This is a comic, tragic, supremely entertaining novel about one family's struggles with the consolations of faith and the trials of doubt. When Audrey makes a devastating discovery about her husband, New York radical lawyer Joel Litvinoff, she is forced to re-examine everything she thought she knew about their forty-year marriage. Joel's children will soon have to come to terms with this unsettling secret themselves, but for the meantime, they are trying to cope with their own dilemmas. Rosa, a disillusioned revolutionary, is grappling with a new-found attachment to Orthodox Judaism. Karla, an unhappily married social worker, is falling in love with an unlikely suitor at the hospital where she works. Adopted brother Lenny is back on drugs again. In the course of battling their own demons and each other, every member of the family is called upon to decide what - if anything - they still believe in.

Written between 1920 and 1932, all five were first published in small editions, three of them in France. These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward." The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

"For fans of Donna Tartt's The Secret History, a propulsive literary novel about sexual obsession in which a meek Harvard freshman becomes dangerously infatuated with a classmate. David Federman has never felt appreciated. One of the most painfully forgettable members of his New Jersey high school class--yet the only one accepted to Harvard--shy, witty David arrives in Cambridge fully expecting to embrace, and be welcomed by, a new tribe of like-minded peers. But at first, beyond the friendly advances of a plain-looking girl named Sara, his social status seems devastatingly unlikely to change. Then he meets Veronica Morgan Wells. Instantly infatuated, struck by both her beauty and her brains, David falls feverishly in love with the woman he sees as a charismatic goddess. Determined to stop at nothing to win her attention and a coveted invite into her glamorous Upper East Side world, David begins compromising his own moral standards, tossing everything aside for this one, great chance at happiness. But neither Veronica nor David, it turns out, are exactly as they seem... A darkly comic and riveting portrayal of psychosexual obsession from one of the most acclaimed writers of his generation, Loner also turns the traditional campus novel on its head as it explores contemporary gender politics and class--and discovers just what we're capable of when our greatest enemies turn out to be ourselves"--

As Consciousness is Harnessed to Flesh reveals the inner life of Susan Sontag.Providing a unique insight into the mind of one of the leading intellectuals of the modern age, Susan Sontag's As Conscious is Harnessed to Flesh chronicles the cultural, moral, and political journeys of this renowned critic and artist at the height of her powers.As Consciousness Is Harnessed to Flesh follows Sontag through the turbulent years of the late 1960s - from her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden - up to 1980, just before the beginning of the Reagan era. This is an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power. It is also a remarkable document of on individual's political and moral awakening.'More true to life, both intellectual and emotional, than the most artful novel or careful biography' Sunday Telegraph'Gold dust' Sunday Times'A powerful self-portrait emerges. In its fragmentation . . . and passion, its combination of the erudite and the everyday, it is more true to life, both intellectual and emotional, than the most artful novel or careful biography. It may well be that Sontag's diaries will come to be seen as just as brilliant and important as anything she wrote' Sunday Telegraph'Mesmerising, fascinating' Guardian'Express the fullness and diversity of her intellectual curiosity. Revelatory in the most profound sense: they are existential fragments, self-selected thoughts, emotions, reactions . . . arising in one of the most remarkable minds of the twentieth century' The TimesOne of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

Stan Leventhal paints a picture of Christopher Street in the 80s and 90s. "The streets became ours again. When the fag-bashers began to get bold, to slither from their slimy lairs, the young gay guys and fledgling lesbians fought back. There was a new war to win, along with battles of fear, ignorance, and indifference... But now the streets belong to us again. We paid for it with our muscles, our brains, our bodily fluids. It has our names written all over it. Our blood fills the cracks in the pavement. It's ours and we're never going to give it up." Against that backdrop, we see the pieces of an ordinary life. He's an editor for a porn publishing house - it's not glamorous, it's just work. His relationship is on the verge of ending. He is visited by the ghosts of friends he has lost to AIDS. In the midst of the familiar days, he learns from his doctor that he too has AIDS. Leventhal's final novel was produced in 1995. This new edition features a foreword by Paras Borgohain who is currently writing a screenplay for the novel.

In Stagestruck noted novelist and outspoken critic Sarah Schulman offers an account of her growing awareness of the startling similarities between her novel People in Trouble and the smash Broadway hit Rent . Written with a powerful and personal voice, Schulman's book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of "marginal" artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce. Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent-- which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent 's premiere--she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of "the homosexual" that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck 's message is sure to incite discussion and raise the level of debate about cultural politics in America today.

