Zusammenfassung: In the middle of Amsterdam stands a house on a canal. Over the course of 400 years, the building has seen many residents from poor families to wealthy couples, and those hiding from persecution. Like the family of a young Jewish girl, who wrote in her diary of the "old house on the canal". The girl's name was Anne Frank, and her diary became world-famous.

This study traces the origins of Hebrew prayer among the Jews and explains how the first volumes of formal Jewish liturgy emerged. It describes in a lively and thought-provoking manner the leading rites and personalities of medieval Jewish worship and explains how the various interpretations of Judaism in the modern world have responded in their own way to the challenge of dialogue with the divine. Existing theories are challenged and new theories offered, and the result will make liturgical research accessible to modern readers.

Analyzes the communal organization, political affiliations, and cultural contributions of Vienna's Jews from 1848 to World War I. After 1848, Jewish emancipation became an issue in party politics. Jews identified with the Austrian Liberal Party, with the Emperor and Germanism, in all of which they saw safeguards of Jewish emancipation. Analyzes the antisemitism of Schönerer's Pan-German Party, which found many adherents at the University of Vienna, and of Lueger's Christian Social Party. Describes the cautious reactions of Jewish officials, who supported the Liberal Party even in defeat and in the face of that party's desertion of the Jewish cause; the more nationalist faction led by Rabbi Joseph Samuel Bloch, a member of the Austrian parliament from 1884-95 and a militant fighter against antisemitism; and the Austrian Israelite Union set up in 1886 to encourage pride in Jewish identity and combat antisemitism. Surveys the role of antisemitism in the rise of Zionism. Suggests that the surge of antisemitism in Vienna, rather than the Dreyfus case, was responsible for Herzl's concern with the "Jewish question". Analyzes the Jewish self-hatred of Karl Kraus and Otto Weininger, and the role of Jewish identity and antisemitism in the life and work of Freud, Schnitzler, and other Austrian Jewish writers.

Analyzes the causes of the anti-Jewish violence of the First Crusade. The spiritual revival and rapid growth of the 10th-11th centuries led both to Church reform and the Crusades, an attempt to direct feudal violence against the enemies of the Church. Under the impact of popular frenzy and loss of control by the papacy, the traditional Church doctrine of both denigration and toleration of the Jews broke down. The crusading bands' ideological motivation is reflected in contemporary Hebrew chronicles and in two Christian accounts. Discusses the Jewish response of martyrdom in preference to conversion. Contends that 1096 was not a turning-point - the destroyed communities were quickly resettled, and in later Crusades anti-Jewish excesses were prevented by the Church. The massacres indicated a change in Christian attitudes, including the view of Jews as enemies of Christendom, ritual murder accusations, and the demand for the Jews' total destruction or conversion. The appendix (pp. 223-297) contains an English translation of the texts of the two chronicles.

The Jewish attachment to Zion is many centuries old. Although the modern Zionist movement was organized only a little more than a century ago, the roots of the Zionist idea reach back almost 4,000 years, to the day that the biblical patriarch Abraham left his home in Ur of the Chaldees to settle in the promised land The Historical Dictionary of Zionism is an excellent source of information on Zionism, its founders and leaders, its various strands and organizations, major events in its struggle, and its present status. By showing the movement's strengths and weaknesses, it also acts as a corrective to overly idealistic comments by its supporters and the wilder claims of its opponents. A much more realistic understanding is offered in the Introduction, which presents and explains the movement; the Chronology, which shows its historic progression; the Dictionary, which includes numerous entries on crucial persons, organizations and events; and the Bibliography, which points the way to further reading.

Modiano's debut novel is a sardonic, often grotesque satire of France during the Nazi occupation. We are immediately plunged into the hallucinatory imagination of Raphael Schlemilovitch, a young Jewish man, torn between self-aggrandisement and self-loathing, who may be the heir to a Venezuelan fortune, may have lived during the Nazi Occupation, may have rubbed shoulders with the most notorious collaborators and anti-Semites of the time, may even have been the lover of Eva Braun...or he may have been none of these things. But at the centre of this vortex is 'La Place de l'Etoile' - the Place of the Star - which is both the geographical and moral centre of Paris, and that place next the heart where French Jews were compelled to wear the yellow star, the symbol of their persecution.

