In 1990 the Department of Graphic Arts at the Louvre made their holdings available to guest curators for a program called Parti Pris , or "Taking Sides". In this program, major cultural figures outside of the discipline of art history organized exhibitions based on the department's collection. Within its first several years, this novel collaboration produced exhibitions curated by philosopher Jacques Derrida and filmmaker Peter Greenaway. Jean Starobinski, noted literary critic and intellectual historian from the University of Geneva, was selected as the third curator in the program. In his exhibition and accompanying essay, Starobinski explores the theme of largesse in its broadest sense. Arguing that gift giving and receiving are fundamental human gestures, he examines graphic and textual representations from the offering of the apple to Eve to Salome's gift of the head of John the Baptist, from the giving of laws to the gift of death. Charity, the poetic gift, and the benefits of Fortune all play a role in Starobinski's extended meditation on the act of donation. Lavishly illustrated and dazzling in its scope and imagination, Largesse is an exemplar of the rich intellectual work that can result from crossing disciplinary boundaries and considering history as a dense network of themes and allusions.

Art and Text in Roman Culture is a collection of specially commissioned essays exploring the interface between words and images in the Roman world. The relationship of pictures and writing is complex and fascinating. Essays by ancient historians, literary critics and classical art historians examine a range of themes from ekphrasis to epigraphy, from the problems of modern to those of ancient reproduction, from mimesis to self-fashioning, from the cultural meanings of children and death in imperial Roman art to the significance of torture and images of women. The aim of this volume - a sequel to Art and Text in Ancient Greek Culture edited by Simon Goldhill and Robin Osborne (1994) - is to offer a series of commentaries and reflections on different kinds of interaction between images and writing in Rome, in order to enrich the critical debate within Classical art history.

An essential reference book to the most important and relevant publications on the control of information in the United States, it includes books and articles on every aspect of this highly topical subject--from philosophical theory to the freedom of the press. It is the first bibliography to deal exclusively with this area and will be of interest to all those concerned with research in journalism, law, communications, and general American history.

The forty-nine poems in Let Me Drown With Moses are not for those who think of religion as another name for self-help. They are for those who still believe in a God who wrestles. For those who think faith should challenge as much as it comforts. For those who would follow a prophet chest-deep into the Red Sea, even before the waters part.Drawing on imagery from scripture and Mormon history, Let Me Drown With Moses gives voice to the spiritual longing of a people and does its own small part to keep religion a living language in the 21st century.

As president of the World Bank, James Wolfensohn managed operations in almost 150 countries and was responsible for tens of billions of dollars in aid to the world's poorest nations. During his ten years and visits to more than 120 countries, Wolfensohn tirelessly drew the world's attention to the need to provide hope and a better future for the world's poor. He transformed the World Bank, made it more open and transparent, and integrated the views of the poor into development planning. He also changed the face and the character of an institution that was previously seen by many as heartless and arrogant. By describing the challenge of development in terms of people, and not only numbers, Wolfensohn put the spotlight back on the World Bank's real purpose fighting global poverty and helping the world's poor forge a better life. 'Voice for the World's Poor' brings together the most important and inspiring speeches and writings by James Wolfensohn during his time as World Bank president. Spanning all ten years of his presidency (1995-2005), the book presents Wolfensohn's most stimulating and thought-provoking ideas on critical global issues including poverty, debt relief, corruption, HIV/AIDS, climate change, human rights, and globalization. Written during some of the most tumultuous times in recent history, Wolfensohn addresses and examines key global events and issues, from Bosnia's reconstruction, the Asian financial crisis, and the rise of the antiglobalization movement to the terrorist attacks of September 11, 2001, the aftermath of the Iraq war, and the outpouring of help for the victims of the tsunami of December, 2004. Over 100 speeches, essays, and letters chart Wolfensohn's thinking on development and his emergence as an advocate and voice for the world's poor. This book will be an invaluable resource for anyone interested in international relations, international development, the World Bank, and James Wolfensohn himself.

Ivan Margolius introduces a number of architects who, throughout history, have found inspirational techniques and discovered solutions to structural problems within their architectural projects.

Here, in Klima's own powerful words, is the motivation behind his writing - the necessity to bear witness to his country's turbulent history. In the title essay of this collection of essays, Klima invokes the spirit of the city that has shaped and sustained him: ironical, cultural, accustomed to adversity but full of hope. A city which has spawned and inspired Milan Kundera, Josef Skvorecky and Pavel Kohut.

