit, her charisma, and her commitment to building the schools and communities teachers, students, and families deserve. From her childhood on Chicago's South Side to her teen years organizing Black Power walkouts, from her education at Mount Holyoke and Dartmouth to her years in Oklahoma and Barbados and her stints in medical school and film school, readers follow Lewis through a life full of exploration. Wherever she was, she maintained a strong commitment to building fairness. She found her calling in the classroom, teaching science for more than twenty years before becoming a union leader in Chicago. Up until her untimely death from brain cancer in 2021, Karen Lewis was spirited, unshakeable, and fierce. She remains a model for current organizers and teachers doing the day-to-day work of building a better world. I Didn't Come Here to Lie is a testament to one of the true revolutionaries of her generation"--

HONORABLE MENTION, Foreword INDIES Book of the Year Award, Autobiography & Memoir! Lifelong activist Judy Gumbo, an original member of The Yippies, a 1960s anti-war satirical protest group, offers an insider feminist memoir of her involvement with the Yippies, Black Panthers, women's rights, environmental actions, and a life of activism. In 1968, a 24-year-old woman moved to Berkeley, California and immediately became enmeshed in the Youth International Party, aka The Yippies, an anti-war satirical protest group. In the next few years, Judy Gumbo (a nickname given her by Eldridge Cleaver), was soon at the center of counter-cultural activity-from protests in People's Park, to meetings at Black Panther headquarters, to running a pig for President at the raucous Democratic National Convention in Chicago, a protest that devolved into violent attacks by the police and arrests that led to the notorious Chicago Conspiracy Trial. In this historical account, Gumbo reveals intimate details of--and struggles with--her fellow radicals Jerry Rubin, Anita & Abbie Hoffman, Eldridge Cleaver, Paul Krassner, Stew Albert, and more, detailing their experiences in radical protests. This deep dive into her activism includes details of her organization of a national women's rights group, her visit to North Vietnam during the war, her travels around the globe to promote women's liberation and anti-war protest, and her environmental activism. It also includes extensive excerpts from illegal wiretaps and surveillance by the FBI. "A welcome addition to the literature of radical activism." --Kirkus Reviews "A fun read and a valuable political document, long overdue." --Counterpunch Yippie Girl explores Gumbo's life as a protester to show that, while circumstances always change, protesters can stay loyal to the causes they believe in and remain true to themselves. She also reveals how dogmatism, authoritarianism, and interpersonal conflict can damage those same just causes, offering a timeless and strategic guide for activists today protesting against injustice in all its forms.

A thoroughly engrossing memoir that recounts Beckwith's halting steps toward scientific triumphs--among them, the discovery of the genetic element that turns on genes--as well as his emergence as a world-class political activist, "Making Genes, Making Waves" is a compelling history of the major controversies in genetics during the last 30 years.

"Every page, every paragraph, every sentence sparkles with captivating metaphors, delightful verbal concoctions, alchemical insights, philosophic whimsy, absurd illogicals, scientific comedy routines, relentless, non-stop waves of hilarity. The comparisons to James Joyce are undeniable. Wow! Whew! Wild! Wonderful!"" Timothy Leary The strangest memoir you will ever read. You or your parents lived it. I helped start it. And it was an accident. It was the era of myth, legend, sex, and extreme adventure called The Sixties. "I blasted through Howard Bloom's How I Accidentally Started The Sixties like the wildfire swallowing up my mountain in California. I loved it. The molecular amusement ride, the sexual Disneyland, the Chevy 350 Impala blasting down the freeway at 120 mph. The universal essence is its brilliant simplicity.....Reality is really a mind field seen through Bloom's neurotic Buddha-like mind resplendent with every major family issue mortal humans will ever come across in a life time: identity, parents, meaning, self, non-self, food, habitation, education, goals, marriage, family, children, God, sex, more sex----DRUGS. It slithers like a rattlesnake across the page, the way a story should. What I love most is the off the wall comedy. Howard Bloom as Harpo Marx riding a freight train like Buddha carrying his life in a sleeping bag. I mean it's priceless. Bloom's psychedelic journey across the American landscape, is deciphered through the irresistible minds of murderers, crackpots, Nobel Prize Playboy bunnies, scholars, waiters, hobo gurus, cops, professors, French majors, psychiatrists, cock suckers, recreational drug users, Mormons, Jews, nut jobs, laundry mat owners, demonic children, lizards...........Aldous Huxley with a pinch of Timothy Leary.............and every molecule in the universe. It separates Bloom from any scientist/global mind who ever lived. Richard Feynman, Albert Einstein, and Aldous Huxley would be proud. Each man strived to marry science, art, and poetry but never managed to pull it off. How I Accidentally Started the Sixties does. I salute Howard Bloom. His doctrine sparkles every page with his Promethean fire; distilled in Shakespeare's immortal words, 'From women's eyes this doctrine I derive'.....[women] are the books, the arts, the academies, that show, contain and nourish the world.' Love's Labour Lost, only in Bloom's case, found, lost, and then found again. God only knows what else this mastermind is hiding from the rest of us." Mark Lamonica, winner of the Southern California Booksellers Association Nonfiction Award, author of Junk Yard Dogs And William Shakespeare and Renaissance Porn Star: The Saga of Pietro Aretino, The World's Greatest Hustler