"A hero with Huck Finn's heart and charm, lighting by El Greco and jokes by Punch and Judy. . . . Riddley Walker is haunting and fiercely imagined and—this matters most—intensely ponderable." —Benjamin DeMott, The New York Times Book Review "This is what literature is meant to be." —Anthony Burgess "Russell Hoban has brought off an extraordinary feat of imagination and style. . . . The conviction and consistency are total. Funny, terrible, haunting and unsettling, this book is a masterpiece." —Anthony Thwaite, Observer "Extraordinary . . . Suffused with melancholy and wonder, beautifully written, Riddley Walker is a novel that people will be reading for a long, long time." —Michael Dirda, Washington Post Book World "Stunning, delicious, designed to prevent the modern reader from becoming stupid." —John Leonard, The New York Times "Highly enjoyable . . . An intriguing plot . . . Ferociously inventive." —Walter Clemons, Newsweek "Astounding . . . Hoban's soaring flight of imagination is that golden rarity, a dazzlingly realized work of genius." —Jane Clapperton, Cosmopolitan "An imaginative intensity that is rare in contemporary fiction.' —Paul Gray, Time Riddley Walker is a brilliant, unique, completely realized work of fiction. One reads it again and again, discovering new wonders every time through. Set in a remote future in a post-nuclear holocaust England (Inland), Hoban has imagined a humanity regressed to an iron-age, semi-literate state—and invented a language to represent it. Riddley is at once the Huck Finn and the Stephen Dedalus of his culture—rebel, change agent, and artist. Read again or for the first time this masterpiece of 20th-century literature with new material by the author.

"Global overcrowding, a new immortality serum and an unfriendly alien ambassador are only a few of the problems confronting Roy Walton, government's new Master of Life and Death in Robert Silverberg's early and accomplished novel. Praised by a distinguished critic, Anthony Boucher, for 'its complete clarity and narrative drive' the novel retains its power today."

Equally adept at fiction (a winner of the National Jewish Book Award) and philosophy (a recipient of the MacArthur Foundation genius prize), Rebecca Newberger Goldstein now gives us a novel that transforms the great debate between faith and reason into an exhilarating romance of both heart and mind. At the center: Cass Seltzer, a professor of psychology whose book, The Varieties of Religious Illusion, has become a surprise best seller. He's been dubbed the atheist with a soul, and his sudden celebrity has upended his life. He wins over the stunning Lucinda Mandelbaum-the goddess of game theory-and loses himself in a spiritually expansive infatuation. A former girlfriend appears: an anthropologist who invites him to join in her quest for immortality through biochemistry. But he is haunted by reminders of the two people who ignited his passion to understand religion: his teacher Jonas Elijah Klapper, a renowned literary scholar with a suspicious obsession with messianism, and an angelic six-year-old mathematical genius, heir to the leadership of an exotic Hasidic sect. The rush of events in a single dramatic week plays out Cass's conviction that the religious impulse spills out into life at large. In 36 Arguments for the Existence of God, Rebecca Newberger Goldstein explores the rapture and torments of religious experience in all its variety. Hilarious, heartbreaking, and intellectually captivating, it is a luminous and intoxicating novel.

The Hobgoblin unmasked - but what does it mean for Spider-Man? Tom DeFalco and Ron Frenz lay a trail of clues that leads to...the Hobgoblin! The heir apparent to the Goblin mantle -- and the title of #1 nemesis in Spider-Man's life -- has been a compelling mystery since his debut. When his shocking identity is revealed, will you be able to believe it? And when the cosmic Beyonder returns, Peter Parker and the Puma will pair to face him with Mephisto waiting in the wings. Spidey's exploits will also bring him back to his early days and Crusher Hogan, the pro wrestler he grappled with way back in AMAZING FANTASY #15. And topping off this Masterworks volume is the stunning painted art and color of Bernie Wrightson in the Spider-Man graphic novel Hooky! COLLECTING: Amazing Spider-Man (1963) 271-278, Spectacular Spider-Man (1976) 111, Marvel Graphic Novel (1982) 22, material from Marvel Fanfare (1982) 27

Eleven Hours is a visceral, vital, microcosmic illumination of the most pivotal moment of any woman's life: giving birth. With taut, sensitive prose, Erens explores the lives of two women in New York - one in labour, the other her Haitian midwife - to gracefully reveal the seminal moments that have led them to meet here, now, during childbirth. With this riveting, insightful and sometimes harrowing novel, Erens cements herself as one of modern fiction's most diverse and discerning authors.