Product Description Ivan Klima has been acclaimed by Booklist as "one of the most important literary voices of Eastern Europe, on a par with Havel, Konrad, and Haraszti." His novels Waiting for the Dark, Waiting for the Light and The Ultimate Intimacy have established him as a writer with a uniquely wry perspective on human affection. In Lovers for a Day, he delivers a beautiful and masterfully crafted collection of short stories on the theme of love. In "Heaven Hell Paradise," a doctor who has escaped to London comes back to communist Czechoslovakia to be with his lover and realizes too late that he barely knows her. And in "A Baffling Choice," a young woman begins an affair with an older man who lives in her apartment building, right under the nose of his wife. The dreams and frustrations of the student cafeteria and the turmoil of political exile in the early 1960s evolve into portraits of people struggling with responsibility, fidelity, and absence, haunted by a terrible guilt when their desires begin to become reality. Klima's unique wisdom creates a personal political history of Prague that is an acute and moving examination of our attempts to find freedom in love. Amazon.com Review Ranging over nearly three decades, the stories collected in Ivan Klíma's Lovers for a Day offer a fine cross section of the Czech writer's career. Yet the book also traces the misunderstandings and frustrations, the hopes and disenchantments of an entire nation--where, ironically enough, Klíma's creations were banned until the mid-1990s. How does this fictional barometer work? The earlier tales, which tend toward dissections of private life, seldom mention the Communist regime--yet their protagonists are so thoroughly warped by political circumstance that even love becomes an avatar of control and constraint. In the later, post-perestroika stories, Klíma's characters explore their newfound freedom. Yet that, too, turns out to be something of a mixed bag, in both the public and private sector. No wonder the judge in "It's Raining Out" finds his new beat--divorce court--nearly as dispiriting as the old regime's political trials: He would divorce couples on grounds of infidelity or mutual incompatibility. Some of them were husbands and wives who had stopped living together long ago, but in spite of that, he could never rid himself of the conviction that most of the divorces were unnecessary, that people were attempting to escape the inescapable: their own emptiness, their own incapacity to share their lives with another person. For Klíma's countryman desire represents a zone of freedom: an assertion of the unique self in the face of a collective state. For Klíma, alas, eros is yet another venue for repression. Suggesting that national politics might inscribe itself onto the deepest contours of the individual, he's able to write about both at once. It's a grim equation, perhaps. But Klíma's mastery of the medium, and his rare emotional intelligence, make for a superb exposition of love among the ruins. --Burhan Tufail From Publishers Weekly Sophisticated readers may expect to admire anything new from the justly revered Czech novelist (Waiting for the Light, Waiting for the Dark). Many of them will be disappointed with these 12 short stories. Klima's tales are sorted into three unequal sections: "Lovers for One Night" collects five stories from the 1960s, while "Intimate Conversations" and "About Love and Death" hold seven from the '80s and '90s. All these dejected fictions concern the success or failure of hopeful myths of intimacyAbut they are not equally successful. The fiction from the '60s tends to drown in involuted rhetoric; sometimes it's trite, other times it's supercharged with languid enervations and prominent symbolism through which the characters barely appear. It's hard to know whether the translator or Klima is responsible for such clunky prose as "She knew everything. She knew precisely why it was w

Eagle Minds —a selection from the correspondence between the Canadian composer and scholar Istvan Anhalt and his American counterpart George Rochberg—is a splendid chronicle and a penetrating analysis of the swerving socio-cultural movements of a volatile half-century as observed by two highly gifted individuals. Beginning in 1961 and spanning forty-four years, their conversation embraces not only music but other forms of contemporary art, as well as politics, philosophy, religion, and mysticism. The letters chronicle the deepening of their friendship over the years, and the openness, honesty, and genuine warmth between them provide the reader with an intimate look at their personalities. A fascinating intellectual tension emerges between the two men as they record their individual responses to musical modernism, to changing political and social realities, and to their Jewish heritage and sense of place, one as a son of Ukrainian immigrants to the United States, the other as a refugee from war-torn Hungary. Allowing us a privileged glimpse into the private lives and thoughts of these fascinating men, Eagle Minds is a valuable tool for scholars interested in North American composers in the late twentieth century and essential reading for anyone interested in the cultural and social history of that era.

Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. Zangwill was initially educated in Plymouth and Bristol. At age 9 he was enrolled in the Jews' Free School in Spitalfields in east London. Zangwill excelled here. He began to teach part-time at the school and eventually full time. Whilst teaching he also studied with the University of London and by 1884 had earned his BA with triple honours in philosophy, history, and the sciences. His writing earned him the sobriquet "the Dickens of the Ghetto" primarily based on his much lauded novel 'Children of the Ghetto: A Study of a Peculiar People' in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter. As a writer he was keen to reflect on his political and social outlooks. His simulation of Yiddish sentence structure in English aroused great interest. His mystery work, 'The Big Bow Mystery' (1892) was the first locked room mystery novel. Zangwill was also involved with narrowly focused Jewish issues as an assimilationist, an early Zionist, and later a territorialist. In the early 1890s he had joined the Lovers of Zion movement in England. In 1897 he joined Theodor Herzl (considered the father of modern political Zionism) in founding the World Zionist Organization. Zangwill quit the established philosophy of Zionism when his plan for a homeland in Uganda was rejected and founded his own organisation; the Jewish Territorialist Organization. Its stated goal was to create a Jewish homeland in whatever territory in the world could be found for them. Amongst the challenges in his life he found time to write poetry. He had translated a medieval Jewish poet in 1903 and his volume 'Blind Children' in 1908 shows his promise in this new endeavour. 'The Melting Pot' in 1909 made Zangwill's name as an admired playwright. When the play opened in Washington D.C., former President Theodore Roosevelt leaned over the edge of his box and shouted, "That's a great play, Mr. Zangwill, that's a great play." Israel Zangwill died on 1st August 1926 in Midhurst, West Sussex.

With our American Philosophy and Religion series, Applewood reissues many primary sources published throughout American history. Through these books, scholars, interpreters, students, and non-academics alike can see the thoughts and beliefs of Americans who came before us.

The classic novelization of one of Broadway’s most enduring and beloved musicals, updated with a beautiful new cover. Maria is young and innocent and has never known love—until Tony. And Tony, searching for life beyond the savagery of the streets, has discovered love for the first time with her, too. But Maria’s brother is the leader of the Sharks and Tony had once led the rival Jets. Now, both gangs are claiming the same turf and with tensions rising to the point of explosion, it seems there is no way to stop a rumble. Tony promised Maria that he would stay out of it. But will he be able to keep his word or will their newfound love be destroyed by violence or even death? Evocative and unforgettable, this novelization brings out all of the depth, drama, and beauty of one of the most enduring stories in the history of American theater.

Sets and Numbers for the Very Young This boy has two cars with which he hears, One nose that he blows. Two lips with which he sips. Two hands on which he sometimes stands. This girl is on her way to school. Her clothes are clean and neat. She has two hats upon her head. And one shoe on her feet. Ears, lips, hands, feet, fingers, hats, shoes-all come in sets. Many things come in sets. They may be sets of ten or two, one or three or a thousand. A number tells how many. With sets and numbers you learn about adding and taking away, about matching and comparing, about putting together and taking apart, about left and right, about before and after, about counting. Open this book and begin to see all that you can learn from sets and numbers. About the Authors IRVING ADLER, whose book The New Mathematics was the first on its subject for the adult general reader, wrote this book for very young children with his wife Ruth. The holder of a Ph.D. in pure mathematics from Columbia University, Irving Adler was an instructor in math at Columbia as well as at Bennington College and was formerly head of the mathematics department of a New York City public high school. His wife Ruth taught mathematics in public schools In the Greater New York area. Ruth Adler died in 1968, one year prior to the publication of this book by The John Day Company. Irving Adler had 87 titles to his name when he passed away in 2012, at almost 100 years of age. His books were published in 31 countries, in 19 different languages. About the Illustrator PEGGY ADLER is the daughter of Irving and Ruth Adler and author of BearManor's Peggy's Puzzles - Volume One (2023) and Pallenberg Wonder Bears - From The Beginning (2022). Previously, she authored the 2019, award winning pictorial history, Images of America CLINTON (Arcadia) and five books for New York City publishers (The John Day Company & Franklin Watts). Additionally, Ms Adler illustrated two dozen books and provided art for the Bronx Zoo; the Humane Society of the United States; Little, Brown & Company and many others. She also coordinated the 1969 World Premiere of Butch Cassidy and the Sundance Kid for 20th Century Fox and in 1991, served as a consultant to the U.S. House of Representatives' October Surprise Task Force. She's a Marquis Who's Who Albert Nelson Marquis Lifetime Achievement honoree; a 2001 recipient of the Association of Former Intelligence Officers' General Richard G. Stilwell Award; a former police commissioner; and currently chairs the Town of Clinton, Connecticut's Historic District Commission.

