Provides a well-documented, fascinating survey of threats to Canada s national security, from the Gouzenko affair, which triggered the Cold War, to recent cases of terrorism & industrial espionage, which usher in a new age of high-tech spying & sabotage. The characters featured include Hugh Hambleton, an unassuming professor who brought glamour to his life by giving secrets to the Soviets; Rudi Hermann, who ran a popular restaurant in Toronto & after hours operated the KGB s North Amer. spy network; & Stephen Ratkai who was caught buying info.on submarine surveillance from an undercover agent.

Explore the foundations of scientific thought with Wilhelm Ostwald's "Natural Philosophy," a foundational text in the philosophy of science. Delve into the historical development of scientific method and the quest to understand natural laws. This meticulously prepared edition offers insights into the nature of scientific theories and the very essence of scientific inquiry. Ostwald, a prominent figure in the history of science, examines core philosophical questions surrounding scientific practice. A valuable resource for anyone interested in the philosophy and history of science, "Natural Philosophy" provides a clear and insightful exploration of the concepts that underpin our understanding of the world. Explore the timeless appeal of intellectual investigation into the laws of the universe and discover the historical roots of modern scientific thought. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Quasi una Fantasia contains Adorno‘s own selection from his essays and journalism over more than three decades. In its analytical profundity it can be compared to his Philosophy of Modern Music or his monographs on Berg, Mahler and Wagner. Its themes and references range from Mozart to Boulez, the minuet to the jitterbug. At the book‘s core are studies of the founders of modern music: Mahler, Schoenberg and Berg, as well as sympathetic rediscoveries of Zemlinsky and Schreker. Especially significant is Adorno‘s “dialectical portrait” of Stravinsky, in which he refines the damning indictment he gave in Philosophy of Modern Music. In “Vers une musique informelle” he plots a course for a music of the future” which could take up the challenge of an unrevised, unrestricted freedom.” More unexpecedly, there are moving accounts of earlier works, such as Bizet‘s Carmen and Weber‘s Der Freischutz, along with “Natural History of the Theatre,” which explores the rituals and hierarchies of the auditorium, from dress circle to foyer. Musical kitsch, be it Gounod‘s “Ave Maria” or the “Penny Serenade,” is the target of several of the shorter pieces. Yet even while Adorno demolishes “commodity music” he is sustained by the conviction that music is supremely human because it retains the capacity to speak of inhumanity and to resist it.

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The Jewish Encyclopedia was the first comprehensive collection of all the available material pertaining to the Jews their history, literature, philosophy, ritual, sociology, and biography. Published by Funk & Wagnalls from 1901 to 1906, its successful completion was due to the pluck and determination of its managing editor, Isidore Singer, and to the dedication of its other editors and collaborators, many of whom were world-renowned scholars. Today, the JE has been largely superseded as a reference work, but as a repository of information about Jews and Judaism in the late nineteenth century, it remains a gold mine. Part One of Schwartzs book recounts the lively story of the JEs publication the nascence of the idea, the negotiations with Funk & Wagnalls, the assembling of the board of editors, and the tensions, rivalries, and financial problems that constantly plagued the project. She introduces those who played leading roles in the numerous reviews and announcements that accompanied its publication, and evaluates its significance as the premier cultural event in American Jewish life at the dawn of the twentieth century. In Part Two, an analysis of the JEs contents reveals both the nature and extent of Jewish scholarship at the time and the goals and concerns of those who produced it. As Schwartz demonstrates, the JE marshaled its facts to combat both racial anti-Semitic arguments and Christian polemics. The work summarized, preserved, and expanded upon the results of Wissenschaft des Judentums. It provided the beginnings of a Jewish cultural response to the intellectual challenges of Darwinism and higher biblical criticism. And it presented the unique Reform and modern traditionalist perspectives on Jewish practice and belief. Throughout this fascinating study, Schwartz explores the complex and frequently strong relationships among Jewish leaders. Most importantly, she demonstrates that through its content as well as through the very fact of its publication in the United States and in English, the Jewish Encyclopedia signified the transfer of the center, language, and leadership of Jewish scholarship from the Old World to the New, thus becoming a primary catalyst for the emergence of Jewish scholarship in America.

5-Volume Set. Nicholas Rescher is University Professor of Philosophy at the University of Pittsburgh where he also served for many years as Director of the Center for Philosophy of Science. He is a former president of the Eastern Division of the American Philosophical Association, and has also served as President of the American Catholic Philosophical Association, the American Metaphysical Society, the American G W Leibniz Society, and the C S Peirce Society. An honorary member of Corpus Christi College, Oxford, he has been elected to membership in the European Academy of Arts and Sciences (Academia Europaea), the Institut International de Philosophie, and several other learned academies. Having held visiting lectureships at Oxford, Constance, Salamanca, Munich, and Marburg, Professor Rescher has received six honorary degrees from universities on three continents. Author of some hundred books ranging over many areas of philosophy, over a dozen of them translated into other languages, he was awarded the Alexander von Humboldt Prize for Humanistic Scholarship in 1984. Includes the following: Volume 10, Studies in the History of Logic; Volume 11, Studies in the Philosophy of Science; Volume 12, Studies in Metaphysical Optimalism; Volume 13, Studies in Leibniz's Cosmology; Volume 14, Studies in Autobiography.