The oral history of a renowned Czech writer, whose optimism and faith in people survived grueling experiences under authoritarian regimes. Heda Margolius Kovály (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street --based on her own experiences living under Stalinist oppression--was named an NPR Best Book in 2015. In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovály and award-winning filmmaker Helena Trestíková. In it, Kovály recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slánsky Trial and executed for treason. Remarkably, Kovály, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996. Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda's life directly with maximum intensity. Nevertheless, she remained an optimist. Helena Trestíková has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan.

Love has 10,000 names, a million faces. America's most destructive contribution to 20th century living has been that damaged product plastic romance. It twists & savages us. After a lifetime of lies about what love's supposed to be, are you finally angry & depressed enough to be part of a recall on that shabby, mildewed merchandise? If so, join Ellison as he dissects the soul & body of love in our time. In 16 scalpel-sharp stories ranging from legalized Nevada whorehouses to steaming Georgian lynch towns, from Tijuana abortion mills to Hollywood sound stages, the one whom Oui magazine charmingly named "the perpetually angry young punk of the bizarre" rips the Saran-Wrap off love, hate, sin & twittering passion--to disclose the raw meat beneath. Here are 16 poisoned arrows from fantasy's improbable Cupid in which he presents a world of hearts & flowers guaranteed to revise thinking about where love's found & how it looks.New Having an Affair with a Troll (1976) essayIntroduction to 1st Edition (1976) essayNeither Your Jenny nor Mine (1964) storyThe Universe of Robert Blake (1962) storyG.B.K.-A Many-flavored Bird (1962) story Riding the Dark Train Out (1961) A True Memoir (1972) essayThe Resurgence of Miss Ankle-strap Wedgie (1968) novellaDaniel White for the Greater Good (1961) storyBlind Bird, Blind Bird, Go Away from Me! (1963) storyWhat I Did on My Vacation This Summer by Little Bobby Hirschhorn, Age 27 (1964) story Mona at Her Windows (1962) story When I Was a Hired Gun (1973) essay A Path Through the Darkness (1963) noveletteBattle Without Banners (1964) story A Prayer for No One's Enemy (1966) novelettePunky & the Yale Men (1966) novelette I Curse the Lesson & Bless the Knowledge (1976)

"In Fireweed, Gerda Lerner, a pioneer and leading scholar in women's history, tells her story of moral courage and commitment to social change with a novelist's skill and a historian's command of context. Lerner's memoir focuses on the formative experiences that made her an activist for social justice before her academic career began. The child of a well-to-do Viennese Jewish family, she was still a teenager when a fascist regime came to power in 1934, and she became involved in the underground resistance movement. The Nazi takeover of Austria cast her into prison, then forced her and her family into exile; she alone was able to leave Europe. Once in the United States, she experienced the harshness of the Depression and despair over the fate of her family. Still, she persisted in adapting to the new culture and to becoming a writer. Here she met and married her life-long partner, Carl Lerner, a film editor and director. Together they become deeply involved in left-wing activities, from struggling to unionize the film industry and resisting the blacklist in Hollywood to community organizing for peace, for an interracial civil rights movement, and for better schools in New York City. Lerner insists that her decades of grassroots organizing largely account for the theoretical insights she was later able to bring to the development of women's history." -- Publisher's description.