In this landmark work of journalism, Norman Mailer reports on the presidential conventions of 1968, the turbulent year from which today’s bitterly divided country arose. The Vietnam War was raging; Martin Luther King, Jr., and Robert F. Kennedy had just been assassinated. In August, the Republican Party met in Miami and picked Richard Nixon as its candidate, to little fanfare. But when the Democrats backed Lyndon Johnson’s ineffectual vice president, Hubert Humphrey, the city of Chicago erupted. Antiwar protesters filled the streets and the police ran amok, beating and arresting demonstrators and delegates alike, all broadcast on live television—and captured in these pages by one of America’s fiercest intellects. Praise for Miami and the Siege of Chicago “For historians who wish for the presence of a world-class literary witness at crucial moments in history, Mailer in Miami and Chicago was heaven-sent.”—Michael Beschloss, The Washington Post “Extraordinary . . . Mailer [predicted that] ‘we will be fighting for forty years.’ He got that right, among many other things.”—Christopher Hitchens, The Atlantic “Often reads like a good, old-fashioned novel in which suspense, character, plot revelations, and pungently describable action abound.”—The New York Review of Books “[A] masterful account . . . To understand 1968, you must read Mailer.”—Chicago Tribune From the Trade Paperback edition.

“Unusual, fascinating examination of human intersection and the myriad, imperceptible ways we relate to one another.” — Kirkus Reviews (starred review) When Natalie was eleven, her mother walked out mid-sentence and never came back. Now Natalie is almost sixteen and struggling with a toxic relationship, so she sets out on a bus trip to find her mother and figure out love. To her surprise, she meets people with stories like her own, stories about giving love and getting lost in the desire to be wanted. Acclaimed middle-grade novelist Nora Raleigh Baskin makes her young adult debut with a deeply resonant novel about secrets held and secrets shared, about having the courage to uncover all we know — and don’t know — of love.

Creating a sensation around the world, Twelve established its seventeen-year-old author as a powerful voice of the new millennium. The chilling novel follows prep school dropout White Mike through the week between Christmas and New Year's 1999, as he takes a year off to deal an alluring new drug to his privileged peers on Manhattan's Upper East Side. The kids of Twelve have it all; Chris and Claude and Hunter and Laura have the best, and most, of everything, but are constantly looking for something more exotic, and more dangerous. But Twelve is not a coming-of-age story, because these kids never had a childhood--their parents are off on holiday in Bali or business in Brussels, leaving hired help to look the other way as the kids stay home alone in their multimillion-dollar town houses, partying with drugs and sex and, in the end, much worse. From page one, the pace is set toward an apocalyptic climax. In the penultimate party scene, when we thought we couldn't be surprised, we are shocked. And throughout the book, where there is an excess of everything but hope, we are filled with that very emotion as White Mike struggles for nothing less than his soul.

A novel of rare genius, The Man with the Golden Arm describes the dissolution of a card-dealing WWII veteran named Frankie Machine, caught in the act of slowly cutting his own heart into wafer-thin slices. For Frankie, a murder committed may be the least of his problems. The literary critic Malcolm Cowley called The Man with the Golden Arm "Algren's defense of the individual," while Carl Sandburg wrote of its "strange midnight dignity." A literary tour de force, here is a novel unlike any other, one in which drug addiction, poverty, and human failure somehow suggest a defense of human dignity and a reason for hope.

Noah Prime must set out to save his friends and the universe once again in this action-packed, alien-filled, hilarious novel in the New York Times bestselling The N.O.A.H. Files series. Noah Prime never expected to wind up a fugitive hunted by aliens. To be honest, he had never even believed in aliens...until a team of them blew up his house. He escaped--and managed to save the world--by using his mysterious ability to harness the traits of every animal on earth. Now he's in hiding, and thinks all is well.... ...Until his friend Ogden buys a star for Claire, the most popular girl in school. However, instead of a quaint romantic notion, it turns out to be an actual real estate deal--and aliens from that star system abduct Claire to take her to the nasty, trash-filled planet she now owns. It's up to Noah, Sahara, and Ogden to cross the cosmos in search of Claire to save her and her strange new world from the evilest body-snatching worms in the galaxy. This time it's going to take a lot more than walrus blubber, cheetah speed, or skunk funk to save the day...it's going to take friendship of the most extraordinary and extraterrestrial variety. Read all The N.O.A.H. Files: I Am the Walrus Shock the Monkey The Dog Days Are Over

A powerful and moving novel of faith, love, and acceptance, from the international bestselling author of The Devil in Jerusalem. Yaakov is a man of God, a father, a Talmud scholar, and a widower. After failing to save his wife's life, he is struggling both financially and spiritually. Lola is a woman from the secular world who has suffered terrible tragedy and hardship in her life. To find her place she has turned to God and the Orthodox community in Brooklyn. She now goes by the name of Leah. Yaakov needs help to keep his home and his children in order; Leah needs a purpose and a place in the Orthodox community. They both need a partner in life, a perfect match. But the instant chemistry they share is fraught with drama and prohibition. Forces are against them while necessity pushes them together. And then there is the possibility - will love win, or won't it?