From the ancient Book of the Dead to Dante's Divine Comedy , the living have attempted to describe the world of the dead. Tours of Hell focuses on one form of that attempt: the tours of hell found in Jewish and Christian apocalypses of late antiquity and the early Middle Ages. Himmelfarb examines seventeen texts, preserved in five languages and spanning a thousand years of human history. These include Hebrew texts and Christian texts in Greek, Latin, Ethiopic, and Coptic, such as the Apocalypse of Peter and the Apocalypse of Paul family. Muslim texts, medieval visions, and other related literatures are also discussed. Himmelfarb details the common elements of the tour tradition, including such features as a hero or heroine figure, a heavenly revealer, and descriptions of the punishments awaiting those who arrive in hell. She convincingly refutes the accepted nineteenth-century critical view of the earliest of these tours, the Apocalypse of Peter, as a Christian form of an "Orphic-Pythagorean" descent to Hades. She place the work instead on the family tree of the tour apocalypse, a genre she traces back to the third century B.C.E. Book of the Watchers (1 Enoch 1-36). Linking the Apocalypse of Peter with later Jewish tours of hell, Himmelfarb reveals significant sin-and-punishment combinations that seem to point to a common source, which she theorizes to be a lost Jewish Tour work of the late Second Temple period. Rich and fascinating texts seldom before brought to light are treated in detail in this pioneering study. A comprehensive work on the apocalyptic tradition, Tours of Hell will be of great interest to scholars and students of religion, history, ancient and medieval literature, and Dante studies.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. This collection reveals the history of English common law and Empire law in a vastly changing world of British expansion. Dominating the legal field is the Commentaries of the Law of England by Sir William Blackstone, which first appeared in 1765. Reference works such as almanacs and catalogues continue to educate us by revealing the day-to-day workings of society. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T124075 The dedication signed: Da. Logan. [London] : Printed in the year, 1734. [8],408p.,plate : port. ; 8°

""The Idea of War and Peace in Contemporary Philosophy"" by Irving Louis Horowitz is a thought-provoking book that delves into the philosophical concepts of war and peace. The author explores the various ways in which war and peace have been conceptualized by philosophers throughout history, and how these ideas have evolved over time. The book is divided into two parts. The first part focuses on the idea of war, examining the philosophical underpinnings of war and the different ways in which it has been justified or condemned. Horowitz also looks at the role of war in modern society, and how it has been used as a tool for political and economic gain. The second part of the book deals with the idea of peace. Horowitz explores the various philosophical approaches to peace, including pacifism, just war theory, and the idea of a world without war. He also examines the practical challenges of achieving peace in a world that is often characterized by conflict and violence. Throughout the book, Horowitz draws on a wide range of philosophical sources, from ancient Greek thinkers such as Plato and Aristotle to modern-day philosophers like Jean-Paul Sartre and Hannah Arendt. He also includes examples from history and current events to illustrate his points and make the material more accessible to readers. Overall, ""The Idea of War and Peace in Contemporary Philosophy"" is a thought-provoking and insightful book that will appeal to anyone interested in the philosophical concepts of war and peace. It is a must-read for students of philosophy, political science, and international relations, as well as anyone interested in the pressing issues of war and peace in the modern world.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Fascinated by the idea of Western civilization as being a sequence of numerous misinterpretations and misrepresentations, these nineteen essays cover a broad range of topics with the unifying theme being the crossroads where politics and the imagination meet. An essay on linguistics and culture discusses the shaping of Latin America's collective identity; Peru's modern history is approached as a bloody battle between enlightenment and darkness; and in critiques of Octavio Paz and Gabriel García Márquez, Stavans reflects on the dichotomy between pen and sword in the Hispanic world. In 'Letter to a German Friend', Stavans returns to his fate as a Jew in the Southern Hemisphere, and in 'The First Book,' he connects his passion for literature to his initiation into Jewishness. Finally, in a meditation on Columbus's afterlife, he reflects on the many ways in which we reinvent ourselves in order to make sense of the chaotic world that surrounds us.

This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as cinema verite. He offers a revised definition of the essential difference between fiction and documentary, and identifies the ethical base of any film practice which attempts to capture truth.

Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.

Book by Rosenberg, Arthur

In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin . On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly

(Book). Velvel Pasternak, a noted ethnomusicologist and lecturer, has brought the joy of Hasidic music to audiences throughout North America and Israel. The three movements of this book feature Velvel's often-humorous retelling of his music projects with Hasidim, a short overview of their music's essence, and the songs with background stories and annotations. The 70-minute accompanying CD features music examples from the book.

For centuries, the author argues, Christian theology has preached the Cross and denied the tragic reality of the human condition. At the same time the secular world has denied the Cross and absorbed endless acts of violence and disaster. This book is not concerned with the horrors of war and reality of conflict, but with their constant pressure upon Western culture. Starting with the Biblical tradition and recalling the triumphs of the Athenian stage, the author traces the vitality of both through the development of the theatre and of European literature. This survey ends in the 20th century and draws conclusions which are critical of cheap religiosity. It proposes an acceptable synthesis of Christian existence and tragic involvement.