New York has more restaurants listed in the "A" section of the phone book than most cities have all told, which can make choosing a dinner spot an overwhelming experience for locals and out-of-towners alike. Fortunately, acclaimed restaurant critic and James Beard Award-winner Steven Shaw has eaten his way across the Big Apple (and the boroughs!) to bring you the menus from the top restaurants in THE MENU NEW YORK CITY. Accompanying each menu are Steven's expert notes on house specialties, particulars of a chef or cuisine, and all the vitals on getting to and in the establishment. Whether you crave spicy Thai food, the best of New York's famed East Village-Indian fare, or traditional French cuisine. THE MENU NEW YORK CITY presents you with an array of options across the culinary spectrum.

Deals with the relationship between mystics and the religious communities out of which they emerge and of which they are a part.

The most talked-about movie at the 2010 Sundance Film Festival, and the winner of the Teddy Award for Best Feature Film at the 2010 Berlin International Film Festival, The Kids Are All Right was directed by Lisa Cholodenko ( High Art, Laurel Canyon ) from an original screenplay that she wrote with Stuart Blumberg ( Keeping the Faith ). The movie combines comedic surprise with poignant emotional truth in a funny, vibrant, and richly drawn portrait of a modern family. Nic and Jules (three-time Academy Award® nominee Annette Bening and four-time Academy Award® nominee Julianne Moore) are married and share a cozy suburban Southern California home with their teenage children, Joni and Laser (Mia Wasikowska and Josh Hutcherson). Nic and Jules—or, when referred to jointly by Joni,"Moms"—gave birth to and raised their children, and built a family life for the four of them.As Joni prepares to leave for college, 15-year-old Laser presses her for a big favor. He wants Joni, now 18, to help him find their biological father; the two teenagers were conceived by donor insemination. Against her better judgment, Joni honors her brother's request and manages to make contact with "bio-dad" Paul (Mark Ruffalo), an easygoing restaurateur. The kids find themselves drawn to the confirmed bachelor's footloose style—especially in contrast to Nic, a principled doctor who has long established their house rules. Jules, who has been looking to start a new career in landscaping, also strikes up a rapport with Paul.As Paul comes into the lives of the forthright four, an unexpected new chapter begins for them as family ties are defined, re-defined, and then re-re-defined. This Newmarket Shooting Script® Book includes: A Conversation between the Screenwriters Lisa Cholodenko & Stuart Blumberg Complete Shooting Script 8-page Photo Section Complete Cast and Crew Credits

Millions of Studs Terkel fans have come to know the prizewinning oral historian through his landmark books—“The Good War”, Hard Times, Working, Will the Circle Be Unbroken?, and many others. Few people realize, however, that much of Studs’s best work was not collected into these thematic volumes and has, in fact, never been published. P.S. brings together these significant and deeply enjoyable writings for the first time. The pieces in P.S. reflect Studs’s wide-ranging interests and travels, as well as his abiding connection to his hometown, Chicago. Here we have a fascinating conversation with James Baldwin, possibly Studs’s finest interview with an author; pieces on the colorful history and culture of Chicago; vivid portraits of Studs’s heroes and cohorts (including an insightful and still timely interview with songwriter Yip Harburg, known for his “Brother, Can You Spare a Dime”); and the transcript of Studs’s famous broadcast on the Depression, the very moving essence of what was to become Hard Times. A fitting postscript to a lifetime of listening, P.S. is a truly Terkelesque display of Studs’s extraordinary range of talent and the amazing people he found to talk to.

The author shares his memories of growing up in Chicago and anecdotes about the city and its inhabitants.

Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really even look like?! And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and popular culture Bordo probes the complexities of one of history's most infamous relationships. In her inimitable, straight-talking style Bordo dares to confront the established histories, stepping off the well-trodden paths of Tudoriana to expertly tease out the human being behind the myths.

In this provocative book, Susan Bordo untangles the myths, ideologies, and pathologies of the modern female body. Bordo explores our tortured fascination with food, hunger, desire, and control, and its effects on women's lives.

A study of the Women's Liberation Movement and the development of feminism during the latter half of the twentieth century. It is written by the author of AGAINST OUR WILL: MEN, WOMEN AND RAPE.

An intimately charged novel of desire and disaster from the National Book Award-winning author of Trust Exercise and Flashlight Regina Gottlieb had been warned about Professor Nicholas Brodeur long before arriving as a graduate student at his prestigious university high on a pastoral hill. He’s said to lie in the dark in his office while undergraduate women read couplets to him. He’s condemned on the walls of the women’s restroom, and enjoys films by Roman Polanski. But no one has warned Regina about his exceptional physical beauty—or his charismatic, volatile wife. My Education is the story of Regina’s mistakes, which only begin in the bedroom, and end—if they do—fifteen years in the future and thousands of miles away. By turns erotic and completely catastrophic, Regina’s misadventures demonstrate what can happen when the chasm between desire and duty is too wide to bridge.