The studies comprising this volume, most of them appearing for the first time in English, deal with some of the main topics in Maimonides' philosophy and that of his followers in Provence. At the heart of these topics lies the issue of whether they adopted a completely naturalistic picture of the workings of the world order, or left room for the volitional activity of God in history. These topics include divine law, creation, the Account of the Chariot, prophet and sage, Mosaic prophecy, reasons for the commandments, and prayer. Special attention is paid to three lesser known but highly significant Provençal Jewish thinkers: Moses Ibn Tibbon, Levi ben Avraham, and Nissim ben Moses of Marseille.

The first book in Bromley House Editions, reprinting important Nottinghamshire writers from the past. A gritty historical novel set in the lace industry. Mr Penny, who works on the factory floor, hates the mill masters, so much so that he learns the trade and sets up on his own outside of Nottingham, outside of the reach of trade unions. He undercuts the old fashioned bosses, becoming a rich man and marrying his old boss's daughter.Hilda Lewis is well known from her OUP children's classic, The Ship that Flew. Several of her other historical fiction books are now available from The History Press/NPI

These papers are concerned with the theory, history, sources, relationships of international law with municipal law, subjects of international law, recognition, succession, jurisdiction, territory, state responsibility, the individual, treaties, international organisations, settlement of disputes and the law of war and neutrality. This first or general volume includes the English text of a general course of lectures on international law which Hersch Lauterpacht delivered at the Hague Academy of International Law in 1937 and the chapters on the general part of international law which he prepared for the new edition of Oppenheim's International Law on which he was working at the time of his death.

Breaking new ground in the study of Spinoza's philosophy, the essays in this volume explore the extent to which Spinoza may be considered a Jewish thinker. The rich diversity of Spinoza scholarship today is represented here by a wide range of intellectual methods and scholarly perspectives—from Jewish philosophy and history, to Cartesian-analytic and Continental-Marxist streams of interpretation, to the disciplines of political science and intellectual history. Two questions underlie all the essays: How and in what measure is Spinoza's a Jewish philosophy, and what is its impact on the project of Jewish philosophy as a living enterprise now and for the future? The contributors' varied perspectives afford a highly nuanced vision of the multifaceted Judaic tradition itself, as refracted through the Spinozist lens. What draws them together is the quest for enduring insights that emerge from the philosophy of Spinoza.

"Holocaust denial can be viewed as another form of hatred against Jews and restricting it can be understood as a way of preventing hate speech. Germany has made it a crime punishable by law. Other European countries have adopted similar laws. While the rationales for criminalizing speech seems reasonable, Lewy asks readers to look again and to consider carefully the dangers of doing so. His discussion neither dismisses the ramifications of genocide denial nor justifies it; he instead looks closely at the possible risks of government-enforced interpretations of history. By outlawing genocide denial, governments set a precedent for dictating historical 'truth' and how events should be interpreted. Such government restrictions can be counterproductive in a democratic society that values freedom of speech. Lewy examines these and related ideas through the analysis of historical and current examples."--Publisher's Web site.

This is the tragi-comic account of one man's life through the fate of his teeth; from the loss of his first milk tooth swallowed by his father in a prison camp, to the eventual fixture of a set of dentures. Devoting each chapter to a particular tooth, the unnamed narrator charts fifty years of East European history.Having worked in numerous guises and a miscellany of trades and professions which involve journeys across the globe, our hero struggles with the demands and transformations of his body and, more importantly, his teeth. In each city he visits he seeks out dentists from his homeland. Key moments of his life and indeed the last half-century have uncanny parallels with his dental state of health. Swept up in the agitated course of history he becomes involved in secret plots and covert missions, whilst on a personal level he engages in endless affairs and ceaseless reflection on the meaning of life.The reader may follow the story according to various different sequences.

The Real Report appeared under the pseudonym 'Censor' when Sanguinetti, a former member of the Situationist International, mailed his brilliant fake to 520 elite Italian industrialists, academics, journalists and politicians in 1975. Posing as a cultured Italian aristocrat and with a sweeping knowledge of history, classical literature, politics and military strategy, 'Censor' sounded like a conservative from another era, an heir to Dante and Machiavelli, counseling his executive peers in response to autonomous workers' strikes that were sweeping the country. Having been deported from France in 1971 and freshly released from jail on false weapons charges, Sanguinetti succeeded in causing a scandal while laying bare the secret machinations of the state and covert manipulation of terrorist groups by the intelligence services. Translated for the first time in English, by Len Bracken, with a translator's preface and appendix.