In 1931 Worcester, Massachusetts, Joey Singer, the teenaged son of Jewish immigrants, suffers with his family through the early part of the Great Depression, trying to finish high school, working a milk delivery route, marching on Washington, and eventually even becoming a hobo, all the while trying to figure out how to go to college and realize his dream of becoming a writer. Includes author's note about the Depression.

The aesthetics and concepts of modern art have influenced American television ever since its inception in the 1930s. In return, early television introduced the public to the latest trends in art and design. This engaging catalogue is the first book to comprehensively examine the way avant-garde art shaped the look and content of network television in its formative years, from the 1940s through the mid-1970s. -- Page [4] of cover.

Dual language - German original with English translations on facing pages. For much of her lifetime, and for decades after her death, Mascha Kaleko was a forgotten poet. With his publications, Andreas Nolte has played a role in changing this. To him, she personifies an all-too-typical example of a German-Jewish artist who was marginalized, intimidated, expelled into exile, and then forgotten. What adds to her obscurity is that her life's intriguing story is not well known, unless one speaks German and can read her poems, or what little has been written about her. This book provides a significant number of translated poems and biographical information from every stage of Kaleko's remarkable life in Berlin, New York, and Jerusalem to an English-speaking audience. Her story and her powerful poetry need to be heard: they shine a light on the darkest of times in the last century and remind us of the lessons that history teaches us.

Author Mark Braverman shows how the Jewish quest for safety and empowerment and the Christian endeavor to atone for centuries of anti-Semitism have combined to suppress the conversations needed to bring about a just and lasting peace in the Holy Land. Fatal Embrace charts Braverman's journey as an American Jew struggling with the difficult realities of modern Israel. The book vividly describes the spiritual and psychological forces driving the discourse and is a call to action to Americans of all faiths.

In this volume, scholars from the United States, Israel and Eastern Europe examine the history of the Holocaust on Soviet territory and its treatment in Soviet politics and literature from 1945 to 1991. Of special interest to researchers will be chapters on some of the major research sources for historical study, including census materials, memorial books, archives and recently released documents.

Josephus (A.D. 37-?100), a pro-Roman Jew closely associated with the emperor Titus, is the earliest systematic commentator on the Bible, as well as one of the foremost historians of the beginning of the Christian era. Politically, Josephus was pro-Roman, and although he had no sympathy for extreme Jewish nationalism, he was a zealous defender of Jewish religion and culture. Louis H. Feldman examines the principles that guided Josephus in his understanding of the Bible, investigating his creative contribution in the rewriting of biblical accounts. This comprehensive study evaluates Josephus as a historian and demonstrates the originality and consistency of his work as an author. The first part of Feldman's work attempts to understand Josephus's purposes and techniques in retelling the Bible. The second part reviews Josephus's treatment of twelve key biblical figures. In addition to its reevaluation of an important early historian, this unique compendium provides a mine of information on the reassessment of the most important biblical figures.

The immense service that Langer's careful, thoughtful, immensely intelligent and restrained study renders is that the esthetics of atrocity cease to be an exclusive domain of the victims. Many of his writers are not Jewish and several were not imprisoned or interned, and yet all of them have been driven by the death-camp universe. The atrocity of that time and the atrocities that have succeeded Auschwitz represent a continuity that may almost be called a new tradition, one in which the phantasmagoric and horrific is real and the gentle and generous a prodigy to be remarked with amazement. " The Holocaust and the Literary Imagination is a pioneering work of criticism for it impels us, readers and writers alike, to inquire after the basic paradox: how can literature delight and transfix or warn and modify a humanity from whom nothing is hidden, nothing prohibited, for whom nothing is shocking or unreal." -Arthur A. Cohen, New York Times Book Review "A stimulating, perceptive study of the literature of the Holocaust.... Langer's examination of possible stylistic approaches to the subject, from the delicate whimsy of Aichinger to the graphic bestiality of Kosinski's The Painted Bird is in each case detailed and subtle." - The New Republic

Explores how the concept of settler colonialism provides a clearer understanding of the Zionist movement's project to establish a Jewish state in Palestine, displacing the Palestinian Arab population and marginalizing its cultural presence. Halper argues that the only way out of a colonial situation is decolonization: the dismantling of Zionist structures of domination and control and their replacement by a single democratic state, in which Palestinians and Israeli Jews forge a new civil society and a shared political community. To show how this can be done, Halper uses the 10-point program of the One Democratic State Campaign as a guide for thinking through the process of decolonization to its post-colonial conclusion. --From publisher description.