Americans rank crime among the most urgent of social concerns. Overflowing prisons and public outcry have led many to propose that the criminal justice system could control crime more effectively by focusing on dangerous offenders. Recent social studies have suggested that serious criminality is highly concentrated and that high-rate offenders can be distinguished from others on the basis of prior criminal conduct, drug abuse, and employment record. Such studies urge judges to shift from rehabilitative sentencing to selective incapacitation, with longer prison sentences for convicted criminals who are deemed unusually dangerous. In response to these recommendations, some prosecutors' offices have established career criminal units designed to assure that repeat offenders will be prosecuted to the full measure of the law. Some police departments are experimenting with "perpetrator-oriented patrols" targeted on suspected high-rate offenders. The authors of this major book in criminal jurisprudence describe and analyze the intellectual and social challenge posed to public officials by this new thrust in criminal justice policy. They develop a framework for evaluating policies that focus on dangerous offenders. They first examine the general issues that arise as society considers the benefits and risks of concentrating on a particular category of criminals. They then outline how that approach might work at each stage of the criminal justice system--sentencing, pretrial detention, prosecution, and investigation. This cogently argued book provides much needed guidance on the crucial questions of whether sharpened attention to dangerous offenders is just, whether such a policy can be effective in managing the problem of crime, which applications seem particularly valuable, what the long-term risks to social institutions are, and what uncertainties must be monitored and resolved as the policy evolves.

Employs diaries, biographies, interviews, artwork, literature, psychology, and historical documents to illustrate the role of gender, sexuality, aspirations, and public personae in the causes and effects of war.

From Pulitzer-Prize-nominated author Susan Griffin comes an unprecedented, provocative look at the dazzling world of the West’s first independent women, whose lively liaisons brought them unspoken influence, wealth, and freedom. While they charmed some of Europe’s most illustrious men honing their social skills as well as their sexual ones, the great courtesans gained riches, power, education, and sexual freedom in a time when other women were denied all of these. From Imperia of sixteenth-century Rome, who personified the Renaissance ideal of beauty; Mme. de Pompadour, the arbiter of all things fashionable in eighteenth-century Paris and Versailles; Liane de Pougy, known in France during the Belle Epoque as “Our National Courtesan”; to Sarah Bernhardt, who, following in her mother’s footsteps, supported herself in her early career with a second profession, The Book of the Courtesans tells the life stories and intricacies of the lavish lifestyles of these women. Unlike their geisha counterparts, courtesans neither lived in brothels nor bent their wills to suit their suitors. They were strong- willed, autonomous, and plucky. An open secret, their presence can be felt throughout our culture. The muses who enflamed the hearts and imaginations of our most celebrated artists, they were also artists in their own right. They wrote poetry and novels, invented the cancan at the Moulin Rouge, and presented celebrated acts at the Folies Bergères. They helped to influence and shape the sensibility of modern literature, painting, and fashion. When Greek sculptor Praxiteles wanted to depict Venus he used a famous courtesan as a model, as in later centuries Titian, Veronese, Raphael, Giorgione, and Boucher did when they painted goddesses. When Marcel Proust was a young man it was the courtesan Laure Hayman who took him under her wing, introducing him to the right people, and providing inspiration for one of literature’s greatest masterpieces. And they often had considerable political influence too. When King Louis XV needed advice on foreign affairs or appointments of state he turned to Jeanne du Barry as well as Pompadour. In her witty and insightful prose, as Griffin celebrates these alluring and fascinating women, she restores a lost legacy of women’s history. She gives us the stories of these amazing women who, starting from impoverished or unimpressive beginnings, garnered chateaux, fine coaches, fabulous collections of jewelry, and even aristocratic titles along the way. And through a brilliant exploration of their extraordinary abilities, skills, and talents which Griffin playfully categorizes as their virtues "Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm" her book explains how, while helping themselves, through their often outrageous, always entertaining examples, the great courtesans not only enriched our cultural heritage but helped to liberate women from the social, sexual, and economic strictures that confined them. Intensively researched and beautifully crafted, The Book of the Courtesans delves into scintillating but often hidden worlds, telling stories gleaned from many sources, including courtesans’ memoirs, presented along with stunning rare photographs to create memorable portraits of some of the most pivotal figures in women’s history.

An account of the story of the New Testament's arch-villain and his history over the past 2000 years in which Gubar links Christian anti-Semitism with Christianity's attempt to grapple with transcendent evil.

First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

'An ambitious and engrossing investigation of the moral legacies which stubbornly refuse to pass' Brendan Simms As the western world struggles with its legacies of racism and colonialism, what can we learn from the past in order to move forward? Susan Neiman's Learning from the Germans delivers an urgently needed perspective on how a country can come to terms with its historical wrongdoings. Neiman, who grew up as a white girl in the American South during the civil rights movement, is a Jewish woman who has spent much of her adult life in Berlin. In clear and gripping prose, she uses this unique perspective to combine philosophical reflection, personal history and conversations with both Americans and Germans who are grappling with the evils of their own national histories. Through focusing on the particularities of those histories, she provides examples for other nations, whether they are facing resurgent nationalism, ongoing debates over reparations or controversies surrounding historical monuments and the contested memories they evoke. It is necessary reading for all those confronting their own troubled pasts.