“A satisfying read from a masterful stylist, this will appeal to any fan of nature writing or personal essays.” — Publishers Weekly (starred review) Ever since her daughter rescued a fledgling rook several years ago, Esther Woolfson has been fascinated with corvids, the bird group that includes crows, rooks, magpies, and ravens. Today, the rook, named Chicken, is a member of the Woolfson family along with a talking magpie named Spike, a baby crow named Ziki, a starling, a parrot, and others. From their elaborate bathing rituals to springtime broodiness and their tendency to stash food in the most unlikely places, these corvids share bonds with Woolfson that would have been considered rare, if not impossible, before. Letting her experience speak for itself, Woolfson likens the fears and foibles of corvids to those of humans, taking into account the science of bird intelligence, evolution,song, and flight. She highlights their big personalities and capacity for affection: Chicken hates computers and machines, while she loves evening neck scratches on Woolfson’s knee. It is through this intimate lens that Woolfson invites us to reconsider what creatures can be human’s best friend. “Woolfson shares a house with a host of free–ranging birds who cache bits of brie and raw squid in jean cuffs and under rugs, who excavate holes in the kitchen wall, and who, ahem, are decidedly not housebroken. But are these lifestyles really so peculiar? Should we not applaud them?” — Orion Magazine “What makes Woolfson’s memoir such enjoyable reading (even for the non–birdobsessed) is that she is funny and knows it’s rather crazy to have a magpie, crow, starling or, more significantly, a rook named ‘Chicken’ running about your house.” —Bookslut

Seducing the Demon has introduced Erica Jong to readers who hadn't been born when Fear of Flying was published in 1973. Now one of her finest works of nonfiction -and a New York Times bestseller-is back in print with a new afterword. In Fear of Fifty , a New York Times bestseller when first published in 1994, Erica Jong looks to the second half of her life and "goes right to the jugular of the women who lived wildly and vicariously through Fear of Flying" ( Publishers Weekly ), delivering highly entertaining stories and provocative insights on sex, marriage, aging, feminism, and motherhood. "What Jong calls a midlife memoir is a slice of autobiography that ranks in honesty, self-perception and wisdom with [works by] Simone de Beauvoir and Mary McCarthy," wrote the Sunday Times (U.K.). "Although Jong's memoir of a Jewish American princess is wittier than either."

A Montreal Childhood is a recently discovered memoir by Eric Berne about growing up and coming of age in Montreal in the first decades of the 20th century. The first new book by the well-known psychotherapist and author since his death in 1970, it offers an affectionate and revealing portrait of the city's immigrant community on lively Ste. Famille St. during and after WWI. The evocative and humorous depictions of the many social and cultural differences which reigned in Montreal at the time are among the books most memorable passages, as are the anecdotes recounting just how the children of Ste. Famille St. often painfully learned to cope with these differences. "So there was I, a direct descendant of Adam and Eve, facing the world at seventeen. I had few material things and no spending money, but I had lots of relatives, a card admitting me to college, a job and a girlfriend. The most important things I owned were in my head. First, all the things that had been put there by my parents and teachers, by books and by friends: freedoms and duties, aspirations and prohibitions. Second, all the knowledge of the world and its ways, and of the things it had to offer and could take away. Third, all the memories and desires that had grown in me since birth, all the hopes and ideals and strivings and creations that welled up from my youthful soul. So I could stride down the street, head up, swinging my arms straight and firm like a free British subject, and feel myself a part of the world, with all its trees and birds and beasts and people that pulsated and strove on the earth and above it, and yes, the questing roots below its surface as well" Eric Berne.

Emily Benedek, the author of two highly regarded books on the traditions and conflicts of Native Americans of the Southwest, suddenly found herself in the mid-1990s grappling with certain traditions and conflicts of her own. Stricken with a case of temporary blindness, she had an experience— unprecedented in her life—which she was able to understand only as an apprehension of the divine. Stirred and confused, Benedek took herself to a humble storefront synagogue in Dallas, where she was then living. Among the welcoming congregants she began a spiritual journey that gradually led her back to Jewish practice and belief. As we accompany Benedek on her journey, we come to know the wise and imaginative psychoanalyst who served as one of her guides... an Orthodox family in Rockland County whose lives are devoted entirely to Torah yet who are open to Benedek's questioning and probing, particularly on the subject of the differing roles of men and women in Orthodoxy... Texans, Israelis, and Brooklynites, teachers and students, and the vibrant Conservative Congregation B'nai Jeshurun on Manhattan's Upper West Side, where Benedek eventually finds her most comfortable spiritual home. And ultimately, of course, we come to know Emily Benedek, an independent and principled modern woman who has found a path through T. S. Eliot's "unknown, remembered gate" in the Jewish life and identity that connect her to her rich and powerful heritage. Curious, sensitive, perceptive, and questing, she gives us in this compelling memoir a beautiful story, beautifully told.