Throughout the nineteenth century, legal barriers to Jewish citizenship were lifted in Europe, enabling organized Jewish communities and individuals to alter radically their relationships with the institutions of the Christian West. In this volume, one of the first to offer a comparative overview of the entry of Jews into state and society, eight leading historians analyze the course of emancipation in Holland, Germany, France, England, the United States, and Italy as well as in Turkey and Russia. The goal is to produce a systematic study of the highly diverse paths to emancipation and to explore their different impacts on Jewish identity, dispositions, and patterns of collective action. Jewish emancipation concerned itself primarily with issues of state and citizenship. Would the liberal and republican values of the Enlightenment guide governments in establishing the terms of Jewish citizenship? How would states react to Jews seeking to become citizens and to remain meaningfully Jewish? The authors examine these issues through discussions of the entry of Jews into the military, the judicial system, business, and academic and professional careers, for example, and through discussions of their assertive political activity. In addition to the editors, the contributors are Geoffrey Alderman, Hans Daalder, Werner E. Mosse, Aron Rodrigue, Dan V. Segre, and Michael Stanislawski. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation, as well as through the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. By selectively revisiting canonical pre-1990 films and amply representing films of the new millennium, Movie-Made Jews illuminates an American Jewish film tradition that includes jazz singers, pawnbrokers, and serious men. It also features those who tremble before G-d, who commit crimes and misdemeanors, who declare Hineini, Here I Am, who do whatever works, who leave and then return to Delancey Street and Liberty Heights. In these pages, those who might be identified as "just Jews" reside alongside those who are traditionally-and sometimes untraditionally-observant. Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis of what appears onscreen as well as what happens behind the scenes during production and how audiences respond to what they view, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it's a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews"--

Traces the relationship between nationalist ideology and the normative manners, morals, and sexuality of modern Europe which emerged at the end of the 18th century. Discusses the view that "outsiders" - homosexual, insane, criminal, or Jewish - were abnormal, and the equation of racial degeneracy with sexual degeneracy. Some homosexuals, wishing to prove their masculinity, attacked Jews and embraced racism. In Weimar Germany, sexual decadence was blamed on the Jews. Ch. 7 (pp. 133-152) deals with the relationship between sexuality and antisemitism in Germany and in Nazi thought.

First published in 1997, Inventing Memory is about four generations of remarkable women from a Jewish-American family-their triumphs, tragedies, scandals, and love affairs-as related by Sara Solomon, the youngest of these women. While trying to chronicle their history, the story becomes essentially hers, as she comes to understand the nature of memory, the way all of us both invent and assimilate our ancestors. In learning about the women in her family, Sara discovers how to create her own future.

In Morning Has Broken: Faith after October 7th, Erica Brown braids personal reflections and Jewish texts about faith, unity, pain, and hope during this war in Israel and in response to antisemitism everywhere.

Through the analysis of several commemorative acts in space, matter and image, namely museums and memorials, this book reflects on the ways in which architecture as a discipline, a practice and a discourse represents the Holocaust. In doing so, it problematises how one presents an extreme historical case in a contemporary context and integrates the historical into actuality. By examining several cases, the book defines the issues faced by various architects who dealt with this topic and discuss their separate and distinctive approaches. In each case, it analyses the ways in which the cultural and political contexts of commemoration led to a different interpretation of the condition. Focusing on the Ghetto Fighters' House, the world's first Holocaust museum; Yad Vashem, Israel's national Holocaust memorial in Jerusalem; the U.S. Holocaust Memorial Museum in Washington, and the Holocaust Memorial in Berlin, the book discusses how the representation of history by architecture creates a dialectic process in which architecture mediates the past to the present, while at the same time creating a present saturated with historical contexts. It shows how, together, they are incorporated into one another and create a new reality: past and present intertwined.