"There is no privacy more inviolable than that of the prisoner. To visualize that cell in which he is thinking, to reach what he alone knows; that is a blank in the dark." Privileged whites in post-apartheid South Africa, Harald and Claudia Lindgard have managed to live the better part of 50 years without ever confronting the deepest shadows in their culture or in their own souls. Though they conceive of themselves as liberal-minded, neither has ever taken any active political stand; neither has ever been in any black person's home. Harald sits on the board of an insurance company; Claudia is a compassionate doctor. Neither of them has ever been inside a courtroom before; neither has ever been inside a prison. When their architect-son, Duncan, is arrested for murder, both know that the charge is preposterous. But Duncan himself fails to deny his guilt, and his parents are brought by a harsh and ungainly process to accept the possibility that he has committed an unthinkable crime. Nadine Gordimer's The House Gun is a gravely sustained exploration of their long-delayed but necessary descent into an intimate acquaintance with the culture of violence that surrounds them and that is "the common hell of all who are associated with it." The novel is a mystery, but not in the usual sense of the whodunit. Here the question of who quickly gives way to why and thence to other, still deeper quandaries of culpability, both immediate and ultimate. The enigmatic Duncan becomes a dark mirror in which his stunned parents must desperately grope for a new vision of themselves and their world--a vision that will not shatter, as their old one has, under a single blow from reality. Gordimer's prose is mannered and severe; humor is rare, or absent. "As the couple emerge into the foyer of the courts, vast and lofty cathedral echoing with the susurration of its different kind of supplicants gathered there, Claudia suddenly breaks away, disappearing towards the sign indicating toilets. Harald waits for her among these people patient in trouble, no choice to be otherwise, for them, he is one of them, the wives, husbands, fathers, lovers, children of forgers, thieves and murderers." This difficult exposition is the reader's own dark mirror, where we as spectators fumble from one dubious explanation to the next--a twisted reflection always reminding us that, underlying this social tragedy, there is a mystery play in the old sense, and an unanswerable question: What is a human being? Paragraph after paragraph, the reader is led into deeper and deeper perceptions of the sensibilities and the dilemmas of these characters--into a quiet intimacy with their trouble that is sometimes acutely uncomfortable, but which pays off richly in an ending that reconciles our sense of the horror of violence with our desire to believe in the value of each life. --Daniel Hintzsche

The twenty-five years after the Second World War were a lively and fertile period for the American novel and an era of momentous transformation in American society. Taking his title from the Kafka parable about the leopards who kept racing into the courtyard of the temple, disrupting the sacrifice, until they were made part of the ritual, Morris Dickstein shows how a daring band of outsiders reshaped the American novel and went on to dominate American fiction for the rest of the century. In fluid prose, offering a social as well as a literary history, Dickstein provides a wide-ranging and frank reassessment of more than twenty key figures-including Jewish writers like Norman Mailer, Saul Bellow, and Philip Roth; African-Americans such as Ralph Ellison and James Baldwin; colorful emigrés like Vladimir Nabokov; and avatars of a new youth culture, including J. D. Salinger and Jack Kerouac. Disputing the received wisdom about the culture of the Cold War, Dickstein shows why artists turned inward after the war and demonstrates how the writing of the 1960s emerged from the cultural ferment of the preceding decades, including road novels, avant-garde painting, bebop, film, psychoanalysis, and social changes that continue to affect us today.

At birth, Hermes, son of Zeus and the Nymph Maia, says his first word: "Gimme!" In this brilliant, hilarious graphic novel about the mischievous, fun-loving messenger of the gods, Caldecott Medal winner Mordicai Gerstein, transports classical mythology to the 21st century. "The world!" the newly born Hermes says. "It's even better than I expected! I love it! I want it all!" This book is filled with joy, exuberance, and humor. On his first day of life, Hermes manages to trick a turtle into surrendering its shell and a ram into surrendering its horns, thereby inventing the lyre, music, and song! He also manages to steal his brother Apollo's precious cows, but later redeems himself by outwitting the giant brothers Otus and Ephialtes, who have kidnapped Mars. These adventures and more, all derived from classical mythology, are told with great humor as well as a twenty-first century sensibility by the colossally talented Mordicai Gerstein. The art in this graphic novel is truly spectacular, with 250 illustrations, executed by a master artist and filled with unique humor. A Bank Street Best Book of the Year